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Archive for the ‘Underground Arts’ Category

[ATTENDED: September 29, 2023] Tasha

I had been wanting to see Margaret Glaspy for a pretty long time.  She last played Philadelphia in 2016, about two months before I heard her album.  She was supposed to headline a tour back in 2020, but that show was postponed, so it’s not all her fault that it took me so long to see her.

And now, I’ve seen her three times in a year and a half.

Tonight I had tickets to see Explosions in the Sky, a band I loved seeing live and who I’ve wanted to see again (and again).  But when Margaret Glaspy announced her show for tonight, after careful consideration, I decided to see Margaret. The first time I had seen her was as an opener.  The second time was for a short free at noon.  So I had never seen her as a headliner, and that won out.

She was terrific. (more…)

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[ATTENDED: September 29, 2023] Tasha

Tasha is a Chicago based singer songwriter.  I hadn’t really heard her, but she opened for Nilufur Yanya on a night that I, coincidentally, went to see Spoon’s rescheduled show (for whom Margaret Glaspy opened(!)).

About her then I wrote: She has a lovely voice and sings a blend of folk and torch song.

And that was still true a year and a half later.  Although it was a bit more folk than torch.

On stage was Tasha and Emma (no last names given).  Emma played lead and backing guitar lines while Tasha sang and played guitar.

Tasha had a strong presence despite the low turnout so early.  She even made a comment about being from Chicago and no one reacted–“Not a single whoo?”  She later joked that she was going to say that Chicago was the Philly of the midwest but she was afraid to.

Tasha’s voice is really resonant and lovely.  Her songs were slow and thoughtful and combining that with her voice, I felt like some of her songs sounded like 60s British folk songs–an unusual touchstone for a young person from Chicago.

Some songs rocked a little harder and Emma played some cool feedbacking effects on a song or two.  On another song, she played keys which fleshed out the song pretty nicely.

I really enjoyed her set a lot, and by the time she was finishing up, the crowd had built some more and she received some loud applause.  Someone even asked me what her name was (she had forgotten to say it again later in the set).

  1. Dream Still
  2. Lake Superior
  3. Bed Song 1
  4. History
  5. new song
  6. Michigan
  7. Would You Mind Pulling Me Close? §
  8. Year From Now

™ Tell Me What You Miss the Most (2021)
§ single (2021)

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[ATTENDED: September 20, 2023] Igorrr

I bought tickets to this show back in December–I was really really looking forward to seeing Igorrr after reading about his live shows.  I thought that I had missed him a few years back–he was supposed to tour with ministry but left the tour before coming to the States.  So I don’t really see any evidence of him having played Philly since like 2018.

But I wasn’t going to miss this opportunity.

Igorrr is the creation of French musician Gautier Serre.  He mashes up genres in a crazy quilt of styles which often changes every few seconds.  He has a base of heavy metal but he throws in hip hot, break beats, classical and opera–it’s thrilling and confusing.  I loved his album Savage Sinusoid which Metal Injection gave a perfect 10/10 score, and named it the “Batshit Crazy Album of the Year.”

The follow up, Spirituality and Distortion focused more on the metal component of his repertoire.  Sinusoid was heavy mostly because it was so erratic and there were heavy components thrown in.  But Spirituality is a heavy metal record–with Igorrrr elements like baroque music, harpsichord and Middle Eastern melodies floating around and between the heaviness.

When Melt Banana cleared off their gear, all that was left was a table and a drumset.   So when Serre came out and started doing some amazing splicing and breaking up of sounds, I thought for a short time that the whole show was going to be this.  And that was cool.  I enjoyed watching him (in the moody light) manipulate sounds and create the wacky composition that is “Paranoid Bulldozer Italiano.”  (more…)

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[ATTENDED: September 20, 2023] Melt-Banana

I’ve known about Melt-Banana for years.  I knew they were loud and fast and were from Japan.  But I didn’t know much beyond that.  Turns out they’ve never had a permanent drummer.  They like the freedom of a drum machine.  For over twenty years they had a bass player (Rika Hamamoto) but when they decided to tour again recently, they decided to go just as as duo Yasuko Onuki – vocals and Ichiro Agata – guitars, effects.

After getting all of their gear set up, Yasuko calmly stood with a colorful videogame controller looking device in her hand.  A wall of amps and a laptop behind her.  Off to her left a few feet was Ichiro, with a guitar, a huge array of pedals and his own wall of amps.

