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Archive for the ‘Union Transfer’ Category

[ATTENDED: December 15, 2021] Los Retros / Le Butcherettes / Inner Wave / Crumb [rescheduled from May 3, 2020 and June 16, 2021]

This band had several different opening acts planned over the many different shows.  I knew Le Butcherettes, but not Inner Wave or Crumb.  When I walked in, I wasn’t even sure who was opening, although I did note that the signs announced Los Retros.

Los Retros is Mauri Tapia, from Oxnard CA.  For this show, he had a bassist and a drummer (my little brother) with him.

Tapia started on guitar and I could hear right away why they were called Los Retros.  They played a retro sound–shimmery guitars and a soft rocking sound.  The three of them were very tight with the bassist keeping a nice low end while Tapia plays some really wicked solos.  The songs varied between upbeat and slower–but the vibe was the same.

I was amazed to see that all of the people around me were singing along.

After three or so songs on guitar Tapia switched to keyboards and the rest of the set took on a very different feel–more of a smooth, soft rock vibe.  One that I didn’t like as much (I really didn’t like his keyboard sound).

But that’s because the retro in the name doesn’t apply to me.

Al Dia News notes:

The name ‘Los Retros’ pays homage to the Chilean pop group, Los Ángeles Negros — “the black angels” in English — which originally formed in 1968. …  Los Retros had a quick rise to stardom after the release of his single “Someone To Spend Time With.”

