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Archive for the ‘Union Transfer’ Category

[ATTENDED: April 5, 2019] And the Kids

Almost exactly one year ago I saw And the Kids open for Lucy Dacus.  They put on a great show, but I had heard that they would be even more wild if they didn’t have the time constraints of that show (there were two full sets that night, so the earlier one was kind of rushed).  Back in November they opened another show that I wanted to get to but couldn’t.  But here they were headlining, which is what I really wanted to see.

I bought tickets as soon as they went on sale.  But then I found out that Voivod was playing the same night across town.  Voivod is a band I have loved and never saw live.  So I chose Voivod.  During the headliners, YOB, I decided if I left I could get over to Johnny Brenda’s (about 10 minutes away) in time before And the Kids started.  I listened to one heavy YOB song and then took off.  I got on street parking a block away from Johnny Brenda’s and walked in a few minutes before And the Kids were to go on.  All signs indicated that I had made the right choice.

I was surprised at how crowded it was (good for them!)  But I managed to get past the drunken clumps and got right up at the edge of the stage, but to the side–near the steps where the band comes in.  It’s not a great vantage point (and the sound really isn’t as good, but it was better than standing in the middle of tall people.

Then the band came out.  Last time And the Kids were a four-piece.  But for this show they were only a duo.  I gather the core of the group has always been Rebecca Lasaponaro on drums and Hannah Mohan on guitar and vocals.  I have yet to find out why they were touring with just the two of them and not a full band.  I’m also not exactly sure how the bass and other sounds were handled.  I know it had something to do with Lasaponaro, but whether she was triggering them live or just starting them on a laptop, I don’t know.

In some ways this hindered their improvisatory nature.  But not really, because Mohan is a born entertainer and she was a ton of fun throughout the night–and made me glad I was standing where I was.

They played eleven songs in about an hour.   Five were songs from the new album, which I hadn’t heard yet. I hadn’t heard much by them when I saw them last time either, and I feel like hearing them live–even new songs–is absolutely the way to go.  The recorded versions are good, but the don’t quite capture the vitality and energy that their live set has. (more…)

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[ATTENDED: April 5, 2019] YOB

I hadn’t heard of YOB before this show.  I was there for Voivod.  But I assumed they must be compatible if they were playing together.

I also had a ticket to see And the Kids (a very different type of band) that night at Johnny Brenda’s.  After jumping in to see Dilly Dally upstairs in the Foundry after the Guster show in The Fillmore, I thought, well, why can’t I go to both shows if one ends early enough.  Johnny Brenda’s is about ten minutes from Union Transfer.  The Johnny Brenda’s show started later than this show, so I considered my options.

After the pummeling from Amenra and the fun but heavy set from Voivod, I was pretty wiped out.  I had read that YOB was “Epic, crushing, and heavy beyond words.”

So I decided to stay for the first song and see if I wanted to hear more. (more…)

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[ATTENDED: April 5, 2019] Voivod

I’ve been a fan of Voivod for decades.  But I never saw them live when I was most into them (late 80’s).  Then after Denis “Piggy” D’Amour’s death in 2005 I assumed I never would.

But amazingly they found a guy who plays guitar very much like Piggy did–a bizarre hybrid of prog, metal, dissonance and eerie harmony.  That man is Daniel “Chewy” Mongrain.  Chewy is able to play Piggy’s parts.  And his new parts are very much in the style of old Voivod, but are certainly his own (his soloing style is definitely different for instance.  And since recording songs with him in 2013, Voivod have been touring fairly regularly.  (They played Philly in 2015 and 2016–to see them at the Black Box in Underground Arts would have been amazing!)

For a band that’s been active (in one form or another) for over 30 years, they still had a lot of fun on stage.  If there’s one thing I love it’s seeing a band enjoying themselves.

Strangely, in the 30 years that they’ve been together, nearly everyone has been replaced (with some returns), and there have been a number of styles. (more…)

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[ATTENDED: April 5, 2019] Amenra

I had heard of Amenra, but I really didn’t know anything about them.

I had no idea that they were from Belgium, which I find weirdly exciting.  I also didn’t know that they’d been around for twenty years.  In that time they have released six albums: Mass I, Mass II, Mass III, Mass IIII, Mass V, and Mass VI.

They were founded by vocalist Colin H. van Eeckhout and guitarist Mathieu Vandekerckhove, (Belgian names are awesome).  In this incarnation, they are joined by drummer Bjorn Lebon, guitarist Lennart Bossu and bassist Levy Seynaeve.

I was running a few minutes late when I got to Union Transfer.  Amenra had just taken the stage, but I needed to use the restroom.  The good thing about metal is that it is loud, easily heard in the restroom.  The good thing about Amenra is that they started the show with a lengthy section of almost ambient music.  Over strummed guitar, van Eeckhout clacked two rods together.  His back was to the audience as the tension built. (more…)

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[ATTENDED: April 2, 2019] Better Oblivion Community Center

I’m not often on the pulse of what is trending in music.  Sometimes I’m ahead, often I’m not all that interested.  But every once in a while it converges.  And thus on April 2 I was part of one of the hippest crowds in town.

