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Archive for the ‘Venues’ Category

[ATTENDED: April 20, 2026] Pallbearer

I saw I had heard of Pallbearer but didn’t really know all that much about them.  I assumed they were a really heavy growling type of band.  So when Knoll announced that they were opening for them, I checked them out, enjoyed them and bought a ticket to the show.

It turns out that they are a doom metal band and the album that they were touring, Foundations of Burden, is a classic of the genre.

I had enjoyed the first two bands but when Knoll was done, a whole bunch of guys rushed to the stage.  One of them was actually a guy I’ve seen at a couple of shows recently (MMJ and Band of Horses–he even looks a bit like Jim James).  He is a massive headbanger (headbanging to Band of Horses!).  So he was finally in his element and he knew this album really well. There were a bunch of guys together who knew each other and they were all headbangers and fist pumpers.  And  while it was all harmless, I didn’t enjoy the vibe.

And when the band started I realized the real problem for me.  I was standing right in front of Brett Campbell’s guitar amps.  And it was LOUD!  So when he stepped up to the microphone and I literally couldn’t hear him I wasn’t too happy.  Later on, bassist Joseph D. Rowland sang another part and I couldn’t hear him either.

By the third song, when Devin Holt played a solo and I could hear it until Campbell started playing his guitar, I knew I had to move.

So the album has 6 songs which meant I was already half way through.  But I just wasn’t really enjoying myself.  So I left the front and headed toward the back.  And things were much better back there.  The sound was phenomenal–balanced perfectly and still loud as anything.  Mark Lierly was on drums with a fairly small kit net to the wall of amps–but he was certainly loud enough. (more…)

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[ATTENDED: April 20, 2026] Knoll

I saw Knoll open for Agriculture three months ago.  Then I saw that they were returning in three months to open for Pallbearer.  And they are the reason I went to this show (and why I listened to Pallbearer for the first time).

Knoll’s show in January was just mind blowing–intense and wild and loud and a little scary.  And I really wanted to see them again.  Last time I was in front of guitarist Cameron Giarraputo, so this time I wanted to experience it from the other side of the stage in front of Ryan Cook guitarist and trumpet (!) player.

What did I write three months ago?

I have seen a lot of extreme bands, but there’s nothing to prepare you for this.

And the show was largely the same.  Possibly the same songs, but it’s kind of hard to tell.  So I’ll quote from myself a bunch.

Knoll set up their gear.  They had an old-looking end table (I would guess like 100 years old, with all kinds of filigree–but probably not worth anything) and interesting gear on it.  The table also had a little light on it and there were four floor lamps around the stage.

This time I watched as singer Jamie Eubanks asked them to cut all of the lights.

These lights were the only things that lit the stage!  And, most interesting of all, each band member had a step on plug which turned their individual light on and off throughout the show.

All five members of the band were dressed in all black–button down shirts and black pants.  And the lead singer, James Eubanks, has his head shaved, (possibly his eyebrows), his fingernails shaped into points.  He looks like Nosferatu.

Last time I noted that Giarraputo was like a machine with the speed and technical expertise he brought to these incredibly fast songs.  The same was true of Cook–his wrsits moved so fast!

Drummer Jack Anderson must be exhausted by the end of the show playing so fast.

(more…)

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[ATTENDED: April 20, 2026] Lástima

I hadn’t heard of Lástima.  They are a Philly band who plays blackgaze which may be a term they made up, or maybe not.  But it makes sense.

They play fast, heavy, dark music with mostly growled vocals.  Back in the day we called these cookie monster vocals.  But cookie monster vocals are for fast singers and I think singers of this style of music sing more like real monsters–slow and deep and creepy AF.

What set this band apart was the inclusion of Thuy Nguyen on violin! (!).  From where I was you couldn’t always hear the violin (again, I need to stand further back from the stage) but when the rest of the band quieted down, the violin was a wonderfully mournful component.

I was in front of Eric Mauro on guitars and Hazel Whitman on bass.  I could kind of see Sam Hyla on drums, but really the most entertaining person was singer/guitarist Richie DeVon.

DeVon sang.  Sometimes in a normal voice (during the quiet section) but usually with a growl or a scream.   There were a few songs (or openings of songs) which had quiet piano parts.  DeVon played them and was usually accompanied by Nguyen on violin.  Toward the end he got down on his knees and screamed his head off while messing about with his effects pedals.  It was quite cathartic.  (more…)

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[ATTENDED: April 15, 2026] The Last Dinner Party

The Last Dinner Party played Johnny Brenda’s in Philly back in 2023 and I really wanted to go.  But we had tickets to another show so I missed out. It’s amusing that they mentioned that show at this show and how they hadn’t been back since then (yes, we know).  I’m still bummed that I missed that one, but my daughter and I did get to see them at All Things Go and tonight, my daughter and my wife joined me for this much much bigger show.  (To go from Johnny Brenda’s to Franklin Music Hall is a huge leap).