I didn’t enjoye the second half as much, but the first half of the set was great–Tapia’s guitar chops are right on.

~~~

Le Butcherettes I also know from a Tiny Desk Concert.  Teri Gender Bender is a great punk front woman. She channels different vocal styles and can rock with the best of them.  She is also unafraid to stare at the audience.  I imagine she’d be an intense experience.

Inner Wave is a five-piece ensemble, and three of the bandmates – lead vocalist and guitarist Pablo Sotelo, bassist and vocalist Jean Pierre Narvaez, and guitarist and keyboard player Elijah Trujillo – go all the way back to middle school. Some back-in-the-day homies left the band in 2016, and keyboardist Chris Runners and drummer Luis Portillo joined the group. But their departure from the original line up hasn’t thrown off the band’s energy in the slightest, as evident in their most recent full-length release, last summer’s Underwater Pipe Dreams. The 18-track LP is the best testament to Inner Wave as they are now: an indie rock quintet who seamlessly float between psychedelic and synthwave sounds, poised for a breakthrough.

Indie Current described Crumb‘s sound on ‘Locket’ as psychedelic slacker-rock.[11] Paste Magazine called their sound a meld of “60s psych, loose jazz, and freeform indie rock into a soothing pop amalgamation.” Others describe them as psychedelic jazzy Lofi dream pop.

 

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[DID NOT ATTEND: December 7 & 8, 2021] 100 gecs / Tony Velour

My son played us “Stupid Horse” a while ago and I thought it was crazy–funny, catchy, irritating–a perfectly weird pop song.  When they announced a tour, I asked him if he wanted to go and he laughed and said no.

I looked up a concert review to see what their show was like and people said they played their entire catalog, which was like 30 minutes.  And that was it.

Crazy.

I wasn’t going to go either, but the idea of the show makes me smile.  (Turns out they played for 50 minutes at this show).

Tony Velour is a rapper I’ve never heard of.  Apparently he has partnered with the gecs for something or other.

 

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[ATTENDED: November 18, 2021] Dinosaur Jr.

Back in March when concerts were just starting to happen again, Dinosaur Jr were first out of the gate to announce a fall tour. I grabbed a ticket and it sold out almost instantly (yes, we were desperate for live music!).

I was excited more about the show than the fact that it was Dinosaur Jr.  The last time I saw them ( I can’t believe it was five years ago) the show was so good, I felt like didn’t really need to see them again.

Except for one thing.  The two shows I’d seen with them I was too close to the stage.  The guys’ amps are so loud that you can barely hear the vocals (bassist Lou Barlow even yelled at the people up front who complained–“stand father back, it’s physics!”).  So I wanted to stand further back to get the full Dino experience.

After being right up on the stage for Riley, I walked to the back and took up a spot in the middle of the room (I couldn’t voluntarily go all the way to the back).

And it was a much more enjoyable experience–except for the people around me.  There were a couple of really tall guys who just wouldn’t budge an inch. There were also a lot of loud people, including a guy who kept shouting “Just Like Heaven” (as if Dinosaur Jr is a band who takes requests). (more…)

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[ATTENDED: November 26, 2016] Dinosaur Jr.

I’ve seen Ryley Walker twice before this (and one time when he played lead guitar for Nap Eyes).  Every time I’ve seen him, it’s been a totally different experience.

The first time, back in 2018 (when Walker had long hair and a beard), he was on stage with Bill MacKay.  They jammed a bunch of songs and Walker was really funny.

Most of the songs were instrumental, but one, “Telluride Speed” was a fairly conventional song and super catchy.

I saw him again at the end of 2019 as part of a post Phish concert in NYC.   He looked totally different, with short hair, no beard and a winter hat.

He had a four piece, with Ryan Jewell on drums.  It was mostly lengthy guitar solos and lots of improv.  Walker has some wild noisy guitar skills and I was right up there watching him.

For this show, it was again a four piece.  Ryan Jewell was on drums again (he’s the main reason I wanted to go) and Bill McKay was on co-lead guitar.  I’m not sure who was on bass. (more…)

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[ATTENDED: November 11, 2021] Beach Bunny [rescheduled from March 28, 2020 at First Unitarian Church and then May 24, 2020 at Union Transfer]

When my kids were little I was always driving around to some activity or another.  Well, how psyched was I to be able to drive one kids to a concert last night and another kids to a concert tonight?  And both were for bands I like, too!

I didn’t realize the full history of this show for Beach Bunny.  When the tour was first scheduled, they were supposed to play at the First Unitarian Church.  At some point, the venue was switched to Union Transfer, which is a pretty huge jump.  Then it was postponed for a year and a half and by that time she had built up such a big fanbase that the show sold out.

I’m not sure when my daughter had gotten into Beach Bunny, but I knew of them from some buzz on NPR.  I’m not sure I Would have gone to this show on my own, but I was pretty psyched to go once we got tickets.

Beach Bunny was a project for Lili Trifilio which eventually expanded to include Jon Alvarado on drums, Matt Henkels on guitar and Anthony Vaccaro on bass.

I told my daughter that we should be able to get up pretty close to the stage.  Wrong!  This sold out show was not going to hold back.  I told my daughter that the crowd would probably be a lot of short girls (which I have found to be true at certain younger bands).  Wrong!  There were people of varying (and large) heights crowding around to see this band which was getting pretty hyped of late.

The set was pretty spare with two video game cabinets on either side of the stage.  But Beach Bunny did not skimp on lights.  Each song had a different feel to it, with a song in the middle of the set featuring simply a spinning disco ball.

Lili was a great front woman, she was sweet and engaging.  It must be a weird feeling being that young and having a big room hanging on your every word and knowing all of them.  She wasn’t especially animated–that job seemed to belong to bassist Vaccaro whose big haor and frame provided for a lot of movement on the far side of the stage.

She played songs from all through her career (which was much longer than I was aware of).  Although I think the biggest responses came from the album songs and the new EP, Blame Game.

Even though I’ve been to Union Transfer a lot, I let her choose where we would stand–I’d already been wrong about two assumptions.  I tried to encourage her to push into open spots, but she was too shy.  Rather, she chose a spot near the side of the stage which ha a pretty good view and also allowed us to not participate in the one big crowd participation moment.

There’s the original poster for this tour back in 2020).

She went all the way back to her first release, Animalism for “Six Weeks.” They lowered the lights and Lili asked everyone to squat down and hold it.  She played the quiet intro to “Six Weeks” and when the vocals kicked in everyone jumped to their feet.

Her songs were so catchy and fun and yet lyrically they had a message of empowerment for the young girls.

I was kind of surprised that my daughter wasn’t dancing and going nuts with the other girls (who were probably a little older than her), but I could tell she was having a great time from the way she kept inching closer and closer as the show went on.  And the way she insisted on getting pictures taken in the venue and in front of the stage.  It was pretty sweet.

As was the fact that she wanted to buy a vinyl single (I’ve started her on a vinyl path already, gods help me).

They encore featured a fun version of Katy Perry’s “Hot n Cold” which everyone more than happily sang along to.  The final song was a rocking “Painkiller.”  And then it was over.  But we got home early enough that she could easily make it to school the next day wearing her Beach Bunny sweatshirt.

  1. Prom Queen ♣
  2. Love Sick
  3. Cuffing Season Ø
  4. Oxygen
  5. Promises Ø
  6. Good Girls (Don’t Get Used)
  7. April Ø
  8. Rearview Ø
  9. Entropy [new]
  10. 6 Weeks
  11. Dream Boy Ø
  12. Nice Guys
  13. Colorblind Ø
  14. February ©
  15. Sports ♣
  16. Blame Game
  17. Boys ©
  18. Cloud 9 Ø
    encore
  19. Hot n Cold (Katy Perry cover)
  20. Painkiller ♣

⇔ Blame Game EP (2021)
Ø Honeymoon (2020)

♣ Prom Queen EP (2018)
© Crybaby (2017)
ANIMALISM EP (2015)

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[ATTENDED: November 11, 2021] Miloe

When my kids were little I was always driving around to some activity or another.  Well, how psyched was I to be able to drive one kids to a concert last night and another kids to a concert tonight?  And both were for bands I like, too!

I didn’t know Miloe, and they were a little hard to get details about because the band is so young.  Miloe is the brainchild of 20 year old Congolese immigrant Bobby Kabeya.

He put out an EP called Greenhouse during the pandemic and has had a few other songs percolating for a while.

Bobby was a great frontman.  He told us that these shows were the first time he’s played in clubs–his previous touring experience was house parties. Obviously this was his first time away from Minneapolis, too.

Miloe’s record is full of laid back, breezy indie pop with pretty guitar melodies and delicate vocals delicately delivered over songs “influenced by Congolese rumba, reggae and African folk sounds.”

Bobby was quick to smile and marvel at where he was.  But he was also quick to totally rock out.

Most of the songs had a soft shimmering guitar sound.  Interlocking guitar lines from the two guitars fleshed out the sound.  But a song like “Yellow” started out quietly, like a sweet summer song complete with some “la las” and then it just crashed away into a satisfying noisy conclusion, with both guitarists going nuts.

The one thing that made me laugh was that Bobby’s bassist was easily a foot taller than him, so when they stood next to each other it was quite dramatic.

I found out this fun tidbit.  He wrote his song “Winona” about Winona Ryder.  But, and here’s the fun twist, he discovered her through Stranger Things, not one of her Gen X projects.   The song is about how a friend of his looks like her.

I didn’t catch all of the songs he played, but I know he played “Winona,” “Yellow” and “Motorola.”

I really enjoyed his set.

 

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[POSTPONED: November 12, 2021] Purity Ring / Dawn Richard [postponed from May 13, 2020 and April 21, 2021 ; moved to June 27, 2022] 

indexThe COVID resurgence has forced Purity Ring to postponed their tour yet again, with their new date over two years from their first dates.  Let’s hope everything is cool by June.

They have added Dawn Richard to the tour as well.  I didn’t know who that was and Wikipedia lists these fascinating credentials:

Dawn Angeliqué Richard, is an American singer, songwriter, actress, dancer, model and animator.

That’s interesting, but I’m concerned by this:

Richard started her career after auditioning for Making the Band 3 in 2004. During this time, Richard became a member of American girl band Danity Kane, from 2005 to 2009.

I don’t know anything about Danity Kane but I have very strong opinions about made for TV bands.

Here’s the message from the band about the postponement (but not about Richard).

“Hey everyone, out of concern for the safety of our crew, our fans, ourselves and all our loved ones, we must postpone these tour dates once again. Simply put, the pandemic is not yet over. We’ve rescheduled our Fall tour dates for Spring 2022. Your tickets will be automatically transferred to the new date, and if the venue or location has changed they will be refunded. We’re not responsible for ticket sales so you must go to the place you bought them from to handle any changes. Unfortunately all dates for the EU/UK shows have been cancelled for the time being,”

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When Purity Ring cancelled their March 2020 dates due to COVID, they cleverly pushed their show back over a year.  It wasn’t far enough. The duo has had to push their show to the fall now.

