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Archive for the ‘Short Books’ Category

edwardSOUNDTRACK: HAM AND BURGER-“Don’t Put Your Finger in Your Nose” (2010).

tributeCoverA very serious and sad book needs a very silly song to accompany it.

I heard this on Kids Corner last night and it led me to this tribute album to Barry Louis Polishar, an artist whom I’ve never heard of (and am not sure why he has a tribute album to him, but whatever).

The title of the song tells you all you need to know.  But I enjoyed the way it went beyond the nose, into other body parts where you shouldn’t put your finger–eyes, ears, throat.  As with most kid’s songs, this one is short.  And when it starts to fade out at around a minute fifty seconds, you think it’s over.

But they add an extra chorus and then a final punchline which is really funny.  Check it out at this link to the Tribute to Barry Louis Polisar record.

[READ: September 8, 2014] The Miraculous Journey of Edward Tulane

The students entering fourth grade in our town were supposed to read this book over the summer. Clark’s teacher actually read the book to them last year, and he was disinclined to read it again.  So I offered to read the book to everyone in the family.  I figured if it was important enough for all the kids to read, maybe I should read it, too.  He said he really didn’t like it, but I persisted and read it to everyone anyway.

And I totally understand why he didn’t like it.

Although the cover looks kind of haunting (the illustrations by Bagram Ibatoulline are awesome), I didn’t realize just how dark this book could get–all in the name of love.

I’ve never read anything else by Kate DiCamillo so I don’t know if this is typical of her work.  But man, is it a tear-jerker.

The book itself is rather short.  It’s 200 pages, but there’s a lot of pictures and the type was very large.  And it read fairly quickly, perhaps because it was so episodic.  Before I get on to the story, I want to say how beautiful the illustrations are.  The chapter headings are wonderful grayscale drawings, and the occasional full color plates are stunning.  Very dark and foreboding and at times a little creepy, but very evocative of an older time.

The strange thing is that the book is summarized pretty well on the jacket, as well as in the book’s coda.  So, if you prepare yourself in any way, you might expect just how low Edward has to go before the miracle happens. (more…)

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39unstopSOUNDTRACK: SLOAN-“Get Out” (2014).

Sloan_CommonwealthSloan has a new album coming out next week.  It is currently streaming on Picthfork.  The album is like a small version of the Kiss solo albums (except that there is only one album) or like Pink Floyd’s Ummagumma (because it’s a double album and one side is kinda crazy). Each member of the band has written the songs for a side.  The imagery for the disc is a deck of playing card, and each member gets a suit:  Diamond (Jay Ferguson); Heart (Chris Murphy);  Shamrock (Patrick Pentland); Spade (Andrew Scott).  Even though I am a big fan of Sloan, I have honestly never been able to tell their vocalists apart. True, they do sound distinctive, but I can’t keep them straight at all.  So this album should help with that (and maybe see if there is one composer I like better–I don’t think so).

I chose this song primarily because it seemed to tie in well with this book and also because it a rocking song that last for less than 2 minutes.

The guitar comes rocking right at the start.  The verses are short and the bridge , a simple “Get out, you can get out” propels the song along nicely.  There’s a loud squalling guitar solos.  And a cool chorus with backing vocals.  And after two verses, two bridges and two choruses, the song ends.  A great soundtrack for an escape.

I’m looking forward to the release (although I won’t be getting the deluxe edition, sorry guys).

[READ: September 4, 2014] Flashpoint

In all of my time reading the 39 Clues, this is the first time I actually caught up to the series–I read this book almost in the week that it came out.  So if I was actually playing online with the clues, I may have been able to win whatever it is the online competition is.  Actually it’s quite rare that I read anything soon after it has come out, so that was fun in itself as well.

Okay, so this series has concluded with major 39 dude Gordon Korman taking over the reins.  And that made me happy, because he knows that the family working as a team is what is so important to the series.  And he got them working together again–even if it was because Amy was days away from death by the side effects of the serum.

