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Archive for the ‘Venues’ Category

[ATTENDED: December 10, 2016] Doktor Kaboom! The Science of Santa

kaboomWe loved Doktor Kaboom! when we saw him last (which I didn’t even realize was less than a year ago).  His last show, Live Wire, mixed comedy, science and a hearty dose of believing in yourself.

And so did this one.  Indeed, this show wasn’t radically different from the previous one except that it was all about the magic of Santa Claus.  For as Doktor Kaboom! states: magic is simply science we can’t explain yet.  And in case you are worried about any Santa spoilers, the tagline reads: No iconic Holiday figures were harmed in the making of this show.

For background, the K in Doktor isn’t a zany spelling (thank goodness), it is because the good Doktor is German!  And when he asks you if you understand, you must shout JA!, not yeah or yuh or okay, but JA!

And he likes things to go Kaboom!  Ja?  JA! (more…)

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[ATTENDED: December 8, 2016] Blue Öyster Cult

2016-12-08-21-26-13I saw a whole bunch of concerts this year. I didn’t expect to end my concert year with Blue Öyster Cult.  But, I enjoyed them when I saw them last, and when I saw they were playing at the State Theater in New Brunswick (and I was able to score a 4th row seat) I decided to see them again.

I didn’t realize that Blue Öyster Cult was also the first band I saw this year (back in January).  So, it was a year bookended with BÖC.

While I enjoyed the previous show, I thought it seemed like the guys were getting a little creaky (understandable since they are in their late 60s).  But they seemed much more “on” during this show.  Eric Bloom was chatty and fun, his voice sounded great and he seemed a lot more energetic than last time.  And that made the show much more fun.  As did sitting really close–I was able to actually see the BÖC on his guitar. (more…)

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[ATTENDED: December 8, 2016] Jefferson Starship

2016-12-08-20-07-51I had no interest in seeing Jefferson Starship, but they were opening for Blue Oyster Cult and, heck I love White Rabbit, so why not check them out.

This incarnation of Jefferson Starship is pretty hilarious because the only person in the band who was in the band when they were Jefferson Starship is guitarist David Freiberg (vocals, guitar) (almost–the drummer has a tenure there too, see below).  It’s particularly amusing because Freiberg was in Jefferson Airplane for their final tour, and then they broke up.  When Jefferson Starship began a couple years later, he was a part of the band until they went on hiatus in 1985.  But when Paul Kantner reunited the band in 1993, Freiberg wasn’t included (apparently because Freiberg didn’t leave immediately when Starship formed, like Kantner did).  They made up in 2006 and Freiberg and Kantner had been touring as Jefferson Starship.  Kantner died earlier this year, so Freiberg is the only person connected with the original band left.

Interestingly, he left when Jefferson Starship became Starship, (but not as quickly as Kantner) because he didn’t like the direction the band was going (and Grace Slick considered him “dead weight”).  So he didn’t do “We Built This City.”  However, Donny Baldwin, the drummer at our show played with Jefferson Starship for two years (when Freiberg was there, too) in the 1980s and moved on to Starship and DID play on “We Built This City.”  When they reunited, they had a different drummer, but Baldwin came back in 2008.  So, when they play “We Built This City,” and they do, the drummer is the only one who was responsible for it in the first place.  Crazy.

Incidentally, Freiberg more or less left because of “We Built This City.”  According to Wikipedia: He became frustrated with the sessions because all the keyboard work in the studio was being done by Peter Wolf (lead singer of the J. Giels Band who had played on the sessions for Nuclear Furniture and briefly joined the band on the road for the follow-up tour) and keyboards were the instrument Freiberg was supposed to be playing.  He left the band and the album (with “We Built This City” which was written by written by Bernie Taupin, Martin Page, Dennis Lambert, and Peter Wolf) was finished with the five remaining members.

2016-12-08-20-23-29How’s that for a convoluted history. (more…)

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[ATTENDED: December 4, 2016] Strand of Oaks

2016-12-04-23-07-54I had gotten a notification  that Strand of Oaks was adding a 3rd show at Boot & Saddle because the other two sold out.  I really liked Heal a lot and thought that a chance to see the band in a small setting would be great.

I had no idea that the “band” would be only Tim Showalter (naturally) with opening act Jason Anderson.  I thought the show might be really loud, but it wasn’t.  They both played electric guitars, but not at ear splitting volume.  They played perfectly off of each other–waves and waves of guitars layered wonderfully (with occasional keyboards as atmospheric background).  There were no drums or percussion and the whole set was like an electrified folk show.

There’s a new Strand of Oaks album coming out soon, and this was a chance for him to play some new songs.  So his setlist was a mix of new songs and a few of the more recognizable songs from Heal.

