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Archive for the ‘Asbury Lanes’ Category

[ATTENDED: March 1, 2024] Cementation Anxiety

This night of shows was curated by Luminous Abstract, “a production, design and artist collective” who do “audio visual events and projection mapping antics.”

It’s hard to find very much about them (aside from their instagram page, but they seem to occasionally curate a Sonic Mass (I believe this is the fifth one).  The events are listed as

Sonic Mass: An Audio Visual Experience to benefit the Trinity Church’s well being Program.

Donations were appreciated and they raised $500 for the Food Justice Program at Trinity Church, which strives to meet the immediate needs of hunger in Asbury Park and to organize within the community to prevent hunger and injustice in the future.

So that’s pretty awesome.

Cementation Anxiety was added to this bill just before the show started, so I didn’t have time check them out.

I have since discovered that the band is basically the solo project of Kyle Nelson from the punk band Bodiless (who I didn’t know).

Spotify says the band is a

sonic departure from the intensity of Bodiless, Cementation Anxiety still endeavors to explore the catharsis present in both genres—predominantly through guitar—but also field recordings, oscillators, noise machines, and hardware tools.

It was pretty bizarre not being able to see the musician at all.  Occasionally when the projections were more bright, you could see Nelson with his guitar, but I had no idea how the rest of the sounds were being generated.

So it was a kind of wall of sounds.  He played guitar (which may have been a tweak too loud, especially compared to the other bands) but it was really interesting to watch (when he was visible) because his strumming didn’t seem to directly relate to the music that we were hearing.  There must have been effects galore on his guitar because he would strum really hard and the you couldn’t hear the individual strums like you would in a punk show, it was like the intensity of the wave of music just got bigger.

He switched guitars a couple of times and that changed the timbre of the music.  It felt old school industrial, but not.  It was powerful, bordering on overwhelming.

I later chatted briefly on Instagram with Kyle and he told me that the first half of the set came from his EP Liminal Instability and the second half was from an unreleased album coming out in May.

It was a cool way to start the night and the visuals were a great accompaniment.

Much applause goes to Luminous Abstract and the three bands.

(more…)

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[ATTENDED: January 26, 2024] Pinkshift [rescheduled from October 13, 2023, because of flooding]

This was my fourth time seeing Pinkshift in just over two years.  It’s impressive how much bigger and more confident they’ve gotten in this time.

I hadn’t intended  to go to this show when it was scheduled for October because I had other plans.  But this show getting flooded out (and subsequently shutting down the great House of Independents) did allow me to

I hadn’t realized that Pinkshift released an EP back in August.  It’s called Suraksha (Hindi for “security” or “safety” or “protection.”).  Singer Ashrita Kumar says, “I grew up listening to in Bollywood and Indian classical music would round out the songs perfectly. Going into the studio, the only thing on my mind was my family, and making these songs was unique because in my head I was making it for them.”

So that’s cool.  The EP has some traditional Indian sounds on it and live (and this was about the coolest thing), they had someone playing sitar (I think it was a sitar).  Ashrita Kumar introduced her, but I didn’t catch her name or the band she plays in.

The sitar was mostly used as an interstitial between these three new songs–she would have been drowned out during the main body of the songs if she was playing.  But it was so cool to see her up there with this great punk band.

They followed it up with a new song, called “Blood.”  Pinkshift has never shied from speaking their minds.  This time they look beyond personal issues to take on something bigger: “There’s blood in the water, there’s blood in the trees.”  A wish that Western colonization of all lands would end.  She dedicated the song to the people of Palestine. It was heavy and intense.

As always drummer Myron Houngbedji was amazing.  His intensity and skills are formidable.  They had a new bassist on this tour (but he was not introduced and their press photos still only show three people).

Guitarist Paul Vallejo is still an amazing force–he can shred with the best but he has an overall fantastic sound.

Then they moved into songs that I knew (I wondered why I didn’t recognize the other songs, had I forgotten their music?).

I had seen them play “Burn the Witch” last year and it was possibly more intense this time.

I don’t mean to comment on people’s appearance, but I kind of miss Ashrita’s longer hair because it looked amazing when she whipped it around.  I mean, she’s still an amazing front woman, doing incredibly intense things on stage, but it was fun watcher her hair follow her along.

I first heard “Nothing” when they didn’t have a name for it, so that’s fun.

I really know their first EP the best, so when they played “On Thin Ice” I was pretty psyched.  It was also around here that I realized that I’d only ever seen them as an opening band when they were playing 7 songs a night.  But there was to be a lot more.

They played another new song, another which was just as intense as the others.  Then Let Me Drown from the full length.

And from here  to the end it was mostly the Saccharine EP.  “Mars” gets more intense each time I see it.

But one of the real highlights came when they played “Eat Your Friends” a new song that they recorded with Jhariah for this tour.  Of course, he came out to sing with them and by the middle of the song Jhariah and Ashrita were in the middle of the pit that consumed most of the middle of the floor.

