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Archive for the ‘Underground Arts’ Category

[ATTENDED: October 3, 2024] Nada Surf 

I left Soul Coughing for this show.  It was a risk because this was the first time Soul Coughing had toured in decades.  But I was so miserable at the show that I was happy to leave.  And it turned out that tonight’s Nada Surf show was fantastic.

Even though singer Matthew Caws’ voice was a bit shot because they had played two shows (one was a bonus show) the night before.

Since I had been at Soul Coughing, I arrived at Underground Arts basically as the final chords of Office Dog’s last song were fading away.  I didn’t know Office Dog who are a power trio from New Zealand.  And this summary makes me rather bummed that I missed them:

New Zealand singer-songwriter Kane Strang got tired of going it alone as a solo artist, he started an old-fashioned indie rock power trio called Office Dog. Backing him up are two friends from different iterations of his touring band: bassist Rassani Tolovaa and drummer Mitchell Innes. Like Dinosaur Jr., Sebadoh, and Built to Spill, this threesome emphasizes the personality of each player as it wrings maximum drama from a minimum of instruments.

So I hope they come back around.

This tour was for their latest album Moon Mirror, but they opened with two songs from 2003’s Let Go.  The crowd was totally into it–very responsive and singing along.  Matthew seemed to be really excited at the size of the crowd, which surprised me because I thought that they had played bigger venues before (but I see now that World Cafe Live is the same size as Underground Arts (this blows my mind as I feel like UA is quite small). (more…)

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[DID NOT ATTEND: September 28, 2024] Nilüfer Yanya / Lutalo / Eliza McLamb

I saw Nilüfer Yanya back in 2019.  Since then she seems to have become even more of a dynamic performer.

I wanted to go to this show but I had a show the night before and the night after so I stayed home.

And the more I listen to her newer stuff the less engaged I am by it.

Lutalo is based in Vermont.

After releasing their 2022 debut EP, the 24-year-old born Lutalo Jones emerged as a rising presence in the indie world, catching the attention of Fleet Foxes’ Robin Pecknold and Big Thief’s Adrianne Lenker, who invited the young musician on tour.

Their music was good, but didn’t inspire me. (more…)

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[ATTENDED: September 16, 2024] Brutus

Brutus is a trio from Belgium.  I wasn’t familiar with them until this show was announced but when I listened to their album Unison Life, I loved everything about them and knew I wanted to see them.

As the Superbloom gear was being removed, there was a drumkit on the right side of the stage.  I assumed that it would get moved to the middle, but it never did!

Rather, guitarist Stijn Vanhoegaerden and bassist Peter Mulders were center stage with all of their gear (including Milders’ bass pedals) and vocalist and drummer Stefanie Mannaerts faced them from the side of the stage.

Mannaerts’ microphone was on her left so she turned to the crowd when she sang.  The problem for me is that one of her cymbals was right where her face was, so I literally couldn’t see her face the whole night.  Even when the guy in front of me made room for me (that was very nice), it was still impossible to see her. (more…)

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[ATTENDED: September 16, 2024] Superbloom

Superbloom is a 4 piece Brooklyn band.  They are grunge-y and heavy (and loud).

Their latest single shows the band as a five piece so I don’t know which guitarist was playing.

Lead singer Dave Hoon has a great grungy voice, at times sounding a bit like Kurt Cobain (and on one song drummer Matteo Dix did backing vocals like Dave Grohl).  Hoon was wearing a Soundgarden shirt and I’m sure that was only part of the reason I could hear Soundgarden in their music as well.

None of this is to say that they were a knock off band because they weren’t.  I never thought “this sounds just like X,” rather I loved the vibe and the confidence of the songwriting. (more…)

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[DID NOT ATTEND: July 24, 2024] Tinariwen

Tinariwen is a pretty legendary band.  They play a guitar driven “desert blues” in which the guitar is played pretty much non-stop.   It’s unique and original to American ears but is apparently part of a Mali musical sound that combines traditional Tuareg and African music with Western rock.

I’ve been trying to see them for a number of years and things never seemed to pan out, until this year.

The night was a challenge as parking was limited and I wound up coming in later than I intended.  It was also much more crowded (so early) than I anticipated.  So I had  to stand off to the side.

About half way through the show, I had to get out of the crowd and Underground Arts was super nice in that someone got me a chair (I’m using a cane at the moment).  I actually felt obliged to stay in the chair which meant I was in kind of a crappy location visually for most of the show.   But it was so crowded that I wasn’t going to see much anyhow, so I’m grateful for the seat. (more…)

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[ATTENDED: July 24, 2024] Basic

Philadelphia’s own BASIC, Chris Forsyth on guitar, Nick Millevoi on baritone guitar and drum machine, and Patrick Avery on percussion and electronics.  I saw them open for Tortoise back in 2023 and really enjoyed their rocking, possibly improvised set.

The venue was super packed.  I started in the center but couldn’t see anything so I moved to the Nick Millevoi’s side, but was still blocked by a pole.  Eventually I sidled up and managed to see all three of them.

