Feeds:
Posts
Comments

Archive for the ‘Union Transfer’ Category

Bedouine (Union Transfer, Philadelphia PA, April 16, 2018) [WAXAHATCHEE]

Posted in Bedouine, Feminism, Hurray for the Riff Raff, Philadelphia, PA, Union Transfer, Waxahatchee on April 16, 2018| Leave a Comment »

[ATTENDED: April 16, 2018] Bedouine

When I bought the tickets for Waxahatchee I don’t think I knew who Bedouine was.  Then I saw her on NPR and was absolutely struck by her. I don’t really know what it was, something about her singing style I’m sure, but she was mesmerizing.

So I was really excited to see her live.  I didn’t really even know that much about her:

She was born Azniv Korkezian but chose the artist name Bedouine from the Arabic-speaking Bedouin people, who wander the Middle Eastern desert as nomads.  Azniv herself was born in Aleppo, Syria to Armenian parents; she grew up on an American compound in Saudi Arabia. Her family moved to the U.S [when she was] age 10.

Azniv came out on stage with her guitar and a glass of water and an electric candle on a stool.

She began singing and for 30 minutes we were enveloped in a feeling of warmth and good tidings.  Ironically, she herself was cold up on stage (it was pretty chilly that April night) and she had to warm her hands up after almost every song (the electric candle was no help).

Despite fact that she plays a very quiet guitar and her voice never rises above a quiet deepness, and despite the fact that the headliners were noisier bands, she commanded the room.

She had no set list (and no capo, she lamented after a few songs).  She played seven or eight songs including a couple of new ones.  There was even one song that did not have a name yet (she was looking for suggestions).  I’m looking forward to what she picks.

Her style doesn’t deviate all that much between songs, but her lyrics are interesting and there’s her voice–you can hear virtually every breath as she exhales.  It’s really wonderful.  I enjoyed that she has a song called “Nice and Quiet” which sums up her style quite well.

But despite the dark lighting and reasonably serious subject matter, she was fully engaged with us.  I was only two people from the stage and it often felt like she was singing to each of us individually.  She even made some jokes to the audience: “This song is like one beat faster, so hold on to your hats.”

She also thanked us for coming early and listening to songs we didn’t know.  But “Solitary Daughter” drew quite a reaction of familiarity which made her smile.

I don’t have a setlist, but I’m pretty sure she played

  1. You Kill Me
  2. Nice and Quiet
  3. Back to You
  4. Skyline
  5. new song
  6. Solitary Daughter
  7. Dusty Eyes
  8. One of These Days

There’s a fascinating interview with her on World Cafe.  She talks about working as a sound editor for reality TV before she started singing .  It’s fascinating to hear that she worked on: Cutthroat Kitchen; Catfish: The TV Show and The American Baking Competition.  She describes it as a little soul sucking.

Glad she left that life for this one.

Read Full Post »

Screaming Females (Union Transfer, Philadelphia, PA, March 5, 2018)

Posted in New Brunswick, NJ, Philadelphia, PA, Screaming Females, Union Transfer on April 5, 2018| Leave a Comment »

[ATTENDED: April 5, 2018] Screaming Females

It’s ironic, I suppose, that Screaming Females are a band from New Brunswick, NJ (not far from me) who apparently plays (or once played) lots of basement shows and unnamed clubs in that city, but I traveled all the way to Philly to see them for the first time.

I’m not the kind of person who gets invited to secret underground shows, and that’s fine.  I’ll happily see a band in a great venue with a rowdy crowd.

The focus in Screaming Females is centered on Maria Paternoster because she is a stellar guitarist and a compelling singer and front woman.  But we mustn’t forget King Mike Abbate on bass and Jarrett Dougherty on drums who have made up the band since the beginning.  All three were there in fine roaring form, working like a tight machine. (more…)

Read Full Post »

Thou (Union Transfer, Philadelphia, PA, March 5, 2018) [SCREAMING FEMALES]

Posted in Britney Spears, Philadelphia, PA, Screaming Females, Sunn O))), The Subdudes, Thou, Union Transfer on April 5, 2018| Leave a Comment »

[ATTENDED: April 5, 2018] Thou

I was unfamiliar with Thou before this show.  Reviews were pretty interesting so I was really intrigued to hear them.

Gregory Heaney from All Music wrote “the band’s sound blends the shuddering heaviness of doom with the oppressive atmospherics of black metal, giving the band a monolithic sound that feels, at times, inescapable.”

And nothing could be more accurate.  Thou are loud.  Really loud.  I have seen Sunn O))) who are possibly the loudest band on the planet and Thou was more inescapable.  And I did not find it enjoyable, possibly because I was unprepared.

