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Archive for the ‘Underground Arts’ Category

Philly Music Fest 2022 (October 10-15, 2022) [DID NOT ATTEND]

Posted in Ardmore Music Hall, Dolphin Tavern, Echo Kid, Empath, GHÖSH, Johnny Brenda's, Kayleigh Goldsworthy, Low Cut Connie, Mannequin Pussy, Max Swan, Philadelphia, PA, Philly Music Fest, REC Philly, Riverby, Screaming Females, Stereo League, The Fillmore Philadelphia, The Ire, Underground Arts, World Cafe Live on October 10, 2022| Leave a Comment »

[DID NOT ATTEND: October 10-15, 2022] Philly Music Fest 2022

Every year since 2019 I have participated in Philly Music Fest in some way.  But this year I wound up giving the whole thing a miss.

Philly Music Fest is a non-profit endeavor focused exclusively on local bands, with all proceeds donated to local music education charities. Philly Music Fest features both established and up and coming artists, showcasing the diversity of the Philadelphia music scene.

It wasn’t because of a bad lineup or anything, it was that I had tickets to other shows every night.  I wound up not going to all of those shows anyway, but basically I was already booked for the whole Fest.

This year’s line up was even bigger than last year’s

October 10, 2022 at Ardmore Music Hall 

  • Marielle Kraft is a poignant indie pop singer-songwriter
  • Electric Candlelight is a heavy psychedelic band that I was supposed to see open for Fuzz
  • Mt. Joy is a band I’ve heard on the radio a bunch who I don’t particularly like, so not so great in the headliner here.

October 11, 2022 at Ardmore Music Hall 

  • Stereo League is apparently impossible to describe using concrete words as I can’t figure out what their music sounds like from the blurbs I’ve read.
  • Salika is an R&B singer
  • Mt. Joy of the two nights I wouldn’t have picked this one anyhow.

October 12, 2022 at World Cafe Live

  • Perpetual Motion is described as dynamic acoustic jazz who play blues, rock, jazz, and world music
  • Kayleigh Goldsworthy is a folk singer who I saw open for Frank Turner.  She was great.
  • Ron Gallo is not Vincent Gallo, which is what I think every time I see his name.  Ron is an indie guy who I’ve never heard but who must be pretty popular or interesting if he keeps popping up.
  • Lady HD is a kind of psychedelic pop band whose name reminds me too much of that Lady A fracas that bubbled up a few years ago.
  • Low Cut Connie is one of the bigger bands at the festival.  I’d never want to see them, but I like some of their songs.

October 13, 2022 at Johnny Brenda’s

  • This was the night I would have gone to
  • The Ire is a four-piece goth-tinged post-punk band.  I like their overall sound.
  • Ghosh is a band I’ve wanted to see: they’re pissed off, informed, and ready to party.
  • Screaming Females are terrific and even better live.  I thought this would sell out in a second.

October 14, 2022 at REC Philly

  • This was a free show.  A night of hip hop and beat curated by Working on Dying who I’ve never heard of of

October 14, 2022 at The Dolphin

  • The Dolphin is a new-ish venue that I’ve yet to check out.
  • Max Swan is saxophonist, vocalist, and producer influenced y likes of Stevie Wonder, James Blake.
  • Echo Kid is two guys from RFA.  This is a hazier, no-holds-barred, psychedelic reimagining of the way they’d approach their songwriting process with a languorous sense of ease, effortless genre-blending, and an amalgam of intentional recorded conversation
  • Shamir is an artist I’d like to see live.  They keep popping up as an opening act and then something happens and I don’t see them.  Here’s another miss.

October 15, 2022 at Underground Arts

  • This would have been my pick for show of the Fest, if I hadn’t already been overbooked.
  • Justmadnice is blues-dipped psychedelic jazz.
  • Riverby are a fun indie rock band with a loose sound (and a cover of “Walk Through the Fire” from Buffy the Vampire Slayer.
  • Empath is a band I was supposed to see open for Fucked Up but the couldn’t make the rescheduled date.  They are kind of noisy and poppy and punky and are probably very fun live.
  • Mannequin Pussy is one of my favorite new(ish) bands.  They are amazing live and are always worth seeing.

