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Archive for the ‘Venues’ Category

[ATTENDED: April 1, 2025] Nanocluster : Immersion | Suss

I stumbled upon Suss one night when I was looking for music to relax to.  I got a kick out of the name–my kids had been using it as slang quite a lot at the time–and really enjoyed their music.  The seem to be described as “ambient country” which would have turned me off.  I’d rather think of them as a soundtrack to the open spaces in the midwest and west (even though all three members are from New York City.

The trio is Jonathan Gregg: Pedal Steel, dobro ; Bob Holmes: Mandolin, baritone guitar, acoustic guitar, harmonica, violin, Keyboards ; Pat Irwin: Electric guitars, National guitar, eBow, harmonium, keyboards, melodica, loops.

Then one night I was listening to Echoes on NPR and they had an interview with Suss.  Which seemed coincidental.  And they mentioned this album that they had made with Immersion.   Immersion is a project from Colin Newman of Wire.  He and Malka Spigel (his wife) who played in Minimal Compact started this electronic project some 30 years ago.  Then in 2021 they started doing Nanocluster projects where they collaborated with others.  Volume 3 featured Suss.  So this was a tour of the album (which is short) as well as sets from each band.

I almost never sit in the balcony at Johnny Brenda’s.  I like to be up by the stage.  But this show, which promised to be very chill, seemed like a great opportunity to go upstairs and grab a stool!

Suss came out first.  They were clustered close together because there was so much gear on the stage.   They had two screens behind them.  Each one projected the same thing (which was weird when it was a  camera panning over a landscape since it seemed like it should continue from one screen to the next rather than being the same thing, but that’s fine.

The three guys bent over their instruments and made beautiful instrumental music.  Keys, slide guitar and other instruments created a dreamy feeling of being in open spaces.  After about 15 minutes or so they were joined by a bass player (whose name I didn’t catch),  he didn’t add fancy bass lines, just a nice low end.  They ended as a trio with one of the guys whistling a sad mournful melody.  (more…)

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[ATTENDED: March 28, 2025] Ninja Sex Party

I found out about Ninja Sex Party when I saw TWRP and Trey Magnifique opened for them.  Trey was hilarious and I had to look him up.  I discovered that Trey is indeed Brian Wecht, who is Ninja Brian of NSP.  Brian is also a published theoretical physicist–his career change is fascinating and quite successful.  Brian played all the music until TWRP joined them in 2015.  But the focus of the band is singer Danny Sexbang [Dan Avidan], he of the glorious long hair and flowing cape.

Lyrically most of their songs are about sex and are NSFW, but some are just funny.  I had heard they put on a great show and that must have been true since the place was packed.

I enjoyed every minute of their set.  Dan is hilarious and Ninja Brian is an amazing sidekick.  They opened with Get Ready to Get Ready started the show and it is hilarious.  Every time I listen, it makes me laugh

So get ready To be ready To get ready
‘Cause we’re almost about to rock
We’re gonna melt your face
With time and space, at an appropriate pace.

For those who about to about to rock. (Rock!)
Please hang tight while I find my socks. (Socks!)
Gonna crack your skull like an aftershock
Just gotta call my broker, sell some stocks.

Cool Patrol is a pretty amusing song about the Cool Patrol teaching kids how to deal with bullies (with a very amusing dance).  Welcome to My Parents’ House is a hilarious seduction attempt, while trying not to wake up Danny’s parents. (more…)

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[ATTENDED: March 28, 2025] TWRP

I’ve seen TWRP twice and pretty much promised myself I’d see them whenever they came around.  I’m only bummed I hadn’t heard of them earlier.  They were the reason I went to this show, although I did know that Ninja Sex Party were friends with the band.  So much so that TWRP was the backing band (in costume!) for Ninja Sex Party.

I was really oping to get close for this show, but I underestimated how popular Ninja Sex Party was.  It was packed!  Luckily I found a slightly elevated space and settled in for some fun.

TWRP shows are an adventure, with a story line running through the show.  There’s lots of asides and banter.  However, when they are the opening band, they are streamlined (well, more streamlined) with some banter but no overarching storyline.

But otherwise everything was the same.  Dr Sung came out on his hoverboard.  Commander Meouch was on bass.  Lord Phobos kicked butt on guitar and Havve Hogan was on drums.  Although with the huge lighting setup of NSP, it was hard to see him back there. (more…)

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[ATTENDED: March 25, 2025] José Gonzáles

I was pretty obsessed with José Gonzáles’ debut album Veneer.  The melodies were gorgeous and his singing voice was so calming.  His song Heartbeats was so darn good.  It was surprising to discover it was a cover (by The Knife, a Swedish band that no one I know had heard of).