He played fast and he looped his sounds and did a million things most of which I can’t even fathom.  Yasuko had her device and from time to time, she would wave her hand and presumably push a button on the gadget and the drums and bass blasted out of the speakers.  And these drums sounded great–they sounded real and not like a preprogrammed device.  I actually wondered if they were somehow triggering the drumset that was set up behind them (they weren’t).

Yasuko sings very high, very fast and sounds kind of angry.  But she never looked angry.  And she never broke a sweat (while Ichiro was a sweaty mess).

They played a whole bunch of songs, I can’t even imagine how anyone could tell them apart.  But someone did, as the setlist below is from the NY show but I believe it is the same (or roughly so) of ours–comparing my clips to what the songs are, it seems like the setlist was the same each night.

About half way through, Yasuko brought over a mic stand with a piece of paper taped to it.  There were 8 lines in Japanese.  She said they were going to play 8 very sort songs and proceeded to play the 8 songs in less than 3 minutes.

After that they were back to longer songs.   The last three songs of the set are around the 4 minute mark.

It was wild and fun and unpredictable.  And the crowd was totally into it.  In fact, this guy who cut in front of me to be right on the stage said he was going to see them tomorrow as well.  He moved away for the last song so he could join the inevitable pit and did not return for Igorrr.

Melt-Banana haven’t put out a new record in about ten years.  But they tour all the time.  So catch them if you can.

  1. Chain-Shot to Have Some Fun
  2. The Hive
  3. Vertigo Game
  4. To Raffle or not to Raffle
  5. Lie Lied Lies
  6. Case D in the Test Tube
  7. So Unfilial Rule (0:14) (Discordance Axis song) ψ
  8. T for Tone (0:16) ß
  9. Lock the Head (0:28) ß
  10. Scrubber (0:17) §
  11. We Love Choco-Pa! (0:16) ©
  12. First Defy (0:11) ⊗
  13. Screw, Loose (0:24) §
  14. His Name Is Mickey (At Last She Got Him…) (0:22) ⇔
  15. Killer Garden in the Bottle
  16. Sakura Spiral
  17. My Missing Link
  18. Infection Defective
  19. Candy Gum

BOLD songs are part of the “short song” segment

∞ split single with Napalm Death (2016)
€ Fetch (2013)
ß Bambi’s Dilemma (2007)
ψ
13 Hedgehogs (MxBx Singles 1994–1999)
≡ Cell-Scape (2003)
⊗ MxBx 1998 / 13,000 Miles at Light Velocity (1999)
⇔ Scratch or Stitch (1995)
© Cactuses Come in Flocks (1994)
§ Speak Squeak Creak (1994)

Japan is Loud [Adult Swim compilation 2022]
Noise [Adult Swim compilation 2016]

 

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[ATTENDED: September 20, 2023] Otto von Schirach

I bought tickets to this show back in December–I was really really looking forward to seeing Igorrr after reading about his live shows.  I thought that I had missed him a few years back, but I don’t really see any evidence of him having played Philly since like 2018.

But I wasn’t missing this show.  I was pretty delighted to see that Melt-Banana were opening, but I didn’t know anything about Otto von Schirach.

So who is he?

Bermuda Triangle born Otto Von Schirach is one of a kind human/alien, His magical presence & energy makes you overwhelming happy. This Miami Native puts out many different types of epic Electronic music and always has new life and sounds to share, hence he is always touring around the earth. His Shows are more of a sonic ear cleanse, aura cleanse and will magnify your pineal gland! You will be extremely happy after his live performance.

Otto is really really into triangles.  He wears a headband with a triangle hanging off of it.  Unless I am mistaken, he has two songs about triangles (one of which “Triangle Pit” has these lyrics: (more…)

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[DID NOT ATTEND: August 24, 2023] Together Pangea / Thick / Reckling

I have wanted to see Thick for about five years now.  It seems whenever they play a show I can’t get to it for one reason or another.  This show was announced and I thought they were headlining.  But they are not.

Together Pangea is a band whose name I like a lot.  But I do not like their music.  It’s not that different from bands that I do like, it just didn’t do anything for me. So I decided I didn’t want to go to this show.

Thick is a fun rocking band from New York.  As I’ve said every time I keep missing them, I hope they come back soon.

I’d never heard of Reckling.  They are a pretty standard fast, catchy punk band.  Fun stuff, but not especially memorable.

 

 

 

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[ATTENDED: August 1, 2023] Sparta

Since 2020 I have had four opportunities to see Sparta. Two were cancelled because of the pandemic.  One saw them opening for Get Up Kids (a show I was interested in, but not enough to go) and now this one.  And while those two cancelled shows were probably good, seeing them for this one was undoubtedly better.

