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Archive for the ‘Venues’ Category

[ATTENDED: October 8, 2018] Charly Bliss

This was our second and last ever show at the Tower Theater.  The last time we had run into all kinds of traffic and it took forever to get there.  This time, we decided to go a slightly different route and (although we found free parking) because of traffic it still wound up taking nearly 2 hours to get there.  No more.

We walked in just as Charly Bliss was starting their set, so we missed the very first few minutes but I could hear them fine from the balcony area.  If you can get lower balcony seats, they are excellent.  We had a great view and the sound was terrific.  And the lobby was 1000 times less chaotic than downstairs.  Again, shame we’ll never go there again.

Charly Bliss hits a sweet musical spot for me–90s alternagrungepop with smart women as lead singers.

They are a relatively new band and they are just full of boundless energy and hooks galore. (more…)

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[ATTENDED: October 1, 2018] Evan Dando

Back in 2015 I saw that Evan Dando was playing at the New Hope Winery.  I had no idea that there was a concert venue so close to me and that Evan Dando would be there.  For some reason, I was unable to make that show, (Thurston Moore was also playing there around that time and I couldn’t make that either, so we must have been away).

Since then I have monitored the Winery to see what other cool bands would be playing there.  Sadly, pretty much since that day, aside from Dar Williams (who is awesome) everyone playing there is a cover band.  Which sucks.

I have loved The Lemonheads since college and It’s a Shame About Ray is a stellar album.  I’d never seen him play, so when I saw he had announced one show (which has since turned into a small tour) at Monty Hall in Jersey City, I knew I had to go.

Evan came out pretty late by any standard.  But I wasn’t even sure if he was going to show up.  He seemed surprisingly discombobulated (he forgot his capo) and it took a pretty long time or him to get set up.  This was all fairly surprising since he’d been doing this forever.

He had a total artist look: pants that were filthy and a suit jacket that had a giant rip under the armpit (and which seemed too small for him).

He was wearing glittery flip flops!  (more…)

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[ATTENDED: October 1, 2018] The Sensational Country Blues Wonders

Evan Dando announced he would be playing a show at WFMU’s Monty Hall and it was so under-hyped that it was easy to miss.

Incidentally I love the name of this venue.  It’s funny to name it after the TV personality.  But it works because it’s on Montgomery Street.  So clever!

The show was announced with such short notice (two weeks, maybe) that I assumed there would be no opening act.  And then suddenly there was one, The Sensational Country Blues Wonders.

Right there in the name of the band was two genres of music I do not like all that much.  That didn’t bode well.

The trio (there’s normally a second guitarist apparently) got up on stage with John Warren (upright bass) wearing a porkpie hat, with the electric guitarist (either Malcolm Marsden or Jeff Sutton) wearing a beret (and looking a bit like David Crosby) and with lead singer and acoustic guitarist Gary Van Miert dressed as a real, old-fashioned country singer.

After a deliberate pause, Van Miert stepped up to the mic and in a real old-fashioned cowboy/preacher voice, he proclaimed “We are The Sensational Country Blues Wonders.”  They proceeded to play ten fanatics old-fashioned sounding country/blues/gospel songs.

And after two songs I was agreeing that they were sensational.  There’s no way that I should enjoy a band with this name playing this kind of music  But they sounded fantastic and had great stage presence.

Their bio says

“The Sensational Country Blues Wonders!” are a band that replicates the original instrumental lineup of acoustic rhythm guitar, electric lead guitar and upright acoustic bass used on the first rock and roll records recorded by Elvis Presley at Sun Studio. The “Wonders” are a group that has it’s own unique interpretation of American Roots Music – classic Country music from the fifties and sixties, down home spiritual songs from the Golden Age of Gospel, and time-honored Blues numbers that go back to the greats hailing from Mississippi and Chicago. We combine all these elements to create a “one of a kind” musical experience! 

The first song “Where is the Road That Leads Home” was so spot-on I as was sure that it was an old song but apparently all of their songs are original.  Van Miert’s voice was just perfect for this style of song–sharp and direct with a bit of a twang.