The stage was set up simply but with a cool look–fabric draped all along the back wall and a mobile of birds high above the stage.  At one point the mobile spun and the birds, which were reflective, shone lighted birds across the black of the stage–very cool looking.

So The Last Dinner Party is slightly gimmicky with the way dress, but it does look very cool and they transcend that look with fantastic songs and a great stage presence.  And indeed, this was one of the best shows I’ve seen in a long time.  They didn’t do anything especially fancy, but their engagement with the audience, their presence and their sheer kickassery was phenomenal.  I loved them at All Things Go but this show was even better.

The opening strains of Walking Into the Pyre played over the speakers as they came out on stage.  The four women filled the front of the stage–keys (Aurora Nishevci), lead guitar, mandolin and flute! (Emily Roberts), vocals (Abigail Morris) and guitar (Lizzie Mayland).  Something was amiss though as their bassist was clearly not Georgia Davies.  Well, it turned out that Georgia hurt her back and was being attended to by a doctor.  She would be heading back to England shortly.  In her stead was Max Lilley who is their bass tech (he’s in a band called Slow Team as well).

They have always had a rotating touring drummer.  I think his leg of the tour it’s Davo–he off in the back, essential but not prominent. (more…)

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[ATTENDED: April 15, 2026] Florence Road

Florence Road is a band from Bray, County Wicklow in Ireland.  I had listened to one song before this show and it must have been Rabbits Can Swim, because I thought that they were a pretty but mellow indie rock band.

They came out on stage right around 8: lead singer and guitarist Lily Aron, guitarist Emma Brandon, bassist Ailbhe Barry, and drummer Hannah Kelly.  And they proceeded to blow our hair off.  They opened with None the Wiser.  Aron’s voice is really powerful.  My wife, who normally doesn’t even really pay attention to the opening band remarked at how strong her voice was.  And the band kept up with her–they rocked hard and were really impressive.  It was also interesting that they just put out their second EP (Spring Forward) but this opening song wasn’t on it–it’s new.

There were a lot of people there who knew the band (apparently) but they won the entire crowd over by the end of the song.  The next song Miss was a bit quieter, but Aron’s voice still soared around the room.  By the time of Storm Warning  which had some really cool staccato power chords near the end, they could do no wrong.  Heavy continued with more loud guitars and then switched to a pretty, quiet ending with drummer Kelly on piano.

They stayed quiet for Rabbits with Barry on acoustic guitar.  Hanging Out to Dry was a mid tempo song showing that they can do it all.  They followed it with another new song 7563–no idea what that means, but it was fun hearing them sing that chorus at the end.  That brought the tempo back up.  And then someone in the audience shouted for Break the Girl, which seems to be one of their dancier songs.

They ended the set with the aptly named Goodnight.

Aron and Emma Brandon were both funny when they chatted to us.  They told us it was their first time in Philly and I have to assume it won’t be their last.  They made a ton of new fans tonight.

2025
None the Wiser §
Miss ⇒
Storm Warnings ⇒
Heavy ♣
Rabbits Can Swim ⇒
Hanging Out to Dry ⇒
7563 §
Break the Girl  ♣
Goodnight  ♣

§ single (2026)
⇒ Spring Forward EP (2026)
♣ Fall Back EP (2025)

 

 

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[DID NOT ATTEND: April 15, 206] An Evening With Band of Horses

My wife and I saw Band of Horses here about a year and a half ago.  The show was great.  When this show was announced, our friend Jonathan who lives nearby asked if we were going.  But it turned out we were going to The Last Dinner Party already on this night.  So we had gotten tickets for Philly.

We actually know a lot of people who went to this show and the consensus was that the sound was pretty bad.  So I guess we picked the right one (even if we didn’t actually have a choice). The did play two songs tonight that they didn’t for us (NW Apt. and Cigarettes, Wedding Bands) but I still think we got the better show.

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[DID NOT ATTEND: April 12, 2026] Wanda Sykes

Whenever I think about comedians that I like, they’re usually British.  Because I receive ads for comedy clubs, I feel like there are hundreds of American comedians and I don’t know any of them. So I forget that there are quite a few American comedians who I really like.  Nick Offerman makes me laugh in anything he does and yet for some reason I have never really thought about going to his stand up show.

I had gone out the night before, but my wife wasn’t really interested in going out on a Sunday night, so we blew him off.  I’ll have to put him on my list of comedians to make sure I see at least once.

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[ATTENDED: April 11, 2026] Laveda

I hadn’t heard of Laveda, but when I listened to them before the show I was interested in their take on 90s grunge.  Then, as I was leaving the house, I saw that they were going to go on at 7:30 instead of 8.  But I wasn’t going to be arriving until like 8:45, so I was bummed to miss them.

However, traffic was light and for one reason or another the band didn’t go on until 7:45, so I was able to see their whole set and was right up near the stage.  Laveda is from Brooklyn.  They were founded by Ali Genevich (guitar, vocals) and Jacob Brooks (guitars and effects).