As the story starts out (yes, I am still bitter about what happened at the end of Book Three–and I must report that that was not redeemed in any way, so yes, I am mad at the series for the senselessness of what happened to a favorite character of mine), Dan is being held prisoner by Galt Pierce.  (I love how nutty the Patriotist party is portrayed, and how easily susceptible people are to the platitudes Rutherford Pierce offers).  He and his sister Cara are trying to extract information from Dan.  Dan is given a truth serum and reveals some information, but then he takes a sleeping potion to knock himself out.

When he awakens, Galt threatens him, but Cara tells Galt to back off.  And then, unless Dan is mistaken, and he may be, she seems to help him escape from the plane that they are currently waiting in.  At the same time, Jonah Wizard’s plane is nearby (through some clever tracking by Pony), and they are able to rescue Dan.  Then they are off to Phenom Penh to find the final ingredient–the venom form a Tonle Sap snake.  Which means a trip through the amazingness that is Angkor Wat (more…)

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39copuntSOUNDTRACK: APHEX TWIN-“minipops 67 [120.2]” (2014).

syroI can’t write the whole title of this because the rest of the words make it seem like it is xml code, so it is not printing properly.  Well played, trickster.

Aphex Twin videos have no business being anywhere near a children’s book (even a book as dark as this).  But the music itself is pretty safe since it’s instrumental (or unintelligible vocals if there are vocals).

Anyway, this is the opening track from the first Aphex Twin album in thirteen years (really? yes!).

“Minipops” is the first single from the album (due out later this month).

It is less aggressive than what I think of as Aphex work (like say “Windowlicker”) but it is no less warped.  It opens with some complex drums and a simple but warped keyboard riff.  Some voices come in, and there may be words but I can’t make them out.

It actually feels like a kind of verse chorus build up.  Just before the half way point the music almost drops away leaving a simple keyboard and an even more processed voice.  By the three minute mark a new voice comes in, it is deeper and scarier, and it is followed by the most clean voice of all (although it is still quite fuzzy).  Again, I have no idea if words are being spoken, but there is a weird melody being vocalized.  And the music floating around seems to slowly get more and more distorted as the song lurches to an end.

It’s not my favorite Aphex Twin piece as it’s not as dynamic as some of his others, but I’m happy that he’s putting out an albums worth of stuff.

This video has no actual visuals (except what you see), so it is totally safe for all ages.

[READ: August 28, 2014] Countdown

Book Three of this series has an aspect that I really like and an aspect that I, like less

I’m starting with the part I liked less because it involves the main plot.  As we left the Cahill family in Book Two, they were in big trouble.  Rutherford Pierce had taken the super mega strong serum and his henchmen were closing in on Amy and Dan and friends wherever they went.

As this book opens Amy and Dan are racing through an airport to get to their private helicopter, when they are spotted by the paparazzi (Pierce owns the media and sends the paparazzi after them wherever they are).  On the other side of the airport are some of his serum-fueled goons, who are looking to stop them at any cost.  The kids run through the airport and make it to the helicopter just in time.

They start flying to Guatemala, where they are looking for the next ingredient for the antidote to the serum.  Suddenly the pilot puts on a  parachute and leaps from the helicopter, leaving the kids to land the plane in the Guatemalan ruins.

This was all quite exciting and I enjoyed it very much.  What I liked less was that after what happened in the last book–Amy going off on her own to spare the lives of her family and nearly getting killed–the boys are mad at her.  They barley talk to her and consider that she has betrayed them.  One of the things I have loved about the series was the bond that Amy and Dan had.  And I hate that this series has dissolved the bond and that Amy has felt like an outcast.  I understand it builds the drama and that there are many exciting elements to this approach, but it’s not what I read this series for.  I also realize that as this book draws to and end, the isolation of Amy become almost the point of this series, but it still changes the series in a way I don’t like.

After they are nearly killed, though, the kids bond again, and set off on their quest to find this missing element. (more…)

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breakSOUNDTRACK: ISRAEL NASH-“Rain Plans” (2014).

rainI heard this song on a download of 10 Songs NPR Can’t Stop Playing.  The opening chords sounded so Neil Young and Crazy Horse that I was immediately hooked.  Then when Nash starts singing, it sounded even more like a kind of CSN&Y pastiche.  After the first verse, the powerful descending chords are a great introduction to the falsettoed chorus.  (No idea what he’s saying).

