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Archive for the ‘Ardmore Music Hall’ Category

[DID NOT ATTEND: October 10-15, 2022] Philly Music Fest 2022

Every year since 2019 I have participated in Philly Music Fest in some way.  But this year I wound up giving the whole thing a miss.

Philly Music Fest is a non-profit endeavor focused exclusively on local bands, with all proceeds donated to local music education charities. Philly Music Fest features both established and up and coming artists, showcasing the diversity of the Philadelphia music scene.

It wasn’t because of a bad lineup or anything, it was that I had tickets to other shows every night.  I wound up not going to all of those shows anyway, but basically I was already booked for the whole Fest.

This year’s line up was even bigger than last year’s

October 10, 2022 at Ardmore Music Hall 

  • Marielle Kraft is a poignant indie pop singer-songwriter
  • Electric Candlelight is a heavy psychedelic band that I was supposed to see open for Fuzz
  • Mt. Joy is a band I’ve heard on the radio a bunch who I don’t particularly like, so not so great in the headliner here.

October 11, 2022 at Ardmore Music Hall 

  • Stereo League is apparently impossible to describe using concrete words as I can’t figure out what their music sounds like from the blurbs I’ve read.
  • Salika is an R&B singer
  • Mt. Joy of the two nights I wouldn’t have picked this one anyhow.

October 12, 2022 at World Cafe Live

  • Perpetual Motion is described as dynamic acoustic jazz who play blues, rock, jazz, and world music
  • Kayleigh Goldsworthy is a folk singer who I saw open for Frank Turner.  She was great.
  • Ron Gallo is not Vincent Gallo, which is what I think every time I see his name.  Ron is an indie guy who I’ve never heard but who must be pretty popular or interesting if he keeps popping up.
  • Lady HD is a kind of psychedelic pop band whose name reminds me too much of that Lady A fracas that bubbled up a few years ago.
  • Low Cut Connie is one of the bigger bands at the festival.  I’d never want to see them, but I like some of their songs.

October 13, 2022 at Johnny Brenda’s

  • This was the night I would have gone to
  • The Ire is a four-piece goth-tinged post-punk band.  I like their overall sound.
  • Ghosh is a band I’ve wanted to see: they’re pissed off, informed, and ready to party.
  • Screaming Females are terrific and even better live.  I thought this would sell out in a second.

October 14, 2022 at REC Philly

  • This was a free show.  A night of hip hop and beat curated by Working on Dying who I’ve never heard of of

October 14, 2022 at The Dolphin

  • The Dolphin is a new-ish venue that I’ve yet to check out.
  • Max Swan is saxophonist, vocalist, and producer influenced y likes of Stevie Wonder, James Blake.
  • Echo Kid is two guys from RFA.  This is a hazier, no-holds-barred, psychedelic reimagining of the way they’d approach their songwriting process with a languorous sense of ease, effortless genre-blending, and an amalgam of intentional recorded conversation
  • Shamir is an artist I’d like to see live.  They keep popping up as an opening act and then something happens and I don’t see them.  Here’s another miss.

October 15, 2022 at Underground Arts

  • This would have been my pick for show of the Fest, if I hadn’t already been overbooked.
  • Justmadnice is blues-dipped psychedelic jazz.
  • Riverby are a fun indie rock band with a loose sound (and a cover of “Walk Through the Fire” from Buffy the Vampire Slayer.
  • Empath is a band I was supposed to see open for Fucked Up but the couldn’t make the rescheduled date.  They are kind of noisy and poppy and punky and are probably very fun live.
  • Mannequin Pussy is one of my favorite new(ish) bands.  They are amazing live and are always worth seeing.

The 2023 Fest is bound to be great too.

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[ATTENDED: June 30, 2022] Man Man

I have seen Man Man twice before and each show was a wild extravaganza of fun and craziness.  Lead Man, Honus Honus knows how to put on a show–part lounge, part punk, part WTF.  It’s a spectacle in the best possible way.

This was the first time I Was seeing them as the headliner–they did headliner Philly Music fest, but it was a Festival, not a Man Man show.  The crowd was there for Man Man and they were pretty rowdy and wiled up (I didn’t really care for them).

