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Archive for the ‘Venues’ Category

[DID NOT ATTEND: September 12, 2025] Black Moth Super Rainbow / Ricky Eat Acid / Huron

I’d heard of Black Moth Super Rainbow and knew they were pretty weird (duh) but I didn’t know much about them.  I assumed I’d like them given that they are a psychedelic electronic indie rock project.  They are a solo project created by Thomas Fec.  Their visuals are startling and crazy.  But musically it’s very slow and I wasn’t that excited by it.  So I never hot tickets.

Ricky Eat Acid is the electronic project of Samuel Joseph Ray. He’s from Baltimore and is in the band Teen Suicide.  His music seems to be trippy and weird (as befits the name) and is mellow with samples and possibly no vocals.  Might be fun for a short set.

Huron is an electronic musician from Pennsylvania.  He is very hard to find online mostly because of Lord Huron but also because Huron is a very popular word in the United States.  He has a bandcamp site.  He makes very slow trippy music that I would hate to stand around listening to, but which I would definitely enjoy falling asleep to.

 

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[ATTENDED: September 9, 2025] Pulp

Back I was a big fan of the Britpop scene.  I liked Blur, but I also liked a lot of the lesser bands.  Pulp’s Common People was a favorite song for me.  I also liked their This is Hardcore album.  And then I lost interest.  But it turns out they put out one more album and then hiatused.

Then this year they announced a new song and album.  Spike Island is the most infectious song they have released and I haven’t gotten tired of it at all.

So when this (rather short) tour was announced, I was intrigued, but wasn’t sure if I really wanted to go.  Tickets were fairly pricey and there weren’t any floor seats left.  But because of their “dynamic pricing” bullshit there were a few seats available near the front and I saw that the price was going down as it got closer.  When I felt the price was okay, I bought a ticket.

When I got to the venue, they asked me if I wanted to sit i the ADA section, which I hadn’t in this venue.  The guard there said it would be nicer to sit in the comfy chair than to stand the whole time.  And it was.  True, I couldn’t see the whole stage (I never saw the guy in the back on the left side.  And I couldn’t see all of the screen.  But most of the action was up front and I could see all of that fine.

The tickets were irritating because it was unclear if the show was going on at 7:30 or 8:30.  Did doors open at 6:30?  Who could tell.  I arrived at 7:30 and there was a massive line to get scanned.  I was escorted to the front of the line, which was nice, and I got into the venue quickly with no merch line (the merch wasn’t that exciting).  And then I sat and chatted with the people next to me.  They were from Maryland and had seen the show a few days ago in D.C. They had driven to Atlantic City and decided to see the show again on the way home.  He told me they bought tickets while waiting outside in their car (and paid less than I did!). He and his wife go to tons of shows and seem to often get comp tickets or really good prices last minute.

When the lights went down I moved to the other side of them to get a better angle (very comfy) and the massive band (eight piece, I think) started playing Sorted for E’s & Wizz.  I hadn’t listened to much Pulp before the show so I didn’t really recognize some of these bigger songs.

But I was so psyched that they played Disco 2000 and followed it with Spike Island.

Jarvis Cocker is a fantastic frontman (duh).  He engages the audience, he dances, he jumped on these platforms in the front of the stage and he told some amusing anecdotes.

The setlist has been mostly the same, but they did play two unique songs for us.  The new song Slow Jam is great and I’m glad we got to hear it.  Before Farmer’s Market, he asked if there was a farmer’s market in Philly (yes, and it is good, people said).  He asked if they sold grapes. And then proceeded to pull a handful of grapes from his suit jacket pocket and tossed them to audience members (don’t catch it in your mouth, you may choke).  He then threw some chocolates to the crowd (he’s not a great thrower, tbh).  But he did attempt to catch a grape in his own mouth (he missed).

For Something Changed, the original band members came to the front of the stage Jarvis Cocker played guitar and sang and he said that the four of them gathered together a few years ago to see if they wanted to play together again.  He said Candida Doyle sat at the old piano (she played keys); Nick Banks had a box drum then and tonight;  and Mark Webber sat on the settee and played guitar.

For the rest of the set the band was fleshed out by Andrew McKinney – bass (he also played on Something Changed); Emma Smith on fantastic violin, backing vocals and guitar; Adam Betts played a to of percussion and some guitar and keyboards and Richard Jones who I did not see the whole show until the end, played keys and viola.

The four (okay five, bassist) played this delightful mellow song and then shifted gears.  We sang along for many songs and then for O.U. (a very old song) he split the audience in half and one side sang O and our side sang U.  Which was quite a lot of fun.