I can’t ever get enough of “i’m gonna tell my therapist on you” because the song is just as good as the title.

There are 12 songs on their full length LP, and I’ve seen them play 7.  I wonder if they had been playing that whole album before the new EP came out.  Their whole set isn;t that long so, they could have probably played a few more.  But it’s hard to keep that much intensity up.

Plus, Ashrita (and the band) were energized against Israel and were getting the crowd riled up to action.  It was pretty inspiring and I hope even a quarter of the audience was moved to action.

“Love Me Forever” slows things down, but doesn’t lessen the intensity as Ashrita shows off just how amazing her voice is (I mean, damn, this woman can sing!  And her range just gets better with every release).

After a brief encore they came back and blew through two more songs from Saccharine, the 90 second “Toro” and the longer “Rainwalk.”

By this time the crowd was in a frenzy.  It was a great show.  And a great bill overall.  I’m curious if Pinkshift will follow in Mannequin Pussy’s trajectory and if they’ll be headlining Union Transfer after their next album comes out.

 

January 2024 [headlining] January 2023
Lullaby ¥ I’m Not Crying, You’re Crying ♥
Home ¥ nothing (in my head) ♥
To Me ¥ GET OUT ♥
Blood [new] the kids aren’t alright ♥
Burn The Witch ♥ Burn The Witch ♥
nothing (in my head) ♥ i’m gonna tell my therapist on you $
On Thin Ice $ Love Me Forever ♥
new song (“fuck what you say”)
Let Me Drown ♥
Mars $
Eat Your Friends [new] (with Jhariah)
i’m gonna tell my therapist on you $
the kids aren’t alright ♥
Love Me Forever ♥
encore
Toro $
Rainwalk $

 

May 2022 Oct 2021
Toro $ Toro $
Mars $ Mars $
GET OUT ♥ GET OUT ♥
On Thin Ice $ On Thin Ice $
I’m Not Crying, You’re Crying ♥ cherry (we’re all gonna die) ♥
nothing (in my head) ♥ nothing (in my head) ♥ [at the time was known as “Crapple”
i’m gonna tell my therapist on you $ i’m gonna tell my therapist on you $
Rainwalk $ Rainwalk $
$ Saccharine EP (2021)
♥ Love Me Forever (2022)
¥ Suraksha EP (2023)

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[ATTENDED: January 26, 2024] Jhariah

I hadn’t heard of Jhariah before this tour was announced.  But when I listened to their song “Pressure Bomb!!!” I was hooked.  I love the whole vibe of their music–kind of musical theater (with all that implies) but with an intense punky undercurrent.

And that theatricality was present throughout Jhariah’s set which was, frankly, too short!

Jhariah came out and immediately had technical difficulties with his guitar so he said he’d do the show without playing guitar.  There was a second guitarist so that was fine.  And it may have freed him up to be even more theatrical as he danced and jumped all over the stage. (more…)

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[ATTENDED: January 26, 2024] Pinkshift /Jhariah / Foxteeth

I was really excited for this show.  It had been postponed from November (when I didn’t have a ticket) to the New Year.

Originally it was supposed to be at House of Independents, but the reason the first show was postponed was because of flooding.  The flooding was so bad that HoI had to close its doors and is now out of business.

So it was moved to Asbury Lanes, which is a great small club.

I arrived with just a few minutes to spare and soon enough Fox Teeth came out. Originally the opening band was Pollyanna, who I really like.  I was bummed that they weren’t going to be playing, but Fox Teeth more than exceeded expectations. (more…)

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[DID NOT ATTEND: October 19, 2023] Bahamas / Fortunate Ones

This is the second concert (which I did not attend) that has been at Union Transfer and then Asbury Lanes (if there’s ever someone I love, I could see them twice!).

I’ve been surprised that the bands are playing these two venues as I tend to think of Asbury Lanes as being very very small.  But I see that the capacity of Asbury Lanes is 700 and the capacity of Union Transfer is 1200.  I would have guessed Asbury Lanes to be about 300, but then I’ve never seen anyone there when it was sold out.

About five years ago I watched a video of Bahamas at Massey Hall and I liked it.

Bahamas is Afie Jurvanen a Canadian folk act. I haven’t followed them much but considered that I might want to see them. But when I listened to their newer songs, I didn’t like them.

It’s very much soft rock with, and I feel that this works for the name Bahamas, a kind of summery vacationy islandy feel.  It’s the kind of thing that I would enjoy hearing while I was walking around in a vacation chalet, but not someone I’d want to see live.

Fortunate Ones is a Canadian indie folk duo from St. John’s, Newfoundland, consisting of Andrew James O’Brien and Catherine Allan.

It’s nice that Bahamas invited another Canadian band along with him.  But I didn’t like either of their voices (which surprises me).

Needless to say I’m not going to this show.