The 2023 Fest is bound to be great too.

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Tinariwen / Garcia Peoples (Underground Arts, Philadelphia, PA, October 1, 2022) [DID NOT ATTEND]

Posted in Garcia Peoples, Philadelphia, PA, Tinariwen, Underground Arts on October 1, 2022| Leave a Comment »

[DID NOT ATTEND: October 1, 2022] Tinariwen / Garcia Peoples

Tinariwen is a pretty legendary band.  They play a guitar driven “desert blues” in which the guitar is played pretty much non-stop.   It’s unique and original to American ears but is apparently part of a Mali musical sound that combines traditional Tuareg and African music with Western rock.

Like last time, their show happened to be booked at a time when I had a lot of other things going on.

I would very much like to see them so I hope they come back again before too long.

Having Garcia Peoples open was a stroke of genius booking and honestly only made me want to go to this show even more.  It happened to be on the same night that I had a ticket to see Indigo de Souza.  Which wound up getting cancelled anyhow.  But then I had another show the next night.

I hope they both come back together–what a great double bill.

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Batushka / Witching / Hideous Divinity / Hate (Underground Arts, Philadelphia, PA, September 26, 2022) [DID NOT ATTEND]

Posted in Batushka, Deerhoof, БАТЮШКА, Hate, Hello Mary, Hideous Divinity, Philadelphia, PA, Scarlet, Underground Arts, Witching on September 26, 2022| Leave a Comment »

[DID NOT ATTEND: September 26, 2022] Batushka / Witching / Hideous Divinity / Hate

I had heard of Batushka [БАТЮШКА] because there was an article about how there were two bands with the same name.  And, it was a case of the band breaking up and the guy who left taking the name–but the main band keeping it as well.  So both bands sounded vaguely the same as well, I guess.

Krzysztof Drabikowski formedthe band.  But a falling out between Drabikowski and vocalist Bartłomiej Krysiuk in 2018 led to Krysiuk starting his own version of Batushka, which released its own recordings and performs separately from the original band. Drabikowski protested the move and does not consider Krysiuk’s band legitimate.

Here’s some of the quotes from the controversy

Drabikowski stated that “There were attempts to take my creation Batushka away from me” and “the upcoming album Панихида (“Requiem”) will not feature his voice”

Krysiuk then “hired musicians to produce an album that he planned to release as the new Batushka record, behind [his] back”.

On 27 May 2019, Drabikowski’s Batushka released a new full-length album called Панихида (“Panihida”) (“Requiem”) and was very well received by both critics and fans alike.

On 12 July 2019, Krysiuk’s Batushka released a full-length album called Hospodi (“God Almighty”), the album received mixed reviews from critics[20][21] and was panned by some of the band’s fans, with most of the criticism aimed at their “illegitimacy” to use the name Batushka.

In the wake of the public falling out and ensuing drama between Drabikowski and Krysiuk several parody bands using variations of the “Batushka” name emerged online as a widespread meme, each also claiming to be the “true Batushka”, the most notable being “Batyushka” an anonymous project claiming to be from Russia and being actual Orthodox priests and adhering to the Orthodox dogma.  Their music is completely instrumental and have independently released over a dozen albums on Bandcamp which were met with indifference and annoyance, as well as mockery from fans of the real band, several people also pointed out how the music uses a drum machine.

Controversy aside, they sounded interesting a Polish black metal band formed by Krzysztof Drabikowski.  Their music and lyrics, which are written exclusively in Church Slavonic language, are inspired by the Eastern Orthodox Church.  The band members wear habits and Eastern Orthodox schemas during live performances to conceal their identities.

I’m not even sure which band this was.  I think it was Krysiuk’s version (known as Fakeuska, apparently) as Drabikowski hasn’t done much.   But if they’re wearing robes and hoods, who is to know?