Nash is lumped in with the alternative country field, but I don’t hear any of that on this song.  It comes across as pure classic (maybe folk) rock.  The solo which starts at around 2:45 has elements of Pink Floyd in it.  It is a brief introduction to the much lengthier solo that takes the song out.  But what I especially like about it is that the in between section doesn’t have more vocals, just a bunch of whoo hoos before the bombastic solo (the backing music is bombastic as well) just keeps going.

It’s not a pretentious showing off solo, it’s just a lengthy jam that keeps jamming.  Until around six minutes when the band starts rocking faster and the solo grows more intense (the song is 7:19).

I’m really interested in what the rest of this album sounds like.

[READ: July 27, 2014] Breakaway

I was so hooked on Book One that I had to jump right into book two (which is considerably shorter than book one).

This book was a little frustrating (intentionally so I believe) because Amy is trying her best to distance herself from her family and friends.  She is so afraid of anyone else getting hurt (and anxious because Dan wants to leave the family) that she keeps trying to send them away, believing that they will be safer away from her.   And yet, as they have learned in each and every mission–they work best as a team.  So while Amy starts pushing the others away they not only get more frustrated, they keep making mistakes.  And by the end, Amy’s solitude nearly gets her killed and has her alienated from her closest ally, Dan.

Of course she is under a lot of pressure, especially since the media scrutiny of them has gotten so much more intense–Pierce has amped up his attacks against Amy and Dan and has brought her family members into the spotlight (basically saying they are all her thugs).  The Pierce foundation has even gotten to Evan’s family and Evan’s parents publicly denounce their dead son’s former girlfriend as a snake, someone who draws people in and doesn’t care what happens to them.  Basically, everyone hates the Cahills.

Including Jake and Atticus’ father.  For when they call on him for a favor, he is furious that his sons are still hanging around with the Cahills.  Until he sees that the book they are carrying has information about something near and dear to their father’s heart: the lost city of Atlantis. (more…)

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39SOUNDTRACK: SHABAZZ PALACES-“#Cake” (2014).

cakeI don’t know much about Shabazz Palaces, although I understand their debut was pretty popular in alternative circles (they were the first rap band released on Sub Pop).  This new song is from their new (also Sub Pop) album and I think it’s really weird and quite wonderful.

There’s a loping bass line echoey and almost spacey.  There’s rapped echoey fast words all over the palce (I’m having my cake and I’m eating cake–“eating cake” seems to be the refrain).  It’s all very spacey and weird.  And then at around 1:45 a whole new sound emerges out of static, as if a jazz radio station was tuned in and someone like Nina Simone begins singing a very standard-sounding jazz song.  What?  And after about 15 seconds it drifts out and the song returns to normal.

Around 2:48 a new style of song drifts in, also kind of early jazz (but a different song with lyrics, “let it waver why not savor the flavor”), but this time a bit more faint with twinkly sounds played over the top.

When the song return, there is a list of cities rapped over a more string heavy riff (but that same bassline).  It’s pretty darn weird.  It all reminds me of the way Kanye West introduced such weird elemnst on his Yeezus album.  This is less aggressive but no less unexpected.

I really have no idea what this song is actually about, but I really enjoy listening to it, and I want to explore Shabazz Palaces a bit more.

[READ: July 26, 2014] Nowhere to Run

There’s something about the first book in 39 Clues series that is just so good.  Although I did enjoy the end of Cahills vs Vespers, the end was nowhere near as exciting as the beginning of this book.

It is six months after the events of the last series.  Dan and Amy are not in any way over the deaths of their friends and family.  But they feel that the end of the Vespers leadership must give them some peace and quiet.  And things are starting to get back to normal.  (The awesome) Nellie is back with them, cooking and being generally cool.  But there is one last detail that they must attend to: the funeral of their lawyer, Mac.  He too was killed six months earlier, but they have just gotten around to dealing with the funeral (he was cremated).

But at the funeral, they are attacked by some really tough, like really tough guys.  Uncannily tough in fact.  And as they flee the cemetery a group of paparazzi comes into the cemetary looking to take pictures of the Cahill kids. And soon enough, their photos are posted all over the internet with crazy untruths said about them–that they are spoiled rich kids looking for thrills.  What the heck is going on?

