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Archive for the ‘Short Books’ Category

onfgoingSOUNDTRACK: MUCCA PAZZA-Tiny Desk Concert #419 (February 10, 2015).

Evmucca2en though I said that the Dan Deacon Tiny Desk was the most fun to watch, it is a close tie with this one from Mucca Pazza.  Mucca Pazza are a 23 piece band comprised of a huge horn section, violins, guitars, percussion, an accordion and even cheerleaders.  The group dress like a marching band (but everyone with a different colored (often ill-fitting) outfit).  The cheerleaders use caution tape as pompoms and do prompts between songs.  They tip their hats when songs are done.

They have been around for ten years (and have four albums out).  For this cramped Tiny Desk, they play four instrumental tracks (23 people and no vocalist!): “Subtle Frenzy” “J’accuse” “Dirty Chompers” and “Holiday on Ice.”

The songs are fast and fun and while there is an obvious marching band feel, they aren’t really marching band songs.  The electric guitar and strings tends to undermine the machine band tendencies (even if the xylophone adds it back).   Indeed, the electric guitars add a cool and sometimes disconcerting sound, like the guitar solo on “J’accuse” which is done on a teeny tiny guitar with a slide.

I love the melody of “Dirty Chompers”–such a fun song.  And “Holiday on Ice” is chock of full of the mayhem you might expect from the description of this band. The middle section slows down somewhat and sounds a little demented (in a good way) It also really highlights the different components of the group–with different horns playing different scales and the trombones keeping the main somewhat menacing riff consistent.

mucca 1So there’s a kind of Balkan Brass band element underpinning all of this–but there’s also discord and rock and psychedelia.

I don’t know if I’ve ever seen so many people having so much fun before.  Their full stage show must be a riot.

You can watch the Tiny Desk here and listen to a full show (with a video of one song) here.

[READ: April 10, 2015] Ongoingness.

This book was excepted in Harper’s in December. I read the excerpt just a few weeks ago.  And then when I saw someone request it at work I found our copy and, since the book was short, decided to read it at lunch before sending it off to the requester (such power I wield!).

In my post about the excerpt, I said that I couldn’t imagine how there could be much more than the excerpt and that I wouldn’t want to read a lot more of the book.  Well, it turns out that the book itself is a brief 96 pages and the bulk of those pages are only a few lines.  So a rough count would suggest about 36 pages altogether–an easy to read at lunch request.  And that’s good, because if this book were 400 pages it would be either obnoxious or really tedious.

But at this length, it’s an interesting and enjoyable look at memory and life and how much we should be concerned about remembering. (more…)

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lumpenSOUNDTRACK: WE ARRIVE ALIVE-“Walls” (2011).

wallsI discovered We Arrive Alive from the Girl Band bandcamp site (it says the bands are friends).  They are from County Wicklow and play very cool post rock instrumentals.  They have three EPs, all of which are available for free on their bandcamp site.

Their first is called Walls.  The opening song “Walls” has fast guitar with a slinky Sleater-Kinney kind of guitar progression. Unlike S-K, there is bass and no vocals. The middle section feels like any number of post-rock instrumentalists like Explosions in the Sky.  But it’s not derivative–it’s expansive and beautiful.  “Save Me from the Morning” is a much faster song with a more intricate bassline underneath the guitar riffs. The structure of the song makes it seem more like a conventional song (ie one with words). But there are no words, and the guitars fill in very nicely for where vocals might appear. But 90 seconds in, the songs switches gears and becomes a bit more jazzy.  Then around 3 minutes the bass takes over with big loud notes—it’s a great transition. There’s yet another part, a quiet section, that ends the song.  That’s a lot of music packed into 6 and a half minutes.

“This is a City” is the final song.  A seven minute slow building instrumental. It starts quietly and the intertwining guitars get louder as they echo more.  I love the way at around 5 minutes the song shifts gears entirely to a sort of electronic feel with pinging notes.  It ends with a  fantastic closing riff.

I’m glad to have discovered these guys, I love a good collection of instrumentals.

[READ: March 17, 2015] A Little Lumpen Novelita

This may be the final extant untranslated book by Roberto Bolaño.  Although I have yet to read The Secret of Evil (that fell right off my radar), as far as I can tell, the only things left untranslated are:

  • Diorama (this book is unpublished at all, so it’s unlikely to be translated anytime soon)  AND
  • Consejos de un discípulo de Morrisona un fanático de Joyce, 1984  [Advice from a Morrison Disciple to a Joyce Fanatic] which has yet to be translated and I don’t know why, so I assume it never will be.

I don’t fully understand the use of the word “Lumpen” in the title, but don’t let that odd word (which is in the Spanish title, so we can’t blame excellent translator Natasha Wimmer) keep you from reading this breezy and entertaining (if not a bit dark) book.