After seeing behemoth back in April, I wasn’t sure if wanted to see another black metal show.  This one seemed especially daunting given that it was in the tiny Underground Arts.

So I opted not to go.  Maybe if they come back another time.

Polish band Hate opened.  I’m not too keen on a band that is simply called Hate.  They are a blackened death metal band.  They wear corpse paint and have had many lineup changes over the years.  Their singer growls, but I have to admit that the lyrics are actually audible, which is quite a plus.

Witching opened our show.  They are a metal band from Philly.  Their track Lividity opens with acoustic guitars and witching female singing and after two minutes the vocals get decidedly demonic and scary as the music gets heavier and pummeling.   It also looks like most of the band is women, which is pretty cool for the genre: Jacqui, Nate, Tatiana, Samantha and Hazel.

Hideous Divinity are from Italy.  I’m guessing they couldn’t make the first two shows of the tour and they started in Georgia.  They, like the others are heavy and growly.

I actually thought this show was four bands, which would have been just too much growling and heaviness.  Even three bands seemed like a lot.  Although now that I know more about Witching, they might have been a nice change for the show.   Nevertheless, despite the visuals, I’m not sure I was ever really planning to go to this show.

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Girlpool / Cecile Believe (Underground Arts, Philadelphia, PA, September 23, 2023) [DID NOT ATTEND]

Posted in Cecile Believe, Girlpool, Philadelphia, PA, Underground Arts on September 23, 2022| Leave a Comment »

[DID NOT ATTEND: September 23, 2022] Girlpool / Cecile Believe

I first heard Girlpool back in 2015.  I loved the way the two members of the band sang, but not in harmony–it was more like in unison.  It gave them almost a childlike quality that somehow made their songs really impactful.

I had wanted to see them live since then.  When they came around in 2017, I had a ticket and then a last minute plan meant I couldn’t go.  They came back in 2019, but it was during our summer vacation.

Finally, they came back around in 2023, but it was the same night as several other shows, including one I wasn’t going to pass up.

Interestingly, over the past seven years a lot has happened to the band.  Avery Tucker transitioned and Harmony Tividad started exploring new facets of herself.  So they looked very different from when they first started out.

Their musical style changed a lot as well.  They no longer sounded anything like they did on the debut.  Primarily because Avery’s voice was no so much deeper.   I didn’t enjoy their music that much anymore.  So I wasn’t that upset about missing them.

Then on August 25, Girlpool announced that they will breakup at the end of the year, and that their remaining tour dates would serve as a farewell tour.  So I guess I’ll never see them live.

Cecile Believe (formerly known as Mozart’s Sister) is a solo project by Montreal-based Canadian musician Caila Thompson-Hannant.

Resident Advisor describers her music:

Cecile Believe’s vocal and emotional range, with its exhilarating twinkles of vulnerability, made an immediate impression on me when I first heard her performing “Ponyboy” and “Faceshopping”  .. Her new mixtape, Plucking A Cherry From The Void, a collection of restless and reflective lockdown-fermented electro-pop bangers, has those same attributes in ample supply.

Although I listened to a few songs and wasn’t that impressed.  It was all fine.

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Afghan Whigs / Pink Mountaintops (Underground Arts, Philadelphia, PA, September 16, 2022) [DID NOT ATTEND]

Posted in Philadelphia, PA, Pink Mountaintops, The Afghan Whigs, Underground Arts on September 16, 2022| Leave a Comment »

[DID NOT ATTEND: September 16, 2022] Afghan Whigs / Pink Mountaintops

Back in May, although they had no Philadelphia show planned, Afghan Whigs were going to stop in and do a Free at Noon.

I grabbed a ticket but the show was cancelled because of a COVID case.

I love The Afghan Whigs’ album Gentlemen.  I should love more by them, but I like them just fine (never been in the cult of Dulli).  I’ve never really been interested in seeing them live.

When this show was announced, I was notified because of Pink Mountaintops.