Musically the band is rather interesting.  They play heavy doom metal, but they have complex (and heavy) chords and riffs–sometimes with the bassist playing counterpoint.  Their riffs were slow, but the notes they played were not always the obvious choice.   (more…)

Read Full Post »

+HIRS+ (Union Transfer, Philadelphia, PA, April 5, 2018) [SCREAMING FEMALES]

Posted in +HIRS+, Against Me!, Alice Bag, Garbage, Major Lazer, Philadelphia, PA, Robin, Rock duo, Screaming Females, Union Transfer, Vice on April 5, 2018| Leave a Comment »

[ATTENDED: April 5, 2018] +HIRS+

+HIRS+ (pronounced “heers”) is a collective. According to their website: “We are infinite and never ending. A collective of freaks and faggots that will never stop existing.” But mainly the band is made up of two semi-anonymous individuals, best friends JP on vocals and beats and Esem on guitar.

And their slogan is “LOOKS LIKE HELL. SOUNDS LIKE SHIT. QUEER AS FUCK.”

Incidentally, the band just released their first full length, which is currently streaming on NPR.  It is 14 minutes long–20 songs–and features guest contributions from Laura Jane Grace (Against Me!), Shirley Manson (Garbage), Marissa Paternoster (Screaming Females), Alice Bag and more.

Vice describes their set so aptly:

A quick listen to one of their songs – and it will be quick, as most of their tracks don’t stretch for longer than 30 seconds – will definitely do the trick: Sample from a movie. Heavy blastbeats. Fast and pounding guitar riffs. Screamed, mostly unintelligible vocals. Repeat. If you’re seeing them live, the typical +HIRS+ set will last maybe ten intensely chaotic, fun minutes.

That’s a lot of talk for a set that lasted no more than 15 minutes.  But their set was one of the most incredible things I’ve seen. (more…)

Read Full Post »

Superchunk (Union Transfer, Philadelphia, PA, March 4, 2018)

Posted in Allison Crutchfield, Katie Crutchfield, Philadelphia, PA, Sebadoh, Superchunk, Union Transfer on April 4, 2018| Leave a Comment »

[ATTENDED: April 4, 2018] Superchunk

I’ve been a fan of Superchunk for what seems like ever.  Their music is reliably punky and poppy.  Fun, sometimes funny, with clever lyrics and always a big hook.

I’ll admit that their music sounds pretty samey, but there is something to be said about that.  After they put out their 2001 album Here’s to Shutting Up, they didn’t exactly go on hiatus, they just kept a low profile for a half a dozen years or so, releasing limited edition records and such.  When they returned in 2007 I realized just how much I’d missed them.

When I saw that they were playing Philly I knew it was time to go see them.

It was really cool that the band was the (nearly) original members: Mac McCaughan of course, Jim Wilbur on guitar (he joined after their first album) and Jon Wurster on drums (he joined after the third album)–they’re both bonafides!  The only one missing was bassist Laura Ballance.  She plays on the albums but because of her hyperacusis, she no longer tours.  So, on bass we had Jason Narducy who has played with anybody who is anybody. (more…)

Read Full Post »

Swearin’ (Union Transfer, Philadelphia, PA, April 4, 2018) [SUPERCHUNK]

Posted in All Dogs, Allison Crutchfield, Katie Crutchfield, Philadelphia, PA, Superchunk, Swearin', Union Transfer, Waxahatchee on April 4, 2018| Leave a Comment »

[ATTENDED: April 4, 2018] Swearin’

I was so excited to see Superchunk, I didn’t really care who opened for them.  But I was rather excited to see that Allison Crutchfield’s band Swearin’ was reuniting for this tour.

I didn’t know the band, but in the past year or so I have heard (and liked) more and more from Allison Crutchfield and her sister Katie Crutchfield (Waxahatchee).  It’s not fair to lump them together, but they were in a band together at one point and Allison has toured with Katie’s band, so I think it’s fair to discuss them in the same paragraph.

But this show was all about Allisson (and Swearin’ co-founder Kyle Gilbride, who might be overshadowed somewhat in the Crutchfield love).  On drums was original drummer Jeff Bolt and on bass was their friend Amanda Bartley (of the band All Dogs). (more…)

Read Full Post »

Twain (Union Transfer, Philadelphia, PA, March 31, 2018) [DARLINGSIDE]

Posted in Darlingside, Kishi Bashi, Philadelphia, PA, Twain, Union Transfer on March 30, 2018| Leave a Comment »

[ATTENDED: March 31, 2018] Twain

Twain has become something of a punchline for my friends and I, because we all really disliked his set opening for Kishi Bashi.

What was bizarre was how much Kishi Bashi raved about him that night.  Then recently, Twain played SXSW and the NPR review of SXSW raved about him as well.

