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Archive for the ‘The Fillmore Philadelphia’ Category

[DID NOT ATTEND: May 24, 2022] Turnstile / Citizen / Ceremony / Ekulu / Truth Cult

The new Turnstile record is fun and wild.  And I’ve heard that a Turnstile live show was absolutely bonkers.  I wanted to go to this show, although the prospect of five bands in one night is exhausting.

Plus I had tickets to see Sondre Lerche (they couldn’t be more different options)–which we wound up not going to anyhow.

Citizen are a rocking band who embrace a lot of styles.  I hear some post punk and some shoegaze wrapped in an emo blanket.  I rather dig their stuff.

Ceremony were a hardcore band who have expanded their palette a bit.  Indeed, one of their newest songs has a female vocalist singing gently in the middle of the song.

Ekulu, are a crossover hardcore band with lots of screaming metal solos.

Truth Cult throws in a bunch of influences.  There’ a lot of 70s rock in their delivery (those backing vocals and riffs) but the lead vocals are firmly in the punk realm.  There’s a hint of Fucked Up on their overall sound, as well.

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[DID NOT ATTEND: May 7, 2022] Rina Sawayama / Hana

Rina Sawayama is a fascinating pop star.  She is British-Japanese and has an amazing voice.  She is also comfortable embracing all genres.

At the time of this show her second album has not been released yet, but her first album Sawayama embraced all kinds of genres in each song.  There’s aggressively pop singing with incredible hooks and then some hugely metal guitars.  “STFU!” was massively metal with a swooping pop center.

It was fun to imagine that her live show would be a riot.

As one reviewer wrote:

As Sawayama kept up with multiple outfit changes, an onstage thunderstorm and memorable choreography, her voice remained a beacon of light.

This show sold out at the TLA long before I had even heard of her.  It was moved to the Fillmore where it also sold out. (more…)

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[ATTENDED: May 4, 2022] Spoon [rescheduled from April 15, 2022]

This was possibly the shortest time between a postponed show and a rescheduled show.  Nineteen days!  It’s pretty remarkable that the venues were able to accommodate Spoon with such short notice.

So I’ve never been a huge fan of Spoon, but I like a lot if not most of their songs.  In fact, I like them more and more with each record and with each live show.  It’s like the live experience really shows what they’re doing to its best example.

So this was my third time seeing them.  And it was great.

They opened with “Held” a Smog song that they have covered a lot in the past (and which is on their new album).  As soon as Britt Daniel started singing, someone behind me loudly screamed along “first time in my life!” (more…)

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[ATTENDED: May 4, 2022] Margaret Glaspy [rescheduled from April 15, 2022]

This was possibly the shortest time between a postponed show and a rescheduled show.  Nineteen days!  It’s pretty remarkable that the venues were able to accommodate Spoon with such short notice.  It also worked out really well for me because that week in April was really chaotic.

But here we were in May.  

I had been wanting to see Margaret Glaspy for a pretty long time.  She last played Philadelphia in 2016, about two months before I heard her album.  (Well, actually, she played Philly when opening for Ruston Kelly, but there was no freaking way I was going  to see that country music hack).  She was supposed to headline a tour back in 2020, but that show was postponed, so it’s not all her fault that it took six years for me to see her.

I really enjoyed her album Emotions and Math.  I loved the guitar and kind of weirdly lurching and aggressive sound and vocal style (Margaret clearly was taking no shit).  Her newer album departed from that style a bit–there’s a bit more synth, but it’s still solid.  (more…)

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[ATTENDED: April 16, 2022] Motionless in White

As soon as I heard that Motionless in White was from Scranton (and they called Philly home), I understood why they were the headliners.  Apparently they always sell out in Philly as well.

After Ice Nine Kills, there was a major shift in the audience.  Whether they were leaving or just getting drinks, it allowed me to get very close to the stage.  So when Motionless in White came out I really got to experience them pretty well.

I was a little puzzled by lead singer Chris Motionless who may have had white face paint on.  He was also wearing what looked like an army flak jacket (with no shirt underneath–ouch.

I also think there was no bassist for the band (I see that it was announced in Buffalo that he was expecting a new baby, so that’s sweet).  I’m not sue how they compensated or maybe they didn’t bother.  (more…)

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[ATTENDED: April 16, 2022] Ice Nine Kills

Ice Nine Kills put on a wonderfully theatrical show.  There’s costume changes, props and murder victims.  Their songs are often very catchy and they are frequently about horror movies (hence the murder victims).