Pink Mountaintops are a band led by Stephem McBean who is the main guy behind Black Mountain.  I saw Black Mountain a while back and they were great.  I’m not sure I would enjoy Pink Mountaintops as much.  So I was never really likely to go to this show.

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Earthless / Ecstatic Vision / Riff Mountain DJs (Underground Arts, Philadelphia, PA, September 8, 2022) [DID NOT ATTEND]

Posted in Earthless, Ecstatic Vision, Philadelphia, PA, Riff Mountain DJs, Underground Arts on September 8, 2022| Leave a Comment »

[DID NOT ATTEND: September 8, 2022] Earthless / Ecstatic Vision / Riff Mountain DJs

I jotted down this show as one I’d like to check out and then I forgot all about it and the bands that were playing.  So a little later I even wrote, who the hell are Earthless.

Well, this was a heavy psych/stoner rock super bill that would have been fun to see live.

Earthless has been around since 2001.  They are a mostly instrumental psychedelic rock band from San Diego, California, consisting of guitarist Isaiah Mitchell, bassist Mike Eginton and drummer Mario Rubalcaba.  I really enjoyed their overall vibe.  I also love that their second album is made of 2 20 minute songs (one with five parts).  Although they also have a song “Volt Rush” that’s under two minutes and kicks much ass.  Although I prefer the instrumentals.

Ecstatic Vision are from Philly and they continue with the fuzzy…everything.  They describe themselves as “Trance inducing raw heavy psych. Ecstatic Vision is Doug Zabolchech, Kevin Nickles, Michael Field Connor and Ricky Culp.”

The song I listened to “Astral Plane” is 13 minutes of heavy fuzziness.  Vocals come in about 5 minutes in and I didn’t really like them.  Maybe this kind of music is meant to be instrumental.

Since I’m not in the know, I can’t quite figure out what Riff Mountain DJs are.  Their Instagram profile says Philadelphia DJ Collective / All Rock / All Wax.  So I guess they spin heavy songs before and between bands?

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Fucked Up (Underground Arts, Philadelphia, PA, July 17, 2022) [rescheduled]

Posted in Fucked Up, Philadelphia, PA, Robin Hatch, The Rural Alberta Advantage, Underground Arts on July 17, 2022| Leave a Comment »

[ATTENDED: July 17, 2022] Fucked Up [moved from January 23, 2021]

I’ve been intrigued by Canadian band Fucked Up since I first heard of them. Obviously they had no intention of getting mainstream success with a name like that.  And yet, their music has turned heads.

Which is also a bit of a puzzle because, while it can be very, very catchy, lead singer Pink Eyes screams like the lyrics are comic from the pit of his soul (although you can actually understand most of what he says, which is a neat trick).

Pink Eyes is Damian Abraham who had led the band since 2001.

Fascinatingly, the band won the Polaris Prize in 2009 (for an album with mostly guest vocalists).  They followed up that album with david Comes to Life in 2011–a rock opera set in 1970s and 1980s England. The story involves unreliable narrators and meta-narrative plot devices.

And so it was that in 2021, they were going to do a ten year anniversary and pay the album front to back.  It was postponed, but, undaunted, they pressed on in 2022.

I had never seen Fucked Up before, but had a pretty good idea what to expect.  And yet they exceeded any expectation.

The band came out on stage while a projection of the band with their logo was on the screen behind them.  They played the opening song (an instrumental) and then Damian came out in sweatpants, and a black vinyl glove (he later revealed that he had cut his hand and this was protecting his from getting blood everywhere).  He proceeded to do his screaming thing. (more…)

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Pony (Underground Arts, Philadelphia, PA, July 17, 2022) [FUCKED UP] [rescheduled]

Posted in Empath, Fucked Up, My Little Pony, Philadelphia, PA, Pony, Underground Arts on July 17, 2022| Leave a Comment »

[ATTENDED: July 17, 2022] Pony [moved from January 23, 2021]

I had not heard of Pony before this show.  I was interested in hearing the original opening band, Empath, who are a Philly band that play a kind of noise punk.  Rolling Stone says “They sound like four people who sat in a room flexing their own freaky styles until — before they realized their interests might be wholly incompatible — the chaos created its own logic.”  They sound pretty great.