But we were all there to see the band put on a great show.  So the lights dimmed, the band came out and soon enough Honus Honus walked up to his keyboard (which, as always, abuts the drums that sit at the front of the stage) and the launched right into their latest single “Cloud Nein.”

The band recently (pre-pandemic) put out a new album, Dream Hunting in the Valley of the In-Between, and this was their first time back in Philly since the album came out.  They were well practiced with the song with Honus standing up and getting everyone to sing along.

It was followed by an oldie, the swinging surfy “Piranhas Club.”  It’s impossible to keep track of what everyone is doing on stage.  Especially since everyone seems to play whatever they can get their hands on during the next song.  As for a lineup.  I’m seeing:
Jazz Diesel on drums, Smunk Smalls on guitar, Eggs Foster on keyboards, Mature Kevin on marimba, and Hard Tay on wind instruments.

Next came a new song.  Not a new song on the new album, but a new, unreleased song.  This would be the first of several new unreleased songs.  This one was called “Iguana” and featured several deep chants of “Iguana!” (more…)

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[ATTENDED: June 30, 2022] A Hard Tay’s Night

I was pretty excited to see Man Man again and I didn’t really care who the opening band was.

Originally it was supposed to be Pink $ock, whom I have listened to and hated–a cheesy R&B lounge act that I was glad not to have to sit through.  He was replaced by A Hard Tay’s Night, which I didn’t understand the name of.  And didn’t really understand the concept of until it was over.

A Hard Tay’s Night is the creation of Taylor Plenn who is the saxophone player for Man Man.  Taylor, according to him plays saxophone, flute and EWI (an Electronic Wind Instrument that is a synthesizer controlled by breath) and is “known for my improvising skills and my ability to adapt to different genres. I have had experience performing and recording a wide variety of styles, from hard bop, rock and roll, blues, free jazz, hip hop, electronic music.” (more…)

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[ATTENDED: February 25, 2022] Marco Benevento

Almost exactly five years ago to the day I saw Marco Benevento headline a show at the Ardmore Music Hall.  That show blew me away, it was so much fun.  The whole band: Marco on keyboards, Karina Rykman on bass and Andy Borger on drums were terrific.  And the three of them laid down a fantastic groove all night.

The trio was almost the same tonight. This time Dave Butler was on drums, but it was still Marco and Karina.  I looked up Karina and found that she is 23, which means she was 18 last time!  She was fantastic then and even better tonight.

There was supposed to be an opening act: Deer Scout.  But for whatever reason, they didn’t come and it was announced a few days ago that Marco would play two sets.

I arrived a little later than I wanted to, but he didn’t go on exactly at 8, so that was fine.  I was also amused because for the first time in a while, I was one of the youngest people there.

Joe Russo’s Almost Dead had played three nights in Philly a few weeks ago and it was clear that people who were at that show were here as well (Marco plays with JRAD, although his music is not similar at all).  There was a lot of tie-dye and a lot of long gray beards.  I decided not to get mixed up with that crowd so I hung back a bit. (more…)

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[DID NOT ATTEND: December 22, 2021] KT Tunstall / Christine Havrilla [moved from August 23, 2020]

So KT Tunstall was supposed to play three shows in my area.  The show at Ardmore was added when the other shows were rescheduled.  Then COVID pushed the shows back again.

For some reason this show was listed as being on December 8 for a short time before it was corrected to being on December 22.

That meant that it looked like she was playing four shows in the Philly area at different venues.

I like Ardmore, although if I can see a band closer I will go there instead.  Even though KT’s SOPAC show was postponed, the fact that it was postponed and not cancelled meant that I could just wait until she came back to South Orange. (more…)

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[DID NOT ATTEND: December 2, 2021] Darlingside / Lullanas

S. and I love Darlingside and have seem them several times.  I have them on my list of bands to see wherever and whenever. But sometimes things get in the way.

I think seeing them at Ardmore Music Hall would be a treat.  The sound would be amazing.  But sometimes getting to Ardmore is a hassle.

Plus, it actually felt nice to stay home for a week.  So we blew off this show, safe in the knowledge that they’ll be back to entertain us in the not too distant future.