The second song “Mean Woman Blues” was a little questionable at this moment in history, except that the end of each chorus was “she may even be as mean as me.”

What was so interesting about the music was that it sounded like country and blues at the same time. The solos were all very bluesy and he played solos almost through the whole song, even though the sonsg proper sounded like country songs.

The humor continued with “My Baby Stabbed Me with a Steak Knife” and the delightfully profane “I’m Afraid of Every Goddam Thing

A little later in the set Van Miert again complained “We are The Sensational Country Blues Wonders.  And don’y you forget it.”

As they got near the end of the set I was flagging a little (that’s a lot of counrty for me, although it was actually some of the more bluesy songs that I was most bored by (“Baby Blues” is pretty dull)) but when their song “Second Fiddle segued into “Folsom Prison Blues” I perked right up.

Their version was great.  And although he didn’t sound anything like Johnny Cash, he had the perfect voice for the song.

Before playing the final song, Van Miert said in his normal speaking voice (which hilariously sounded totally New York/New Jersey (they are based in jersey City) that he was really grateful that we came out to see them. And then he was right back in character for the final song.

After the show, he handed out Sensational Country Blues Wonders pins to anyone who wanted one (which I did).

It was delightfully fun surprise.

SETLIST

The Road That Leads Home
Mean Woman Blues
My Baby Stabbed Me with a Steak Knife
I’m Afraid of Every Goddam Thing
I Can Hear the Music Play
Baby Blues
I Won’t Change Anything
Kansas City
Second Fiddle/Folsom Prison Blues
One Night

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[ATTENDED: September 27, 2018] Graham Coxon

I’ve been a fan of Blur since the beginning (I always picked them over Oasis).  I have never seen them live and it seems like I never will.  And while I enjoy Gorillaz I’m not going to see them live either.  So Graham Coxon solo was a wonderful draw for me.

My big attraction to Blur is Damon Albarn’s voice, but the music, especially Coxon’s guitar, is really fantastic too.

Coxon has released a bunch of solo albums.  I bought the first two.  The second one, The Golden D was an experimental noise fest (for the most part) and I didn’t listen to anymore after that.  Well, from what I gather, the rest of his solo albums were folk songwriting with some fantastic finger-picking guitar work. (more…)

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[ATTENDED: September 27, 2018] Rosali

Rosali opened for Graham Coxon.  She is a Philadelphia-based singer songwriter with two albums out (her last album got some pretty glowing reviews).

She has a lovely voice which reminded me of Aimee Mann.  In fact, a number of times I thought that she might be singing an Aimee Mann song.  But the problem was that there were no hooks in her songs.  There was nothing to hold on to.

She also had very little stage presence.  She stated as much, confessing that stage banter wasn’t her thing.  No kidding.  One time she asked if anyone watched the news today, after some mild boos, she didn’t follow it up.  Every other time that she tuned, she was basically quiet.  In fact, she never said her name, the most basic thing you do when tuning your guitar.  (I arrived a few minutes late because of the incompetent staff, so maybe she had introduced herself before I got there, but I’m not entirely sure it was her). (more…)

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[ATTENDED: September 24, 2018] Steven Page Trio

I’ve seen Barenaked Ladies countless times.  I saw them when Steven Page was with them.  I’ve seen them after he left.  BNL is always fun even without Steven.

But Steven Page’s voice is awesome and he is definitely missed in the band (even though his solo albums are better than recent BNL albums).

This is actually the third time I have seen him since he left BNL and all were within the last three years.

The first time (also with Craig Northey) was when they and the Art of Time Ensemble performed Sgt Pepper’s Lonely Heart’s Club Band.  The second was earlier this year when Steven did his Songbook–singing (mostly) other people’s songs.

These were both great but, man, I wanted to hear him sing his own songs.  So I was psyched when he announced a new tour with a trio playing his own music (and a new album).

The trio included Craig Northey on guitar and Kevin Fox on cello.  And it was awesome. (more…)

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[ATTENDED: September 24, 2018] Wesley Stace

Wesley Stace once recorded  under the pseudonym John Wesley Harding and released some 20 albums.

