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Archive for the ‘Venues’ Category

[ATTENDED: February 7, 2024] Joe Jack Talcum

I was so excited to hear about  this show as soon as it was announced.  When Scott Thompson came to PhilamMOCA in 2022 I completely missed it until after it had happened.  So I was psyched to get in on this before it sold out (and a second show was added, but without a musical opener).

I didn’t know who the musical opener was going to be until day of the show where I saw it was Joe Jack Talcum from the Dead Milkmen!  I had somehow thought it might be someone from Shadowy Men on a Shadowy Planet, although it makes 100% more sense that it was a local Philly fella.

I have never seen The Dead Milkmen even though I’ve been a fan forever.  I’ve also never seen Joe Jack in any context, so this proved to be a fun, if simple introduction.

He sounded much the same–slightly off-key and really into his songs.  He played acoustic guitar and harmonica and he sang five Dead Milkmen songs and 1 original.

I recognized the first song which was from the final Dead Milkmen album that I seriously listened to.  It made me want to relisten to the album. (more…)

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[DID NOT ATTEND: February 6 & 7, 2024] Mitski / Tamino

Everyone in my family loves Mitski.  Unfortunately, everyone else in the world does too.   So when her shows are announced  they sell out in a second.  I thought that maybe seeing her at The Met would be better than elsewhere since we would be pretty much guaranteed to actually SEE her from any seat.

But of course the first show sold out in a second.  And the second added show also sold out in a second.  There was supposed to be some kind of anti-bot policy in place and I even got on a waiting list to be notified when non-scalped tickets were put back into the process.  And I was notified.  but every time I went to the site, I couldn’t find these tickets and there was no where to put my special code.  So much for that.

It’s now a week before these shows and there are more than 100 resale seats for eat show available.  Each of these seats is over $100, with some pushing $300.  I mean, that’s disgusting as there are definitely 100 people who would love to go to the shows.  But you’d be insane to pay that much

If the prices drop to something reasonable I might grab some, but I don’t really see that happening.

I knew the name Tamino from somewhere but wasn’t sure who they were.  Then I remembered he had played a Tiny Desk Concert several years ago.  I had written

Tamino is a 22 year-old singer of Belgian, Egyptian and Lebanese descent.

I didn’t know anything about him.  But the blurb mentions his voice.  As soon as I read Jeff Buckley and I heard it in the middle part of the first song I knew it was right on.

He sounds like he’d be an amazing opener for Mitski.  Sounds like a great night of music.

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[DID NOT ATTEND: February 2, 2024] Joseph Keckler

I saw Joseph Keckler open for Sleater-Kinney five years ago.  It was a great and memorable performance:

The short version is that he has an utterly amazing voice.  It is deep and rich and operatic and I can honestly say I have never been in the presence of someone who could sing like that before.

But he doesn’t sing opera.  Well, he does, sort of.

He came out on stage and didn’t introduce himself.  He asked us how we were doing and then said that he wasn’t doing great.  Then he turned on a laptop and played a musical motif and he began to sing in beautiful Italian.  The video screen behind him projected the translation of the words.  And they were hilarious.

It was a song about going to a party and eating shroom-laced chocolate.  Then walking home and wanting to kill himself until he remembered he had to brush his teeth.  It is called, naturally enough “Shroom Trip Opera.”

I saw that he was touring and then I was shocked that he was playing in Frenchtown (not all that far from me).  I was thrilled to discover there was a performance space closer than Philly.  So he introduced me to this location as well. (more…)

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[DID NOT ATTEND: February 1, 2024] Frost Children / Mother Cell

When this show was announced I grabbed a ticket pretty quickly.  I had seen Frost Children open for Yves Tumor and their set was wild and super fun.  I knew I’d want to see  them again.

I also loved that they billed the show as Frost Children with special guest Frost Children.  They were going to play their two new albums (which sound very different) as if they were two bands.

But when I listened to the new albums, they were far more sedate than when I’d seen them live.  And, actually, I wondered if their show, which felt so big to me could translate well onto the PhilaMOCA stage.

Then I saw that they had another opening band, Mother Cell.  They are described as a rhythmic noise pop band, but when I listened to the two most recent songs I found them far more mellow and poppy than noisy.

Since the show was sold out and I’d been to four shows in the last few days, I decided to give this one a miss.  I’m actually planning on going to fewer shows of young, noisy bands like this.  So we’ll see if that comes to pass too.

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[DID NOT ATTEND: January 29, 2024] Lucius

I’ve had a ton of opportunities to see Lucius in the last two years.  My count is 5 (plus two at festivals I wasn’t going to).  For one reason or another (sometimes inertia) I just didn’t go.

