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Archive for the ‘Venues’ Category

2017-02-25-23-47-33[ATTENDED: February 25, 2017] Japandroids

I was mostly excited to see Japandroids because in addition to liking their music, I wanted to see how two guys could be so powerful live.  I’d also heard that their live shows were a ton of fun.  And was it ever.

Interestingly, I had tickets for the Friday night show, which sold out.  But then something more important came up–a father daughter dance.  I was able to get my ticket to someone I work with and he enjoyed Friday night and I was still able to get a ticket for Saturday night.  So everybody won.  There was also some joking from Brian King the guitarist/singer that Friday night was a better crowd–until the Saturday night crowd decided to prove him wrong.  They were also filming on our night, so I wonder if anything will ever come of that.

But back to the show.  When the crew set up their gear, I was surprised to see them putting the drum set literally right in front of me, sideways–facing the guitar.  I knew that he faced that way but didn’t think they put him right a the front of the stage. (more…)

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2017-02-25-21-21-28[ATTENDED: January 31, 2017] Craig Finn

The universe has insisted that I see Craig Finn perform.  Last year he opened for My Morning Jacket, but my friend Jay and I arrived late and missed his whole set.  Well, here was a second chance.

Back then I had assumed that Craig Finn was one of the Finns from Crowded House.  It wasn’t until that MMJ concert that I discovered he was the guy from The Hold Steady, a band I’d never listened to.  I didn’t know much about him beyond that except that his delivery was kind of spoken/sung and there were comparisons to Bruce Springsteen.

I had gotten up pretty close to the stage, and I was surrounded by diehard Finn fans, so I felt like a bit of an imposter.  But he didn’t seem to mind and he played a really enjoyable set.

Given how raucous the Japandroids were he seemed like a bit of an odd match, but he certainly has a punk vibe, even if his songs are not very loud. (more…)

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[ATTENDED: February 10, 2017] Marco Benevento

2017-02-10-23-18-04Back in August I saw Marco Benevento open for The Claypool-Lennon Delirium.  I didn’t know Marco, but his show was so much fun I promised myself I’d see him again.  So I was pretty psyched to see that he was playing at this venue.

Marco’s show back in August was just so much fun–I had arrived late, after being caught in traffic, and within minutes he had totally uplifted my mood.

So I was thrilled to find the Ardmore such a small venue where I could get up so close–check out the bottom of the page for the up close look at his modified piano.  And when he show began, I was right up at the front of the stage.

2017-02-10-22-12-11In addition to Marco, who is a fantastic entertainer, his band consists of drummer Andy Borger (whose drum set includes a cowbell and what looks like the alarm bell from a school) and my new favorite bassist Karina Rykman.  2017-02-10-23-37-07It was actually Rykman who first won me over back in August because she was just so happy.  I don’t think I’d ever seen anyone have so much joy playing on stage before.  And this show was exactly the same.  Of course it helps that she’s a great bassist with an amazing sound.  She doesn’t do a lot of fancy stuff, but her groove is spot on.

The three of them came out and started playing the suite from The Story of Fred Short.  It’s a series of seven interlocking songs with a great groove and a lot of room to jam.   I walked in the middle of this suite when I saw them this summer and I was really excited to hear it again.  I love the bass lines and, in this case, the whistle in “Walking with Tyrone.” (more…)

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[ATTENDED: February 10, 2017] Wolf!

2017-02-10-20-38-07Back in August I saw Marco Benevento open for The Claypool-Lennon Delirium.  I didn’t know Marco, but his show was so much fun I promised myself I’d see him again.  So I was pretty psyched to see that he was playing at this venue.  WOLF! opened up. Technically the band was billed as WOLF! featuring Scott Metzger.  This actually didn’t help me, because I didn’t know who he was either.  The only other clue was that he was also in a band called Joe Russo’s Almost Dead (with Marco Benevento) who do mostly Grateful Dead covers.

