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[ATTENDED: September 8, 2023] Phoenix

Wolfgang Amadeus Phoenix is a fantastic album–wonderful French synth pop with insanely catchy choruses.

When they were announced as  co-headliner with Beck, I was pretty excited to check them out.  I didn’t know anything about their live show, but I figured I’d know a bunch of songs.

We arrived at the Mann Center and got to our seats about three minutes before Phoenix came on.  And what timing because they opened with the amazingly catchy “Lisztomania” which got everyone on their feet and singing along.  This pairing seemed to work really well as it felt like people were there for both bands and not just one or the other.

The stage was set up like a frame.  And as soon as the song kicked in, the frame was revealed to be a digital screen.  And Phoenix had a ton of fun with this setup.  Each song had a video or a scene behind it.  And most of them looked completely realistic.

So the band was playing in an opulent room, or on a classical ruin or a deserted wasteland.  Or, there were optical illusions floating around behind them.  It was amazing.  And it looked incredible.

I was also surprised at how many songs I didn’t know.  I just assumed it would be hit after hit.  And maybe it was an I just don’t know the hits.  But they played three songs from their debut album United which I had never heard of.

The band was set up so that on the ground level there were four of them: Thomas Mars – lead vocals ; Deck d’Arcy – bass, keyboards ; Laurent Brancowitz – lead guitar, keyboards ; Christian Mazzalai – guitar.  Granted I’m not sure who was who–I don’t think I’ve ever even seen a picture of them before.  On the upper level were the two touring musicians: Robin Coudert – keyboards, percussion ; Thomas Hedlund – drums.  These two were amazing to watch, especially Hedlund who was an absolute maniac on the drums.  In fact, I tend to think of Phoenix’s music as being not all that interesting drumwise–it’s pretty standard beat-keeping for the drums.  But Hedlund was great–fills, standing up and crashing the drums.  And when Coudert played snare along with him it was so loud!

They did an amazing job of mixing up the setlist.  With several songs from Wolfgang up front including in a mashup with a United song, Too Young/Girlfriend.

Phoenix has a new album out with some great songs on it, and they waited before playing them.  It took five songs to bust out “Alpha Zulu” Ooh ha, saying Hallelujah!   Followed soon after by “After Midnight.”  Then they moved on to “Armistice” (yet another song from Wolfgang).  The slow repetitive middle was a perfect lead in to the following song which I understand is a Phoenix live favorite

It is known as “Sunskrupt” and it’s a mashup of “Love Like a Sunset” from WAP and “Bankrupt” from Bankrupt.  The video behind them was incredible.  It started with a man lying on a grassy spot.  The camera then zoomed out and the distance was listed on the side (10,000 meters, 100,000 meters). It continued to pull back, into outer space, through the milky way to over a million light years away.  The the song hit a climax and the song picked up with the camera zooming back in, all the way to the man again and then closer and closer–.o1 millimeter down to millionths of an ångstrom, where I’m assuming we could see a red blood cell?  It was amazing.

Someone had been holding up a sign for “Funky Squaredance,” an early song that I didn’t know.  Well, they played a medley of that with another early song.  On stage came a personification of death who Mars sang to.  When the song ended, death was holding his head! Crazy

They played the super catchy “Tonight” from the new album and then one more new song before playing another medley from Bankrupt and then getting the entire crowd psyched for a terrific sing along of “1901.”

It was fantastic.

And just when we thought the show was over, the band started playing an instrumental (Identical) and Thomas Mars headed out to the audience.  I assumed he would stop before he got to us, but he climbed over the seat back, literally right next to my wife (we were both too surprised to get any good pictures).  Then he climbed all the way to the back of the seated area and walked around up there until he came back down the other side and then climbed on some people’s shoulders in the main front area.

What a show.  I can’t imagine the stops they pull out of they are the headliners!