Then they announced this ten year anniversary of their debut album and I thought that that would be really fun to see.  I really liked about half of the album a lot.  The rest was good.  And I figured in a live setting all of the songs would be great.

The strange thing is I had no idea that Lucius has released only three albums (and various other remixes and stuff).  So when they played in NJ last year, had I gone, I would have seen half of this album anyway!  In fact, had I gone to that show, I would have heard them play one of their newer songs that I love, “Next to Normal.”  Serves me right.

But there was something neat about going to this little mini-tour and being one of the select cities that got to see it.

It took them a while t o come out.  In fact, they turned the lights out at 8:45 and we sat in the dark until like 9:10, which is just weird.  But whatever.  The guys came out first and then Jess Wolfe and Holly Laessig came out in matching outfits–berets and bold colored jackets00primary colors splitting the coats in half with brighter colors on the pockets.  They looked great.

There was a (tall) family in front of me and they were pretty good when they started singing “Wildewoman.”  There was a woman behind me who was singing very loudly.  She had a good voice, but honestly we are here to hear these two women with incredible voices.   Fortunately she was mostly in tune and easy to ignore. (more…)

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[ATTENDED: January 29, 2024] Jeff Taylor

Jeff Taylor is an old friend of Lucius.  He is from new Jersey but lives in Pittsburgh.

He opened his set by humming a kind of dissonant sound as he strummed his guitar.  It went on for far longer than it should have and became kind of funny, but not actually funny.

Then he finally sang a line “We lost my dad,” and seemed to start the whole song over.   Whether he messed up or just wanted that line to hang there is unclear.

Jeff played an electric guitar and sang and I just couldn’t get into it.

By the end of his set I feel like he warmed me up a bit and I enjoyed the last few songs more.  But most of his songs were about breaking up with someone and they just weren’t that interesting.

I mean “Flashes” goes

Just push me away
Let me be free of you
You weren’t my kinda girl

So, yeah. (more…)

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[ATTENDED: January 26, 2024] Pinkshift [rescheduled from October 13, 2023, because of flooding]

This was my fourth time seeing Pinkshift in just over two years.  It’s impressive how much bigger and more confident they’ve gotten in this time.

I hadn’t intended  to go to this show when it was scheduled for October because I had other plans.  But this show getting flooded out (and subsequently shutting down the great House of Independents) did allow me to

I hadn’t realized that Pinkshift released an EP back in August.  It’s called Suraksha (Hindi for “security” or “safety” or “protection.”).  Singer Ashrita Kumar says, “I grew up listening to in Bollywood and Indian classical music would round out the songs perfectly. Going into the studio, the only thing on my mind was my family, and making these songs was unique because in my head I was making it for them.”

So that’s cool.  The EP has some traditional Indian sounds on it and live (and this was about the coolest thing), they had someone playing sitar (I think it was a sitar).  Ashrita Kumar introduced her, but I didn’t catch her name or the band she plays in.

The sitar was mostly used as an interstitial between these three new songs–she would have been drowned out during the main body of the songs if she was playing.  But it was so cool to see her up there with this great punk band.

They followed it up with a new song, called “Blood.”  Pinkshift has never shied from speaking their minds.  This time they look beyond personal issues to take on something bigger: “There’s blood in the water, there’s blood in the trees.”  A wish that Western colonization of all lands would end.  She dedicated the song to the people of Palestine. It was heavy and intense.

As always drummer Myron Houngbedji was amazing.  His intensity and skills are formidable.  They had a new bassist on this tour (but he was not introduced and their press photos still only show three people).

Guitarist Paul Vallejo is still an amazing force–he can shred with the best but he has an overall fantastic sound.

Then they moved into songs that I knew (I wondered why I didn’t recognize the other songs, had I forgotten their music?).

I had seen them play “Burn the Witch” last year and it was possibly more intense this time.

I don’t mean to comment on people’s appearance, but I kind of miss Ashrita’s longer hair because it looked amazing when she whipped it around.  I mean, she’s still an amazing front woman, doing incredibly intense things on stage, but it was fun watcher her hair follow her along.

I first heard “Nothing” when they didn’t have a name for it, so that’s fun.

I really know their first EP the best, so when they played “On Thin Ice” I was pretty psyched.  It was also around here that I realized that I’d only ever seen them as an opening band when they were playing 7 songs a night.  But there was to be a lot more.

They played another new song, another which was just as intense as the others.  Then Let Me Drown from the full length.

And from here  to the end it was mostly the Saccharine EP.  “Mars” gets more intense each time I see it.

