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Archive for the ‘Milkboy’ Category

[ATTENDED: December 11, 2023] Open Mike Eagle

Open Mike Eagle is probably my favorite rapper.  His wordplay is great.  His topics are great and he seems like a really good guy.

He came out to the little stage, gave a brief introduction and started right in with “Very Much Money.”

My friends are superherosNone of us have very much money thoughThey can fly, run fast, read PortugueseNone of us have very much money thoughThey know judo and yoga, photography, politicsSome of them leap over buildingsWriters, magicians, comedians, astronautsNone of it mattered when niggas was hungry

He told us we could help by buying merch.

Open Mike has a new album out and he played a song from it right away, the excellent “BET’s rap city.”  Mike has his gear–a laptop and some kind of triggering sample device on the table.  Mike’s device was also on a milk crate so he didn’t have to bend over–cheap and effective.

He didn’t do as much live music manipulation as Pink Navel did, although he did do some.  But he did leave his work area and come around front a few times.

Like during “Relatable” one of my favorite songs of his.  I love his delivery on this song and it was cool having him come right to the edge of the stage–I wonder if he had thoughts of coming down into the crowd.

I found Open Mike through his album Brick Body Kids Still Dream, so I was psyched that he played three songs from it.  I absolutely love “(How Could Anybody) Feel at Home” with it’s super catchy chorus.  He delivered the chorus in a really different way, which was fun.  And the gentle refrain of the following song “Legendary Iron Hood'”s “Ain’t nothing gonna stop me now” was great to hear.

Turns out that I now his What Happens When I Try to Relax EP better than just about anything else.  So it was great to hear Relatable and the follow up “Microfiche.”  I absolutely love his vocal style and his delivery–and the rhymes of this song are excellent.

For “79th and Stony Island” he did a fun freestyle.

Then it was time for a few more new songs. “WFLD 32” has a slow cadence and drunken horns over more if his clever lyrics

I started rockin’ simply then expandеd
This execution’s iffy but I planned it
I protect it if it gives me an advantage
Still want to be the greatest MC on the planet
Yeah, ’cause I’m immature
If I can name my own sicknesses then it’s cured
I’m finished at high ninety-percentage pure
COVID makin’ it impossible to finish tour

Then the new titles “a new rap festival called falling loud” and “we should have made otherground a thing” which features the lyric “Bonded over MF DOOM.”

This led to him playing the song “For DOOM” saying that a dream came true when he was able to rap with DOOM.  He followed that up with a song just for him, by playing (and silently rapping along with) the Madvillain song “Raid.”

There were two songs from his darker EP Anime, Trauma and Divorce, like “Death Parade” with the chorus that discusses the cycle of trauma

Should’ve been cool, but dude got screwed up
‘Cause shit got burned up, so he fucked her up
Then she turned big, I got chewed up
That shit fucked me up, so I’ma fuck you up
A kid caught hell, that kid grew up
And messed his kid up, he fucked her shit up
Then she fucked dude up, it all got screwed up
And that fucked me up, so I’ma fuck you up

And “Bucciarati” has a video with the awesome Paul F Tompkins (see below).

He ended the set with another song from Brick, 95 Radios, which features a chorus everyone can easily get into.

He said that normally he would take a little encore break and pretend to leave the stage.  But in Milkboy there’s nowhere to go. So fuck that.  He would stay and do more rap on purpose!

This was my first rap show and I realized it’s kind of weird to watch a guy rap when there’s nothing else to look at.  No band, no one else on stage.  But Mike was captivating.  And when he told us that the next song was a gang initiation, I think we were all ready to join up.  “Maybe Gang (an initiation)” is another great song from the Relax EP.

It has my favorite line

Confident, I keep my password on my license plate

And with the chorus, he rapped it heavier and heavier

We is not a gang, we all look the same as you
But don’t be ashamed, we all make the same snafu
We got different names, we might get the same tattoo
Maybe it’s a gang, maybe it became that too

It turned out that one of the guys near me went to high school with Mike.  Mike knew it and they were nudging each other on all night. It was really fun.

Mike ended the night with one more song, a track from an early EP.  “Ziggy Starfish (anti-anxiety raps)” is one of his faster songs and his flow was outstanding.

The show was short–about an hour. But it was great.   I was delighted to finally have seen him and I’ll certainly see him again if he comes back next year.

SETLIST

  1. Very Much Money (Ice King Dream) ©
  2. BET’s rap city
  3. I’ll Fight You
  4. (How Could Anybody) Feel at Home
  5. Legendary Iron Hood
  6. Relatable (peak OME)
  7. Microfiche
  8. 79th and Stony Island
  9. WFLD 32
  10. a new rap festival called falling loud
  11. we should have made otherground a thing
  12. For DOOM
  13. Raid (Madvillain cover)
  14. Death Parade ψ
  15. Bucciarati ψ
  16. 95 Radios
    encore
  17. Maybe Gang (an initiation)
  18. Ziggy Starfish (anti-anxiety raps) ¥
© Dark Comedy (2014)
¥ A Special Epsiode Of (2015)
∏ Brick Body Kids Still Daydream (2017)
≅ What Happens When I Try to Relax EP (2018)
ψ Anime, Trauma and Divorce (2020)
A Tape Called Component System With the Auto Reverse (2022)
♥ another triumph of ghetto engineering (2023)

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[ATTENDED: December 11, 2023] Pink Navel

I had been to Milkboy once before.  But for some reason I thought I was at a different Milkboy location.  However, this location is the one I was at last time.  It’s a weird space.  The music is upstairs from a bar.  It’s long and narrow, holding about 200 people.

