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Archive for the ‘Union Transfer’ Category

[ATTENDED: October 26, 2016] Shannon Wright

2016-10-25-20-43-31My friend Andrew got us tickets to see Shellac. When I looked to see who was opening, the site listed “Shannon Wright.”  I had never heard of her.  I had t laugh that the blurb on Shellac was literally two sentences.  While Wright’s was 8 large paragraphs.

It made me excited to see her, but I had no idea what to expect.  And then she came out with just her guitar (and flashbacks to Kishi Bashi’s opener Twain came hurtling at me).

But Wright was no Twain.  She started with a looped guitar melody–rather pretty.  And then she turned it off–that appears to be her “tuning music” because once she started playing–it sounded nothing like that loop.

Wrights play a very aggressive guitar–she doesn’t strum of pick so much as pluck those string so that they slap back against the guitar.  Her low notes are percussive and her high notes are painful.  She uses no pick, so it really emphasizes this abrasive style.  Her songs have a very steady rhythm on the low notes–very easy to bob your head (or in some cases seriously headbang) along to, while the melody gets hammered out on the high strings. (more…)

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[ATTENDED: October 4, 2016] Kishi Bashi

2016-10-04-22-03-10This is our third time seeing Kishi Bashi, and our second time seeing him with our friends Liz and Eleanor.  We all saw him together the first time when he opened for Rodrigo y Gabriela.  And they were hooked just like we were.  They have since seen him with his string quartet, which we didn’t.  I’ve liked him so much solo that I didn’t know if I wanted to see others playing with him.  Well, Tuesday’s show was a full band and it was phenomenal.

He is an amazing solo performer with his loops and improv and his fantastic stage presence.  But when he has other people to play off of, he completely soars.  And, since he was the headliner, he added a great light show (and confetti!).  And it also mean that even though we had heard these songs live before, in this setting they were completely reworked and different.

Kishi Bashi’s newest album is the disco-infused Sonderlust in which he more or less switches from his signature violin to keyboards.  But the music, while quite different from his earlier records is still very Kishi Bashi–that voice and those melodies are unmistakable. (more…)

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[ATTENDED: October 4, 2016] Twain

2016-10-04-20-30-56 Kishi Bashi has been an opening act for two great bands that I’ve seen.  So I was really curious to see who his opening act would be.  I’d looked up Twain online but all I got from the brief glimpse was that it was a duo from Brooklyn.

When we got to the venue, there were some big drums and keyboards around the stage and I thought maybe they belonged to Twain.

Well, indeed, they did not, for in this show Twain was just one guy and his guitar (actually two guitars).

And his first song was very disconcerting.   Lyrically, Twain seems to come from the state-everything-I-see school of lyrics.  He mixes this with a hippy world view and a pretty big obsession with death.  And his delivery is stark and sharp and, yes, pretty unpleasant. (more…)

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[ATTENDED: April 7, 2016] Gogol Bordello

2016-04-07 22.47.46It was two years ago that I saw Gogol Bordello and I put them on my list of bands to see again–their live show was that much fun.  So they played two nights at Union Transfer.  I chose the first night (Thursday rather than Friday) although I’m not exactly sure why.  I think it turned out to be the right choice because Friday night’s show sold out and if my show was intense, I can’t imagine what a sold out show is like.

This show was part of their tenth anniversary tour.  Not ten years since the band formed, but ten years since their first big album, Gypsy Punks (which was recorded by Steve Albini!).  And their plan was to play that entire album, and some other songs.  I only found out about this entire album thing a few days ago.  It turns out that it’s the GB album I don’t own (I don’t own their earlier ones either), so I had to quickly scramble to see what songs were on it.  Well, it turns out that most of those songs have been played live or appeared elsewhere, so I knew a pretty good amount of them.  Phew.

They came out to roars from the crowd and they launched right into the lead off track from the album.  “Sally” features some intense screaming from one of the women in the band, and one of the women came out and supplied it for the song.  And I knew that this set was going to be a lot of fun. (more…)

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[ATTENDED: April 7, 2016] Xylouris White

xylourisI saw Gogol Bordello a few years ago and the show was fantastic.  For many bands, seeing them once is enough, but for GB, I had to see them again.  So I was pretty psyched that they were going to play at Union Transfer an excellent club in Philly.

When I looked on their site, they said that the opening act was going to be Jessica Hernandez & The Deltas.  I checked out their stuff and it was good.  But that must have been for a previous tour, because when I got there, the listed opening act was Xylouris White.  I couldn’t even imagine what that meant, much less how to say it.

So imagine my surprise when the band came out and it was a guy (with crazy hair) on drums and then a guy with crazier hair and a big beard on what turned out to be a Cretan lute.  And that was it. (more…)

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[ATTENDED: October 2, 2015] Built to Spill

2015-10-02 23.54.05 As I mentioned, I was supposed to see Built to Spill back in 2001 (11 days after 9/11).  I didn’t feel like going into the city or listening to live music so I didn’t go.  I recently learned that they did play that night.  And I’ve seen their set list.  And I think I’m probably happy I didn’t go.  I preferred going to this show with only the preconceived notion that my friend Jay has seen them about a dozen times (and met Doug Martsch) after a show) since I introduced him to them just a couple of years ago.  So I was pretty psyched.

But I was not as psyched as the two guys who run up next to me (I could touch the stage) just giddy with excitement that “the legend” was going to be just five feet away from them.  It sounded like they might have had a present for him (but who knows what that meant).  They talked about the set list they were sure he would play.  And they nearly melted when he came out on stage.  I don’t think I’ve ever seen quite that much adoration at a show.  It seemed almost teeny bopperish to me, which I find especially amusing since Martsch is an old balding guy with a big beard who barely looks like he ever smiles.

But then there he was, indeed just a few feet from me. And that was pretty awesome. (more…)

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[ATTENDED: October 2, 2015] Helvetia

2015-10-02 21.51.07After Clarke finished his set, he removed his tambourine from the hi hat and took his guitar.  And then Helvetia came out and used the same tiny drum set.  It turns out that there is all kinds of connectivity between Clarke, Helvetia and Built to Spill.  Clarke’s record was released by Brett Netson’s label.  Brett Netson is the second guitarist for Built to Spill.  And, as it turns out, the bassist and third guitarist for Built to Spill (Jason Albertini and Jim Roth) are the two guitarists for Helvetia.

I had never heard of Helvetia.  So imagine my surprise that they released their 8th (!) album that night.

As the band was setting up, Zeke Howard, the drummer, projected a cool swirling pattern on his drum head.  Which I can assume only we in the front could see since his kit was so small (see the swirl here).  About mid way through the set, the projector had moved a bit and I think a helpful fan straightened it out for him. (more…)

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[ATTENDED: October 2, 2015] Clarke and the Himselfs

2015-10-02 20.45.59Friday night was going to be my first time seeing Built to Spill and my first time going to Union Transfer, the fabled Philly venue.  I couldn’t believe the show started at 8:30 and there would be 2 opening acts.  I estimated getting home at 2AM which proved to be accurate.

I’d never heard of either opening act so I didn’t mind if I got there a little late.  But as it turned out, there was no traffic and I wound getting there about 20 minutes early.  Which was cool since there was hardly anyone there.  In fact, there was a row of people leaning against the stage and that was it (and a lot more in the bar and balcony) .  So I staked my claim near the stage and waited for Clarke. (more…)

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