I genuinely didn’t know what to expect from WOLF!, although I certainly had an idea of what they’d sound like from those bona-fides.  But boy was I wrong.2017-02-10-20-57-45

Turns out that WOLF! plays pretty much all instrumentals.  The songs are kind of surf guitar rock-ish, but not exactly.  They are jam-band-ish, but not exactly (the songs are relatively short).  And they all center around Metzger’s wonderful, melodic soloing. (more…)

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[ATTENtaj1DED: February 7, 2017] Taj Express

I saw this advertised at MPAC a few months ago.  I was really intrigued by it and thought that it might be fun for all four of us to go.  Going in, I had literally no idea what to expect.  I imagined we see some fun dancing, some extravagant costumes and some exotic music.

I didn’t even know that there would be a story.  I just assumed it would be 2 hours of fun Indian entertainment.  So imagine our surprise to get there and discover that there was not only a story, but a very funny one at that.

And all four of us really enjoyed the show a lot–even Clark!  The music was outstanding–super up-tempo and fun. And the dancing was magnificent–the energy, the costumes, the special effects–what more could you want.

(more…)

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[ATTENDED: February 4, 2017] Seth Meyers

sethI’d always liked Seth Meyers on Weekend Update, but I never thought all that much about him beyond that.  But when he started hosting Late Night, I realized that he was really really funny.  And in the past year or so he has been outstanding.  Whether political or personal, his jokes are usually right on the money.  And, even better, when they fail, he knows how to make fun of himself and his writers perfectly.

So, when I saw that he was going to be doing standup at MPAC, I grabbed tickets pretty quickly.

This event wasn’t on the MPAC main calendar, because it was listed as The Drew Forum Speaker Series.  I had no idea what this was, but I didn’t care, I wanted to see Seth.

When the show started, a woman, presumably from Drew came out and gave a pretty lavish introduction–atypical for a standup.  And she said that other people who have spoken in this series include Jon Oliver and a guy from Fox whose name I won’t mention.  And then I got worried that this was some kind of Q&A panel or something like that.

But it wasn’t.  It was Seth doing standup. But, I have to gripe that his set was really short.  See the end. (more…)

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[ATTENDED: January 31, 2017] Parquet Courts

2017-01-31-21-54-46I was under the impression that Parquet Courts had been around for a while (they have 4 LPs and 3 EPS out), but they formed in 2010 and their first album to gain notice was released in 2012.  They’re just really prolific.

When I heard they were playing Philly I grabbed tickets right away assuming it would sell out.  I don’t think it did, but that didn’t stop it from being a really enjoyable, if brief, first concert of 2017.

I thought of Parquet Courts as a pretty  punky band–some of their songs are quite noisy and fast (and short).  But just the other night I watched them play, “Human Performance” on TV and I was quite surprised to see how kinda dorky they all looked–Oxford shirts and sweaters and the like–not stereotypical punks at all.  Which was cool.

I had arrived plenty early and was only one person from the stage when they started (not always great for sound but great for pictures).  (more…)

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[ATTENDED: January 31, 2017] Mary Lattimore

2017-01-31-20-21-17I wasn’t sure who would be opening for Parquet Courts.  I was surprised and delighted to see that the opening act was going to be a harpist.   I had never heard of Mary Lattimore before, although on looking her up it seems quite likely that I have heard her before–she seems to be a go-to harpist for a lot of bands [a shortened list includes these records: Thurston Moore – Demolished Thoughts ; Jarvis Cocker – Further Complications ; Kurt Vile – Smoke Ring For My Halo & Wakin on a Pretty Daze ; Sharon Van Etten – Are We There? ; Quilt – Plaza ; Hop Along – Painted Shut].

When I arrived her harp was onstage–lit up and gorgeous–and I was really excited to hear her show.

She came out while we were waiting and made some final adjustments.  And then a few minutes later she sat down at the harp, quietly thanked us for coming and began playing. (more…)

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[ATTENDED: January 11, 2017] Cirque Éloize: Saloon

salooonI was pretty excited to see that Cirque Éloize was coming back with an all new show.  Their previous show Cirkopolis was phenomenal–wonderfully constructed and very cool to look at.  This show was very different, both in theme and production, but it was still amazing.