Well, it turns out that J. Rutherford Pierce has found a bit of the serum that Dan was creating.  And unlike the dose that Isabel took, he seems to have tinkered with it just enough to make him superhuman but not freakish.  Pierce has been mostly an also ran–a failure at many businesses, and a failure at much more.  But since taking the serum, he has had many successes, including taking over a media empire (hence the headlines) and making ton of money.  And he has it in for the Cahills. (more…)

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trinitySOUNDTRACK: GREASY KID STUFF–WFMU 91.9, New York City (1997-2006).

grekidIn my vast exploration of Greasy Kid Stuff (seriously, at least 15 minutes at work), I found the WFMU website.  It turns out that Greasy Kid Stuff, the radio show broadcast weekly from WFMU from 1997 until 2006.  Then they moved to Portland and couldn’t manage the remote connections properly, so the show ended on WFMU.

The good news is that you can hear weekly playlists of all of the shows from 2000-2006 on the playlist page.  They have playlists that date back to the beginning, but there’s only audio starting in 2000.  The bad news is that you the shows are all archived in Real Audio.  Which, I don’t know, may or may not really work anymore.

But for a historical look at a funny and weird kids show check out the archives, and if you still have Real Player, give it a listen.

[READ: June 17, 2014] Operation Trinity

The Cahill Files were a series of “books from the vault” of the Cahill family.  They were originally released as e-books and some of them have been collected as print books.  The first was Operation Trinity.  And like Vespers Rising, it chronicles the history of the Cahill Family.

The story is broken into three parts, each one chronicling the “life” of a painting.  The painting in question is Jan Van Eyck’s altarpiece (see bottom of post for picture of it). The first part is set in Ghent in 1566.  In reality, the painting was finished in the 15th century and was installed in the Saint Bavo Cathedral.

The story follows Matheus Jacobs, an ordinary, some might say even less than ordinary, boy whose family doesn’t seem to think all that much of him.  Until one day when his mother says that she wants him to become an altar boy so he can protect this altarpiece from the Vespers.  (His father doesn’t think he is worthy, but she disagrees).  He doesn’t know why his mother chose him, or what his mother has to do with anything like this, until she reveals that she can speak several languages and is well versed in the history of the Vespers.  He rides his untrusty mule to the church, where he marvels at the beautiful painting.

He soon meets Father Gerard who sends him on an errand.  While away, he hears a man inciting a mob against the church.  The mob grows incensed, as mobs do, and sets out trying to weed out the Catholics in the village.  Matheus is freaked because they are heading for his home village.  And when he arrives, he sees that the mob is trying to burn down his house.  In the fracas, one of his family members is killed, and the rest of his family insist that he head back to the protect the altarpiece because the Vespers are behind the mob and they are headed for the church. (more…)

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rattleSOUNDTRACK: THEY MIGHT BE GIANTS-“Greasy Kid Stuff” (2013).

3This song was recorded especially for the Greasy Kid Stuff radio show and appears on Greasy Kids Stuff Vol 3.

It starts out like a very TMBG song–with funny lyrics (by John L) over a simple keyboard melody.  The lyrics are about his unruly hair (it needs some schooling).  But it quickly turns into a plea to the radio for songs about Greasy Kid Stuff!

The chorus sounds very “rock n roll” (with old style backing vocals).

It’s only 1:40 and it’s the kind of song TMBG seems to be able to whip out in a couple of minutes.  But it’s really quite catchy.  It’s nice to get some new fun from John and John and the Dans.

[READ: August 11, 2014] We Can’t All Be Rattlesnakes

Indeed we cannot all be rattlesnakes. Even the main character of this book, a gopher snake, can’t be one, despite how much she looks like one.

The gopher snake is unnamed because even though she is the main character, she has just been captured by a boy named Gunnar.   Well, actually he calls her Crusher, but that’s not her name, and she refuses to acknowledge it (especially since she doesn’t crush her prey, she asphyxiates it).  We see everything that happens to her from her own eyes. This allows us to see everyday human items (like a video game console) as completely foreign.

