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Archive for the ‘Soiled Underpants’ Category

ij9SOUNDTRACK: SONIC YOUTH: A Thousand Leaves (1998).

1000This CD actually ties to the book because the crossed out title on the CD is “mille feuille” and the first song is called “Contre le Sexism.”

This opening song is weird and lets you know that this disc is not going to be a friendly listen.  Over some feedback and scratchy noise, Kim whispers and hollers, most notably that “it’s just a kitten.”  But just when you think that the disc is going to be a crazy noise experiment, the next track “Sunday” proves to be another one of Thurston’s supremely catchy singles.

The back and forth continues with Kim’s abrasive “Female Mechanic Now on Duty” and Thurston’s delicate “Wildflower Soul.”  But the pattern is broken with Lee’s spoken-word over simple guitar lines piece, “Hoarfrost.”  It lacks Lee’s usual catchiness, although his later song “Karen Koltrane” more than makes up for it.  Then Kim surprises us by giving us the catchy “French Tickler.”

To me, “Hits of Sunshine” is the centerpiece (literally and metaphorically) of the disc.  It’s 11 minutes long and ranges through the main stylistic feelings of the disc.

The whole disc is over 70 minutes long and it feels meandering.  This is not to say that it has no focus, it’s just not full of pop gems.  And yet for all of its wandering, it hasn’t lost the tunes.  Mixed reviews abound for this disc with everything from 1 to 4 stars coming from the pros.  And, I think depending on my mood, my overall rating could be just as diverse.

I admit that at the time I was starting to lose my adoration for the band.  These longer, more abstract pieces were less enticing than the noise of yore.  But now that I’m a bit older, I can appreciate what they were doing.

[READ: Week of August 17] Infinite Jest (to page 651)

I was planning on starting this week’s write up with a bit about J.O.I’s filmography, which I delved back into and found some fascinating information.  But this week’s write up is pretty long already, so I’m going to do a mid-week (but still spoiler line approved) retrurn to the filmography shortly.

So until then, let’s get back to the book:

This week’s reading gets off to some detailed viewing of the Incandenza men’s psyches before launching into an adrenaline fueled rush.

Mario is still freaked out about Madame Psychosis not being on the air.  He’s not sleeping well at all, and when the insomnia hits him, he goes for walks (even though he knows, and is worried about, how much it freaks out the Moms).

Mario is slowly turning into the absolute heart of the book.  He absolutely and without question loves Hal, and he is concerned for him because he’s been acting differently lately (Mario himself never changes).  He also prays nightly, and in a serious way, talks to God (although he doesn’t expect any one to answer…he’s not crazy).  And, in a very touching scene, which seems to resonate so well with late 1990s America, he is troubled that no one can talk about things sincerely without it being ironic.  (Pemulis wants to set up a prayer hotline for atheists that would just ring and ring). (more…)

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winkieSOUNDTRACK: THE FLAMING LIPS-Oh My Gawd!!!..The Flaming Lips (1987).

gawd1The cover of this disc makes a statement.  And it should tell you everything you need to know about the music inside.  It’s got skulls and psychedelic colors and Oh My Gawd!!!  And yet, it doesn’t, exactly.  It’s not quite as out there as the cover might make you think.

Because it’s funny how much this disc’s first song sounds like the Replacements (except where he starts singing about his brains falling out and everything exploding…not quite ‘Mats material).  But Wayne sounds like early, sloppy Paul Westerberg, and the riffs are not too far off from some of the early ‘Mats records.

Even the wonderfully titled 9 minute epic  “One Million Billionth of a Millisecond on a Sunday Afternoon” isn’t quite as much of a freak out as you might expect.  In fact, the early instrumental part is one of the prettiest melodies they’ve done.  It is particularly interesting given its sparse instrumentation.   The song does eventually drift back into earlier Pink Floyd territory (“Astronomy Domine” etc). But it’s “The Ceiling is Bendin'” that is the freak out you’re looking for, with a fun drum fading and the chaos.  “Maximum Dream for Evil Kenevil” on the other hand is a noisy mess (a fun noisy mess, but a noisy mess nonetheless).

It’s clear that they’re doing some good experimentation with audio effects.  And yet “Can’t Exist” is a delicate little song with just a light touch of feedback.

The first half of “Prescription: Love” is a rocking instrumental that would not sound out of place as a Nirvana B-side (but since it came before Nirvana, let’s say maybe on an SST Records track.  The second half returns to the garage rocking sound (with some funky deep vocals dubbed on…the first of many experiments with voice on future albums).

“Ode to C.C., Pt. 2” feels like it’s going to take of in an explosion but never does. But it has the excellent line “Hell’s got all the good bands anyway.”  “Can’t Stop the Spring” is another fantastic riff rocking song, and it starts and end with a classical music sample.  [Which I can’t place right now, sadly].

The disc ends with “Love Your Brain,” a 7 minute piano workout –which ultimately ends in the destruction of the room.  It sounds like every instrument in the place is destroyed.

So this disc expands the sonic weirdness of the Flaming Lips’ first disc, and it also showcases their growth as musicians.  It’s not a brilliant album by any means although it is quite good.  The most interesting thing is seeing how much they are experimenting with sounds now, and how it will pay off for them later on.

[READ: Late 2006 & December 2008] Winkie

I read this book two years ago, and my memory of it is not that great.  I’m only including it because I really enjoyed it at the time, and would like to make some record of having read it.

UPDATE: I have decided to re-read this book while on P breaks at work.  I am now utterly unsure whether or not I read the book fully last time.  I have just finished it again, and I was totally surprised by so many things (although one or two things did trigger my memory) that I really had to wonder if I finished it.

So, the story is about a stuffed bear named Winkie.  Winkie was a beloved toy of the Chase family and most recently of Clifford Chase [see author’s name now].  As the story opens, Winkie, the stuffed bear, is being tackled by the FBI as they arrest him for terrorist activities.  [You can re-read that sentence to see if your brain digested it.] (more…)

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peculiar.jpgSOUNDTRACK: TORI AMOS: The Original Bootlegs (2005).

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I have commented before about how much of a diehard Tori Amos fan I was. [See What I learned… (5)] I have seen her live many times, on a few different tours. One of the things that I never got to see was a live solo show. She has always had a few piano-only segments during her shows, but from the time I started seeing her, the shows were always full band. And the thing is that I really like her with the band. Her drummer, Matt Chamberlain, is first rate and her bass and guitar fellows make great noise together. But even though I enjoyed the band, I still wanted to hear the solo article. Then, for her Original Sinsuality tour, she did an all-solo tour. And here are some recordings from it. Six concerts selected from the tour. The Holy Grail of Tori live. Or so you would think. (more…)

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