I initially thought I’d be late for the show and that I’d never get close (150 person capacity seemed like it might be packed tight).  But no, I was able to get up nice and close to the stage.  Anderson started playing some gentle guitar sounds, then–and this is what I love about Boot & Saddle–I heard someone saying excuse me, and Showalter himself was making his way through the crowd to the stage right next to me.  So that was pretty cool. (more…)

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[ATTENDED: December 4, 2016] Jason Anderson

I thought that this show started at 8, but parking wasn’t very friendly near the Boot & Saddle so I wound up getting in the place at 8:15.  I didn’t know who Jason Anderson was, but I always try to see the opening act.  Well, I was pleasantly surprised to discover he wasn’t going on until 8:30.

So I was standing there waiting for him to come up on stage, when the stage lights went out and a light above me turned on.  I thought they were just putzing with the lights, but then a guy with a guitar grabbed a chair and stood on it right behind me up against the side wall.

This was Jason Anderson.  He had opened for Strand of Oaks all three nights at the sold out shows at Boot & Saddle.  He said that he had told the crowd the last night that he would play an electric set, but it felt right to do this acoustic set right there.

The room was dim (so dim that I couldn’t even get a picture of him–this one is of him playing with Strand of Oaks (I didn’t realize he was going to do that)).  He had someone holding up a lyric book as he told us he was going to sing a couple of songs that he had just written.

And what came next was an incredible half an hour.

From the start, Anderson was passionate and personable and won everyone over as he described what each song was about. He was honest and emotive and was really earnest about how pleased he was that we were all there and how we needed to really appreciate where we were at the moment.

And it sounds kind of cheesy to write it, and it felt a little cheesy at first, but Anderson was able to break through the hard exterior of everyone in the place and allows us all to give into the moment.

The first song was called something like “Sometimes Windows, Sometimes Walls.”  He said it was about those times when we scroll through Facebook over and over in case you missed something.  After he sang the chorus, he asked us to sing along with it.  And we did.  And we sang louder when he asked and quieter when he asked.  The Boot & Saddle is so small (the show was sold out at 150 tickets) that it sounded amazing.  And we all fed off the energy.

Each of his six songs had a story (usually funny, but not always).  He often interrupted the song to comment or fill us in on something else.  And then he continued, talking about how great the vibe was in the room.  And it really was.

His second song was a bout a toll booth worker in New Hampshire (he’s from New Hampshire).  The song was full of wonderful details. He told us that his friend loved the song and that his chorus “I remember you.  You remember me” was totally Sarah McLachlan-and he sang a line of her song too.

Anderson continually asked everyone to step closer, making it ever more intimate as more people came in.  He said that he doesn’t go to church but his spirituality comes from music and events like this where all different people–friends and lovers and relatives ans strangers–all gather together and live in one moment as it happens.

For one of the songs he asked us to echo the first line of the chorus, which we did.  And when we echoed the second line, he stopped us and said that he didn’t think it worked.  he confirmed it with us and then said we should only do that first line.  We laughed and agreed and continued.

He thanked Tim Showalter (the heart of Strand of Oaks) for letting him play like this and then he said “This song is for Tim, it’s “For Mike.”” And we laughed and he said he didn’t realize how strange that would sound.  This was a touching song written for a friend whose wife had recently died.

The final song was “All My Love For You.”  He had the lights turned down even further (almost dark) and taught us the chorus.  As the song was moving along he jumped off of the chair and walked to the middle of the room and told everyone to take two steps closer.  He was surrounded as he sang.  And he encouraged us to close our eyes as we sang along.  As we sang, he told a story between our lines.  Eventually we opened out eyes and ended the song and it was over.

I have never been in an environment quite like that.  It was really amazing–warm and comfortable and strangely powerful.

The only bummer thing about it was how quickly the vibe dissipated after his set was over.

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[ATTENDED: December 3, 2016] Weezer

2016-12-03-21-34-05Comedian Hari Kondabolu has a funny bit called “How Weezer Broke My Heart.”  He says that he was a huge fan in the late 1990s but when he went to the show a few years ago he discovered that their fanbase is still fourteen years old and that he was the creepy old dude–at 28!  But he rejects that and says that Weezer are the creepy old dudes–forty-year old men singing songs that teenagers can relate to is really creepy.

Well, my show was full of college students (and at least one dad who brought his daughter who was either too young to drive or maybe they bond over Weezer–I didn’t ask–but more on them later).  I may have been the creepy old dude, but since Rivers Cuomo and I are basically the same age, we’re both the creepy old dudes.

It was cool to like Weezer for about two years (circa 1996).  But before and after it decidedly wasn’t.  Nevertheless, I’ve always enjoyed them.  I often wish that Rivers Cuomo would write more substantial songs (musically and lyrically since he studied classical composition and graduated with a B.A. in English from Harvard) but it’s hard to deny how much fun his dumb songs are.

I thought about seeing them this summer, but decided against it.  However, when they announced they were playing in Bethlehem, a close venue that I like, I decided it was time to see them.  I’d been checking their recent setlists (to see what albums they were laying songs from–I try to never look at actual songs), and I was bummed to see that they weren’t playing anything from Pinkerton, the cool person’s favorite Weezer album.  In fact it seemed like the sets came mostly from their self titled albums (blue, green, red and white).

