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Archive for the ‘Ardmore Music Hall’ Category

[ATTENDED: July 19, 2023] Mdou Moctar 

Mdou Moctar is one of four Tuareg musicians who I have wanted to see perform.  The others are Tinariwen, Imarhan and Bombino.

I have heard that Mdou Moctar puts on an amazing show so I pretty psyched to see him and his band at Ardmore Music Hall.

When I got to the Hall, it was pretty crowded, but I was able to get right up by the stage which was a great way to watch Mdou play (and smile).

Unfortunately, I was right in front of bassist Mikey Coltun.  I say unfortunately only because it meant the bass was too loud.  And in fact, when the show started it was WAY too loud.  It got turned down slowly over the next two or three songs, but honestly, we were all there to hear guitar, not bass. Now, the bass is absolutely essential to Mdou’s songs–the bass keeps the whole thing together, with a great pulsing rhythm and a cool melody as well.  But on record it sits there at the back guiding things along.  In this setting it was taking front and center.

This meant that I almost couldn’t hear Ahmoudou Madassane, who’s been Moctar’s rhythm guitarist since 2008.  It was only when things were quieter that Madassane’s guitar was audible to me.

But that’s also because drummer Souleymane Ibrahim was a freaking maniac!  He was so much fun to watch, playing incredibly fast fills seemingly out of nowhere and then settling back down to keep the beat steady.  Madassane and Ibrahim were both wearing traditional turbans that covered most of their face (Ibrahim took his off by the end).  Coltun and Moctar had their loosely draped around their necks. (more…)

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[ATTENDED: July 19, 2023] Meg Baird

I grabbed a ticket for Mdou Moctar some time ago and was really looking forward to him and his band.  There was no opening act announced until recently.

I was really excited that Meg Baird would be opening.

I saw Meg Baird play with a band back in October.  But for this session she was solo.

Her music is gentle and ethereal and for the first song the audience was wonderfully respectful.  She played acoustic guitar and sang in her high soft voice (her voice doesn’t ever seem to stop or start, it just fades in and out in a magnificent way).

She played three songs on acoustic guitar.  Then she said people asked her where Charlie 9her partner) was.  He couldn’t make it, but she had his electric guitar.

She played three songs on electric guitar.

The first four songs were from her new album Furling. (more…)

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[DID NOT ATTEND: June 23, 2023] Mondo Cozmo / The Cobbs

WXPN has played a number of Mondo Cozmo songs over the year that I’ve really liked.  They’re kind of a psychedelic folk rock band.  I felt bad that I was going to be going to shows in a row and asked my wife wanted to come along.  When she said yes, I toyed with us going to see this show in Ardmore rather than in Underground Arts.  That would have meant blowing off Spotlights, who I really wanted to see (and I’m so glad I did).

So instead, I got her a ticket for the Saturday night show.  And I’m so glad I did.  For two main reasons.

  1. Mondo Cozmo played a song called “Your Motherfucker” which was hilarious and outstanding.  He didn’t play it in Ardmore because his mother was there.  So I’m glad we go to hear it.
  2. He told us that after about four songs in Ardmore, the fire alarm went off and everyone had to leave.  They didn’t go home, but I’m sure some people did.  Then the resumed, but that would have been really annoying.

I don’t know what else he played in Ardmore, but whatever it was, he played exactly what I wanted to hear in Underground Arts, so I ‘ll just be happy with the great show we had.

The Cobbs are another Philly band that I hadn’t heard of.  They have a more mellow folk road sound–lovely vocals, acoustic guitars and keys.

Part of deciding which night to go was deciding which opening band I liked more.  I came down on the side of Illinois (which is lucky since that’s the show I was going to).  But i can see The Cobbs having an even bigger fan base.

It also turns out that Archie from Illinois played drums for The Cobbs on this night for whatever reason.  Crazy.

 

 

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[DID NOT ATTEND: December 8, 2022] Autumn Defense / Nels Cline Duo / Eucademix

When this show was first announced, I grabbed a ticket immediately.

Two of my favorite members of Wilco are Nels Cline and Glenn Kotche.

So to be able to see them do their work solo was incredible.

Then all of a sudden, when I looked at the show poster it looked like this —>
instead of the one at the bottom of the post.

Where was Glenn?

There was no word or information.  A day or so before the show I discovered that Glenn had hurt his arm (or something) and wasn’t going to be there. (more…)

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[DID NOT ATTEND: May 14, 2022] The Dead Milkmen / MC Lars / Gibbous Moon

I wrote this opening for a concert in May.

I’ve been a fan of The Dead Milkmen’s bratty brand of punk for years–probably since 1988.  I’ve never seen them live.

They sort of, but not really, broke up and then reunited and so on.  I didn’t really think I’ve ever get to see them, but they announced this short run of local shows and I thought, YES!  I will finally get to see them.

They seem to be popping up here and there doing shows in the area.  This one at Ardmore Music Hall actually sold out before I could get a ticket (I wasn’t sure if I was free that night).  So good for them.