I hadn’t really thought about seeing him, although the last time he came arounds my friends saw him and said he was amazing.  (He has played Philly in 2007, 2008, 2015, 2016 and 2021).  So when he announced this tour (which wasn’t even going to Philly), but was going to Montclair!   And was seated!!  I grabbed tickets for my wife and I.

I was also delighted that there was no opening act.  Normally I love an opening act, but this was going to be a mellow show and I didn’t fancy an extra 30 minutes of someone else being mellow too.

The stage was set up with a platform (which was great–it meant we could see him completely) and this cool-looking object on stage.  It was metallic and silver and looked like  cash register or some other kind of old-fashioned odd musical instrument.  And then a roadie came in and sat on it.  Turns out that with the lighting and perspective, this simple wooden (not metallic) chair looked like a fascinating object (the stranger next to me agreed). (more…)

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[DID NOT ATTEND: March 22, 2025] Helmet / Effusion 35 / Slomosa

I really liked the first Helmet album.  I bought betty, but I don’t remember much about it.  I probably haven’t listened to them in twenty years, and I think there have been some fifteen people in the band over the years, but I’ll bet they are still heavy as anything.  But I wasn’t that excited about this tour.

In Denver, War on Women opened, but not for us.  We had Slomosa and Effusion 35.

Slomosa is from Bergen, Norway.  They have created their own music genre, Tundra Rock.  It appears to be a meld of stoner rock and power metal.  I’m intrigued by them.  I listened to a couple of songs and found it okay, but a little flat.  They are probably great live though.

Effusion 35 is from Philly.  They seem almost like a heavy country band, although their earlier stuff is even less heavy–an odd pairing with Helmet to be sure.

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[ATTENDED: March 13, 2025] Rx Bandits

So I didn’t know Rx Bandits at all.  When they started this tour last year (and played Philly), I skipped it even though I wanted to see Zeta.

But in the year since, I listened to this album and found that I liked it quite a bit.  And U still wanted to see Zeta, so I grabbed a ticket and investigated Rx Bandits more.

Rx Bandits had a simple set up–two guitars (singer Matt Embree & Steve Choi), a bass (Matthew Fazzi) and drums (Christopher Tsagakis).  And for a couple of songs they even brought out some horns (trombone: Andrew Borstein & saxophone: Dennis Passley).

This was a tour for their album The Resignation, which they played straight through.  I didn’t realize that they were initially a ska band and that they had morphed into something else over the years.

The band is tight and energetic and they rocked the venue (the crowd was nuts–I was on the barrier and was fairly safe).  They brought out the horns for Prophetic (and played the slow denouement that segued into Newsstand Rock. (more…)

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[DID NOT ATTEND: March 22, 2024] Zeta

I was not familiar with Rx Bandits when they announced this show.  Indeed the only reason I was interested in this show at all was because Zeta was announced as the opener.

I had seen Zeta once and they blew me away. I would do just about anything to see them again.  So if just going to Asbury Park is the requirement, I was there.

I bought this ticket from the box office (always fun), although I had never really heard of the RX Bandits.  I was psyched to see Zeta.

Imagine my surprise then, when they announced another show in January–this one headlining.  So I got to see them in Jan and then again in March.  And this show was very different.

Well, not very different.  But quite different.  For one thing the stage was huge.  At the Foto Club, they were crammed around the drum kit.  Here, they all had space to move around.  But the focus, as always was on drummer Chino Sandoval–front and center and a whirling maniac.  They are still touring their fantastic new album, and I’m not entirely sure what they played from it.

I’m assuming the first two songs were the same as last time, but after that, I lost track.  I feel like the set was a little different because at one point Juan Chi stepped away from the mic and literally just screamed the vocals into the crowd.  There was some chatter before that but as soon as he started singing like that everyone was silent (even though I believe he was singing in Spanish).

As always, Antonio Pereira loomed behind the drums with his awesome bass sound.

Daniel Hernandez was on the other side of the stage.  He rapped a song and I’m fairly certain he sang part of Bulls on Parade by Rage Against the Machine.  I admit that their sound was a little fuzzy (opening act problems) and they were really loud.  So I didn’t really understand a lot of what they were singing (it being mostly Spanish as well).  But the intensity is unmatched.

After every few songs, the crowd around me roared it’s approval, with a few “holy shit” moments.   This was especially true the two times that Chi hopped on the bongos and Hernandez played his own small drum kit.  It’s all percussion and bass, playing rhythmically and it’s awesome.

Sadly I’ll never know what the set list was, but it doesn’t matter.  I loved the show, Iloved that they clearly won over new fans and it was especially cool that two of the guys remembered me from January when we chatted for a little while.

