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Archive for the ‘Union Transfer’ Category

[ATTENDED: June 11, 2022] Superchunk [moved from March 2, 2022]

I saw Superchunk four years ago.  It was my first time seeing a band that I have liked for decades.  They have put out a ton of music and I don’t know all of it, but I still enjoyed their set a lot.

Enough to see them again when they put out a new album this past year.

Last time, they played a ton of stuff from the then new album (8 new songs).  This time, for whatever reason, they played only five songs from the new album and the rest of the set was chock full of songs from throughout their career.

Indeed, they played 21 songs with only 7 duplicates (and I think we’d have been upset if they didn’t play those seven).

The band was, like last time the (nearly) original members: Mac McCaughan of course on vocals and guitar, Jim Wilbur on guitar (he joined after their first album) and Jon Wurster on drums (he joined after the third album)–they’re bonafides!  The only one missing was bassist Laura Ballance.  She plays on the albums but because of her hyperacusis, she no longer tours.  So, on bass we had Jason Narducy who has played with anybody who is anybody. (more…)

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[ATTENDED: June 11, 2022] Torres [moved from March 2, 2022]

This was my forth time seeing Torres play.  I was excited to see her open for Superchunk, but I was (obviously) even more excited to see her play as a headliner.

The headlining gig was great, and I was curious to see how much it would differ when she opened for a well known but not huge indie band.  Especially since she is not exactly the same type of music.

Her new album is a love/lust letter to her new wife and in a close setting like Johnny Brenda’s she explored the album in great detail.  But her she was able to rock it out with amazing intensity.

She switched her setlist a little to open with the more rocking “Are You Sleepwalking” and followed it with the slower opening “Don’t Go Puttin’ Wishes in My Head” (even though it is ultimately even more catchy). (more…)

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[DID NOT ATTEND: June 10, 2022] Aldous Harding / H. Hawkline

I saw Aldous Harding at Underground Arts in 2019.  The show was very weird and pretty cool, with Harding being a presence I could not remove my eyes from.

I couldn’t really imagine her at Union Transfer, it is so much bigger.

I didn’t actually enjoy her new album as much as her previous ones and when this show came up, I basically just stayed home.  I just didn’t feel like it.

H. Hawkline is one of those performers that seems to open for a lot of people that I like.  Or at least whose name I see a lot at shows.

I don’t really know that much about him except that he is Welsh and was once a radio and TV presenter (known as Huw Evans).

Hawkline has put out 5 albums, and Picthfork summarizes his career like this

Hawkline began his career with fingerpicking folk on 2010’s A Cup of Salt, but in recent years, he’s steered towards an ornate art-pop sound that draws influence from his fellow countryman Gruff Rhys, who’s brought him on tour, as well as longtime collaborator Cate Le Bon, who produced Milk for Flowers. Even when the songs are steeped in sadness, there’s a McCartney-esque bounce to them: a pitter-patter levity to the piano arrangements in “Milk for Flowers” and “Denver,” a perpetual forward motion to the playful thump of “Plastic Man.”

It’s a good pedigree and in listening to his new album Milk for Flowers, the McCartney comparison is apt.  He could be quite fun live.

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[ATTENDED: June 3, 2022] Kurt Vile & The Violators

Since the last time I saw Kurt Vile (2018), S. has become a huge fan of Kurt and his music.  So when he announced he was touring, and would be ending his run in his home town, of course we grabbed tickets.

I had seen Kurt playing in New Jersey four years ago and he was a delight.  He switches instruments almost every song.  he doesn’t talk a lot, but he seems to be having a really good time and is happy that we’re there with him.

It was amazing that he played almost none of the same songs tonight that he did four years ago.  True he had two new albums to showcase since that time, but even the older cuts were mixed up (except for his biggest hit which I couldn’t imagine him not playing and “Waking on a Pretty Day”).

Kurt is pretty much exactly what you get on record–his delivery is pretty much the same, his guitar playing is the same.  he comes across as the most natural performer you’ve ever seen.  Like he literally just walked in and started playing.

I am a huge fan of some of Kurt’s songs.  I love “Loading Zones” and could listen to him play that song for ages.  (more…)

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[ATTENDED: June 3, 2022] Natural Information Society

Since the last time I saw Kurt Vile (2018), S. has become a huge fan of Kurt and his music.

So when he announced a tour that would be culminating at Union Transfer, obviously we were going to go.  I’m a fan of the opener Chastity Belt, but I was bummed that they weren’t opening our leg of the tour.  So that left two possibilities for us: Sun Ra Arkestra or Natural Information Society.

I had seen Sun Ra Arkestra and enjoyed their wild free jazz craziness.  I knew S. wouldn’t like them.  But it turned out that the question was moot because I was taking my daughter to another show on the Sun Ra night anyhow.  So Natural Information Society it was.

I had never heard of them and had no idea what they were like. (more…)

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[ATTENDED: June 2, 2022] Aurora

I love Aurora.  She puts on a great show and is just chock full of positive energy.  We saw her two years ago and I was excited to see her again.

After a break, Aurora came out.

