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Archive for the ‘Union Transfer’ Category

[ATTENDED: March 9, 2019] Talos

When I saw that Talos was opening for Aurora. I looked them up online and heard a couple of songs which I thought sounded cool.  They were ethereal and soaring with lead singer Eoin French’s vocals rising to an incredible falsetto.

Turns out Talos are from Cork, Ireland and the band is largely French’s creation.   As I understand it, he created all of the music on his first album (which was more electronic) and now has this massive five-piece backing him.  Although on stage there were five total, so I’m not sure who was actually at our show.

The band made amazing atmospheric music.  Between the synths that the keyboardist/bassist was playing and the guitar/synths that French played, the songs were just full of textures.  Couple that with French’s voice which was really powerful but could also reach staggering heights, and add in the flair and splash of a drummer and a percussionist and you have an amazing symphonic sound that really rocks.

They had a Sigur Rós vibe, but were definitely doping their own thing. (more…)

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[ATTENDED: March 9, 2019] Sean McVerry

After seeing Aurora in New York last year, I knew I’d go see her again if she came back to the States.  So I was pretty excited that she was scheduled to play Union Transfer.  I bought three tickets–one for me, one for S. and one for T.  This was going to be her first club show.  She had been to an arena to see Katy Perry, but I thought this experience would be really different for her.

Going in, she honestly wasn’t quite as excited about the whole thing as I thought she’d be.  I guess we’ve been to enough performances that this one didn’t seem very different.  We found a great spot against one of the lower raised sections.  This allowed S. and T. to rest against the wall and still have a great view.

Before the show, I listened to one or two songs from the opening act, Talos, and liked what I heard–atmospheric and keyboardy with high vocals and a cool rocking undercurrent.  So I was surprised when a nicely dressed fellow came out with an acoustic guitar. (more…)

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[ATTENDED: February 7, 2019] Sharon Van Etten

I really loved Sharon’s Epic and Tramp albums.  After her 2014 release she kind of disappeared from the music scene, focusing on some TV work and on her family.

Then last year she came back with the single “Comeback Kid” and the album Remind me Tomorrow, which sounded very different from her guitar-based earlier work.

I had been told that she puts on a great show, so I grabbed tickets the day they were announced, assuming she’d sell out.  She did but only on t he night of the show.

I’d only listened to Remind Me Tomorrow once through before seeing this show.  In fact, I have more or less stopped listening to artists before I got to see them so that I’m not disappointed if they don’t play a song I really want to hear.  This served me very well tonight as she played the entire new album and just a few other songs.

Before she started, a guy next to me was talking to his lady friend.  In addition to spouting off about how he was the only one not looking at his phone and how he was kind of over his phone, he also said that she would never open with “Comeback Kid” because everyone would leave right after the song.

So it amused me that after the intense opening song “Jupiter 4,” (which opens with washes of synth that Sharon walked out to) she played “Comeback Kid” and the lady friend asked if they should leave now.  No one left. (more…)

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[ATTENDED: February 7, 2019] Nilüfer Yanya

I had heard a little buzz about Nilüfer Yanya (and NPR had featured her at a SXSW show).  I found her music peculiar.   Nearly everything she does has a staccato feel–guitar lines, melodies and especially her vocal delivery.  I find that her vocal style is either love or hate–sometimes even within a song itself.

Her music is sort of jazzy, but with definite rock angles.  Her guitar playing style was pretty delicate with some really excellent-looking chords (all over the neck of her guitar). She played delicately most of the time, with the loud angles handled by drums and bass.  She also had a saxophonist/keyboardist who handled a lot of the accents and sound effects.

But most of the focus has to be on her voice. (more…)

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[ATTENDED: October 19, 2018] Mitski

I haven’t had that much exposure to Mitski.  I loved her Tiny Desk Concert and had heard great things about her live show.  So I was pretty excited to see her.  I was amazed that she sold out Union Transfer (and every other date on her tour!) so quickly.  She even added a second date in November and that one sold out, too.  Good for her!

