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Archive for the ‘Theater’ Category

[ATTENDED: June 16, 2018] 8th Annual Mercer County Cultural Festival & Food Truck Rally

One of the cool things about working near Princeton is that Mercer County ha an active an exciting Parks Cultural Scene.  There are almost always festivals going on in one of the many parks in the area.

I love going to multicultural festivals–doesn’t matter the culture.  And this one was delightfully generic sounding so that it could encompass all cultures.  Perfect!

Clark also had to attend some kind of multicultural event for a Merit Badge, so this seemed like a win-win for everyone.

We arrived a little late (everyone was hungry), so we got some delicious food.  There were about two dozen food trucks serving all manner of food from various countries.  I could have stayed all day. (more…)

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SOUNDTRACK: GREAT LAKE SWIMMERS-Live at Massey Hall (July 8, 2014).

I don’t know all that much about the Great Lake Swimmers.  I have heard of them (for years), but never actually heard them, I guess.

They are a five piece who play thoughtful folk songs.  Their tempo is varied with some upbeat songs and a few slower ones.

The lead singer is Tony Dekker and when he is joined by violinist Miranda Mulholland on vocals their harmonies are quite lovely.

“Think That You Might Be Wrong” is a slower song with a kind of sad violin and great harmonies.

“Put There By the Land” has a kind of fun build up with everybody “warming up” making strange sounds especially the guitar and drums, before the song kicks in properly.  The addition of the pizzicato violin really elevates the song.  I love the way in ended kind of noisily with some thundering drums as it segues into “Pulling on a Line.”

“Your Rocky Spine” opens with a banjo (Erik Arnesen) and changes the tone of the music–Dekker’s voice seems a bit higher too.

“Everything is Moving So Fast” opens with a cool mini drum solo (Joshua Van Tassel)–not a show off solo just a cool rhythmic exploration that leads to the quiet thoughtful lyrics.   There’s some wonderful harmony vocals from Miranda at the end as well as a little upright bass solo (Bret Higgins).

They brought in a string quartet to play with them, although I can’t tell if it make much of a difference since they already have a violin.

They end with “I am Part of a Large Family” which opens with another “warming up intro” which is fun.  It’s builds to a wild and fun climax with a ripping violin solo.  An excellent show ender.

These guys should certainly be in heavier rotation on folk shows.

[READ: March 20, 2018] Evil Librarian

Sarah was reading the sequel to this book (Revenge of the Evil Librarian) and I thought it sounded pretty funny.  So she encouraged me to read the first one.

I really enjoyed the combination of teen romance and demonic villianry.  There’s an obvious antecedent in Buffy, but this goes in very different directions.

I also enjoyed the way the story was paced.  The book felt very long–which I know is a contradiction–and could have been a lot shorter.  But I think the stuff that fleshed it out was what made it so much fun, so I’m glad it wasn’t shorter

It opens on our heroine Cynthia.  She is crushing hard on Ryan.  Ryan is like TV sitcom architect/kindergarten teacher–jobs that people have that work well in sitcoms but that no one really has in real life).  He is a jock who loves musical theater.  He hangs out with all of his jock friends.  But he has an amazing voice and is the lead in the school’s upcoming production of Sweeney Todd.

And he’s single! (more…)

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[ATTENDED: March 10, 2018] The Comedy of Errors

Our friends Jonathan and Carrie take their kids to the Shakespeare Theatre regularly and they invited us along for The Comedy of Errors.

I’m not the only one who enjoys performed Shakespeare about 100 times more than reading Shakespeare, and I felt like this show really brought the play (which I didn’t know) to life.  It also made me laugh at how this play is basically the foundation of every mistaken identity slapstick story every written.

The play ran for a little over an hour–perfect for kids (it was listed as appropriate for grades 3 and up).  It’s usually around 90 minutes, so they cut out some stuff, I guess, which was fine.

The story itself is very funny with “two sets of identical twins, mistaken identities, colorful characters and a madcap chase sequence.”

What really impressed me about the production was that rather than having two people in the twins’ roles, they had the same actor (and actress, in this case) play both roles.  Antipholus the main character was very funny.  But Dromio, the servant, was an awesome comic character who stole the show.  I’m sorry I can’t find the woman who played him.  When it came time to have them both on stage, there was lots of very clever misdirection to allow the “double’s” face never to be seen. (more…)

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SOUNDTRACK: VICENTE GARCÍA-Tiny Desk Concert #701 (February 2, 2018).

Singer-songwriter Vicente García plays a delicate acoustic guitar and has a pretty crooning voice.

The blurb says that he

is still relatively under the radar, but performances like the one he gave at the Tiny Desk are starting to turn some heads.

García’s music isn’t dominated by his native Dominican Republic, but you can hear it in every note. His poetic lyrics are like short stories, sung by a voice both plaintive and evocative, yet always distinct.