~~~~

Purity Ring is a duo from Edmonton–multi-instrumentalist/producer Corin Roddick and vocalist Megan James.

They put out a couple of albums and then disappeared.

I rather enjoy the way Wikipedia describes their sound

a combination of pop and hip-hop styles and James’ “childlike” vocals and “macabre”, “gory” lyrics, that she takes from “books and books full of things she’s written” in the past.  Their music utilizes down-pitched, distorted vocals and percussive and vocal loops. A creative key to their sound is a sometimes aggressive use of a volume regulating technique called “sidechaining,” in which the rhythm of one instrument affects the volume of another.

After a five year hiatus, they returned in 2020 with a new album WOMB, just in time to have their tour postponed.

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[POSTPONED: April 6, 2020] Caspian / Pianos Become the Teeth / Maserati

My friends Liz and Eleanor have told me that Caspian was one of the best shows that they had seen.  I have been planning to see them ever since.

They were supposed to play Union Transfer in April 2020, but that show was postponed/cancelled.  It’s kind of surprising that they went from Union Transfer to Underground Arts (which is about half the size), but who knows why things are scheduled where they are.

I was pretty excited to go to this show, except that we had tickets to the rescheduled Anti-Flag show for the same night.  So Caspian will have to wait. (more…)

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[ATTENDED: November 2, 2021] Beabadoobee

Beabadoobee had a couple of hits that I really liked.  Her song “Care” was a perfect 90s reclamation–so fun and catchy.

When she announced a tour I figured it would be fun to see her.  I had no idea how popular she actually was.  The crowd was intense and surprisingly devoted.

She releases music in a way that’s hard for an old like me to comprehend–just random singles whenever she feels like it.  So even though she was touring for her album Fake It Flowers, she had since released an new EP and maybe even another single.

So I can’t keep up with that but everyone else sure did. (more…)

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[ATTENDED: November 2, 2021] Christian Leave

The weird thing about seeing an artist who is new and very young is that her opening bands need to be (relatively) newer and younger.  And so, when seeing an artist like Beabadoobie who has one album out and who was born in you’re going to get openers who are gasp, probably teenagers.

Being an old has never diminished my enjoyment of concerts, even from performers that I’m more than twice as old as.  But the way young people find music these days has really messed with my head.

I had never heard of Christian Leave only to find out that he has like 3,00,000 online listeners.

I gather that Leave is something of a minor celebrity, with people possibly going a little crazy for him.  It was hard to tell from where I was but he seemed a but of a teeny bop star–he certainly had charisma, but not a lot of stage presence (how is that possible?  I don’t know). (more…)

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