I got there pretty early as I knew it was sold out (it sold out very quickly).  And I was standing pretty close to Phoebe Bridgers.  Earlier this year, I did not get to see the boygenius shows (they didn’t come close enough to us).  But I have now seen each of the women solo twice (this is my second Bridgers show and yes, it counts).

There was a photo-op when you walked in.  A life-size cutout for you to take an ID photo for the BOCC.  I declined to do that, but I did get the fun squeezable stress-house.

The band came out and they started playing songs from the album.  I didn’t know the album all that well (I was amazed at how many people knew all the words), but I’d enjoyed what I’d heard.   I expected a kind of folk-rock show.  I was in no way prepared for how much the show rocked and how much fun the show would be.  There were even beach balls thrown around! (more…)

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[ATTENDED: April 2, 2019] Lala Lala

I had never heard of Lala Lala before this show.

Lala Lala is the creation of Lillie West.  She is based in Chicago but is originally from London–so her accent was a little confusing at first.

In fact, everything about her set was confusing.  She and her band were quite playful as Slugs (when they jammed with Christian Lee Huston during his set), but during this set they were kind of slow and deadpan.  Indeed, West sings quietly, almost a mumble.

In this review from The Key (I disagree with the almost the entire assessment of the night), it says:

Lala Lala was another amazing find from the performance, bringing songs that would be pop-punk if they weren’t so insular, beachy if they weren’t so secluded. Using Best Coast-esque riffs on top of West’s harsh whisper of a singing voice, Lala Lala’s set was a highlight of the night.

I couldn’t disagree more.  I found their set pretty disappointing. (more…)

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[ATTENDED: April 2, 2019] Christian Lee Hutson

I had not heard of Christian Lee Hutson before this show. I had no idea that he was in the Better Oblivion Community Center band (multi-instrumentalist) or that he has written songs for BOCC and boygenius (and that Phoebe Bridgers was producing his album).  So he has a lot of connections in this Community.

He looks rather Southern California.  With his sweeping hair and good looks he could be an extra on the new Veronica Mars series).  But he sings in a lovely accent-less voice. His voice and his guitar lines are clean and classic.  His melodies sound ageless, aside from his more contemporary lyrics (like on Northsiders):

We were so pretentious then
Didn’t trust the government
Said that we were communists
And thought that we invented it

Morrissey apologists
Amateur psychologists
Serial monogamists
We went to different colleges

(more…)

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[ATTENDED: March 15, 2019] Teenage Fanclub

I’ve been a fan of Teenage Fanclub since I heard “The Concept” back in 1991.  The band has changed (and mellowed) a lot since then (they had long hair, they had hair, and they could have been teenagers, maybe), but they still write gorgeous harmony-filled, pop-rock songs.  I had never seen them live (I’d heard that in their early days their live shows were tempestuous and insane).

Last year when bassist Gerald Love retired (amicably) from the band, I assumed they were done.  Love wrote a little more than 1/3 of the songs (Norman Blake wrote a lot and Raymond McGinley wrote a bit less) and he wrote some of their catchiest songs.

So I was surprised and delighted that they announced an American tour and they were coming into Philly to Union Transfer.  I knew they wouldn’t play any of Love’s songs, but I also knew that they had a whole bunch of songs that the other two guys wrote that I really loved. (more…)

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[ATTENDED: March 15, 2019] The Love Language

I had not heard of North Carolina’s The Love Language before this show, despite the fact that they’ve been playing together for nine years.

Their drum head had the band’s name written in a big, puffy, hippie, sixties style, so I expected some serious psychedelia.  Which I did not get.  In fact they rocked pretty hard

They are a four piece centered around guitarist/vocalist/songwriter Stuart McLamb (they’ve been a band for about ten years and the Wikipedia page lists 20 former members).  The current lineup (according to their Facebook page) consists of Thomas Simpson, Andy Holmes, Eddie Sanchez, Jordan McLamb and Stuart McLamb.  Clearly one of those guys wasn’t in Philly. (more…)

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[ATTENDED: March 9, 2019] Aurora

I enjoyed the Aurora show in New York so much that I knew I’d want to see her again.  I also knew that I could bring my wife and daughter to the show and they would be equally enthralled even if they didn’t know her music very well.

This was my daughter’s first club show and I thought she’d be pretty excited at the prospect.  But we do go to a lot of different live entertainment, so she wasn’t any more excited than usual.  Although I think she enjoyed the fact that we weren’t in seats, because she liked walking from where we were to up close by the stage.