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[DID NOT ATTEND: May 5, 2025] Mondo Cozmo / The Cobbs

Two years ago my wife and I saw Mondo Cozmo and it was great.  A ton of fun and lots of singing along.  This year he was playing Johnny Brenda’s but I’d already had two possible shows lined up for this night.  So, he didn’t really stand a chance.

Interestingly, the night before we saw them, they played Ardmore Music Hall with the same lineup as this show.  Here’s what I wrote two years ago.

We got tickets for the Saturday night show.  And I’m so glad I did.  For two main reasons.

  1. Mondo Cozmo played a song called “Your Motherfucker” which was hilarious and outstanding.  He didn’t play it in Ardmore because his mother was there.  So I’m glad we go to hear it.
  2. He told us that after about four songs in Ardmore, the fire alarm went off and everyone had to leave.  They didn’t go home, but I’m sure some people did.  Then the resumed, but that would have been really annoying.

I don’t know what else he played in Ardmore, but whatever it was, he played exactly what I wanted to hear in Underground Arts, so I ‘ll just be happy with the great show we had. (more…)

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[DID NOT ATTEND: September 11, 2025] Phantogram / Open Mike Eagle

I have been intrigued by Phantogram fora while–I love a couple of their songs but don’t know all that much about them.  When I knew I wasn’t going to Supergrass tonight, and I found out that people might not be home tonight, I got excited at the thought of heading into Allentown spontaneously.

But my daughter kindly asked me to stay home, so I did.

I see that Phantogram played Philly back in February and that this seems to be a quicky short tour, so they probably won’t be around again for a while.

I was also pleased about this show because Open Mike Eagle was opening.  I had just seen him open for clipping., and he was great.  I would happily see him again and again.

Alas.  I’m sure I’ll get to see both of them again sometime.

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[DID NOT ATTEND: September 11, 2025] Supergrass / Sports Team

I’ve loved Supergrass since they first came out (I guess 30 years ago).  I was super stoked to see them live a few years back (even if it meant going into NYC).

When they announced this 30th anniversary “tour” for I Should Coco I was so excited!  Then I saw that the “tour” was 6 shows.  The closest one to me was at Pier 17, an amazing venue that is a massive pain in the ass to get to.  I bought a ticket knowing pretty much full well that I wouldn’t be able to go.

And when I wound up doing three other shows this week, the thought of dragging ass all the way to NYC lost all of its appeal.  I would still love to see them again (maybe for We’re In It for the Money), but I don’t feel that bad about missing this one. (more…)

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[ATTENDED: September 8, 2025] Sparks

Back in 2022, I dragged myself all the way to New York City (which seems to get harder and harder to get to every time I try) to see Sparks at Town Hall.  I had never seen them and I was convinced they’d never play anywhere closer.  It was worth the grief because the show was wonderful.  Imagine my surprise when one year later they announced a show at the Keswick Theatre.  But I had tickets for another show that night, so I missed them.

And now a year later they are back at the Keswick! to tour their new album Mad!

Sparks is, without question, a weird band–they have a song about a Jansport backpack after all.  I got into them back in 1997 when they released an album of re-recorded versions of their best songs and called it Plagiarism.  Despite the occasional hit, they remain largely unknown in the States.  They are from the States even though many people assume they are from Europe.  Sparks are Russel Mael (vocals, aged 76) and Ron Mael (everything else, aged 80).

Before the New York show they hadn’t toured the U.S since 2013.  So I guess seeing them is a rare opportunity.  Perhaps I should have gone last year.  But at least I went this year and, amazingly the setlist was almost entirely different!

I walked into Keswick and the place looked like a fire had just been put out.  There was SO MUCH FOG!  There was an amusing sign that said “tonight’s show special effects FOG.”  And all the employees were joking how they couldn’t see anything.

I sat in the middle of an aisle and waited for the band.  The backing musicians came out first: Evan Weiss – guitar ; Eli Pearl – guitar ; Max Whipple – bass ; Darren Weiss – drums.

Then Ron sat in front of a keyboard, the letters of Roland rearranged to spell Ronald.  And Russel came out in a floral print suit.  And they began, as they should, with the song “So May We Start” from Annette.

They started that way last time too, so I assumed the show would be much the same.  But it wasn’t! (more…)

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[DID NOT ATTEND: September 10, 2025] Superchunk / Tee Vee Repairmann

I’ve been a fan of Superchunk forever, but I only got to see them a few years ago for the first time.  I saw them once more and kind of thought I didn’t need to see them again.  However, when they announced this show at Ardmore Music Hall, I thought it would be a great place to see them.  So I grabbed a ticket and was really looking forward to the show.