They said this:

 Twain’s vast, searching music conjures the cosmic folk of Tim Buckley: A welcoming, wandering rumination on life, the afterlife, loneliness and “the beauties of this earthly world,” “Solar Pilgrim” feels at once human and otherworldly. The latest project to feature singer Mt. Davidson — he’s worked with The Low Anthem, Spirit Family Reunion and others — Twain makes the kind of music that, had it been made 50 years ago, would be a cherished cult item today.

The recording they included was kind of interesting and I imagine that if he had a full band he might be more enjoyable–Darlingside said that he had had a full band on earlier shows.  They also raved about him quite a bit, even joking that it was fun to say his name–Twain–as a nonsense syllable when you had nothing else to say. (more…)

Read Full Post »

Godspeed You! Black Emperor (Union Transfer, Philadelphia, PA, March 14, 2018)

Posted in Godspeed You Black Emperor, Liberty, Philadelphia, PA, Union Transfer on March 14, 2018| Leave a Comment »

[ATTENDED: March 14, 2018] Godspeed You! Black Emperor

Back in 2000, I saw Godspeed You Black Emperor at Maxwell’s in Hoboken.  My friend Lar was in from Ireland and he went to the show with me, which was pretty awesome.

It is one of the most memorable shows of my early concert-going experience.  Which is possibly why I waited 18 years to see them again.

Even though my friends Liz and Eleanor (who have seen them many times) told me to join them in the balcony, to close my eyes and drift to the music, I’m a close-up guy and I wanted to be a part of the show.

The band had a semicircle of chairs on stage.  I should have realized from the get-go that as soon as someone sat in one of them he would basically be blocking everything for me, but I didn’t think it through.

So the show began with “Hope Drone,” which is, as suggested, a drone.  (more…)

Read Full Post »

Liberty / Tashi Dorji Duo (Union Transfer, Philadelphia, PA, March 14, 2018) [GODSPEED YOU! BLACK EMPEROR]

Posted in Godspeed You Black Emperor, John Zorn, Liberty, Philadelphia, PA, Tashi Dorji, Twain, Union Transfer on March 14, 2018| Leave a Comment »

[ATTENDED: March 14, 2018] Liberty / Tashi Dorji Duo

I had never heard of Liberty / Tashi Dorji Duo when I saw they were opening for Godspeed You Black Emperor.   I also didn’t know if Liberty was a part of the duo or even if Liberty was a second opening act.

Well, it turns out that Tashi Dorji is a guitarist who often plays by himself.  But for this show he was with “the elusive Danish saxophonist LIBERTY (Mette Rasmussen).”

So what did this mean for the show?  Well, a brief search on Dorji revealed:

Tashi Dorji was born and raised in Bhutan, on the eastern side of the Himalayas. Residing in Asheville since 2000 and soaking up a vast array of music. Along the way, Dorji developed a playing style unbound by tradition, yet with a direct line to intuitive artistry. All references break loose during his playing, as Dorji keys into his own inner world.

and that

Liberty is a saxophone player whose music is defining a unique balance of uproar and beauty. Her ability to move between the often strict confines of genres and explore the elements makes her presence highly powerful. She has encapsulated her own personal vision of acoustic music, by amplification expanding her range in dynamics and rocketing a more prosaic stem.

So. (more…)

Read Full Post »

First Aid Kit (Union Transfer, Philadelphia, PA, February 10, 2018)

Posted in Conor Oberst, First Aid Kit, Heart, Philadelphia, PA, Union Transfer, Van William on February 10, 2018| Leave a Comment »

[ATTENDED: February 10, 2018] First Aid Kit

I first heard First Aid Kit from a Tiny Desk Concert back in 2012. I was immediately transported by their harmonies. And by the fact that the office looks dark and like they are the only ones in it (Bob, if you read this, if anyone deserves a second Tiny Desk it’s these two–maybe one with lights on!)

I also knew that Sarah would love them, which she did when I put “Emmylou” and “The Lion’s Roar” on a disc for her.  Then we bought the album and she’s become a bigger fan than me.

They played XPN Fest in 2015, but our first year at the Fest was 2016, so we didn’t have an opportunity to see them live until now.  Understandably, this show sold out pretty quickly, but I was quick on the draw and got my tickets right away.

When we got to Union Transfer there was a long line to get in (that ever happens!) And then there was a long (very orderly) line to get merch.  We knew we had to get one of the gorgeous posters which were of somewhat limited supply–although I saw at the end of the show that  they still had some, so I guess poor Sarah didn’t have to carry it all night long.

We were still pretty early and got a good location. The first wonderful thing about the crowd was that they were all short–except for one guy who was literally a foot taller than everyone else (he was very nice and a future librarian and was not in our way).  And unlike some of the more intense shows I’ve been to, nobody pushed his way up front at the last minute.  The crowd was courteous and polite (and even though it was sold out it didn’t feel cramped (maybe half the people had the flu)). (more…)

Read Full Post »

« Newer Posts - Older Posts »