But whatever, because even if they weren’t playing my favorite album, I knew that they’d be playing a bunch of songs that I knew and liked, right? (more…)

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[ATTENDED: December 3, 2016] The Menzingers

2016-12-03-20-13-55I hadn’t heard of the Menzingers before this show.  I looked them up and saw that they were a punk band on Epitaph Records, which meant I knew what to expect–poppy punk, kind of like Rancid (without the ska-although I understand that they were formed out of a Scranton based ska-punk band).  And that’s a fairly accurate blanket statement of what they’re like–catchy songs with a kind of growly singer and lots of harmonies.

Their previous album was highly regarded and they have a new one coming out.  I was excited to see them.  I was also pretty excited to be at a show at the Sands again–my last show there was when I got a drumstick.  But imagine my surprise when there was a huge snarl of traffic getting into the venue.  I’ve seen a few shows there and have never seen traffic getting into the venue.  And then an enormous line to present tickets inside.  So I wound missing–well, maybe it was only part of the first song.

And that delay was because the show was packed.  Packed I say!  (I guess every college student in Bethlehem was there?).

I’m usually early enough that I can pick my place, but, wow, I was further back than I’ve been for almost any show I’ve seen lately.  And there was a pretty pushy crowd too.

So that kind of sucked.

But the band was good and a lot of fun.  (more…)

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[ATTENDED: November 28, 2016] Mike Gordon

mgfall_insta-768x567I saw Phish for the first time this summer.  But I’ve been a fan of the band (especially their live stuff) for years. And while Trey Anastasio is the defacto leader of the band, I’ve always loved Mike–his bass playing is funky, his songs are a catchy and he seems like  a generally fun guy.

2016-11-28-23-38-12So when I saw that he was playing a small club tour, I grabbed tickets right away.  With Phish I could never get anywhere near the stage, but here at Union Transfer I could have been literally up against the stage.  I was frankly surprised at how uncrowded the show was–where were all the Phish-heads?

I really like Mike’s album Overstep (from 2014), and was happy to see he’d be playing songs from that album as well as covers and new songs.

But aside from that I didn’t really know exactly what to expect.  I wasn’t sure if the point of this band was to be different from Phish–short structured songs–or just a chance to play with different people or what. (more…)

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[ATTENDED: November 26, 2016] Dinosaur Jr.

2016-11-26-22-33-27I saw Dinosaur Jr. open up for Jane’s Addiction this summer.  I enjoyed their set (in fact, I was really going mostly to see them although I did like Jane’s as well).  But after it was over, I realized that I didn’t want to see them as an opening act. I needed a full show.

So even though it had been just a few months, when I saw that they were doing a headlining tour, I decided to check them out again.  And I’m really glad I did.  They played twice as many songs and were on more than twice as long.

The guys were able to stretch their songs out more and to pick from a really diverse set of songs.  2016-11-26-23-15-04Of course, being the headliners didn’t mean anything fancy–their stage set up (amps and more amps) was exactly the same as this summer.  And it’s possible that J. Mascis talked even less.  They were there simply to rock.

2016-11-26-22-59-14The only time that bassist Lou Barlow spoke was to berate people for complaining that they couldn’t hear the vocals.  The same thing happened at the summer show as well.  Barlow seemed pretty angry as he told us that we were standing in front of the guitar amps and that the vocals were coming through the house speakers.  So if we wanted to hear the vocals we needed to move to the back of the club.  “It’s Fucking Physics!”  I didn’t move back (the show was pretty crowded and I had a good spot), but I was able to hear the vocals much better than at the Summer Stage show.  I had planned that I would stand nearer the back to see if it was true, but I had a hard time passing up the chance to be so close. (more…)

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[ATTENDED: November 26, 2016] Easy Action

2016-11-26-20-44-16I had never heard of Easy Action when I saw that they were opening for Dinosaur Jr.  When I looked them up online I was taken to a Swedish glam metal band.  I was fairly surprised.

Then somehow I figured out it wasn’t that Easy Action.  Rather, this Easy Action is the creation of singer John Brannon.  Brannon is apparently notorious (or at least well-known), although I had never heard of him. He was in the punk band Negative Approach who I had heard of but didn’t know (they only released an Ep and an album).  And then later Laughing Hyenas who I also don’t know.  He formed Easy Action in 2001 and they released a second album in 2005.  And not much since then.

During the show, Brannon said it had been a couple of years since they’d played together and he thanked J. for getting them all back on stage.

About the only thing that Easy Action had in common with Dinosaur Jr. was that they were loud.  I arrived a few minutes into their set and I could hear them outside the building.  When I walked in the room, it was so loud that I had to stuff the earplugs in my ears as I ran to the bathroom. (more…)

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