But one of the real highlights came when they played “Eat Your Friends” a new song that they recorded with Jhariah for this tour.  Of course, he came out to sing with them and by the middle of the song Jhariah and Ashrita were in the middle of the pit that consumed most of the middle of the floor.

I can’t ever get enough of “i’m gonna tell my therapist on you” because the song is just as good as the title.

There are 12 songs on their full length LP, and I’ve seen them play 7.  I wonder if they had been playing that whole album before the new EP came out.  Their whole set isn;t that long so, they could have probably played a few more.  But it’s hard to keep that much intensity up.

Plus, Ashrita (and the band) were energized against Israel and were getting the crowd riled up to action.  It was pretty inspiring and I hope even a quarter of the audience was moved to action.

“Love Me Forever” slows things down, but doesn’t lessen the intensity as Ashrita shows off just how amazing her voice is (I mean, damn, this woman can sing!  And her range just gets better with every release).

After a brief encore they came back and blew through two more songs from Saccharine, the 90 second “Toro” and the longer “Rainwalk.”

By this time the crowd was in a frenzy.  It was a great show.  And a great bill overall.  I’m curious if Pinkshift will follow in Mannequin Pussy’s trajectory and if they’ll be headlining Union Transfer after their next album comes out.

 

January 2024 [headlining] January 2023
Lullaby ¥ I’m Not Crying, You’re Crying
Home ¥ nothing (in my head)
To Me ¥ GET OUT
Blood [new] the kids aren’t alright
Burn The Witch Burn The Witch
nothing (in my head) i’m gonna tell my therapist on you $
On Thin Ice $ Love Me Forever
new song (“fuck what you say”)
Let Me Drown
Mars $
Eat Your Friends [new] (with Jhariah)
i’m gonna tell my therapist on you $
the kids aren’t alright
Love Me Forever
encore
Toro $
Rainwalk $

 

May 2022 Oct 2021
Toro $ Toro $
Mars $ Mars $
GET OUT GET OUT
On Thin Ice $ On Thin Ice $
I’m Not Crying, You’re Crying cherry (we’re all gonna die)
nothing (in my head) nothing (in my head) [at the time was known as “Crapple”
i’m gonna tell my therapist on you $ i’m gonna tell my therapist on you $
Rainwalk $ Rainwalk $
$ Saccharine EP (2021)
Love Me Forever (2022)
¥ Suraksha EP (2023)

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[ATTENDED: January 26, 2024] Jhariah

I hadn’t heard of Jhariah before this tour was announced.  But when I listened to their song “Pressure Bomb!!!” I was hooked.  I love the whole vibe of their music–kind of musical theater (with all that implies) but with an intense punky undercurrent.

And that theatricality was present throughout Jhariah’s set which was, frankly, too short!

Jhariah came out and immediately had technical difficulties with his guitar so he said he’d do the show without playing guitar.  There was a second guitarist so that was fine.  And it may have freed him up to be even more theatrical as he danced and jumped all over the stage. (more…)

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[ATTENDED: January 26, 2024] Pinkshift /Jhariah / Foxteeth

I was really excited for this show.  It had been postponed from November (when I didn’t have a ticket) to the New Year.

Originally it was supposed to be at House of Independents, but the reason the first show was postponed was because of flooding.  The flooding was so bad that HoI had to close its doors and is now out of business.

So it was moved to Asbury Lanes, which is a great small club.

I arrived with just a few minutes to spare and soon enough Fox Teeth came out. Originally the opening band was Pollyanna, who I really like.  I was bummed that they weren’t going to be playing, but Fox Teeth more than exceeded expectations. (more…)

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[ATTENDED: January 25, 2024] Torres 

This was my fifth time seeing Torres play.

Every time I see her, her set becomes more powerful and intense.  What was fun about this tour was that her new album, What an Enormous Room, was coming out the next day.

So we were able to hear most of these songs for the first time in a live setting, which was great.  Especially since she gave a little explanation of each song before playing them. I also love that she played a new song followed by an old song–a kind of mini greatest hits.

A lot of times when you hear a song for the first time, it may not land right away.  There were a couple of songs that are going to take a few listens to really get into, but for the most part, these songs were grabbers, doing what Torres does best–catchy powerful choruses with her great voice doing its thing.

I had wondered what the title of this album was supposed to mean, and she told us that life these days was overwhelmingly depressing.  And without trying to forget that, she felt that this album was a ray of hope–this is an enormous room, look what other things I can do in it.

She played a few songs from each of her recent albums (although only one from her lost-to-COVID album, Silver Tongue). (more…)

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