As with many books by Bolaño, there’s not a lot of plot, per se.  In this book, a young woman (Bianca) and her brother have been orphaned at a young age.  Their parents died in a car crash in Italy (which is where they live).  They try to cope as best they can, but they ultimately decide to drop out of school and do nothing except watch a movie a day.  Bianca tells her brother that they can’t afford that lifestyle (especially since he just seems to get X-Rated films), but he continues to do so anyway.

They realize that they will need money of course, so Bianca gets a job as a hair washer at a salon.  Her brother gets a job cleaning floors at a gym.  It seems to be enough for the time being. (more…)

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information_cover_FINAL_webSOUNDTRACK: RHEOSTATICS-Vertigo, Victoria British Columbia, (January 21, 2000).

21Jan2000I recently learned that the Rheostatics Live website has added dozens of new (old) shows.  It has been almost exactly a year since I last did a tour of some of these live shows, so it was time to move into 2000 (with one new show added since I last looked).

As of 2000, the band is still touring the Harmelodia album, and the set has a lot of songs from that album.  I recently relistened to the album (something I don’t listen to all that much).  I was surprised to hear how many songs had narration–which pretty much precludes them from playing them live.  So that explains why they focus on just a few songs live.

Lucky’s notes for this show state: The Rheos were on a short west-coast swing and they played in Whistler the night before this show. In fact, the inspiration for ‘Satan Is The Whistler’ (from their following album) came from this trip, as Martin remarked something along the lines of ‘They are a bunch of Fascists in Whistler!’.

This is a really good set.  The sound quality is excellent and the band is in very good form.  There’s some great harmonies on “Loving Arms” and Martin really rocks the guitar on “I Fab Thee.”  “Junction Foil Ball” sounds awesome here–a good breakdown in the middle.  And it’s a rare sighting of “Oneilly’s Strange Dream” and a replay of “Good Canadian.”

It’s always fun when the band is feeling chatty.  In this show they joke about the Crash Test Dummies and even sing, “Superman never made any money saving the world from Crash Test Dummies.”  They also have fun with “My First Rock Show” with talk of blood on the seats.

The band has some technical failures, and they play a Stompin’ Tom song (“Bud the Spud”) while they get fixed.  But it doesn’t mess them up as they play a killer version of “Stolen Car” with a great solo.

Luke Doucet (now of Whitehorse, then of opening act Veal) plays during “Legal Age Life” and the band jokes about the Vealostatics.

The whole show ran for nearly two hours.  It’s a great set and the first of two nights at Vertigo.

[READ: February 10, 2015] Information Doesn’t Want to Be Free

This short book is Doctorow’s plea for Copyright common sense, Net Neutrality and internet freedoms (among other things).  Of course Net Neutrality just passed–hurrah!– which makes this book less urgent but no less spot on and worth remembering while going forward.

Doctorow starts each section by stating his three laws:

  • “Anytime someone puts a lock on something you own, against your wishes, and doesn’t give you the key, they’re not doing it for your benefit.”
  • “Fame Won’t Make You Rich, But Yo Can’t Get Paid Without It”  (or as Tim O’Reilly said “The problem for most artists isn’t piracy, it’s obscurity.”)
  • “Information Doesn’t Want to Be Free, People Do.”

(more…)

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barbariabnsSOUNDTRACK: ULTRA LOUNGE: CHRISTMAS COCKTAILS Part Three: Yule Tide Cheer Through the Year (2005).

xmastails3The final part of the Ultra Lounge Christmas set certainly sees them running out of steam.  There’s far fewer songs and the total running time is nearly 20 minutes shorter.  But that doesn’t mean there aren’t some great tracks here.

CARMEN McRAE-“Baby It’s Cold Outside” a fun opening with some talking before the song between Carmen and Sammy Davis Jr.  Davis is really silly through the song (and she seems to be laughing him).  BING CROSBY-“Frosty The Snowman” wonderful.  LENA HORNE-“Santa Claus Is Comin’ To Town” a trippy opening in which Horne was “in the milky way.” Then the song kicks in—a fun version overall. Strangely she switches “bad or good” into “good or bad.”  JOHNNY MERCER-“Jingle Bells” a fun hopping version with plenty of swing.  There’s even extra lines (“there’s nothing new about jingle bells”).

WAYNE NEWTON-“Let It Snow! Let It Snow! Let It Snow!” Female vocalists again (I thought Newton was a singer?), but nevertheless, it’s a fun version.  NANCY WILSON-“That’s What I Want For Christmas” a pretty song, that I didn’t know before.  I really dig Nancy Wilson.  DEAN MARTIN-“Winter Wonderland” delightful, I do love the Deano.  BILLY MAY-“Do You Believe In Santa Claus?” – Billy May’s deep dark rather scary voice presents this weird song.  It’s funny and a little spooky what  with the crazy way it ends.