Gunnar is a kinda dumb, kinda violent boy, at least that’s what the other captive animals claim (reptiles can communicate telepathically, you know).  Speedy the tortoise and Rex the lizard tell Crusher all about how things are in this house.

Gunnar plays violent video games, disobeys his mom, has dumb friends and refuses to accept that Crusher is a girl.  At first Crusher is really angry about being captured and she vows revenge.  Not only won’t she eat the dead mouse he puts in there with her, she refuses to eat the live mouse he puts in there with her.  In fact the mouse, named Breakfast, becomes quite taken with Crusher, and cuddles up next to her. (more…)

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oddSOUNDTRACK: THE ZAMBONIS and JAMES KOCHALKA SUPERSTAR-“Hockey Monkey” (2005).

jksI once saw James Kochalka Superstar perform at a party in Vermont.  He was a lot of fun and the kids in the audience really dug it too.  This song is a perfect encapsulation of the JKSuperstar ethos–silly, irreverent, rocking, and more than a little off-kilter.

Kochalka’s voice is a little strainy and whiny which works perfectly for this kind of song.  The backing band, The Zambonis, write exclusively hockey-based songs, so although JKS wrote this one, they are perfect for this song about a hockey monkey.  And they rock through this simple, funny song with lyrics like:

all the scientists are running around
looking for the monkey but he can’t be found
cause he’s down by the pond playing hockey with the kids

and all the mothers are running around
looking for their children but they can’t be found
cause they’re down by the pond playing hockey with the monkey

and its 1..2..3.. the kids love the monkey and
4..5..6.. the monkey’s got a hockey stick
7..8..9.. havin a good time yeaaaa

In my mind, James Kochalka is more known for his books (done in the cool style of the album cover above), which are wild and very funny.  And so is his music.  Go on up to Vermont and check him out.

[READ: August 10, 2014] Odd, Weird and Little

Since we were on a Patrick Jenning’s kick, I decided to grab Odd Weird & Little.  I didn’t realize it was his newest book, and I really liked it a lot.  And so did the kids.

They both pointed out how the cover drawing looks like an owl and how the initial letters spell owl.  Well, the chapter titles also spell O W L all the way down.  It’s weird and funny.  And so is the story.

As with Jenning’s other stories where mildly supernatural things happen, we never quite learn enough about this odd, weird, little character.  His name is Toulouse Hulot (I loved that) and he comes from Quebec, Canada.  He is definitely little, and definitely odd–he doesn’t take off his gloves or his hat in class (which the teacher allows because he is new).  He barely speaks and he is so…proper.  He wears a suit and has excellent penmanship.  It’s weird.

Toulouse Hulot is not the only funny name in this book.  The narrator’s name is Woodrow Schwette.  And he tells us all about Toulouse, as they are in the same class.  He relates how the two bullies are preparing to gang up on the new kid (which is okay with Woodrow as they usually gang up on him).  But he feels sympathy for Toulouse, because he is so weird.  And little.  And, actually, kind of cool. (more…)

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myhomeSOUNDTRACK: MUCKAFERGUSON-“MC Speller” (2010).

muckaI had never heard of Muckaferguson.  Okay, that is not true, as I see I made a post about them because of the They Might be Giants song “John Lee Supertaster.”  Because the real John Lee is a indeed a supertaster and was in the band Muckaferguson. (And John Flansburgh of TMBG produced this album).  So there.  But I still hadn’t heard them until now.

This song comes from that album.

The album is a flurry of genres and styles, and amid all of this, we get this old school beat box rap (sorta early Beastie Boysish).  And I like it because it is quite funny.  And since it’s only a minute and a half long, I’ll put all the lyrics, because I can’t pick a favorite line:

my name is mc speller and i like to spell…s p e l l spells spell. mc speller and i love to spell…q u e u e spells queue.

he’s a maniac, ya’ll. here comes the heart attack, yo. chris likes food. andy like atari. i like the work of john baldessari. my rhymes are fresh and my moves are hard. i play the plastic guitar like baudrillard.

my name is mc speller and i like to spell…d a d spells dad. mc speller and i love to spell…r h o n g spells wrong.