 

  1. Lisztomania ψ
  2. Entertainment $
  3. Lasso ψ
  4. Too Young µ / Girlfriend ψ
  5. Alpha Zulu @
  6. Ti Amo
  7. After Midnight @
  8. Armistice ψ
  9. Sunskrupt! **
  10. If I Ever Feel Better µ / Funky Squaredance µ
  11. Tonight @
  12. Winter Solstice @
  13. Rome ψ
  14. Trying to Be Cool $ /Drakkar Noir $
  15. 1901 ψ
  16. Identical (reprise) @

ψ Wolfgang Amadeus Phoenix (2009)
µ United (2004)
@ Alpha Zulu (2022)
$ Bankrupt! (2013)
♥ Ti Amo (2017)
** Mashup of “Bankrupt” and “Love Like a Sunset”

[DID NOT ATTEND: September 12, 2023] The Spirit of the Beehive / Mary Jane Dunphe

I saw The Spirit of the Beehive six years ago and they were outstanding live.  I’d never heard of them before that show but they blew me away with their set which was a great mix of shoegaze and noise.  I said then that I’d like to see them headline a show.

Well, here they are.  But it’s the same night that we have tickets to see Beck and Phoenix.  So, sorry SOTB.

It turns out that the show has sold out, so they didn’t me anyway.

Mary Jane Dunphe is a poet and musician who tells stories–not through direct narrative but through embodied presence and performance, through cinematic and fragmented memory, the wild transmission of feeling. Her versatile songwriting has garnered critical acclaim in past projects such as the visceral punk of Vexx and Gen Pop, the minimal dream pop of CCFX and CC Dust, and the lonesome country-rock of The County Liners–and now Dunphe’s debut solo album, Stage of Love, is the start of a captivating new chapter.

I listened to a couple of her songs and I like the big fat synth sounds she uses but I don’t really like her voice.  I feel like I wouldn’t enjoy her set.

 

[DID NOT ATTEND: September 8, 2023] The Tallest Man on Earth/Andrea von Kampen

Last year, after many failed attempts, I finally got to see The Tallest Man on Earth–Kristian Matsson, a Swedish folksinger with a great guitar picking style and a deep powerful gritty voice.

It was a fun show only marred by the very vocal drunks behind me who talked during the show and then sang along really loudly to the words they knew.

I thought it would be fun to see him again–and to hopefully be in a different spot than the drunks this time.  So I grabbed a ticket.  Completely not realizing that I had already purchased tickets to see Beck/Phoenix tonight.

Alas.

Andrea van Kampen is an American folk singer.  She has a gentle fingerpicking style and a nice voice that reaches to a powerful falsetto.

[ATTENDED: September 6, 2023] Battles

Back in 2007 my friend Lar told me that he saw Battles in concert.  I was really impressed by the video he sent and really liked their unusual sounds.  The band was originally a four-piece.

Sixteen years later and I have finally seen Battles live.  I had kind of forgotten about them, even though I did really like their first few records.  But seeing them as the opening act made me even more excited to go to this Mr. Bungle show.

Battles is the working of two guys.  In my opinion, it is drummer John Stanier who is the star of the show.  Even though Ian Williams is the guy making most of the actual music, Stanier is right up at  the front of the stage with Williams and he is incredible to watch as he smashes his drums with everything he’s got.

Basically, Stanier (who used to play with Helmet and Tomahawk, so you know he has heavy bonafides) sits to our left with his small Tama kit.  He’s got an electronic pad that adds all kinds of good stuff.  And one cymbal which is insanely high up in the air.  It’s almost comically out of the way.  Why?  In 2011 he said Continue Reading »

[DID NOT ATTEND: September 8, 2023] Weyes Blood / Sir Chloe

When this show was announced, I was really excited for it.  Beck always puts on a good show and Phoenix have some really fantastic songs.

I saw that our opening acts were going to be Weyes Blood, whom I heard put on a great live show and Sir Chloe, who I knew a little bit.

Well, it turns out that this show was scheduled to start at 5:30.  On a Friday.  In Philadelphia.

So, yea, there was no way were going to see Sir Chloe.

And then the forecast was so ugly!  Thunderstorms near us and in Philly.  The Mann Center closes or postpones if there is lightning.  So we weren’t even sure if we were going to go at all.

I was pretty sure we would not see Weyes Blood either, but by the time we left (and made sure that we weren’t going to drive all the way there and then find out it was cancelled), I realized we would be lucky to make the beginning of the Phoenix show.