Aurora’s stage design was minimal but cool–five or six large jellyfish hung from the ceiling.  The lights were a dark blue–feeling very underwater as she sang the beautiful and haunting “Churchyard.”  Her voice is powerful and amazing (even if she was a little under the weather–she told us an amazing story about the color of her snot).  And it’s very funny when she speaks between songs because she is quiet and soft-spoken.  She tells adorable, weird stories (which has garnered her an overly dedicated, slightly annoying, eye-rolling fan base).  The kind of fan base who shouts, “no thank YOU!” every time Aurora says thanks.  On the plus side, this fan base is absolutely respectful while she sings which is wonderful because you can hear everything.

The setlist was very similar to the show in NYC, although I actually didn’t realize it until i looked at them right now.  In NYC, the new songs hadn’t been released yet so they were new and ephemeral.  By now they were well established.

She continued to sound amazing through the uptempo “Warrior” and “Gentle Earthquakes.

I tend to not like dance music or aggressively pop music and Aurora certainly falls within the confines of that style, especially a song like “All is Soft Inside.”  But she has this wonderful off-kilter presentation.  It certainly has something to do with her being from Norway and living what appears to a be a fairly isolated existence.  She just sings differently.  It’s not weird or radically different, it’s just not the same as what everyone else does.  And her sense of melody is also slightly different.  It’s really wonderful.

She slowed things down with the disturbing ballad “Murder Song (5,4,3,2,1)” followed by the other sad song (she apologized for these songs being so sad), “Runaway,” a soaring beautifully sad song.

The stage production was mostly understated.  Some lights, changing occasionally and appropriately.  Mostly it was an opportunity of Aurora to dance and dance–an infectious dance.  But “The Seed” was just utterly intense with the flashing strobe lights in the more intense moments.  And when the strobe ended and the stage when briefly black it was an incredibly moment.

Things really quieted down for “It Happened Quiet” where it was just her and her amazing keyboardist/backing vocalist Silja Sol.  Then she came back with the new single “Animal” which brought everyone back up with some great dance.

The rest of her band is really stellar.  Most of them are from Bergen Norway.  Magnus Åserud Skylstad plays drums and while I’m sure there are a lot of electronics in the kit, the sound was powerful and amazing.  Odd Martin Skålnes is the bassist in her band.  His backing vocals–largely singing low but occasionally going high–are fantastic.  Although nobody’s backing vocals were as amazing as Silja Sol.  She may actually get higher than Aurora.  Throughout the show her voice was just wonderful–perfectly complementing Aurora in whatever was sounded best.  Aurora’s voice is great, but with Silja Sol, she is unbelievable.

I love the new song “Forgotten Love” which she followed with the older song “I Went Too Far.”

The show was nearing its end and my daughter grabbed my hand because she wanted me to come up really close to the stage.  To the left of the stage is an artist’s entrance.  And not many people were there.  So this afforded us an amazing view of her from very close up.  I wouldn’t have wanted to stay there for the whole show as you miss everything else going on stage (the sound was also a little different there but still sounded great).  But it was really cool being a few yards away from Aurora with my daughter while she sang the stunning “Running with the Wolves” one of my favorite of her songs.

Aurora left for an encore break and when she came back it was just her and keyboardist Sean McVerry (the only American playing that night, he also had a solo set earlier in the evening).  They played the lovely “Infections of a Different Kind.”  When the show started people were passing out small paper hearts with instructions to shine out phone light behind them during this song.  Many people did and it looked very cool–she even commented on how lovely it was.

During the encore break, people brought her all manner of creative things including a rather large painting which was, frankly, creepy as all hell.  Aurora was so kind and said she would put it over her bed, but damn, it would give me nightmares.

She ended the show was the wonderful “Queendom.”  It was catchy and dancy and the whole room vibrated with fun.  I especially liked that she said there would be no presidents in her queendom.  She also brought out a rainbow flag to wave around.  And then the spell was over and we were back out in the cold night.

I don’t know if it was the life-enhancing moment that I wanted it to be for my daughter, but my wife has certainly become a fan.  Maybe when my daughter goes to her first concert on her own she’ll remember being that close to someone who is inexplicably not huge.

 

 

Union Transfer 2019 Bowery Ballroom 2018
Chrurchyard Nature Boy
Warrior Warrior
Gentle Earthquakes Gentle Earthquakes
All Is Soft Inside Under Stars *
Murder Song (5, 4, 3, 2, 1) Forgotten Love
Runaway Murder Song (5, 4, 3, 2, 1)
The Seed Runaway
It Happened Quiet Soft Universe ⊗
Animal Queendom
Forgotten Love All is Soft Inside
I Went Too Far Animal
Running with the Wolves I Went Too Far
encore The Seed
Infections of a Different Kind Running with the Wolves
Queendom encore
Through the Eyes of a Child ∀

* early single
∀ All My Demons Greeting Me as a Friend
⊗ Infections of a Different Kind Step 1
ℵ new unreleased

 

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