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Archive for the ‘Venues’ Category

[ATTENDED: August 14, 2026] Ciʀcle JƎʀᴋs

Circle Jerks are a legendary punk band.  They’ve been around since 1979 with various lineup changes and hiatuses. They more or less finished in 2011, but then started playing again in 2019 and have come to Philly every two years since then.  I thought about seeing them at the TLA in April playing with Gorilla Biscuits.  But we were out of town.

So when this event came up, I was really intrigued.  The band are in the movie Repo Man–playing a lounge version of themselves.  And the current bassist Zander Schloss was a main character in the movie.  And here they were–playing some songs, doing a Q&A about the movie and then showing the movie.  I’ve seen the movie a few times but haven’t watched it in a long time.  So I asked my brother-in-law if he wanted to go and he said YES, but then couldn’t make it.  So I asked my son and he said sure.

I don’t think he knew any Circle Jerks music, but he had heard of them.  And he had never seen the movie.

I waited till the day before the show to buy a ticket because I wanted to be in an area where there weren’t many people. I wound up getting the back row and it was pretty perfect for Keswick–you’re up ice and high and can see over the heads below you.  And the venue is small enough that the back row is only 34 rows back.

The band’s gear was set up and then someone came out singing the Feelin’ 7Up song.  I had totally forgotten that that’s how Zander Schloss’ character in the movie is introduced.  So he is singing the song and a guy in a tuxedo tells him to stop singing, man. Why so tense, guy?

Then the band launched into the song Repo Man and the man in the tux sang the song.   The man was Repo Man director Alex Cox.  He sang the song and left the stage.

Then Keith Morris came out on stage and the band launched into a barrage of songs totaling about 5 minutes. And I liked that security allowed anyone who wanted to to rush the stage (it’s not like any of us old people were going to cause too much trouble).  Although one person did climb in stage and dance around (and then slowly climbed back down off the stage). (more…)

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[DID NOT ATTEND: August 14, 2026] Eagles of Death Metal / Mountain Head

I got a kick out of Eagles of Death Metal when they came out.  Death By Sexy is a fun album and I enjoy the tongue in cheek nature of the music.  I thought about going to the show since they are apparently a great live band.

But I Just really don’t like them enough to justify going and I was a little worried about what kind of audience these guys would attract.  I left the night open, in case I decided to grab a last minute ticket.  But then the Circle Jerks announced a show for that night and that was the kibosh on EODM.

Who the hell are Mountain Head?  Well, their bio says

The enigmatic and reclusive Hannah Brothers stumbled upon a mysterious mountain in the heart of the Canadian wilderness, and what they found at the summit changed their lives forever. A shaman performed a ceremony that unlocked new depths of creativity and inspiration in the brothers, leading them to channel the spirits of Johnny Cash, Flavor Flav, and Billy Gibbons. Dressed in black denim and adorned with solid gold grills and long beards, Mountain Head emerged with a sound that blended psych-rock, alt-rock, and elements of electro-pop and jangle pop into a unique and potent sonic concoction.

The description is okay–they’re a little slower than you might expect, but there’s some psych elements, but mostly they play dumb rock like EODM.   A perfect pairing.

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[DID NOT ATTEND: August 13, 2026] The Lemon Twigs / Brute Force

I really liked The Lemon Twigs’ Do Hollywood album and their follow up EPs showed even more development.  Since then they have put out a few albums, and I have enjoyed them.  Their sound has changed over the years and they are very settled in a kind of 60s pop vibe.  They are excellent at it, but it’s not quite what I loved from them.  I finally got to see them open for Car Seat Headrest and they were great.  I definitely wanted to go to this show and up until the last minute I was considering going.  But since I was going out the following two nights and my son was leaving for Europe in a few days, I figured I’d stay home.

I think my wife would really like them, so maybe next time they come around I’ll drag her along.

I can’t believe that I have never heard of Brute Force–look at this bio:

Stephen Friedland (born September 29, 1940), known as Brute Force, is a singer and songwriter who attended Asbury Park High School,. He wrote and performed with The Tokens in the 1960s and wrote songs for Peggy March, Del Shannon, The Chiffons and The Cyrkle, and others.  Brute Force may be best known for a song that barely saw a release. Written by Friedland and produced by The Tokens, “The King of Fuh” is a story about a monarch in the land of Fuh referred repeatedly to as the “Fuh King”. John Lennon admired the record; so did George Harrison, who acquired the track and overdubbed eleven strings of the London Philharmonic Orchestra, arranged by John Barham. It soon became obvious that neither EMI nor Capitol Records would distribute the single, so Apple Records pressed and distributed 1,000 copies (catalog number Apple 08) in 1969. After the initial Apple pressing (and no radio play), Friedland teamed up with Jeff Cheen and issued the tune on his own Brute Force Records label (b/w “Tapeworm Of Love”, which later received airplay on the Dr. Demento radio show).

He played that song and many other funny songs.

Now I rather wish I had gone.