He has somewhat recently reverted to his real name for performance and wrote about the pseudonym in the New York Times

I’m the last person who should have bothered with a fake name in the first place. I didn’t need a Bowiesque persona, nor did I have a drab real name, but I did need a disguise, assuming that my “career” would tank in about two weeks, proving an embarrassing obstacle to a more attainable-seeming future in academia.

So “John Wesley Harding” it was, founded purely on the coincidence of my Christian name and a Bob Dylan album title. Both I and the cowboy John Wesley Hardin were named for the founder of the Methodist religion (though of the two of us, I’ve probably followed his teachings slightly more closely, having killed fewer people.) For some reason, Dylan misspelled Hardin “Harding”; no one knows why and to my knowledge no one’s ever bothered to ask. (My own favorite theory is that Dylan omitted so many “g”s from titles like “Blowin’ in the Wind” and “The Times They Are A-Changin’” that he decided on a little restitution.)

And after a coincidentally precise 25 years, I have decided, for my new record, to ditch the tried and tested “John Wesley Harding” brand in favor of my real name. Why? I am hardly a household name, but whether you’re a Cougar, a Prince or a Harding (and unless you’re a Will Oldham who changes his name from Bonnie-Prince-this to Palace-Songs-that at the drop of a hat), it’s the sort of decision that doesn’t come lightly.

The reason is simple: I wrote a couple of autobiographical songs, and then I kept writing them. It was the first time that I’d ever bothered to write that kind of confessional song. All songs are autobiographical, but these were also true: things that happened to me. It wasn’t an aesthetic decision; it was something that just presented itself, because I was feeling low and stuck in hotel rooms on a dull book tour. I wrote to comfort myself; you could go so far to say, as a form of therapy.

This move has been facilitated by the fact that I’ve been writing novels for the last 10 years under my real name: that decision was a no-brainer. The first novel, “Misfortune”, was a Dickensian kind of thing, and having the misspelled name of an outlaw on the spine would have been silly. That extracurricular use of my real name means that Wesley Stace has continued to exist on some level over there on the bookshelf. But it gets tiring having two names. Introductions to readings are too long anyway without that added complication: time to get it all under one roof.

That’s a long introduction for a short set (about 30 minutes). (more…)

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[ATTENDED: September 18, 2018] Car Seat Headrest

Car Seat Headrest had one of the most annoying crowds I’ve ever been a part of.  The show was sold out and I got there later than I meant to.  So I was more in the middle of the crowd than up front.  Usually this is a pretty tame spot, but this crowd was rowdy, with a lot of individuals pogoing pretty hard (enough to get me pretty angry at one particular guy–which rather spoiled my mood for a couple of songs).

In fact a few things were irritating me this night which made it kind of hard for me to get into Car Seat Headrest.  The crowd was one but also was the fact that they took forever to get on stage after Naked Giants left (I realize now that Naked Giants were in the live Car Seat Headrest band, and they probably could use a breather, but it was a long wait between bands).

Car Seat Headrest was just Will Toledo for many years.  From 2010-2015 he released 12 albums (!) on bandcamp.  He has gotten a band [Will Toledo (vocals, guitar, piano), Ethan Ives (guitar, bass, backing vocals), Seth Dalby (bass), and Andrew Katz (drums, percussion)], then he/they signed to Matador, re-recorded a bunch of old songs for a compilation, made a new album and then re-recorded one of his older albums.

I was really surprised by how rocking and crazy the band were live.  I love when a band is bigger than their album makes them seem, so this boded well. (more…)

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[ATTENDED: September 18, 2018] Naked Giants

I had never heard of Naked Giants before this show.  But apparently I was in the minority, because everyone in the club seemed to know these guys (even though they apparently have never played Philly before?).  The dudes next to me knew every word of every song and slammed and pogoed through the whole set (and I was pretty far back so this was irritatingly out of place–keep the slamming to the pit, dudes).

Naked Giants is a three-piece from Seattle.  Sure they play grunge, but they mix in some pop elements and a full dose of indie rock as well.  Both the guitarist and the bassist sing lead.  The drummer is a maniac and he left his kit several times to walk around–sometimes mid song.