I like to blame the Mann Center for any delays when I go to shows there. But there was no fault of theirs tonight.  Parking was even (relatively) easy and unlike at Phish shows, the line to get in wasn’t very long at all.  In fact, no complaints about the Mann in any way.  It has made me rethink my overall desire to not go there for shows.  Maybe I just need to go to less popular shows. Continue Reading »

[DID NOT ATTEND: September 7, 2023] Ex Hex / Slomo Sapiens

Ex Hex is a kind of indie supergroup comprised of Mary Timony (Helium, Wild Flag) and Betsy Wright (from Bat Fangs who I saw and liked).  The third member is drummer Laura Harris.

Ex Hex is the most commercial sounding music Timony’s made and I actually found their first album a little boring.  They were kind of straight ahead punk pop songs that might have been revolutionary in the 90s but felt kind of staid in 2014.

The newer album, the one they are touring (which actually came out in 2019) is a little more complex and more interesting as a result.  I would have been rather interested in going to this show.  Unfortunately, I only found out about it early this afternoon and there was no way I could get to it.  Oh well.

Slomo Sapiens continues the tradition of great band names from Philadelphia.  I didn’t know much about them, but they are described as a psychedelic “sludge rock” trio, which sounds pretty good to me.

I’ve listened to a couple of songs and psychedelic sludge rock is right on the nose.

[ATTENDED: September 5, 2023] Speedy Ortiz

I saw Speedy Ortiz back in 2018 at a sold out PhilaMOCA show )I was right in front of Sadie Dupuis).  Their show was great–a fan-favorite selection of songs from throughout their career.

It had been five years since they released a new album and they were celebrating by playing the entire album at our show (the only show they were likely to do so).  [I didn’t know that until she told us].

I had heard a few of the new songs at the Free at Noon show, but this one promised to be so much better.

And so, they played Rabbit Rabbit start to finish.  There were a few moments where she joked about what a pain it was to tune between songs (which is why most bands don’t play the album straight through–they group songs with similar tuning together to minimize drag.

I had listened to the album about three times, so it wasn’t familiar but I recognized many moments.

The band is mostly the same.  Of course, Sadie Dupuis is the main force–her guitar playing is excellent and complex and her voice sounds amazing.  Andy Molholt is still with them playing lead guitar and more.  I especially enjoyed Audrey Zee Whitesides (now a full time member of the band) absolutely screaming backing vocals on a couple of songs.

What was great about seeing the album live like this is that songs that hadn’t quite grabbed me yet on a listen were really powerful live.  Sadie said “Cry Cry Cry” was her favorite song on the record, and after she said that I paid more attention to it and it was great.

Speedy Ortiz doesn’t do encores, so instead they played three older songs to wrap up the night–one from each of the the previous full lengths.

I like Twerp Verse the best so I liked hearing “Buck Me Off”  And “Raising the Skate” is a great song off off Foil Deer.

The final song of the night was “Plough” a great song from their debut–the only bummer about that is that’s what they ended their Free at Noon set with as well.  But that’s a very minor complaint because it’s a killer song.

They have gotten a new drummer since five years ago Joey Doubek has replaced Mike Falcone and unless I am very much mistaken, Doubek hits the drums a whole lot harder.  I feel like he adds a very heavy element to these songs.

Hearing the album like this was really great and I’ve enjoyed it even more after seeing it live.  There are of course other songs I would have loved to hear (made a super long encore?), but I enjoyed this set a lot.  And when I see that in other cities they play maybe 7 or 8 songs (out of 13) off of Rabbit, I feel especially lucky.

 

Johnny Brenda’s 2023 Free at Noon 2023 PhilaMOCA 2018
Kim Cattrall ¥ The Graduates Buck Me Off
You S02 ¥ Scabs ¥ Lean In When I Suffer
Scabs ¥ Ghostwriter ¥ Lucky 88
Plus One ¥ Silver Spring Raising The Skate
Cry Cry Cry ¥ Plus One ¥ The Graduates
Ballad of Y & S ¥ Lucky 88 Silver Spring
Kitty ¥ You S02 ¥ Plough
Who’s Afraid of the Bath ¥ Plough Alone With Girls
Ranch vs. Ranch¥ I’m Blessed
Emergency & Me ¥ Taylor Swift [single]
The Sunday ¥ You Hate The Title
Brace Thee ¥ Moving In
Ghostwriter ¥ Villain
Raising The Skate €            * Swell Content
Buck Me Off * “Silver Spring” was Dvrk Wvrld
Plough on setlist