 

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[DID NOT ATTEND: August 12, 2026] Dogstar / The Backfires

Three years ago, Dogstar played Underground Arts and I toyed with the idea of going  to this show, probably for the same reason that a lot of other people did.

To see Keanu Reeves!

I can’t decide if I like Keanu ironically or not, but it’s still pretty wild to think that a celebrity of his star power could have been just a few feet from me.

I genuinely had no idea what Dogstar sounded like.   So here’s the blurb from Underground Arts

Here in 2023, Dogstar epitomizes the quintessential Southern California storytelling rock band they’ve always been in their hearts, making deeply resonant music that literally comes from Somewhere Between the Power Lines and Palm Trees – the name of their new album which arrives October 6, 2023 via their own label Dillon Street Records (distributed through ADA). Comprised of guitarist/vocalist Bret Domrose, drummer Robert Mailhouse, and bassist Keanu Reeves, Dogstar was born in 1991 as a band of friends who came together in a garage in Southern California and simply dreamed of playing music together and making a little noise. Now, all these years later, Domrose, Mailhouse, and Reeves took some time at the tail end of a historic lockdown to create this collection of songs that fully encompasses who they are as artists today. The happily reunited rock trio’s official return came in May 2023 – more than 20 years since their last performance together – with their first public performance at the BottleRock Napa Valley music festival with a set that sparked fan and critical praise alike, including the live debut of their lead single “Everything Turns Around,” which was officially released July 19.

So this isn’t Keanu’s band, per se.  He “only” plays bass.  Domrose sings and plays guitar, although they all get writing credit for the songs.  But wow, it was sold out and no doubt super packed with people looking to meet Keanu.

When they came back to Philly, this time they were playing a much bigger venue.   I don’t think it sold out, but good for them.

And in this video of them record shopping in Philly–their influences are perfect!

Again, I like their music–like 90s indie rock–although I don’t like their singer all that much.

The Backfires are a London/NYC band.  They play solid old-school indie rock.  Their previous album was really good.

I could easily have gotten into both of these bands in the 90s if they had gotten radio airplay.

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[ATTENDED: August 8, 2026] Kevin Devine

I’ve been a fan of Kevin Devine and the Goddamn Band for several years now.  Last December, I went o see him one week after a hip replacement because it was at a brewery fifteen minutes from my house.  Tonight’s show was at a record store in Milltown, NJ.  I had seen Ted Leo there last year and they have a great setup for in-store artists.  And this time, there were seats!

Kevin is a delightful, funny performer.  He jokes with the audience and at his own expense.  He has a great powerful voice, although most of his songs, when solo, are rather soft.

He played an acoustic guitar for the whole set which had several songs from his soon to be released album (next year sometime).

He opened with a song he played last time a new song that may or may not be on the new album.   Then he played one that is definitely on it (they just finished mixing it).  Then, as he said, he’d play some songs from throughout the years and then take Q&A and requests.

It’s not surprising that the set was similar to the solo show at Flounder eight months ago, but he had a few news songs and he took requests which meant a lot of new (to me) stuff.

He basically opened with the same few songs as last time (although we missed the very first few songs, so it was like hearing them for the first time.)

After the newer songs he went really deep for Go Haunt Someone Else (2006) and Yr Damned Ol’ Dad (2005).  After playing a song from Brother’s Blood, he talked about Bad Books and then ran through a quick version of Andy Hull is Garbage.  This is now the second or third time I’ve heard this and it makes me laugh every time.  So Kevin and Andy work together in Bad Books (Andy is in Manchester Orchestra as well) and it’s hard to follow the order, but Kevin says he wrote the “garbage” song but Kevin says that Andy says he wrote it about Kevin first.  So, I gather they each play their own version in their live sets from time to time. (more…)

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[DID NOT ATTEND: June 24, 2026] The Body / Big | Brave / Carnivorous Bells

I saw Big | Brave open for SUNN0))).  I can’t believe it has been almost ten years since that show.  Big | Brave left a huge impact on me and I’ve been following them ever since.  I’ve really wanted to see them again and it just never seems to happen.

I had a ticket for this show long before we decided to go on vacation this week.  We actually arrived home on the night of this show, but there was just no way I could make it work.

I didn’t know The Body even though they made an album with Big | Brave back in 2021.  They are a doom/sludge metal band who have expanded into using other genres as well.  From what I can tell, vocally there is a lot of distorted screaming

Carnivorous Bells are from Philly.  They’re noisy and weird and remind me of noisy weird bands from the 90s.  I don’t think I’d enjoy a 90 minute set from them, but a short opening set was probably a lot of fun.

Here’s a video of them from Ortleib’s

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[DID NOT ATTEND: August 4, 2026] “Weird Al” Yankovic / Puddles Pity Party

This show was announced at the same time as the one in Holmdel.  I chose NJ because it was closer and I wasn’t sure how chaotic it would be to see Weird Al during Musikfest (which can be pit of control).  We had to blow off the Holmdel one because both of my kids were away.  But this show happened to be right during our vacation week, so we wouldn’t have been able to go anyhow.