They opened with Strawberry, a heavy, crashing song with tons of distortion and feedback.  It was a great introduction to the band.  Ali sang all of the songs and had a quiet delivery that suited the songs.

When it ended, they played a noisy and lengthy feedback filled section. Brooks was on his needs playing with the effects pedals and generating feedback.  The noise resolved into the song Care.  It was this song that full won me over.  *’s guitar chords were great and reminded me a lot of Sonic Youth (their more commercial songs).  The bass was also great–a rumbling low end that propelled the song as much as the drums.  The song rocks for a solid 4 minutes and then ends with a very pretty quiet guitar part.  I actually assumed this was a new song, but I see it’s the end of Care, which makes me like the song even more. (more…)

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[ATTENDED: April 9, 2026] Atsuko Okatsuka

I had not heard of Atsuko Okatsuka when this show was announced (with the striking image to the right).

I have been going to a lot of comedians this year and reading the blurb and the fact that it was so close I thought it might be worth checking her out.  After buying the tickets, I watched some of her special on TV and wasn’t that excited by the opening moments.  But since I didn’t know if this was the routine she was going to do, I didn’t watch anymore.

So I wasn’t that excited going in.  And it turned out that my wife had a commitment that she couldn’t get out of.  So I almost stayed home.  But again, it was close, so I went.

And I’m so glad I did, because she was hilarious.

She started with a routine about her playing a video game in which you own restaurants.  I didn’t think this could be an extended riff, but it was and each level of the joke made it funnier.  From the fact that she is very very busy (she has so many restaurants) to the part where she is making so much money (in the game) but losing so much money (in real life) as she upgrades.  To how her husband found out about her spending on the games (snitch accountant) to a hilarious joke about her caveman cafe and the dinosaur that runs it with her.   Any paleontologists in the audience?

She spun this off into a series of jokes about how having a phone and doomscrolling is very healthy because otherwise you are left alone with your own thoughts!

I really enjoyed her take on depression commercials–do you really want to be like the people in the “after” scenes?  I really enjoyed the sequence (and the big payoff at the end) about the white man who is excellent at kendo.  She explained that this man has trained for years and is really impressive.  At first she thought it was racist, but realized that he is so sincere and devoted that it is honoring rather than appropriating.  Although she acknowledged that if he hurt himself and someone asked her to finish the routine, THAT would be racist.

The only person who is more Japanese than this man is her father, who is the quintessential Japanese man.  She went to visit him and that’s when she learned she had a brother (from her father’s first marriage).  She was unsure if she wanted to meet him, but when she did and he said, do you want to pretend po be cats while waiting online, that she knew she’d found a kindred spirit.

She crammed so much good material into an hour.  It was a great set.  At the end she did a brief Q&A which turned into a fan fest of people who went to the show wearing a wig that looked like her hair.  I had no idea this was a thing.  Apparently it is.  And she loves it.

I’m sorry my wife couldn’t make it, but I’m really glad I went.

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[DID NOT ATTEND: March 31, April 3, April 4, 2026] Circle Jerks / Gorilla Biscuits / Negative Approach

I liked a lot of 80s punks, but I was never really into Circle Jerks.  I mean, they were legends of course, but for whatever reason I never got their music.  When these shows were announced I was actually surprised that Circle Jerks were still a thing.  Actually, I guess they are once again a thing.  They tend to reunite and then stop and reunite and stop.  They’ve been touring now since 2019 (but haven’t released any new music since 1995).  I Really did consider going to this show. I mean, it’s the Circle Jerks after all.  And they were playing THREE dates.  But I was completely shut out on all of these dates.

The March 31 date was the same night as The Teeth who I didn’t want to miss.  April 3 I had tickets to Puscifer and April 4th I had tickets to Nothing.  And then we wound up going to  Minnesota the first few days of April, so I wouldn’t have been able to go anyway.

I’m not sure what an old school punk show like this would be like–is it all old punks in a pit or is it all young kids in a pit an old guys standing around.  I mean I do love seeing that they played 31 songs in roughly an hour–nice old school punk.  And since they played two dates in Philly, they probably won’t come back around any time soon.  Oh well.  Not a bucket list band, but it would have been fun.

All I know about Gorilla Biscuits is that I bought their Start Today CD in college and it had 99 tracks, which was a really fun at the time.  I hadn’t really thought about them much since then, and was kind of surprised to see that they were touring (which I guess they have been doing since 2005?).  They have released no new music since Start Today (1988).  So I guess their shows aren’t very different each night.  I’m not sure I would have recognized many of the songs but it would have been fun to see them too.  They played about 40 minutes (not bad since they released about 30 minutes of music)

Negative Approach is yet another hardcore band who is still around but who hasn’t out out new music since their debut album Tied Down (1983).  I’m aware of the band but really know very little about them.  Unlike the other three bands, when they started playing again in 2006, only the singer remained–everyone else was new.  But it’s the same guys since 2006 which is longer than the original incarnation lasted (1981-1984).  They played for about 30 minutes)

It sounds like a fun night of old school punk and I wish I’d been able to go.

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