SOUNDTRACK: BRENDAN PERRY-Live at KEXP, July 26, 2011 (2011).
Brendan Perry was the mastermind behind Dead Can Dance, one of the more influential bands on the 4AD label. I really haven’t listened to them in ages (goth is so 1990s), but I was delighted to see that Robin Guthrie and Brendan Perry performed a live set at KEXP.
There’s an interview explaining what Perry has been up to since his last solo album (in 1999)–he has a new one from 2010 that was just released in the States. He explains a lot about his early musical career and his interests (and living in New Zealand). But the magic really comes when he starts singing. And sadly his set has only two songs: “Song to the Siren” and “The Carnival is Over.”
Indeed, I had forgotten what a great, resonant voice Perry has. It is instantly recognizable and brought me back to Dead Can Dance immediately. “Song to the Siren” is a Tim Buckley cover, which he (and others) recorded for This Mortal Coil’s It’ll End in Tears album. This version has Robin Guthrie on guitar.
The other song, “The Carnival is Over” is a Dead Can Dance song (from Into the Labyrinth). This song is piano and strings and is immediately recognizable as a Dead Can Dance song. I admit it’s not as moving as the Tim Buckley song but that would be hard to accomplish (what is it about Guthrie’s echo pedal that is so amazing?). Nevertheless, it’s a great reunion and wonderful to hear his voice again.
[READ: July 19, 2011] Modelland
When I was at BEA, there was a lengthy line forming at one of the publisher’s tables. I found out that it was for Tyra Banks, who was making a “surprise” appearance. I certainly wasn’t going to wait for her, but after a few minutes, I heard people saying that she would be coming momentarily. So I hung out and when she arrived with her entourage, I snapped a few pictures and left.
A few days ago, my former co-worker Sandy came to work and left me a [signed!] copy of this excerpt (she had waited for Tyra and got her autograph). I really had no intention of reading the book, but I was delighted to have a copy of it. In the interest of embarrassing full disclosure, Sarah and I watch ANTM. However, in our defense, we FF just about every time someone speaks. We basically like it for the photo shoots and the final pictures. But we both feel that Tyra is a looney-tunes egomaniac.
But seeing the book on our table made me have to read it.
So how good could this book possible be, especially when the main character is named (seriously) Tookie de la Crème (and her sister is named Myrracle). Oh and holy cow Tyra’s own introduction says that this is the first book in a trilogy! Good grief.
The summary of the story is:
Welcome to Modelland, where every girl dreams of the beauty and glamour of the Land on the top of the mountain. Every girl but one.
Right.
Well, surprise, surpise…the story is actually quite interesting. (more…)




Thursday I went to BEA–Book Expo America. I wasn’t all that thrilled to go this year as last year was kind of a drag (and publishers were stingy). But this year I had a very good time.
By the time I got there it was already 11. But I was thrilled to see that at that moment Mo Willems (we own all of his books, and my kids are huge fans of Pigeon and Elephant & Piggie) was signing posters for his new book. He signed a poster for Clark (only one per person, sorry Tabitha). And then over the course of the day I managed to lose the poster (sorry Clark).
SOUNDTRACK: My Volkwagen Jetta hates The Beatles. 
SOUNDTRACK: RUSH-A Farewell to Kings (1977).
Although I recently said that Caress of Steel is one of my favorite Rush albums, I’m really torn between a number of their albums from the 1970s. I’ve loved A Farewell to Kings since the time I got it: it’s over the top, and it showcases all of the band’s strengths.
SOUNDTRACK: BLUE OYSTER CULT-Club Ninja (1986).
My roommate Glen is the only person that I know who not only owned this record but also played it a lot. No doubt it was his relentless playing of this disc that now leads me to think of it rather fondly, even if it is pretty poorly regarded as far as BOC discs go.
SOUNDTRACK: BLUE ÖYSTER CULT-Agents of Fortune (1976).
After the release of their first official live album On Your Feet or On Your Knees, it’s unsurprising that the band would put a concert photo on the back cover of this disc (On Your Feet…was their first Top 40 disc).
SOUNDTRACK: BLUE ÖYSTER CULT-Secret Treaties (1974).
With Secret Treaties, BOC moved into the stratosphere. The first three tracks are outstanding. “Career of Evil,” again cowritten by Patti Smith, sets the tone: heavier, louder, more guitars and yet, no less of Allen Lanier’s piano. “Dominance and Submission” is an absolutely classic heavy metal song (and live, it gets absurdly long).
SOUNDTRACK: LES CLAYPOOL-Of Whales and Woe (2006).
Although I was a little disappointed with Of Fungi and Foe, I enjoyed it enough to want to track down Of Whales and Woe, since it seemed to be generally better received. What’s interesting about this disc is that it sounds a lot like Primus, except that rather than guitar, other various instruments have been substituted to accompany Les’ bass. And since one of the instruments is the saxophone, (and there’s no guitar) this album sounds (at times) like beloved Morphine (with a much funkier bass and completely un-sexy vocals).