i’m mc scared of bees, ya’ll cause you know that i’m scared of bees, ya’ll. when i see a bee i run because by definition i’m scared of bees.

yo, i’m comin’ to you straight out of sutton in suburban south london. white, middle class, educated 20 something. i got me degree in pure mathematics. i don’t like to rap i’m just being sarcastic.

r i g h t spells right, mc speller’s gonna spell all night, talkin’ about. n i g h t spells night, mc speller spells everything right

Despite the kid friendly nature of some of some of these songs, the album as a whole is definitely not kid friendly (I mean, look at the cover and, frankly the band’s name).  The song “I Wanna Get…” is all about getting, well, F’d up, so be mindful.  But many of the songs are delightfully witty.

John Lee, incidentally, is also responsible for the show Wonder Showzen, so if you know the show, you get a sense of the kind of mischief he makes.

[READ: August 9, 2014] My Homework Ate My Homework

Regardless of how I felt about Guinea Dog 1 and 2 (overall I liked them quite a bit), it was impossible not to snap up a book with a title like this.  Especially when the book is about a ferret.  (The cover is by the same artist as the Guinea Dog books, which led me to assume the style was similar, which it was).

This book is about 10-year-old Zaritza (the unusual name is never explained).  She is… dramatic.  And is a fan of dramatic….  pauses.  She is incredibly excited to be playing Calamity Jane in the upcoming traveling theater production of Calamity Jane.  She has watched the film dozens of times and has her “Calam” down perfectly.

The problem is that if she doesn’t bring her grades up she’s won’t be allowed to do extra curricular activities.  Like drama.  She is not the best student, so rather than actually doing her work, she decides to do some extra credit.  Like bringing the classroom pet Ferret home for the weekend.  She hates the ferret.  She hates its smell, she hates its look. Hates it.  But she needs the credit.  And so it comes home.  And then she forgets to close the cage door and the ferret gets out.

Panic!

While the ferret is out, and they are trying to catch it, Zaritza hears something–gnawing.  And that’s when her homework ate her homework. (more…)

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gd2SOUNDTRACK: GLORIA BALSAM-“Fluffy” (1983).

wwrThis song is also on Greasy Kid Stuff 3 (I was disappointed to realize that I couldn’t find all that many of the other songs online).  But when I found the video for it, it had also been gathered on a compilation called The Rhino Brothers Presents The World’s Worst Records.

The song is about the narrator trying to find her missing dog, Fluffy.  In all honesty I don’t know if she ever found the dog because her voice is so (intentionally, I hope) off-key and distracting that it’s hard to pay attention to what she is saying  The music is a big sweet ballad, which is completely undermined by her voice.

I suppose this is funny, but I’m honestly not sure what to make of it and I don’t intend to listen to it again to find out.  Maybe that Greasy Kid Stuff album isn’t as desirable as I thought.

[READ: August 3, 2014] Guinea Dog 2

When I picked up Guinea Dog, I also grabbed Guinea Dog 2.  Since the kids enjoyed the first one so much that we started #2 right away.

This book picks up right where the first one left off. It may even be the next day.  Everyone has learned about Fido and her amazing tricks (thanks mostly to Dmitri taking a video and threatening to show it on YouTube).  And Lurena is so totally in love with her (she has offered to take her home many many times, but Rufus keeps refusing).  Heck even his dad seems to like her now.  Rufus has had it with the attention.

So he decides to stop playing with her like a dog.  He doesn’t let her out of the cage as much.  He stops treating her like a dog too–he wants to untrain her, to make her a proper guinea pig.

Now, like in the first book where I didn’t understand the motivations behind Rufus’ actions, here again I don’t get it.  No matter how much he hates the attention, how can he not think that having a guinea dog is awesomely cool.  (We have guinea pigs and they are certainly cute but they are not awesomely cool).  So the more he protests and tries to hide how cool she is the more weird it seems to me (and to his friends).

Murphy of course wants to get a guinea dog just like Fido, even the wicked Dmitri wants to buy her from him.  And rodent loving Lurena would do anything to own her.  But Rufus doesn’t want to give her away, he just wants her to be normal.  Which I guess is motivation enough, I suppose. (more…)

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