Last time, I felt Christ Forsyth’s guitar was a little quiet, but this time the sound was great.

Like last time, Avery had a tiny bass drum that he hit with a mallet.  On it was a kind of woodblock, which he hit with a plastic mallet.  That’s all he had.  Millevoi often started a drum machine as he started playing so technically Avery didn’t have a lot to do, but seeing and hearing him add bass drum was a nice touch.  Avery also played with some electronics on a table near him–I think he was doing a lot more than I realized (since I couldn’t see him very well, it’s hard to know).

They played for about 40 minutes and it was a great rocking set.  Nick and Chris both played great solos from time to time and Mikel held it all together.

I do hope to see them one more time, hopefully from the front where I can really see what’s going on.

And what was fun was that Chris and his family (I assume) stood next to me at the end of Tinariwen, and then he was super friendly after the show where we chatted about the upcoming Basic album.

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[DID NOT ATTEND: June 16, 2024] Pallbearer / REZN / The Keening

I’m more or less done with going  to heavy metal shows.  There are still a few bands I’ll go to see, but overall, there’s not much left that I’m curious about.

Pallbearer are a doom metal band (a subgenre I find myself drawn to more than other subgenres), but they mix in elements of prog metal as well, which is a major draw for me.  I’ve never seen them, but I would very much like to.

I dithered about this show because I had a few other shows around it and wasn’t sure if I wanted to go out on a Sunday night.   Then about two weeks before the show I realized that this was Father’s Day, and I certainly wasn’t going to go to a metal show by myself on Father’s Day.

REZN is a band I didn’t know, but when I checked out a few songs I really liked them.  Angry Metal Guy describes

 an esoteric brand of psychedelic doom that finds unique ways to incorporate each member’s talents. Synth maestro Spencer Oulette boasts credits for piano, sax, and flute, and bassist Phil Cangelosi even busts out a rainstick to set the mood.

(more…)

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[CANCELLED: June 15, 2024] Man Man

I was pretty thrilled to hear that Man Man had a new album out and that  they were touring it–June 15 at Underground Arts!

And then one day the show wasn’t listed anymore.  And when I went to Underground Arts for a different show, they told me it was cancelled.

It took a few days, but on May 23, they finally posted

Sorry to everyone who was looking forward to our upcoming US @manmanbandband tour. We’re gutted by the postponement. unforeseen circumstances took control of the wheel. Hopefully we’ll wrestle it back in the future. Our album still drops on June 7 & and we are so goddamn proud of it.”

So no explanation for the cancellation, but at least  thy acknowledged it and (one hopes) they will reschedule for next year.

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[ATTENDED: June 6, 2024] Melt-Banana

I’ve known about Melt-Banana for years.  I knew they were loud and fast and were from Japan.  But I didn’t know much beyond that.  Turns out they’ve never had a permanent drummer.  They like the freedom of a drum machine.  For over twenty years they had a bass player (Rika Hamamoto) but when they decided to tour again recently, they decided to go just as as duo Yasuko Onuki – vocals and Ichiro Agata – guitars, effects.

I saw them nine months ago when they opened for Igorrr.  I knew they toured a lot but I didn’t think they’d be back again as a headline act.

This show was really really packed and I was on the side of the stage so I didn’t really see all that much, but since there’s only two of them, it was actually not a bad place to stand.

The set wasn’t radically different from the last time I saw them.  I wrote:

After getting all of their gear set up, Yasuko calmly stood with a colorful videogame controller looking device in her hand.  A wall of amps and a laptop behind her.  Off to her left a few feet was Ichiro, with a guitar, a huge array of pedals and his own wall of amps.

He played fast and he looped his sounds and did a million things most of which I can’t even fathom.  Yasuko had her device and from time to time, she would wave her hand and presumably push a button on the gadget and the drums and bass blasted out of the speakers.  And these drums sounded great–they sounded real and not like a preprogrammed device.  I actually wondered if they were somehow triggering the drumset that was set up behind them (they weren’t).

Yasuko sings very high, very fast and sounds kind of angry.  But she never looked angry.  And she never broke a sweat (while Ichiro was a sweaty mess).

They played a whole bunch of songs, I can’t even imagine how anyone could tell them apart.  But someone did, as the setlist below is from the NY show but I believe it is the same (or roughly so) of ours–comparing my clips to what the songs are, it seems like the setlist was the same each night.

(more…)

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[ATTENDED: June 6, 2024] The Flying Luttenbachers

The Flying Luttenbachers are an American instrumental unit led by multi-instrumentalist, composer, improviser and producer Weasel Walter. They focus on noise and dissonance, but surprisingly composed and controlled, almost like jazz punk.   And I see that they have been around since 1992!

I wish I was in a better place for this band–I was too far off to the side to see Weasel Walter doing his thing and drummer was obscured from time to time.  But I had a great view of bassist who was a maniac seemingly doing his own thing but always perfectly n synch with the other when needed.

They opened the show with a wall of noise.  Thunderous drumming from James Paul Nadien, rumbling bass from Luke Polipnick and screaming guitars. (more…)

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