 

2025 Asbury Lanes 2025 Foto Club 2023 Underground Arts
¿Por qué cargamos el peso de la melancolía del mundo entero sobre nosotros? £ ¿Por qué cargamos el peso de la melancolía del mundo entero sobre nosotros? £ La flor de la palabra @
¿Por qué sentimos la necesidad de romper con todo? £ Completar ∞
Privilege ¿ La flor del tiempo @
La flor de la palabra @ El Canto de La Victoria @
Completar Afrontar ∞
La flor del tiempo @ Sufrir ∞
Steps ¿ Magia infinita ∞
The Truth ¿
Yo el peor de todos (somos cosmos) XXV §
Shadows ¿
The Wild ¿
unknown setlist Magia infinita

 

¿ Was It Medicine to You? (2025)
@ Todo Bailarlo (2022)
∞ Magia infinita (2018)/reissued 2024
£ L’Antiteoria del Todo (2016)
§ single (2013)

 

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[ATTENDED: March 6, 2025] Kraftwerk

Kraftwerk are one of the most influential bands of all time–and most people don’t know them.  They created electronic music and have been sampled hundreds of times.  I never even considered that I would see them live.  And then they announced a 3-D tour celebrating their 50th anniversary in 2022.

It was fantastic.

The four members stood in front of these tiny platforms and played their electronic music while visuals were projected behind them.  In the previous show, we had 3-D glasses, but they were not used for this show.

I couldn’t believe how crowded it was when I arrived.  I’m used to arriving a few minutes before the opening act and having my pick of location.  But there was no opening act.  I even arrive earlier than usual, but the place was packed!  I was in the middle behind some really tall dudes and then I decided to move to the side.  At a weird angle, but pretty close.  Last time I couldn’t really see the humans, so it was neat being up close to be able to see them a little.

But it also came with the consequence of a lot of people around me talking.  There were drunk college women, of course, but there was something even worse.  A pretentious Kraftwerk fan and he wouldn’t shut the hell up about how great everything they were doing was.  While it was happening!  Lucklily most of the music was loud enough that it mostly drowned him out, but ugh.

Kraftwerk is the same line us as when I saw them three years ago.  Ralf Hütter is the only guy still in the band from the beginning.  Of the other three, Fritz Hilpert has been on board since 1987, Henning Schmitz since 1991 and Falk Grieffenhagen since 2012. (more…)

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[ATTENDED: March 5, 2025] The Spirit of the Beehive [rescheduled from November 9, 2024]

I saw The Spirit of the Beehive seven years ago and they were outstanding live.  Here it was all this time later and I was able to see them again.

I enjoyed them–they were weird and fun to watch.  I wasn’t sure I ever needed to see the again, but I figured I’d see what they’d been up to for the last 7 years.

Their set was wild and chaotic.  Again, I was right at the barrier, so I’m sure I missed a lot.  Like last time, I couldn’t tell if the songs were really short or much longer.  The first song I thought might have been three different ones.  It was made even mor confusing because the musicians would switch instruments in the middle.  Their third guitarist Phil Warner, switched from electric to acoustic and back again in one song.

I also really enjoyed watching drummer Sean Hallock keep time to all of the different changes and styles of music (often in one song).

Zack Schwartz was on the far side from me and I felt like I heard his vocals the least, although his guitar was clear.  Bassist (mostly) Rivka Ravede has a fantastic bass sound–I loved when you could hear it over the rest of the music. She also sings on nearly every song, which is great–it adds so much dimension to the songs to have two (or three) lead vocalists in one song.

I was right in front of Corey Wichlin who sang a lot of lead parts in very different vocal styles–it was often hard to know who was singing.  He also played guitars and keys and the occasional triangle. (more…)

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[ATTENDED: March 5, 2025] Kassie Krut [rescheduled from November 9, 2024]

I saw The Spirit of the Beehive seven years ago and they were outstanding live.  Here it was all this time later and I was able to see them again.  The opening band was Kassie Krut who I’d never heard of. I looked them up and found out that Kassie Krut was formed from Palm!

The band was formed by Kasra Kurt, guitarist, who wanted to explore more electronic music and Eve Alpert (both of who are phenomenal guitarists but who play no guitars on the album).  They were joined by Matt Anderegg on drums.

Their EP is loud and dancey and fun, but very noisy.  And live they were noisy, noisy and more noisy.  As with Polo Perks, this may have been because I was so close to the stage.  But I believe that all of the sounds were coming from the overhead speakers (there were no guitar amps to have sound coming from the stage).  Whatever the case I absolutely could not hear Eve singing (except the quieter bits of Reckless) and I couldn’t hear Kasra at all when he took to the mic.

Matt was on my right playing an electronic drum kit,  It was fun to watch because the bass pedal was literally a pedal hitting a small pad, slightly larger than the pedal itself, but it was cavernously loud.  The rest of the pads that he played generated all kinds of percussive sounds. (more…)

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