Last time, she had giant jellyfish hanging from the ceiling.  This time she had a curtain in the back of the stage a giant circle behind her.  It acted as a backdrop and a light source.

Her new album, The Gods We Can Touch had just come out and she played a number of songs from it.  Even though many of her songs are dancey, she had an acoustic guitar for “everything Matters” (along with electronic keys and drums).  

Her song “Blood in the Wine” is a wonderfully passionate song with a fantastic hook that I can’t get out of my head.

Of course, Aurora has her dedicated fans.  Several of them brought her gifts.  Someone even gave her a teapot.  (How would she bring that home in her suitcase?)

It’s easy to think of Aurora and her fan base (“Warriors”) as a bit too much, as she is practically a living embodiment of a Norwegian fairy.  But she is so sincere, that her passion as she talks between songs (in her near-perfect English, faltering just enough to make it all the more effective) is palpable.  And if you aren’t moved by a song like “Warrior” (which everyone sings along to) then you are too hardened by life.

Aurora seems like her music would be ethereal and aloof, but a song like “A Temporary High” has a pounding drum beat. (more…)

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[ATTENDED: June 2, 2022] Sub Urban

I love Aurora.  She puts on a great show and is just chock full of positive energy.  We saw her two years ago and I was excited to see her again.

I had no idea who Sub Urban was, but I enjoyed the name (it’s kinda clever and he’s from Ridgewood, NJ, right near where I grew up and also where the band Real Estate is from!).  Turns out that Sub Urban actually had a viral hit called “Cradles.”  

In fact, before the show started when I was waiting for my daughter to come out of the bathroom I saw a little girl with her dad and I said something about how great Aurora was and the girl reply “I’m not here for her, I’m here for Sub Urban.”  Huh.  

He also had a new single called “UH-OH” which featured New Zealand Singer Benee (who sounds so much like Billie Eilish it’s insane).  And, indeed, Aurora guests on one of his songs as well (“Paramour” which he did not play). (more…)

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[DID NOT ATTEND: May 20, 2022] Jens Lekman [original show was cancelled, so technically not rescheduled from April 19, 2020]

I have really enjoyed Jens Lekman over the years. His Tiny Desk Concert is tremendous.  He was even the subject of a request in an episode of Every Little Thing, a podcast that S and I really like.  (A caller could not get a fragment of a song out of his head and it was one of Lekman’s).

I have been wanting to see him for a while and this show with a local youth orchestra sounded kind of fun.

Jens Lekman originally announced a unique North American tour where he’d perform with local youth orchestras in various cities for 2020, but the dates were put on hold because of the pandemic. He’s now announced new dates for the tour, beginning this April and running through May. He’ll be joined by violinist Leslie DeShazor for the shows. “This is a tour that I have been working on and looked forward to for almost four years,” Jens writes. “The idea originally came to me in 2015 when I was invited to Cincinnati to perform a show with a group of young string players from the organization MyCincinnati. The show ended up being one of the most memorable moments of my whole career. The energy that is present when a young person is still exploring and mastering an instrument is something I’ve always been drawn to. As someone who’s been playing music more or less professionally for over 15 years I often have to go back to this youthful source to remember and learn. To let the students become my teachers.”

It’s unclear to me whether Leslie DeShazor played a set before or was a featured part of the orchestra. (more…)

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[ATTENDED: May 18, 2022] Beach Bunny

T. was really into Beach Bunny when we saw her back in November of 2021.  I was pretty surprised that she was going to tour again in May of 2022 (in fairness, the 2021 tour had been rescheduled twice and I think she was ready to play new stuff, but she had all the gear from the old tour so….).  Plus, this new tour moved her from the 1500 capacity Union Transfer to the 2500 capacity Fillmore.

I had really enjoyed her at Union Transfer and was looking forward to what she’s do at this show.

Last time the stage was filled with old video game cabinets.  This time it had old small TV screens.

Lili Trifilio came out with bunny ears on and jumped right in with “Oxygen.”  The crowd seemed very young to me (which, I guess to me they were very young, but I believe the Fillmore was designed for a largely under 21 crowd).

My daughter seemed a little overwhelmed by the crowd and the show and decided to hang nearer to the back.  She felt like she could see better, which may have been true).  But i always feel disconnected from the show when I’m too far back.  (more…)

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[ATTENDED: May 18, 2022] Ky Vöss [Wednesday cancelled]

T. was really into Beach Bunny when we saw her back in November of 2021.  I was pretty surprised that she was going to tour again in May of 2022 (in fairness, the 2021 tour had been rescheduled twice and I think she was ready to play new stuff, but she had all the gear from the old tour so….).  Plus, this new tour moved her from the 1500 capacity Union Transfer to the 2500 capacity Fillmore.

Of course I got her a ticket!

It also happened to be the same night as my rescheduled (three or four times) Deftones show which I was incredibly excited to go to.  Which my son really wanted to go to having recently gotten into the Deftones.

I tried so many different ways to make this night happen for all of us.

Perhaps I could get a ticket for him for Deftones and we could go together.  Mine was GA, but GA was upselling for like $300 (NO!).  I could get him a seat in the balcony–that would suck) and even that was upselling for like $175 (NO!).  (more…)

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