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[DID NOT ATTEND: October 14, 2023] The Lemon Twigs / Joanna Sternberg

The Lemon Twigs played just last year at two locations and I missed them entirely.  I didn’t even know about this show because I don’t do shows at the Church anymore.

But it turns out that my son has made a friend at school who loves The Lemon Twigs and was at this show.  So I thought I ‘d throw it here.

I really liked The Lemon Twigs’ Do Hollywood album and their follow up EPs showed even more development.  Since then they have put out a few albums, and I have enjoyed them.

Their new album is very retro with a serious 60’s vibe.  At first I liked it but I soon found it a little too derivative so I wasn’t that interested in going.  But after my son’s friend said how much he liked the show I did actually want to go.

But it turns out that this is the same night as the one Philly Music Fest show that I was going to.  Why do things always happen on the same day?  I mean, look how many shows I wanted to go to this weekend.

Joanna Sternberg played at World Cafe Live a while back and here’s what I said

Joanna Sternberg is a kind of anti-folk singer.  They have a high almost child-like voice.  And they sings pointed lyrics.  I have since listened to one of their songs from Non-COMM and quite liked it.  I wouldn’t buy their music, but I would enjoy seeing them as an opening act.

And here they are as an opening act. Shame I missed it, but I’m not going to the Church.

 

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[DID NOT ATTEND: October 12, 2023] Devandra Banhart / Soma

About ten years ago I was really into Devandra Banhart.  I enjoyed his weirdo folkie vibe and thought that he was a good deal of fun.

And then I seemed to lose track of him altogether.  I haven’t listened to him in ages.  I see that he’s cut his hair but he still looks like a wild, fun hippy.

His new album was produced by Cate Le Bon, whose sensibilities are wonderfully oddball.  The new album is pretty streamlined with lots of synth  I think it’s too mellow for me.

Soma is Soma Kirtan a New Jersey based musician.  It’s unfortunate that he goes by Soma as there are about a half a dozen bands named Soma.  It’s possible that this SOMA stands for Sacred Order of Mystic Apogees.  I can’t find much else about him/them.  Their music is beautiful traditional (I think) Indian music.  It would be fun to see this live too.

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[DID NOT ATTEND: September 12, 2023] The Lemonheads / Willy Mason

I rather enjoyed The Lemonheads’ anniversary of It’s a Shame About Ray.  I thought I might also really enjoy the anniversary of Come On Feel the Lemonheads.

They are playing in Asbury Park one night and then Philly the next.  I would have rather enjoyed going to the Asbury Park show more than the TLA.  I’m sure it would be a lot of fun–and he seems to have cleaned up his act somewhat.

But when I asked my wife if she wanted to go, she said no. And, while I like that album a whole lot, I think I may have had my fill of Evan Dando.

Willy Mason is a folk singer with a deep voice.  I listened to a little of one song and didn’t like his vibe at all.  So that kind of helped me decide not to go to this tour.

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[DID NOT ATTEND: August 26, 2022] The Beths / Rosie Tucker

I wonder what it is about Asbury Lanes.  This is what I wrote about Nada Surf when they played here:

I had just seen Nada Surf in November and didn’t really need to see them again.  But never pass up a chance to see a great live band, right?

November to July = 8 months.

So I’ll say the same about The Beths.  I had just seen them in February.  And here they were 6 months later playing Asbury Lanes.

Never pass up a chance to see a great live band.  Yes.  Unless, of course, you already have tickets to Peter Hook & The Light AND you are going out to concerts the two days before and the day after.

But seriously, The Beths are amazing live, and I would see them as many times as I could.

Back in January, Rosie Tucker was supposed to open for Best Coast.  But that tour was cancelled.

I wrote:

I didn’t know Rosie Tucker until Friday when I listened to her album because it was highly recommended on NPR Music.  I really liked her blend of quirky pop, enjoyable lyrics and kind of garagey sounds.  Her name sounds like she’ll be a country singer, but she’s far from that.  I hope to see her some time in the near future.

And maybe I still will.

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[DID NOT ATTEND: July 29, 2022] Nada Surf / Hurry

I had just seen Nada Surf in November and didn’t really need to see them again.  But never pass up a chance to see a great live band, right?

Well, it turned out to be the same night as my rescheduled King’s X show.  I have seen King’s X more often than Nada Surf, but I hadn’t seen King’s X in five years and they are getting up there in age.  So I opted for King’s X.  I think I made the right choice as I’m not sure if I’ll need to see King’s X again, but I’m sure Nada Surf will be back again.

I was supposed to see Hurry open for Restorations back in 2020 but COVID cancelled that show.  Here’s what I said about them then:

Hurry is a band from Philadelphia, originally the solo project Matt Scottoline.  They are described as 90’s rock revivalists and all of their influences are bands I like.  Some of their songs online are a little slower than I expected, but they do have some uptempo ones as well.

At this point I hope they open for someone else I want to see.

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