For this show I arrived just on time, driving along a narrow side street assuming there would be no main street parking (I may have been wrong there).

I walked up the stairs and the guys in front of me were taking a long time to get in for some reason, and as I stood there, Pink Navel started.  The crowd was spaced out so it was pretty easy to sneak up to the front and get close enough to watch Pink Navel do his thing.

I hadn’t heard of Pink Navel, but the short version (from Pitchfork) is

Devin Bailey, the rapper, producer, and singer who records as Pink Navel, has an effervescent and nasal voice, an extensive knowledge of animated television, and an immense, somewhat intimidating pool of references and SAT words.

Pink Navel was a funny and engaging: “Anyone fucking with this say oh yeah!” (more…)

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[DID NOT ATTEND: August 31, 2023] Dysrhythmia / Stinking Lizaveta / Countdown from Ten

For reasons I don’t entirely remember, I’ve added Stinking Lizaveta to the list of bands that I’d like to see.

I think what inspired me to check them out is that they are an instrumental band who play complex music.  Indeed, it appears that not a word would be sung this entire evening.

After reading about and then listening to all of these bands, I decided that I would go to this show after all.  So I grabbed a ticket.  And then it turned out that there were so many  things going o this weekend that spending Thursday night jamming to metal math rock just didn’t fit into the plans

Bummer. (more…)

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[DID NOT ATTEND: March 1, 2023] Thick / Jigsaw Youth / Puppy Angst

I’ve been a fan of New York band Thick for a few years (since I head about them on NPR).  I’ve been wanting to see them live for a while.  I had a chance in 2021, but that show was scheduled against something else I wanted to do.

So, here they were coming to Milkboy.  I had been to Milkboy once before–although apparently not the main Milkboy venue I just learned.  I know Milkboy is a pretty small place, so I figured this would be a great way to see this riveting band.

And then, I got really sick yesterday.  I’m assuming it was the norovirus.  And, wow, although I was feeling better by show timem there was no way I felt like doing anything.  So I had to miss Thick yet again.  I hope they come back again or maybe play NJ?

Jigsaw Youth is a punk band from Staten Island.  I listened to a few songs and liked some.  I preferred their newer stuff to their older songs.  I’m sure they would have kicked ass.

Puppy Angst is from Philly and was created by Alyssa Milman (they/them) who I saw play bass with Kississippi (and thought they were great).  Puppy Angst is a moody indie dream pop quartet that Milman formed alongside Eric Naroden (drums), Dan Leinweber (guitar, vocals), and John Heywood (bass).  [These would be the only men in the show, too].

Now that I realize who Puppy Angst is, I’m even more bummed that I couldn’t make this show.

 

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[DID NOT ATTEND: November 17, 2022] I Fight Dragons / MC Lars / Schaffer The Darklord

This show was moved from Milkboy to Silk City pretty close to showtime.  I’ve never been to Silk City, so I don’t know much about it.  Bu I assume it’s pretty small.

I have wanted to see MC Lars for a couple of years now and the shows keep conflicting with something else.

This show had two of the Four-Eyed Horsemen show that I wanted to go to back in 2021.

But I hadn’t heard of I Fight Dragons.  They are an American chiptune-based rock band from Chicago. Their music is a combination of rock with chiptune, featuring electronic sounds made using Nintendo Game Boys and Nintendo Entertainment Systems.

A review from Greeblehaus says

If you have never seen I Fight Dragons live, their sound is chiptune-based, which I think (in some ways) sells them short as musicians, because that sounds like they rely on video games to make their music. Every single one of the guys is incredibly talented musically, and just like any good performer, these self-proclaimed geeks use those clips to make their songs – and performances – more interesting.

I rather wish I had gone, although I think I’d like to see MC Lars as a headliner.  But I Fight Dragons sound pretty cool. (more…)

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[DID NOT ATTEND: April 16, 2022] El Ten Eleven / So Totally

El Ten Eleven are a great duo who play incredibly complex instrumentals with just an incredible drummer Tim Fogarty and an amazing multi instrumentalist Kristian Dunn who plays doubleneck guitar/bass and tons of pedals.

I recently got turned onto them and I really want to see them live.  This show was announced long after the other two shows of that day had been secured, so there was no way I was going to this one.  But I’d still have liked to.

Fortunately they are opening for Peter Hook & The Light later this year.  It won’t be as good as a headline show, but I’m still psyched to see them.

So Totally are a wild band from Philly who I would love to see as well.