After seeing them back in 2019, I knew I’d want to see them again.  I’ve tried to see them with my son a few times, but he winds up getting invited by a friend and they go together (last time they scored VIP which I don’t even bother trying to do).  So I was pretty excited to go to this show.

And I was consequently a little bummed that their set was only going to  be about 50 minutes.  (more…)

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[ATTENDED: April 16, 2022] Black Veil Brides

When I grabbed tickets for this tour, I wound up getting them via a Black Veil Brides Presale, because I never got the INK presale to work.

I had never heard of the Black Veil Brides, but that didn’t matter, because I could still get the tickets, right?  Even my son and his friend were a little surprised the three bands were together because they said that BVB and Motionless in White peaked like ten years ago.

I also had no idea that this was a triple headline bill.  I mean, yes I can see it was advertised as such, but since I hadn’t heard of the other two bands I assumed that the other bands were listed, but it was an INK show.

Then the day before, when I went to check what time INK went on, I saw that the three bands were rotating who went first and that we would not know who was playing first until we got there.  Woah, no wonder it was so packed so early. (more…)

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[ATTENDED: April 16, 2022] Lilith Czar

I was pretty excited to take my son and his friends to see Ice Nine Kills again.  This was his fourth or fifth time seeing them already.  It would be my second.

The tickets said 6:30, which usually means that the doors open at 6:30 and the show starts at 7:30.  I couldn’t find anything to the contrary so we arrived at 6:25, figuring we’d get there nice and early–get merch and get right up close.

We walked right in and I thought, huh, are we really that early?

Well, indeed, no.  As I stood on the merch line that wrapped all the way into the venue, I looked at the Fillmore Instagram site which said that the doors opened at 5 and the first band went on at 6:30.  WTF.

So I thought I indicated to the kids that I’d get on the merch line for them and they could come when I was close to the end of the line.  Clearly I didn’t say that as they thought I ditched them and was up near the front.  Meanwhile, I was standing on line, facing away from the stage and missing the opening band Lilith Czar pretty much entirely.

I was in the room, so I heard everything, I just couldn’t really focus on her at all.

I didn’t know her music (and didn’t know she was opening the show until last night).  But I do know that she did a rocking cover of Stevie Nick’s “Edge of Seventeen” (which I always thought was called  “One Wing Dove”).

Heh, looking her up now, I see that she was on The Voice and is now married to the singer from Black Veil Brides and formerly recorded as Juliet Simms.

I wish I could have given her more attention because I liked the sound of her set, and thought the rocking “Edge of Seventeen” was quite good.  She praised Philly as the best crowd of the tour.  I know that bands say this all the time, but it felt like she had a legit reason.  She said it was the first time anyone had crowd surfed to “whatever song.”

According to Setlist, she played this

  1. Intro Poem [taped]
  2. Feed My Chaos √
  3. 100 Little Deaths (Juliet Simms cover) √
  4. Edge of Seventeen (Stevie Nicks cover) √
  5. Lola √
  6. King √
  7. Anarchy √

√ Created by Filth and Dust.

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[POSTPONED: April 15, 2022] Spoon / Margaret Glaspy [moved to May 4, 2022]

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This was supposed to be a chaotic week of concerts, but between our vacation and this show being cancelled, it wound up being no concerts at all.

Spoon has postponed the upcoming dates of their previously announced tour due to a positive COVID case in their camp. The Philadelphia, New York City and Detroit shows on April 15, April 16 and April 18 have been postponed to next month.

That was fine for me and the new date works very well.

 

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[DID NOT ATTEND: March 25, 2022] Cavetown / Tessa Violet / Addison Grace

Cavetown has a song called “Lemon Boy” which my daughter introduced me to.  She listened to it a lot, so when Cavetown announced a tour I grabbed a ticket for us in Philly.  I was actually surprised that someone I thought was fairly unknown was playing the Fillmore and not the Foundry, but it turned out that the show sold out in the big venue

Then a few weeks later Grandson announced a show in Philly for the same night.  I knew that my son really wanted to see Grandson.  So I checked and saw that Cavetown was also playing the in New York the night before.  So I grabbed us tickets for that show.

Later I found out that my daughter was going to a party that night.  So we opted not to go.  I was able to sell the tickets for both nights.  I’m curious what the show was like, but I’m sure he’ll be back.

Tessa Violet Williams, previously known as Meekakitty, is an American singer-songwriter, video blogger, actress, music video director, and former model.  She seems to write minimalist, simple catchy pop songs.  A perfect companion to Cavetown I think.

Addison Grace has a similar vibe and, in an interview it says they were inspired by Cavetown.  So that makes sense.

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