“San Rafael” is quite a pretty song echoing the beauty of San Rafael.

Before “A La Mar” (the title of second album which means ‘to the sea’) he introduces [unclear] Vasquez from Dominican Republic on percussion and Ricardo Muñoz from Bogota on the keys.  There’s a neat moment where he plays a harmonic on the guitar in a rather unusual way.  The delicate percussion really adds a lot, as does the bass line plays on the keys.

“Dulcito e Coco” opens with a lovely guitar melody and a close up of the fascinating percussion box that Vazquez is playing–a purple, strangely-shaped box that seems to get different sounds where you strike it.  The song stays quiet throughout although it does get a bit bigger by the end.

 

[READ: November 13, 2017] Silly Rhymes for Belligerent Children

I was so excited to see Trace Beaulieu in person.  Ans even though this book is available everywhere, it was especially neat to buy it from the man himself and get him to autograph it.

It is subtitled A Yucky Big Book of Rainy Day Fun for Belligerent Children & Odd Adults with Nothing Better to Do.  The illustrations are by Len Peralta who apparently has not done anything else I’ve read even though his work looks so familiar and is really good.

So what is this?

Well the title is pretty accurate.  Trace has concocted snarky funny poems.  Most of them are pretty short (and in this format are often two or three lines per page) and accompanied by an illustration). (more…)

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SOUNDTRACK: AMINÉ-Tiny Desk Concert #671 (November 14, 2017).

Aminé–is rapper Adam Daniel’s middle name.  And while I like his light manner and fun hair, musically, nearly everything else about this Tiny Desk is cheesy to me.  From the cheesy guitar (by Pasqué) that opens up “Spice Girl” to the “clever” lyrics all about the spice girls

Scary and Sporty, tell her what I want
What I really, really want is a Spice Girl
Zig-a-zig-ah, fuck up my whole world .

It segues into his debut single “Caroline” which peaked at No. 11 on Billboard’s Hot 100 last year.  It is so full of curses I can’t believe it made it that high.

Don’t wanna talk it out, can we fuck it out?
‘Cause we gon’ be up all night, fuck a decaf
You say I’m a tall thug, guess I’m a G-raffe
If ya want safe-sex, baby use the knee pads
Freaky with the sticky-icky, baby give me kitty kitty

There’s also the backing vocalist Fahrelle Devine who mostly says single words (that weird R&B thing) until she harmonizes quite nicely.

Despite his rather crass songs, he’s an entertaining guy: “I was trying to go to the white house you can’t go up to the gate anymore. That’s really bad.  What’s up with that y’all? Ain’t got an answer, cool.  Lets go on to the next song.  “Slide” has more cheesy keys from Davon Jamison and Madison Stewart (who is male, I’m sorry to say) and cheesy b vocals.  I guess the lyrics are funny, but they seem really tone deaf.  “This ain’t a booty call it’s just a late night snack.”

His delivery and voice are really nice, I wish that he would sing about more substantial stuff.

Having said that, he introduces the final song “Wedding Crashers” with “You ever been a to a wedding before?  Can we go to one real quick?”  The song begins with almost childlike keyboard sounds.  And while the verses go too far, the chorus makes me smile

This is dedicated to my ex lovers
Hope that you hear this, never find another
Me and my friends, we don’t worry or pretend
Hope you play this at your wedding
Yeah, the one I won’t attend (Sike)

I did enjoy watching drummer Cory Limuaco because for such simple drumming, he uses all kinds of mallets and sticks and sides of sticks, which is always fun to see.

[READ: April 25, 2017] Chekhov’s First Play

This play was created by Dead Centre.  Dead Centre was formed in 2012 in Dublin by Ben Kidd, Bush Moukarzel and Adam Welsh.

The play is based on the fact that Anton Chekov wrote his first play at 19 and then more or less denounced it: “there are two scenes in my first play which are the work of genius, if you like.  But on the whole, it’s an unforgivable, if inconsistent, fraud.”  The intro notes: to this day it is unclear which two scenes Chekhov was talking about.

The play was discovered after he died.  It had no title, but is probably a play he referred to in is letters called Fatherlessness, although most renderings of the play have named it after the central character–a philandering charismatic schoolteacher named Platonov.  It first appeared after his death as “That Worthless Fellow Platonov.”  Although almost all scholars believe that the piece is a conversation piece rather than a viable addition to the repertory.

Here’s a little bit of interesting history of the play from Wikipedia: (more…)

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[ATTENDED: October 24, 2017] The Mads Are Back! 

Just a few months after seeing MST3K Live, I found out that two more MST3K alum were also touring.  This time it was TVs Frank (Coniff) and Dr. Clayton Forrester or Crow T. Robot (Trace Beaulieu).  I was so excited that they were coming to Bethlehem. I hoped to see both shows, but could only make one.

I didn’t realize that they had been riffing like this together since 2015.  They were clearly having fun and the show was a real treat–even if the movie was possibly the worst film I have ever seen.