The four members of So Totally initially put out a cathartic EP a few years ago called a cheap close-up of heaven. Earlier this month, they followed up with their earnestly determined debut full length in the shape of…. The quartet is made up of Roya Weidman and Matt Arbiz both singing and playing guitar, Ryan Wildsmith on bass, and drummer Joe McLaughlin.

So Totally cites The Pixies, Swirlies, and Medicine as influential favorites. They add: “The Smashing Pumpkins have a lot of influence on our rhythm section as far as drum style, and Interpol who usually have melodic bass lines rather than just playing with the guitar. We also love the idea of mixing genre and combining classic-influenced rock with fuzz and psychedelia, so we like music that keeps you on your toes rather than feeling predictable!”  So Totally comically tagged “fuck a genre” on the album’s Bandcamp page.

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[CANCELLED: September 24, 2020] Brother Ali / Open Mike Eagle / DJ Last Word [rescheduled from April 8]

indexI thought that the September date would give me a chance to go to this show, but I understand why it was cancelled.  I hope when Brother Ali decides to tour again, he brings Open Mike with him.

I don’t know Brother Ali aside from the fact that he releases a “deeply personal, socially conscious, and inspiring brand of hip-hop.” He says “Beauty in all of its forms is the outward manifestation of love and virtue. It soothes the soul and pulls it gently toward the truth it communicates.”  I can get behind that.

But really I was interested in this show for Open Mike Eagle.  Open Mike is a great “alternative” rapper from Chicago.  His lyrics are thoughtful and political and his music is more than just beats.  His last two albums were fantastic.  I just saw that he says that They Might Be Giants are a major influence on music which is pretty wild.

DJ Last Word is Brother Ali’s DJ.  He gets a little opening set.  When I looked him up all it said about him was that he is a real life pilot.  Which is pretty funny.

Milkboy is a tiny venue, a great way to see an artist–especially since the videos of Brother Ali show him in much bigger venues.

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[POSTPONED: May 16, 2020] Karina Rykman / Heaven Man

indexI know Karina Rykman as the bassist for the Marco Benevento band.  She is without doubt the happiest musician I have ever seen.  She is also so much fun to watch and just exudes how much she loves what she does.  Her bass playing is fantastic as well–such a great sound.

I really don’t know much about her solo music.  She has two songs out and they are kind of electronic (and neither one is all that exciting).  There’s no jamming bass work or anything.  But who knows what she’d do live.

If it was a choice between her and The Lemon Twigs (playing the same night), at first it would have been her, but I think The Lemon Twigs would have won out.

Heaven Man is a Philadelphia based trio who plays a kind of psychedelic garage rock. I’ve listened to a few songs and rather like them musically (I’m not sold on their singer though).

I have to wonder if this was her choice for opening act, if she was going to play similar music.

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[POSTPONED: April 8, 2020] Brother Ali / Open Mike Eagle / DJ Last Word [moved to September 24]

indexI don’t know Brother Ali aside from the fact that he releases a “deeply personal, socially conscious, and inspiring brand of hip-hop.” He says “Beauty in all of its forms is the outward manifestation of love and virtue. It soothes the soul and pulls it gently toward the truth it communicates.”  I can get behind that.

But really I was interested in this show for Open Mike Eagle.  Open Mike is a great “alternative” rapper from Chicago.  His lyrics are thoughtful and political and his music is more than just beats.  His last two albums were fantastic.  I just saw that he says that They Might Be Giants are a major influence on music which is pretty wild.

DJ Last Word is Brother Ali’s DJ.  He gets a little opening set.  When I looked him up all it said about him was that he is a real life pilot.  Which is pretty funny.

Milkboy is a tiny venue, a great way to see an artist–especially since the videos of Brother Ali show him in much bigger venues.

I wasn’t going to this show because it was the same night as Tropical Fuck Storm.  But with it postponed to September, I now have a chance again.

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[ATTENDED: October 21, 2019] Swervedriver

Back in the 1990s, Swervedriver’s “Son of Mustang Ford” was one of my favorite songs.  I consistently put it on mix CDs at the time.  I still love it and it was the thought of hearing Swervedriver play it live that inspired me to check out this show (which I literally just found out about a few days ago).

The show was at Milkboy in Philadelphia.  I had never been to Milkboy before and really didn’t know much about it–except that it was pretty small.  It’s got a capacity of about 200.  The venue is upstairs from a bar, which looked quite nice.

I arrived early because I didn’t have a ticket (the ticket fee was over $8 for a $25 ticket!).  I arrived just after 7:30 and found a parking space right across the street from the venue (and did my worst driver’s side parallel parking job ever).  I actually couldn’t find the place at first and when I did, I wasn’t even sure which was the entrance.  So I wound up going in the wrong entrance and then having to ask where the band was (I could hear them upstairs).

The nice bartender pointed me the way and said they were running late.  It was actually Swervedriver still doing a soundcheck.  And the stairway to the venue was blocked by a chain.  The bartender said it wasn’t near sold out so not to worry about the ticket.

When the soundcheck was done, they opened the doors at a little after 8 and I went upstairs and was the first one in the venue… (!) [So much for an 8PM start time]. (more…)

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