In the Tiny Desk, she is solo, playing her guitar.  I was totally unprepared for what was to come.

This was the first night of her tour, so I gather everyone was unprepared.

The stage was constructed with three large screens.  They projected various images, often static, sometimes scenes from nature, sometimes rain-covered windows, in other words, nothing especially memorable.  They served as backdrop for Mitski herself.

The band came out–drums and guitar to the left and bass and keys to the right.  And then Mitski came out in a high-buttoned long-sleeve shirt and a long black skirt.  Her hair was pulled back and she looked very much not ready to rock.  She looked almost puritanical.   (more…)

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[ATTENDED: October 19, 2018] Overcoats

Overcoats were the first concert I went to this year.  They had opened for a band I’d never heard of, but I was there for them.  I got there early, had a great spot up front and really enjoyed the show.

Now here it is ten months later and they were opening for someone I really wanted to see.  I knew they didn’t have a new album out so I wasn’t sure what they’d be playing.  It turns out that they had taken a bit of a touring break and this was their first gig in a little bit (we’re so out of shape, JJ said).

Well, I arrived later than I wanted to and wound up with a not great but not terrible spot.  I walked in during their first song (boo).

The crowd was (like last time) very responsive, which is always fun.  And it felt like Overcoats were more relaxed than last time (but that’s probably not true). (more…)

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[ATTENDED: September 18, 2018] Car Seat Headrest

Car Seat Headrest had one of the most annoying crowds I’ve ever been a part of.  The show was sold out and I got there later than I meant to.  So I was more in the middle of the crowd than up front.  Usually this is a pretty tame spot, but this crowd was rowdy, with a lot of individuals pogoing pretty hard (enough to get me pretty angry at one particular guy–which rather spoiled my mood for a couple of songs).

In fact a few things were irritating me this night which made it kind of hard for me to get into Car Seat Headrest.  The crowd was one but also was the fact that they took forever to get on stage after Naked Giants left (I realize now that Naked Giants were in the live Car Seat Headrest band, and they probably could use a breather, but it was a long wait between bands).

Car Seat Headrest was just Will Toledo for many years.  From 2010-2015 he released 12 albums (!) on bandcamp.  He has gotten a band [Will Toledo (vocals, guitar, piano), Ethan Ives (guitar, bass, backing vocals), Seth Dalby (bass), and Andrew Katz (drums, percussion)], then he/they signed to Matador, re-recorded a bunch of old songs for a compilation, made a new album and then re-recorded one of his older albums.

I was really surprised by how rocking and crazy the band were live.  I love when a band is bigger than their album makes them seem, so this boded well. (more…)

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[ATTENDED: September 18, 2018] Naked Giants

I had never heard of Naked Giants before this show.  But apparently I was in the minority, because everyone in the club seemed to know these guys (even though they apparently have never played Philly before?).  The dudes next to me knew every word of every song and slammed and pogoed through the whole set (and I was pretty far back so this was irritatingly out of place–keep the slamming to the pit, dudes).

Naked Giants is a three-piece from Seattle.  Sure they play grunge, but they mix in some pop elements and a full dose of indie rock as well.  Both the guitarist and the bassist sing lead.  The drummer is a maniac and he left his kit several times to walk around–sometimes mid song.

They are one of the most fun bands I’ve seen live in a really long time.

The band came out and they played a huge intro of noise.  It went on for quite a while–noise and flashing lights and everything and then they settled into “Dead/Alien.” Both guitarist Grant Mullen and bassist Gianni Aiello sang lead on.

It was followed by “Regular Guy” which is indeed about a regular guy–but with a wicked guitar solo–because even though they play indie rock, Mullen totally shreds.

They played a new song called “TV” which has a very new waves-sounding staccato guitar line.  It is sung in a detached new wave style until the bass and fuzz guitar kick in and it turns onto a heavy grunge song for a few measures before reverting to the new wave sound.  The middle has a long noisy jam/freakout section which was a lot of fun.