Unlike the massive specatcle that was the MST3K tour, The Mads show was far more low-key.  In fact, Frank Coniff and Trace Beaulieu were sitting at the entrance greeting people (I was running late and basically got there just as they were packing up, rats).

We went into the theater (the theater at ArtsQuest is luxurious!), and after a few minutes of screen grabs like the one above, the two came out and stood before us. (more…)

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[ATTENDED: July 7, 2017] MST3K Live

I first discovered MST3K when I lived in Boston (on The Comedy Channel) in 1992 (just before it merged with Ha! and became Comedy Central).

Holy cow, did I love that show.  I eventually watched every episode and had every episode on tape.  I even made and sold (at break even price), audio tapes of all of the “songs” in the episodes.  It was a time-consuming labor of love (I wonder how hard it would be to convert them to CD), but I was a fanatic.

I could never choose between Joel or Mike because I liked them both for different reasons.  I admit that by the last few seasons I didn’t enjoy the scenes with the Mads as much, but the movie jokes never wavered.

And then the show was over in 1999.  And we all wept.

Well, 16 years later in December 2015, we were all blown away when we saw that Joel was going to try to resurrect the show.  Of course I pledged on Kickstarter (but still haven’t been able to watch any episodes for various reasons).  I was happy to be part of the new experience.

But I was even more excited when in May (after all of the new episodes had aired) it was announced that there would be a LIVE TOUR!  And that my location would get not only the announced show  ‘Eegah’ but also a “secret surprise film.”

Eegah! happens to be one of my all time favorite MST3K movies, so I was thrilled to hear that that was the movie they would do.  And I was even more thrilled to hear that they were making all new jokes (no mean feat).  But then to get a “Secret surprise film” never before seen by MST3K?  That was spectacular.

Some of the reason why I hadn’t watched the new episodes is because I didn’t want to ruin my awesome memories of the old episodes.  What if the new stuff wasn’t as good?  And who were all of these new people anyway?  Obviously I knew who Patton Oswalt and Felicia Day were, but I’d not heard of Jonah Ray or Hampton Yount (Crow) or Baron Vaughn (Tom Servo) or Rebecca Hanson (Gypsy).

I was a little nervous when I got to the theater–would it be good?  Would it be fun?  Would I actually enjoy watching this with other people?

Well, it was a blast. (more…)

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[ATTENDED: May 12, 2017] GuGu Drums from Shanghai

This was supposed to be our last family theater even of the season (and probably our final Chinese Acrobat-type thing for quite some time, as we have seen a bunch lately).  But then something came up and only Clark and I could attend.  So it turned into a fun night for just the two of us to eat sushi at Inspiration Roll and witness the spectacle of many drums.

It’s not easy for us to get to MayoPAC for a 7:30 show, especially if we want to get sushi first.  We wound up missing some of the introductory piece, but that’s okay.

I wasn’t even entirely sure what to expect from this show–it just sounded cool.  And so it was.  Here’s a blurb that kind of summarizes the event: (more…)

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[ATTENDED: April 5, 2017] Shaolin Warriors

When I first saw this listing in the State Theatre calendar, I knew I had to get tickets for the four of us.   I didn’t really know what to expect, but I knew that it would be different from the acrobats, and yet have that same inspiration behind it.  I sort of imagined simple displays of strength, focus and cool Shaolin spirituality.

I did not expect that there would be a “story.”  And indeed there was one.  We follow two children as they make their way into the Shaolin temple and grow and develop into Shaolin adults.

The only compliant I have is that the program notes state this: “Shaolin Warriors, highly acclaimed as “Crouching Tiger, Hidden Dragon” live on stage, is definitely a must-see for family audiences and martial arts lovers alike.”  By invoking Crouching Tiger, it suddenly set my expectations way too high. That film is mind-blowing, a visually stunning production.  And this production is nothing like that.  Rather, they could have described it as a Jackie Chan film come to life, and that would be more accurate (and still impressive). (more…)

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[ATTENDED: April 2, 2017] Golden Dragon Acrobats

Just over four years ago we saw the Golden Dragon Acrobats perform Cirque Ziva.  The founders of Golden Dragon Acrobats created Cirque Ziva as a special touring production in 2011. This show was quiet similar to that performance, (I wasn’t sure if, since it wasn’t called Cirque Ziva, it would be very different) but there were some minor changes that were pretty exciting.

More exciting was that since the kids were much younger four years ago, they didn’t exactly remember things that well, so they were pretty thrilled by everything.

I had mentioned that Cique Ziva had flash in costumes and sets.  For this show the costumes were certainly here, although the sets were pretty simple.

As you can see from the “setlists” below, the acts were pretty similar and in pretty much the same order.  The show opened with the thousand hands.

Since the acts were basically the same, I’m going to copy much of what I wrote then and see if I have any updates: (more…)

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