They are one of the most fun bands I’ve seen live in a really long time.

The band came out and they played a huge intro of noise.  It went on for quite a while–noise and flashing lights and everything and then they settled into “Dead/Alien.” Both guitarist Grant Mullen and bassist Gianni Aiello sang lead on.

It was followed by “Regular Guy” which is indeed about a regular guy–but with a wicked guitar solo–because even though they play indie rock, Mullen totally shreds.

They played a new song called “TV” which has a very new waves-sounding staccato guitar line.  It is sung in a detached new wave style until the bass and fuzz guitar kick in and it turns onto a heavy grunge song for a few measures before reverting to the new wave sound.  The middle has a long noisy jam/freakout section which was a lot of fun.

They were jumping around like lunatics during most of the show with Aiello doing a great left/right jump kick through one of the rocking sections.

On one occasion when Henry LaVallee got our from behind his kit, he walked around the drums, hit one cymbal from the other side and sat down.  Another time he got up and engaged with the audience.  I love this picture in which he was showing the audience his phone (no idea why), but it looks like the guy in the crowd is holding a tiny light.

When they announced the song “Everybody Thinks They Know (But No One Really Knows),” a kind of bratty surf punk song, the guys near me went berserk.  They sang along and even added their own call and response to the vocals (which you can hear in this clip).  The band really appreciated it and waves to the guys.

Then they played the title track from their recent album, Sluff.  About this song, Aiello told Billboard

“I just needed a word for the chorus of that song,… I knew I wanted to shout something, but I didn’t know what. I was hanging out with my girlfriend and I said, ‘Hey, what’s a good grunge-sounding word?’ She thought for a minute and then said ‘Sluff!’ I said, ‘That’s perfect!’ It sounds like something Soundgarden might do. It’s just a nonsense word.”

And he is totally right, it is a ton of fun to sing along to “oh oh oh oh oh sluff!”

Toward the end of their set they played a song called “Twist” which was in fact, more or a less a twist (Aiello turned and faced the crowd and shook his butt at us twist-style).  There was a middle part that had a solo or two from each guy.  In Aiello’s solo he did a bass line from Rush’s “Tom Sawyer,” which was pretty cool.

It was followed by ta total freak out called “Green Fuzz.”  This song went on for about ten minutes.  There was a middle section that involved all of them making as much noise as possible and Mullen ultimately lying on his back, feet in the air, doing whatever it was he was doing (I couldn’t really see him).  He stayed down there for a good five minutes while Henry LaVallee went bonkers on the drums–it was like a drum solo but without the pretension.  Meanwhile, Aiello was keeping things mostly under control with his bass, although he was also playing behind his head at one point.

They ended with “Ya Ya” an incredibly fun song and perfect set ender with the wonderfully deep chorus of “Oh, ya ya ya ya hey, Whoo hoo!”  It’s basically one more wild jam before the set crashes to a conclusion.

They were fantastic and I’d definitely see them again.

It turns out that Naked Giants are also part of Car Seat Headrest’s live band.  They became friends with Will Toledo several years ago  “I think it’s been pretty fun, though, kind of like a big boost. We get to play way bigger shows than we would by ourselves. We open for them, too, so it’s a lot of hard work. We’re playing two and a half hours a night, but it’s worth it. It’s what we signed up for.”

Setlist

  1. Dead/Alien $
  2. Regular Guy
  3. TV $
  4. Everybody Thinks They Know (But No One Really Knows) $
  5. Sluff $
  6. Slow Dance II $
  7. Twist ¥
  8. Green Fuzz
  9. Ya Ya ¥

 

¥ R.I.P. EP

$ Sluff

 

 

 

 

 

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[ATTENDED: September 18, 2018] Don Babylon

I rather enjoy when there are two opening bands.  Especially if the first opening band is a local band.  Philly has been producing some great bands in recent years and I like getting exposed to them.

Don Babylon are a Philly-based band who I’d never heard of before.  They play loud songs.  Or as they describe their music:

“Drunk, sad rock’n’roll in between kitchen shifts and last call.”

They were terrific. (more…)

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