 

¥ Rabbit, Rabbit (2023)
⇓ Twerp Verse (2018)

€ from Foil Deer (2015)
♠ from Major Arcana (2013)
⊗ from Sports EP (2012)
[single] from (2012)

 

[ATTENDED: September 5, 2023] Washer

I hadn’t heard of Washer before this show.  Turns out they are a duo–another duo who can make a good holy racket with just guitar (or bass) and drums.  Washer is Mike Quigley: guitar, vocals and bass and Kieran McShane: drums.

Quigley setup right in front of me (off to the side of the stage a bit), so I couldn’t really see McShane all that well.  Of course, the lighting was super dark so I couldn’t see him much anyway.

They started with a slow song, “King Insignificant” with Quigley playing guitar quietly and McShane keeping time.  It sounded good, and not at all like it was missing anything.  But then about 90 seconds into the song, McShane went bonkers on the drums and the song ended in a furious punk rock screamfest and they sounded massive.

Washer clearly don’t have time for things like solos.  Some songs barely have time for a chorus.  They played the first four songs of their newest album–two of which are 90 seconds long and two of which are just over two minutes.  And I liked each one better than the next,

They dipped into a couple of other new songs, but  they also played some older ones as well. Continue Reading »

[ATTENDED: September 5, 2023] Hurry

I was supposed to see Hurry open for two previous shows.  A Restorations show that was cancelled because of COIVD and a Nada Surf show that I didn’t go to because it was the same night as something else.

I was positive about them, but a little dismissive as well.  Perhaps it took them to release their newest album Don’t Look Back for them to perfect their blend of perfect Nada Surf/Teenage Fanclub pop songcraft.  Indeed, their album is named after a Teenage Fanclub song.

Originally, the project was a solo venture for Matt Scottoline who played bass in another band.  Scottoline has a knack for simple pop hooks and songs that you can’t help but tap your toes to.  The rest of the band is Rob DeCarolis: Drums; Joe DeCarolis: Bass; Justin Fox: Lead Guitar and , a fifth member who (amusingly) sang occasional backing vocals and banged a tambourine but mostly just seemed to hold a drink in his hand.  Turns out this guy was Ian Farmer of Modern Baseball (and owner of their record label) who sat in for this whole set.

I was sucked into their music right from the get go.  The melodies and harmonies were wonderful.  All of the songs were from this new album (which came out last month).  The only exceptions were “When I’m with You” (which is their biggest hit and was features in two TV shows a few years ago) and “Don’t Look Back” the Teenage Fanclub song that they got their album name from. Continue Reading »

[LISTENED TO: November 2022] Sinister Magic

I’m not sure what attracted me to this author.  I suppose she came up on my Chirp Audiobook suggestions and I was looking for something a little different.

I like fantasy, but sometimes it gets too much up its own world building of for me to get into the story.  I hadn’t really read much urban fantasy, but from the little I’ve read, I rather like it.  The stories feel contemporary and feature alternate-reality takes on things we already know.  And I rather like that.

Linday Buroker is a self-published author.  This typically raises a red-flag, but this book has almost 10,000 ratings on Goodreads, so it’s not like no one is reading her.  She is also absurdly prolific as you can see by the massive chart down below.

But what hooked me on this series was narrator Vivienne Leheny.  I don’t know much about her, but I absolutely loved her voices, her tone and her ability to really get sarcasm across (Buroker’s characters are very sarcastic).  And, amazingly, Leheny seems to read most if not all of Buroker’s books.

So, in summary, the main character is Val Thorvald.  As she says, “I’m an assassin.”  But she’s not that kind of assassin.  She only goes after “magical bad guys.”   When magical bad guys come to earth, she takes care of them. Permanently.

This doesn’t make her popular with the rest of the magical community.  But thanks to her half-elven blood, a powerful sword named Chopper, and a telepathic tiger with an attitude, she’s always been able to deal with any threats that come her way. Continue Reading »