Indeed, I had mistakenly believed that this production was by Cirque Alphonse (another troupe from Montreal), who did a lumberjack-themed show last year.  But no, it was from the folks who did CirkopolisCirkopolis proved to be so different from Saloon, that it’s even more impressive that the same company created both shows.

This show was designed to be set in an old timey-salooon.  And while most Cirques perform the same basic routines, it was really fun to see how they were able to modify them for this new setting and “story.”  I also loved that they were all dressed like the old west–with chaps, and suspenders and hats–the kind of clothes that you really never see people performing this kind of material in (although I’m sure there must have been leotards underneath, right?). (more…)

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2016-12-05-21-06-09SOUNDTRACK: MARTHA WAINWRIGHT-Tiny Desk Concert #252 (November 26, 2012).

I’d published these posts without Soundtracks while I was reading the calendars.  But I decided to add Tiny Desk Concerts to them when I realized that I’d love to post about all of the remaining 100 or shows and this was a good way to knock out 25 of them.

marthaI have been a fan of Loudon Wainwright III for many years.  He has a very musical family and Martha Wainwright is his daughter.  Kate McGarrigle is also her mom, so that’s some lineage.

I’ve enjoyed some of Martha’s earlier songs.  I especially enjoyed her song “Bloody Mother Fucking Asshole” which “was inspired by her father. She wrote the track as a response to her father’s way of writing songs about his family, rather than tending to them.”  Ouch.

But that was almost ten years earlier than this show.  Nevertheless, as the blurb says: “Martha Wainwright’s songs examine uncomfortable moments and life experiences gone wrong, but as she acknowledges in between songs at this Tiny Desk Concert, she often has to fudge her own life story to make the details more unsettling.”

I’ve always wanted to like Martha more, but I find her music to be simply … okay.

She begins with “Some People.”  From what I recall of her earlier songs, she seems more singer-ish and tuneful on this song, as if her voice has gotten more powerful.  She holds some really long notes, too.  As I listened to this song I kept imagining Patti Smith—in voice and attitude.

About the second song, “Can You Believe It?” she says “we are referring to it as the single which is always very funny.”  As an introduction, she says her husband is the punching bag for this album.  Anybody else would have left me by now.  But he has an “understanding of the power and importance of freedom of expression in art and also exaggeration.”  This song has her frank lyrics: “I really like the make up sex it’s the only kind I ever get.”  I can see why this would be marketed as a single–even if there’s a line about “a storm of shit,” it is one of the catchier things she’s written.

She explains that right as her mother, the great Kate McGarrigle, died her son was born.  This is her first song about motherhood–she assumes her son will want it to be her last as well.  What’s strange about “Everything Wrong” is that between the chord structure and her “ay ay ays”at the end of the lines, this song sounds  lot like Rod Stewart’s “Young Turks.”

So I find that I feel the same about Martha as I did before.

[READ: December 19, 2016] “Baby’s On Fire”

Near the end of November, I found out about The Short Story Advent Calendar.  Which is what exactly?  Well…

The Short Story Advent Calendar returns, not a moment too soon, to spice up your holidays with another collection of 24 stories that readers open one by one on the mornings leading up to Christmas.  This year’s stories once again come from some of your favourite writers across the continent—plus a couple of new crushes you haven’t met yet. Most of the stories have never appeared in a book before. Some have never been published, period.

I already had plans for what to post about in December, but since this arrived I’ve decided to post about every story on each day.

This may have been my favorite story of the book so far.

Marston’s protagonist is a forty-nine year old woman, Margaret.  When we first see her, she is climbing to her seat with two glasses of wine in her hands.  She’s trying to take off her coat–but she can’t put down her wine.  Her husband, Amos, is next to her but is not really helping.  I love that he “is shifting from buttock to buttock…as if by going through the motions of helping her in his mind he might actually help her.”

The two are at a concert.  She plans to rock out with her husband and then after the show go to a hotel and have wild sex–something they haven’t done in a long time.  I loved also that she imagined them falling right onto the bed when they got to the hotel.  “(OK maybe they would just fall asleep–it had been a long day–and do it in the morning).” (more…)

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