Having watched a few videos, I’m not sure I want to see them in Philly–I feel like the local crowd is a little too drunk and rambunctious for my liking.  Although the band probably eats that up.

I’d never heard of Those Troublemakers.  They are an old-school Philly punk band that plays short fast songs about silly subjects.

Here’s a review of this very show from That Music Mag with a description of the opening band

 To start, Those Troublemakers tore open the sky and thrashed so hard. The band, consisting of Ashley “Butters” Heitzman (Bass and vocals.), Evan Abramson (Guitar and vocals.) and William F. Orender (Drums) set a fast and fun pace for the rest of the night as they opened the show. With songs from their Beach BodRunnin High, and Your Problem LPs, if you weren’t a fan before you got to Ardmore, you were when you left.

And here’s what they said about the Milkmen

Whether you were a diehard lifelong fan or simply a casual listener, there was something for everyone to latch onto and make a memory from in their setlist. With Dean’s Dream to start the show, the band rolled along through a menagerie of their hits, one by one. From Bitchin’ Camaro and Welcome to Undertown to Punk Rock Girl, the audience slowly and organically began to be enchanted back to a place of reckless abandon. More and more, the audience would be wound up a bit more, move a bit more intently, and sing a bit louder until, like a powder keg erupting, the dank, humid walls of the Ardmore Music Hall would erupt with the energy of a full-blown mosh pit formed on the floor. People were jumping, screaming lyrics & bodies cackling with glee while being tossed about the room. Now, here in that moment, we were undeniably at a punk rock show. A real granular Philly punk rock show.

The band would go on to cover The Cramps’ “Human Fly,” and Rodney would even grace us with his editorial commentary on Nazi lives. (And how they do not, in fact, matter.) The Milkmen would finish with an encore of a few more notable hits like“Smokin’ Banana Peels,” “Big Time Operator,” and the reprise from the earlier-played “Life is Shit.”

Yea, I should probably go next time.

Here’s a couple of videos of The Dead Milkmen’s recent(ish) shows

PhilaMOCA September 1m 2019

Underground Arts, April 13, 2019

 

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[DID NOT ATTEND: October 26, 2022] We Were Promised Jetpacks / Breakup Shoes

I’ve seen We Were Promised Jetpacks a couple of times and they put on a ripping show.

But recently one of their original members left and they seem to have changed their sound a bit.  I didn’t enjoy it quite as much.  But they tour around here all the time, it seems (especially for a band from Scotland).  I’m curious if their shows will be as intense.  However, this show was right in the middle of a bunch of shows and I had tickets to see Band-Maid, who I’d never seen before.

I also didn’t quite think that Ardmore Music Hall was the right venue for them.

So, I’m sure WWPJ will be back again.

Breakup Shoes reminds me of The Housemartins/non-funny Barenaked Ladies–soda pop sweet, surf-flavored indie rock but with dark lyrics that you might not pick out.  All of this wrapped in a more 90s sound–buzzy guitars and fuzzy production with guitar solos.

I rather enjoyed the few songs I heard

 

 

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[DID NOT ATTEND: October 10-15, 2022] Philly Music Fest 2022

Every year since 2019 I have participated in Philly Music Fest in some way.  But this year I wound up giving the whole thing a miss.

Philly Music Fest is a non-profit endeavor focused exclusively on local bands, with all proceeds donated to local music education charities. Philly Music Fest features both established and up and coming artists, showcasing the diversity of the Philadelphia music scene.

It wasn’t because of a bad lineup or anything, it was that I had tickets to other shows every night.  I wound up not going to all of those shows anyway, but basically I was already booked for the whole Fest.

This year’s line up was even bigger than last year’s

October 10, 2022 at Ardmore Music Hall 

  • Marielle Kraft is a poignant indie pop singer-songwriter
  • Electric Candlelight is a heavy psychedelic band that I was supposed to see open for Fuzz
  • Mt. Joy is a band I’ve heard on the radio a bunch who I don’t particularly like, so not so great in the headliner here.

October 11, 2022 at Ardmore Music Hall 

  • Stereo League is apparently impossible to describe using concrete words as I can’t figure out what their music sounds like from the blurbs I’ve read.
  • Salika is an R&B singer
  • Mt. Joy of the two nights I wouldn’t have picked this one anyhow.

October 12, 2022 at World Cafe Live

  • Perpetual Motion is described as dynamic acoustic jazz who play blues, rock, jazz, and world music
  • Kayleigh Goldsworthy is a folk singer who I saw open for Frank Turner.  She was great.
  • Ron Gallo is not Vincent Gallo, which is what I think every time I see his name.  Ron is an indie guy who I’ve never heard but who must be pretty popular or interesting if he keeps popping up.
  • Lady HD is a kind of psychedelic pop band whose name reminds me too much of that Lady A fracas that bubbled up a few years ago.
  • Low Cut Connie is one of the bigger bands at the festival.  I’d never want to see them, but I like some of their songs.