Sparta formed out of the breakup of At the Drive-In (Mars Volta was also formed from that breakup).  Sparta sounded more like ATDI because the songs were short and punky, even though Cedric the lead singer went on to Mars Volta.  Guitarist Jim Ward sings lead on Sparta songs and his voice is unique and sounds just as great as it did when Wiretap Scars came out twenty years ago.

The band came out–a trio now–with Matt Miller on bass and Neil Hennessy on drums. Jim Ward stood on the far side of the stage (not too far away) and the band launched into the album.

It was great to hear these songs live.  I hadn’t listened to the album in quite awhile, although I did listen to it a week ago to refamiliarize myself.  And I remembered how much i loved at least half of the album.  And the rest I enjoyed.  Hearing (and feeling) the guitar riffs and the excellent bass lines was fantastic.

The crowd wasn’t as dense as I would have thought and there was surprisingly, no mosh pit (which I appreciated).

The whole album sounded great–fresh and new and really great live. (more…)

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[ATTENDED: August 1, 2023] Geoff Rickly

Geoff Rickly is the singer for Thursday, a band from New Jersey who I had never even heard of when I saw them open for My Chemical Romance last year.

I wasn’t really looking forward to his set (I would have missed this one if he was first), because I didn’t love the Thursday set.  It was fine and I may have liked it more if I was closer.  But it was fine.

However, as a solo performer, Rickly was fantastic.  He told little stories before each song.  He said that since Thursday torued with Sparta 20 years ago, he was going to play mostly Thursday songs (instead of his solo songs).

I didn’t know any of them, and at first I didn’t think the set would be that enjoyable, but he put so much passion into his singing that “Time’s Arrow” blew me away.  He had lots of fans in the audience who knew all the words and it was fun to hear them singing along.

He told us about a lawsuit that the band faced back ten years ago or so that cost them $100,000 which they did not have.  So they wound up doing a lot more shows to make some money.  They even did an “emo cruise.”  He said that he had written a solo osng which he thought was perfect and after the show the Captain of the theater told him to never play that song on a ship again. (more…)

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[ATTENDED: August 1, 2023] Zeta

Zeta (pronounced Zeh-tuh) is a band “of immigrants from Venezuela” as they put it.  They are now based in the U.S. trying to deal with the immigration deal.

I had listened to a little of their music before the show and I was absolutely intrigued.  I arrived just before 7:30 but they had already started by the time I came in.  I don’t think I missed too much, but as I got to the stage, the band was in full flight.

There were four members of the band.  As I walked in Juan Chi (Juan Ricardo Yilo) was whaling lead guitar and singing.  Right in the front of the stage was drummer Eduardo Sandoval.  He was front and center because this is a band that loves drums.

The wall of sound was really loud, but not harsh.  Sandoval was a maniac on the kit–it was amazing to have such a fun drummer right in the front of the stage.  Standing behind him was bassist Antonio Pereira.  Pereira was the one constant through the set–his bass was fast and steady keeping the song moving forward and also keeping it in perfect time.  He kept everybody moving. (more…)

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[DID NOT ATTEND: July 7, 2023] The Dirty Nil / Daniel Romano’s Outfit /Froggy

Two years ago The Dirty Nil opened for The Menzingers in a show I couldn’t make.  But I’ve been intrigued by them ever since.

I wanted to go to this show, but it turned out that Skating Polly, a band I’ve wanted to see ever since I caught the last song of their set when they opened for X was playing the same night.

Stupid double booked nights.  This whole night sounds pretty great and it turned out to be a tough choice.

All of the blurbs for the bands come from their write ups on the Underground Arts page

For the strapping lads comprising Toronto rock trio The Dirty Nil, Big Bear was so much more than a convenience store parking lot they gazed upon from their second-floor bathroom window – the trash-strewn asphalt stage where seemingly every element of the human experience played out like a never-ending theatrical production.

The house was all at once a shared residence, creative commons, and god-forsaken pirate ship, its revolving cast of crewmates armed with instruments, alcohol, and overdriven amplifiers. Indeed, they lived, laughed, and loved there even though no kitschy wall sign from a suburban mom’s Etsy shop told them to.

“Bye Bye Big Bear” is a loving musical tribute to that unforgettable time and place, and The Dirty Nil’s first new offering since their impactful 2021 album Fuck Art. On its back, the boys returned to the road to electrify increasingly packed venues and festival stages with their fiery brand of punk-tinged rock n roll.

(more…)

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