But Pony are a pop punk band from Toronto and they were fantastic.

Pony is fronted by Sam Bielanski who plays guitar and sings.  She is also a voice actress and voiced Jazz in My Little Pony: Tell Your Tale (hence the band name).

For a couple of songs at the end Sam didn’t play guitar she just sang and dominated the stage, stomping around in Doc Martins and a plaid skirt. (more…)

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The Lemon Twigs / Tchotchke (Underground Arts, Philadelphia, PA, May 13, 2022) [rescheduled] [DID NOT ATTEND]

Posted in Philadelphia, PA, Tchotchke, The Lemon Twigs, Underground Arts on May 13, 2022| Leave a Comment »

[DID NOT ATTEND: May 13, 2022] The Lemon Twigs / Tchotchke [rescheduled from May 16, 2020]

I discovered The Lemon Twigs a few years ago and really enjoyed their glam rock sound and I imagined that they would be a ton of fun live.  The band is technically a duo, although I don’t know if they have more people on stage with them.

I really liked The Lemon Twigs’ Do Hollywood album and their follow up EPs showed even more development.  Since then they have put out a few albums, and I have enjoyed them.

I have rather wanted to see them–this new tour, which was playing at TWO locations really close to me seemed to be an easy way to catch them.

We had a school day scheduled for this day and it ran much longer than I imagined, so even though I had tickets, there was no way to get to the show.

Tchotchke is a band from New York comprised of Anastasia Sanchez, Eva Chambers and Emily Tooraen.  They used to be called Pinky Pinky which I think is a much more apt name for the style of music they play–it’s a kind of an updated doo-wop, pop sheen aesthetic.

Really not my thing, although I heard that if you went to their merch booth after the show they handed out a tchotchke to each person.

 

 

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Destroyer / Rosali (Underground Arts, Philadelphia, PA, May 6, 2022) [DID NOT ATTEND]

Posted in Dan Bejar, Destroyer, Philadelphia, PA, Rosali, Underground Arts on May 6, 2022| Leave a Comment »

[DID NOT ATTEND: May 6, 2020] Destroyer / Rosali

It was just over two years ago that Destroyer was the last show I saw before the pandemic shut everything down.  So, Destroyer will always have a warm place in my heart because of that.  When this show was announced, I immediately bought tickets for it.

Then, over the next few weeks, SIX other shows were posted for that very same night.  Gogol Bordello, Sunflower Bean, Olivia Rodrigo (which sold out long before I could get a ticket), Lucius and Pup (which my son and I went to).

Pup was a big hit in my house and so we decided to go to that one.

I’m sure Dan and his team will be back for another tour in the not too distant future.

I saw Rosali open for Graham Coxon.

Here’s what I had to say about her in 2018

She is a Philadelphia-based singer songwriter with two albums out (her last album got some pretty glowing reviews).

She has a lovely voice which reminded me of Aimee Mann.  …  But the problem was that there were no hooks in her songs.

She also had very little stage presence.  She stated as much, confessing that stage banter wasn’t her thing.  No kidding.  One time she asked if anyone watched the news today, after some mild boos, she didn’t follow it up.  Every other time that she tuned, she was basically quiet.  In fact, she never said her name, the most basic thing you do when tuning your guitar.

The other problem was her guitar.  She was playing an electric guitar and was primarily playing slowly, picked notes.  But the settings of this guitar–so clean and sharp–were not helping with her voice at all, which was pretty and rather quiet.

She needed either some echo or vibrato or even an acoustic guitar to let the music resonate more.  She made a number of chord flubs which is no big deal but which really stood out since she was by herself and her guitar was so unforgiving.

I hope that her stage show has gotten better in the last four years, because I did really like her voice.

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