PEGGY LEE-“White Christmas” this version is too for me.  AL MARTINO-“Rudolph, The Red-Nosed Reindeer” this is a nice version, though.  RAY ANTHONY-“A Marshmallow World” a lovely version of this fun song.  LOU RAWLS-“Have Yourself A Merry Little Christmas” Rawls has finally won me over.  I like this song by him.  JULIE LONDON-“I’ve Got My Love To Keep Me Warm” slow and jazzy but too slow for me.  NAT KING COLE-“Buon Natale (Means Merry Christmas To You)” a fun song quaint and cute and one you don’t hear very often.  JUNE CHRISTY-“Sorry To See You Go” I don’t know this song, it’s more of a New Year’s song. Swet and bouncy. Although not my favorite ending to the discs.

So that’s the Ultra Lounge mixes, easily my favorite way to spend a holly day.

[READ: December 24, 2014] The Barbarians

This was the final Baricco book I planned to read this year and it’s a good way to end the year–reflecting on the past but planning to move forward.

It’s nonfiction so I didn’t really know what to expect.  But I certainly didn’t expect the story in the beginning of the book.  Baricco explains that he really wanted this book to be translated into English (especially for the American market where he felt it would be particularly on target) but he couldn’t find anyone to publish it.  And he didn’t want to go self publishing.  He ultimately found a friend in New York, owner of Eataly who agreed to foot the cost.  They did the work and then Random House distributed it.

So Stephen Sartarelli translated it.  The book is a fun and interesting look at the barbarians who are ruining our culture and destroying our soul.  But Baricco is very careful to point out that just because they are ruining things, it doesn’t mean that they are making things worse or doing it maliciously.  He uses several specific instances in which the barbarians have changed something held sacred and made it, if not better, then different and often more enjoyable.

This book was originally written as a series of newspaper articles in 2006 (not sure exactly when).  He says it was fun to see feedback as he was writing each installment (each “chapter” is about four pages). (more…)

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stilllife SOUNDTRACK: LOREENA McKENNITT-A Winter Garden (1995).

mckenneitLoreena McKennitt has a beautiful voice.  This EP is a beautiful holiday selection (not really Christmas exactly, so that’s fine).  There’s five songs, one of them is from one of her albums as well.

“Coventry Carol” has an excellent full sound–McKennitt’s beautiful voice fits this olde song quite nicely.  “God Rest Ye Merry Gentlemen” opens with Indian sounding drums and a cool fretless bass.  When the fiddles come in it retains a vaguely middle Eastern sound.  It’s a bit long, but very cool.

“Good King Wenceslas” has flutes and cello and nice percussion.  It’s a lovely version.  “Snow” opens with a pretty flute (that has since been co-opted by Titanic).  It’s a pleasant song if bordering on a wee bit too much.  “Seeds of Love” is a pretty song, but it doesn’t feel very seasonal to me.

Overall this is a nice winter record.  It’s not so much Christmasey as pagan.  It’s very pretty and the traditional instruments sound great.  The fact that it’s only 22 minutes is also nice.

[READ: December 19, 2014] Tune: Still Life

So I didn’t spoil the first book, but I can now safely reveal that Andy Go has signed up to be a human living in an alien zoo. He gets $250,000 for his year of service and he gets to go home for the weekends.  Not bad.  He is bummed that he didn’t get to tell Yumi that he loved her, but he can always go tell her this weekend, right?

In the meantime, he gets to enjoy that everything has been perfectly re-created to his specifications.  In fact, the aliens downloaded his memory and replicated everything exactly as he remembered it–his favorite foods, his favorite TV shows, even the magazines under his bed (wow).  Now he just has to learn to pee in front of gawkers and it will be the best job ever.

It even turns out that his bosses are nice.  Well, the one boss is.  She is young (and, yes, sexy even is she has no facial features) and pleasant to him.  She is also amazed by his art.  Sadly, her father is a mean ballbuster.  He hates his art.  In fact, he hates all art.  Their version of reality has done away with art and has ensured that no one has any creativity of any kind.  They even have news feeds piped into their heads 24 hours a day (or however long their day lasts).

Andy also learns that he has a neighbor–Mo.  He and Mo communicate through the air vents.  Mo is an amusing, teasing guy who gives Andy a hard time.  He also tells Andy two things that change Andy’s perception of his job.  The first is that they will send him a female eventually and the second is that the contract he signed stipulates that he will be in the zoo for life, not for a year.  Thud. (more…)

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tune1 SOUNDTRACK: STUCK IN THE CHIMNEY (2000).

StuckinthechimneyThis is the second Parasol records Christmas sampler.  I was more excited about this one, but it turns out to be similarly mid-tempo and kind of dull.  Even the band I was excited about The Soundtrack of Our Lives created an uninspired song that I’d never listen to more than once.