They were jumping around like lunatics during most of the show with Aiello doing a great left/right jump kick through one of the rocking sections.

On one occasion when Henry LaVallee got our from behind his kit, he walked around the drums, hit one cymbal from the other side and sat down.  Another time he got up and engaged with the audience.  I love this picture in which he was showing the audience his phone (no idea why), but it looks like the guy in the crowd is holding a tiny light.

When they announced the song “Everybody Thinks They Know (But No One Really Knows),” a kind of bratty surf punk song, the guys near me went berserk.  They sang along and even added their own call and response to the vocals (which you can hear in this clip).  The band really appreciated it and waves to the guys.

Then they played the title track from their recent album, Sluff.  About this song, Aiello told Billboard

“I just needed a word for the chorus of that song,… I knew I wanted to shout something, but I didn’t know what. I was hanging out with my girlfriend and I said, ‘Hey, what’s a good grunge-sounding word?’ She thought for a minute and then said ‘Sluff!’ I said, ‘That’s perfect!’ It sounds like something Soundgarden might do. It’s just a nonsense word.”

And he is totally right, it is a ton of fun to sing along to “oh oh oh oh oh sluff!”

Toward the end of their set they played a song called “Twist” which was in fact, more or a less a twist (Aiello turned and faced the crowd and shook his butt at us twist-style).  There was a middle part that had a solo or two from each guy.  In Aiello’s solo he did a bass line from Rush’s “Tom Sawyer,” which was pretty cool.

It was followed by ta total freak out called “Green Fuzz.”  This song went on for about ten minutes.  There was a middle section that involved all of them making as much noise as possible and Mullen ultimately lying on his back, feet in the air, doing whatever it was he was doing (I couldn’t really see him).  He stayed down there for a good five minutes while Henry LaVallee went bonkers on the drums–it was like a drum solo but without the pretension.  Meanwhile, Aiello was keeping things mostly under control with his bass, although he was also playing behind his head at one point.

They ended with “Ya Ya” an incredibly fun song and perfect set ender with the wonderfully deep chorus of “Oh, ya ya ya ya hey, Whoo hoo!”  It’s basically one more wild jam before the set crashes to a conclusion.

They were fantastic and I’d definitely see them again.

It turns out that Naked Giants are also part of Car Seat Headrest’s live band.  They became friends with Will Toledo several years ago  “I think it’s been pretty fun, though, kind of like a big boost. We get to play way bigger shows than we would by ourselves. We open for them, too, so it’s a lot of hard work. We’re playing two and a half hours a night, but it’s worth it. It’s what we signed up for.”

Setlist

  1. Dead/Alien $
  2. Regular Guy
  3. TV $
  4. Everybody Thinks They Know (But No One Really Knows) $
  5. Sluff $
  6. Slow Dance II $
  7. Twist ¥
  8. Green Fuzz
  9. Ya Ya ¥

 

¥ R.I.P. EP

$ Sluff

 

 

 

 

 

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[ATTENDED: September 18, 2018] Don Babylon

I rather enjoy when there are two opening bands.  Especially if the first opening band is a local band.  Philly has been producing some great bands in recent years and I like getting exposed to them.

Don Babylon are a Philly-based band who I’d never heard of before.  They play loud songs.  Or as they describe their music:

“Drunk, sad rock’n’roll in between kitchen shifts and last call.”

They were terrific. (more…)

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[ATTENDED: September 13, 2018] Superorganism

When I first heard Superorganism, I found “Something for your M.I.N.D.” to be kind of annoying.  Then it grew on me a bit. But I was intrigued by this band whose origin story was really fascinating.

The band began as a casual recording project in 2017 (last year) with members based in multiple countries, across the United Kingdom, the United States, and Australia.  Most of the band had met online in music forums or via mutual friends over a number of years.  By he time of Superorganism’s formation, the majority of the members had been living in London since 2015 and they decided to embark on a musical project together based on their mutual interest in internet memes.

So that’s interesting, as is this musical breakdown: (more…)

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