I’d never heard of Lullanas.  According to their label

Twin sisters Atisha and Nishita Lulla, aka LULLANAS, create songs wrapped in Americana warmth, folk eloquence, country storytelling, and unassuming pop ambition. Their debut EP, Before Everything Got Real, thrives on an inimitable and familial balance.

They sound like an excellent complement to Darlingside.

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[ATTENDED: October 9, 2021] The Menzingers

I saw The Menzingers open for Weezer back in 2016 and really enjoyed them.  I’d been wanting to see them again mostly because I was really far from the band when I saw them and couldn’t really get into it the way I might have liked.

So when they were listed as headlining two nights of Philly Music Fest I knew I had to see them.  Especially in a small place like Ardmore Music Hall.

I have only been to Ardmore a couple of times.  My favorite show there was Marco Benevento where the sound was outstanding.  Even right up against the stage.  Well, for this show I was right up against the stage (although as more and more people crowded into the place, I moved away from the band’s more devoted (and a little crazy) fans.  But apparently I never got far back enough because literally all I could hear the whole show was Tom May’s guitar.  And May tends to play lead licks and solos, so I never really got the backing chords of Greg Barnett unless May wasn’t playing anything (which happened from time to time).

Obviously it was more fun being able to see bassist Eric Keen and drummer Joe Godino (who I couldn’t see at all last time), but it was weird having the sound so disjointed.  Throughout the set I tries moving further and further away from the stage, but I was never able to get further to the middle. (more…)

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[ATTENDED: October 9, 2021] Control Top

I saw Control Top open for Ted Leo a couple of years ago and they were amazing.

I have been wanting to see them again live.  They’ve had a few shows cancelled and there was no real plan for them to play again in 2021, but then they were asked to play Philly Music Fest and I grabbed tickets right away.

Control Top is a trio of bassist/singer Ali Carter, guitarist Al Creedon and drummer Alex Lichtenauer.  They play a mix of raging screaming songs and somewhat more mellow raging songs.

Carter’s hair was dyed silver and looked pretty great.  She played a perfect combination of looking very nice and then raging really intensely.  It was great being up close and watching her expression change as she went from verse to angry chorus. (more…)

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[ATTENDED: October 9, 2021] highnoon

Philly Music Fest started in 2017.  I went to a show in 2019–a great line up!  Last year was online only, but this year it was back.  The lineup was different and wonderful.  And, thankfully, the two bands I wanted to see most were on the same bill.

I hadn’t heard of highnoon.  Artist Kennedy Freeman launched Highnoon in 2019.   Now Highnoon is led by Kennedy Freeman with longtime collaborator, Justin Roth on drums, Brendan Simpson on guitar, and Nathan Avila on bass.

I listened to their music and found it pretty and quiet.   Their new EP, Divers is their first body of work since their debut record, Semi Sweet.

I wasn’t expecting a pretty rocking set from this seemingly quiet foursome.  Actually, singer Freeman maintained a pretty quiet level throughout, but she was counterbalanced by some pretty wild guitar shredding from Simpson.  I took some really cool videos of Simpson’s playing, but at this time, Instagram decided that it would no longer allow me to move my video up or down to get the main part of the video into focus. (more…)

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[POSTPONED: February 12, 2021] KT Tunstall / New Reveille [rescheduled from March 27, 2020; moved to December 10, 2021]

index

The SOPAC site says that new dates will be announced for this show.  It’s nice to read postponed rather than cancelled.

When it was announced that KT Tunstall was going to play SOPAC, my first thought was probably, huh, she’s still around?

Then over the last few months I’ve been seeing more and more about her.  I also feel like her name keeps cropping up in local venues.

After listening to a live show of hers on WXPN, I realized that she’s really good (and released songs I didn’t realize were hers).  I had no intention of going to this show but with all of her shows rescheduled and the new one being moved to next year, this might be a nice show to go to.

New Reveille is an Americana/bluegrass band from North Carolina.  They’ve got banjo, fiddle and a ton of attitude.  While they are definitely in the country vein, I think the bluegrass and the rockingness (they cover The Killers live) makes them a potentially fun live band.  For the three shows in the area, she has three different opening acts.  This one might be the most fun.

sopac

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