When I found out that my favorite artist made a poster for the tour (see right), I was even more excited to go.

I had been to two shows already this week (Pulp being basically spontaneous), so it was strongly suggested that I should stay home Wednesday night.  I had already given up on going to see Supergrass on Thursday, so I thought I might be able to sneak in this show, but I stayed home instead and had a delightful evening.

Tee Vee Repairmann is Sydney, Australia’s Ishka Edmeades.  There must be something n the air in Australia, because Edmeades is almost as prolific as King Gizzard.  He is (or is in) all of these bands (I haven’t heard of any of them): Satanic Togas, Set-Top Box, Research Reactor Corp, Gee Tee, Remote Control, Mainframe, 3D & The Holograms.

As Tee Vee Repairmann he writes short (like 2 minute) songs that are pop/garage punk.  Fun and simple, they’d be a perfect match for Superchunk.  (Live, he has a full band, who I assume played with him for these shows.

 

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[ATTENDED: September 6, 2025] The Get Up Kids 

I have tried to se The Get Up Kids at least three times in the last few years.  They had been doing this tour for Something to Write Home About for a couple of years, including Union Transfer in Sept 2024 an Starland Ballroom in February of this year.

I was interested in this show for Wax Jaw, but heck, it was also a chance to finally see The Get Up Kids.  Midway through the set, lead guitarist and sometimes singer Jim Suptic said that they ha just played LA the night before and had a red-eye flight at 4:30 to go to Japan.  But they wanted to make sure they gave New Jersey a good show.  He said they loved playing NJ and that so far on this tour NJ has sung along the loudest.

I really had no idea what the band looked like and had no idea who had that totally recognizable singing voice.  So it was kind of a surprise to see Matt Pryor with a full beard.   Earlier Piebald had joked that The Get Up Kids weren’t kids anymore.

Bassist Rob Pope doesn’t sing, but he does come up front to the edge of the stage from time to time.  And drummer Ryan Pope was excellent.  Keyboardist Dustin Kinsey wasn’t on every song but I appreciated his contributions. (more…)

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[ATTENDED: September 6, 2025] Piebald

When this show was announced I was excited about Wax Jaw and The Get Up Kids, but I didn’t know anything about Piebald.  It’s a little puzzling that I didn’t know them because they’re from the mid 90s Boston music scene.

The lineup said they were going to go on at 6, but their setup seemed to take a while and they didn’t go on until 6:30.  This was good for the break between them and Get Up Kids, but it meant that Wax Jaw was about an hour between bands.  But Piebald seemed in very good spirits.

I was unfamiliar with them.  And I guess I was the only one because wow, there were a group of guys up front who knew every word and who were dancing around.  Indeed the crowd was really into their set.  And so was I.  One guy was really really into it, almost embarrassingly so, but they admitted that he used to play cowbell for them so he was practically part of the band.

I enjoyed their sound right from the start–I loved that there were lots of YEAHS and HEYS sung very loudly by all three singers (Aaron Stuart, guitar and Andrew Bonner, bass).

And the content of the lyrics was really good too. (more…)

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[ATTENDED: September 6, 2025] Wax Jaw 

There are lots of young bands that I’m excited to watch get bigger.  Wax Jaw has been a favorite of mine for awhile, but I’ve only seen them twice.

I found out about this Bolero Block Party through their social media account, even though they weren’t originally  supposed to open (according to the Tshirt I bought), but they’re the reason I went to the show (the fact that The Get Up Kids wee headlining was a major plus!)

When I saw the last night, it was at a tiny club for the release of their debut EP.  The crowd was all there for them and they were wild.

For this show, they went on at 5:00.  But, the entire afternoon it had been raining massively.  It even said it was supposed to rain for the entire day.  I assumed the show would be washed out–I certainly wasn’t going to go stand for 4 hours in the rain.

I felt bad for the brewery because this was their first time doing this and they had a lot of things in place–vendors, food trucks and even a skateboard ramp (see map below.)  Sadly the skateboard ramp went unused) it had gotten too wet, but the vendors were cool and the food was great.

And then, miraculously, it stopped raining at 3:15, which gave me just enough time to get ready and head over to Carlstadt.  Luckily there was nothing going on at Met Life Stadium, because the brewery is right around the corner and game or concert traffic would have killed me.

But I arrived early, and was delighted to walk around and look at the vendors.  I bought some shirts from Jetty and had delicious BBQ from Rhythm and Ribz. (more…)

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