October 13, 2022 at Johnny Brenda’s

  • This was the night I would have gone to
  • The Ire is a four-piece goth-tinged post-punk band.  I like their overall sound.
  • Ghosh is a band I’ve wanted to see: they’re pissed off, informed, and ready to party.
  • Screaming Females are terrific and even better live.  I thought this would sell out in a second.

October 14, 2022 at REC Philly

  • This was a free show.  A night of hip hop and beat curated by Working on Dying who I’ve never heard of of

October 14, 2022 at The Dolphin

  • The Dolphin is a new-ish venue that I’ve yet to check out.
  • Max Swan is saxophonist, vocalist, and producer influenced y likes of Stevie Wonder, James Blake.
  • Echo Kid is two guys from RFA.  This is a hazier, no-holds-barred, psychedelic reimagining of the way they’d approach their songwriting process with a languorous sense of ease, effortless genre-blending, and an amalgam of intentional recorded conversation
  • Shamir is an artist I’d like to see live.  They keep popping up as an opening act and then something happens and I don’t see them.  Here’s another miss.

October 15, 2022 at Underground Arts

  • This would have been my pick for show of the Fest, if I hadn’t already been overbooked.
  • Justmadnice is blues-dipped psychedelic jazz.
  • Riverby are a fun indie rock band with a loose sound (and a cover of “Walk Through the Fire” from Buffy the Vampire Slayer.
  • Empath is a band I was supposed to see open for Fucked Up but the couldn’t make the rescheduled date.  They are kind of noisy and poppy and punky and are probably very fun live.
  • Mannequin Pussy is one of my favorite new(ish) bands.  They are amazing live and are always worth seeing.

The 2023 Fest is bound to be great too.

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[ATTENDED: June 30, 2022] Man Man

I have seen Man Man twice before and each show was a wild extravaganza of fun and craziness.  Lead Man, Honus Honus knows how to put on a show–part lounge, part punk, part WTF.  It’s a spectacle in the best possible way.

This was the first time I Was seeing them as the headliner–they did headliner Philly Music fest, but it was a Festival, not a Man Man show.  The crowd was there for Man Man and they were pretty rowdy and wiled up (I didn’t really care for them).

But we were all there to see the band put on a great show.  So the lights dimmed, the band came out and soon enough Honus Honus walked up to his keyboard (which, as always, abuts the drums that sit at the front of the stage) and the launched right into their latest single “Cloud Nein.”

The band recently (pre-pandemic) put out a new album, Dream Hunting in the Valley of the In-Between, and this was their first time back in Philly since the album came out.  They were well practiced with the song with Honus standing up and getting everyone to sing along.

It was followed by an oldie, the swinging surfy “Piranhas Club.”  It’s impossible to keep track of what everyone is doing on stage.  Especially since everyone seems to play whatever they can get their hands on during the next song.  As for a lineup.  I’m seeing:
Jazz Diesel on drums, Smunk Smalls on guitar, Eggs Foster on keyboards, Mature Kevin on marimba, and Hard Tay on wind instruments.

Next came a new song.  Not a new song on the new album, but a new, unreleased song.  This would be the first of several new unreleased songs.  This one was called “Iguana” and featured several deep chants of “Iguana!” (more…)

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[ATTENDED: June 30, 2022] A Hard Tay’s Night

I was pretty excited to see Man Man again and I didn’t really care who the opening band was.

Originally it was supposed to be Pink $ock, whom I have listened to and hated–a cheesy R&B lounge act that I was glad not to have to sit through.  He was replaced by A Hard Tay’s Night, which I didn’t understand the name of.  And didn’t really understand the concept of until it was over.

A Hard Tay’s Night is the creation of Taylor Plenn who is the saxophone player for Man Man.  Taylor, according to him plays saxophone, flute and EWI (an Electronic Wind Instrument that is a synthesizer controlled by breath) and is “known for my improvising skills and my ability to adapt to different genres. I have had experience performing and recording a wide variety of styles, from hard bop, rock and roll, blues, free jazz, hip hop, electronic music.” (more…)

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[ATTENDED: February 25, 2022] Marco Benevento

Almost exactly five years ago to the day I saw Marco Benevento headline a show at the Ardmore Music Hall.  That show blew me away, it was so much fun.  The whole band: Marco on keyboards, Karina Rykman on bass and Andy Borger on drums were terrific.  And the three of them laid down a fantastic groove all night.

The trio was almost the same tonight. This time Dave Butler was on drums, but it was still Marco and Karina.  I looked up Karina and found that she is 23, which means she was 18 last time!  She was fantastic then and even better tonight.

There was supposed to be an opening act: Deer Scout.  But for whatever reason, they didn’t come and it was announced a few days ago that Marco would play two sets.

I arrived a little later than I wanted to, but he didn’t go on exactly at 8, so that was fine.  I was also amused because for the first time in a while, I was one of the youngest people there.

Joe Russo’s Almost Dead had played three nights in Philly a few weeks ago and it was clear that people who were at that show were here as well (Marco plays with JRAD, although his music is not similar at all).  There was a lot of tie-dye and a lot of long gray beards.  I decided not to get mixed up with that crowd so I hung back a bit. (more…)

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