Last year, almost to the day, my wife and I saw this “Weird Al”/Puddles show.  My whole family was supposed to go but my daughter wound up working and my son wound up going to a concert in Wisconsin!   So, when this show was announced at the very handy PNC Bank Arts Center, I grabbed four tickets for us to try again.

Well, once again, my daughter was working and this time, my son went to the shore with his friends.  Since we had seen the show last year and I’m sure it didn’t change from last year, we sold the tickets and got on with our day.

I would have liked to see Al for the 11th time and to have my kids enjoy him once more (I somehow doubt he’s going to tour again), but ten times is pretty good.

I would have genuinely liked to see the entire Puddles Pity Party set.  We walked in during his set last time, and I was looking forward to seeing the whole thing.  But oh well, you can’t have everything.

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[DID NOT ATTEND: August 1, 2026] Tori Amos / Bartees Strange

Back in the 90s, I was a die-hard Tori Amos fan.  Over the years I’ve moved on.  But I did see her four years ag (I can’t believe it has been that long).

I enjoyed that show, but I complained that she hardly played anything I new (yes, she has a like a dozen albums out but still).  And for my show she only played 17 songs.  For this one it was only 15!  After the last show I said “t was like seeing a friend who I had grown apart from.  We had a few things in common, but there were far more differences.”

So I had no intention of going to this show.  Looking at the setlist, she played these songs that I know

A Sorta Fairytale [really like this one]
Bliss [forgot about this one, but it rocks]
Putting the Damage On [she didn’t play anything from this, my favorite Tori album, last time]
Little Earthquakes [of course]
Spring Haze [she played it last time too]
Pretty Good Year [that would have been great to hear]

Fascinatingly, she didn’t play Precious Things.  And she did play Streets of Philadelphia [like last time]–next time, how about Philadelphia Freedom.  So, that’s 6 out of 15.  Not a great ratio.  

Bartees Strange opened up. I saw him 3 times in 3 and a half years and really didn’t need to see him again.  I really liked his earlier stuff, but the newer stuff I got sick of.  I realize I saw him last just over a year ago, so it’s not like the early stuff was super long ago.

 

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[DID NOT ATTEND: August 1, 20262] Mannequin Pussy / Lip Critic

I’ve seen Mannequin Pussy six times.  The first time was when they had just released an EP and now they are opening and headlining around the world.  After the last time I Saw them I felt like I didn’t need to see them again.  I mean, I still love their songs, and the shows are cathartic.  I just didn’t feel the need for it anymore.  The last time I saw them was two years ago.  This tour was announced and I thought, meh.  But, I had recently seen Lip Critic and really wanted to see them again.

They opened for Panic Shack recently in Philly but I didn’t get a ticket in time, so I figured this show would be a great chance to see Lip Critic, and of course, Mannequin Pussy would probably be even better after being all over the world (they apparently even have a couple of new songs).

But then we booked a vacation leaving on this day, so, I sold my ticket and went to the Finger Lakes instead.

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[DID NOT ATTEND: July 30, 2026] Babe Rainbow / Sam and Louise Sullivan / Sam Blasucci

I know of The Babe Rainbow because Levitation Records (who put out all kinds of cool psychedelic music) released a Levitation Sessions album and I like to check out any band that plays a session with them.  They played The Foundry three years ago and I wrote:

Babe Rainbow is from Australia.  They do play psychedelic music but it lands squarely on the delicate 60’s folk side of psychedelia.  Meaning it’s fun to have on, but I don’t need to see them live.  I felt the same way, although listening to more of their stuff, they might be more fun live than I realized.

Sam and Louise Sullivan are a family band. They grew up  playing traditional Irish and Old-time music as their parents moved them back  and forth across the country between Brooklyn, NY, and Portland, OR, usually  driving alongside a Ryder truck. Though they never stopped playing music,  Sam and Louise studied literature and visual arts. Louise started her own  ceramics business and Sam became a high school literature teacher to pay the  bills. Later, Louise joined Sam in Philadelphia and ended up working at the same Quaker prep school as an elementary classroom teacher. Louise is the visionary and the talent, holding  Sam accountable, making sure he doesn’t get too corny.  Interestingly, they have such a clean, earnest sound that it seems like it should be really corny and yet it isn’t.  Louise’s voice is wonderful and at least in this recording, I love the sound of their instruments.

Sam Blasucci is an American singer-songwriter based in California.  He’s one of the two members of Mapache, who I also do not know.  It sounds like his music is well suited to Babe Rainbow, with reviewers talking about his “easy Beach Boys-sounding pop”  and songs with “light percussion, a Caribbean feel, and a smooth groove”  as well as “R&B-inspired pop”  as well as “electro pop.”  Sounds like a very pleasant night.  Maybe next time I’ll rethink seeing them.

 

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