THE SOUNDTRACK OF OUR LIVES-“Jingle Hell (Stuck in the Chimney)” Done to the basic music of “Blister in the Sun” (but slightly different and on keyboard)—a punk blast which then gets really silly full of nonsense.  If this had been an indicator of the rest of the album, I may have enjoyed it more.  THE GREEN PAJAMAS-“O Holy Night” Guitar based, pretty if a little slow.  WHITE TOWN-“December” Nice harmonies a pretty song (even if the lyrics are rather dark).  NEILSON HUBBARD-“Merry Christmas (Whereever You May Be)”  I love that it opens with a toy piano (always fun) but then it slows down way too much.  ABSINTHE BLIND-“Silent Night” Guitar version (which is a nice change).  This is a quiet song with lots of singers—pretty but not sappy.  FONDA-“Last Christmas” I don’t generally like this song (what a weird sentiment) but this version’s simple strummed guitar is cool.  SUKILOVE-“X-Mas for Aliens” Slide guitar and a blues riff propel this slow, funny song.  GEORGE USHER GROUP-“Christmas in the Lion’s Den” Rocking guitar with a heavyish riff.  JENNIFER JACKSON-“Blue Christmas” Slow sad version of the song on simple guitar and vocals.  ERIK VOEKS-“Cruel Tide” A slow minor key riff lets you know this song is not a happy one.  DOLEFUL LIONS-“Jesus Christ” A slow song (I mean jeez look at their name) about Jesus’ birth.  VITESSE-“Ice & Ribbons” a new wave sound, but rather mopey.  FRIENDS OF SOUND-“I Don’t Want Presents” Cool guitar notes and interesting sounds but slow drawly female vocals.  JOHN HOEFFLEUR AND REBECCA RURY AND STEVE UCHEREK-“Christmas @ Friedrich’s” With his deep voice folkie guitar (sounds a bit like Mike Doughty) this song (which is kind of funny) is probably the catchiest song on both discs.  TOOTHPASTE 2000-“7-ELEVEN CHRISTMAS” I enjoyed Toothpaste 2000 on the other disc too.  This one is weird sounding fun and of course it being about 7-11 is also amusing. Then a rocking guitar comes in, and it’s even better.  JOE ALGERI-“Computer Xmas” Light song about getting cool stuff for Christmas.

Overall this disc is better than the first one.  But it’s not something I want to put on a lot.

[READ: December 15, 2014] Tune: Vanishing Point

I love everything Derek Kirk Kim does.  But this series may be the best one yet.  It is funny, it has great art and it is ever surprising.

Andy Go, an art student wakes up to find himself in, a replica of his house being watched by a whole bunch of aliens.  What the heck?

We flash back to see Andy and his two art school friends congratulating themselves on finishing yet another year of school.  They bemoan their lack of coolness until Yumi, the girl who Andy has a massive crush on, comes over.  She celebrates with them and they all wonder what they will do next year.  Until Andy says that he is dropping out of school.  He says he doesn’t need a piece of paper to say that he is an artist.  He has applied for jobs all over the place and they should just come pouring in.  You know what that means. (more…)

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anyaSOUNDTRACK: THEY MIGHT BE GIANTS-Holidayland (2001).

tmbg This was one of the first Christmas albums I bought, and i would have bought it regardless because it is They Might Be Giants.  As far as Christmas records goes, it’s pretty short: 5 songs in 11 minutes.

“Santa Claus” has a funky bass line and a snotty attitude. There’s loud guitars, a honking horn and plenty of NOTHING!  “Santa’s Beard” is an old super fun song, classic TMBG.
“Feast of Lights” is a simple song on toy piano and real piano, a Hanukkah-based kinda sad song with a bit of hope in the end.  “Careless Santa” is an upbeat song about Santa spoiling Christmas for him (cops are involved!). It has some loopy synth sounds and wild drumming at the end.

“O Tannenbaum” The only traditional song, this is a slow version.  It opens with horns in the vocal melody for the first minute and then John F’ sings in German for the final minute.

I’ve always enjoyed this admittedly slight holiday record.

[READ: December 18, 2014] Anya’s Ghost

Sarah was surprised to see that I’d brought this home because she read it for her YA contest this year.  She also liked it quite a lot.

Brosgol wrote and drew the book and I love her illustration style.  It is simple but very effective.  She draws a normal looking girl quite effectively (and the embarrassing underwear shot is quite funny).  But she also knows how to draw the skinny, “hot” girl and make her look sweet as well.  And lets not forget how well she conveys the ghost in the story, too.

Anya is in a private high school (which her mother can barely afford).  Anya’s family moved to America (from Russia) when she was little.  She learned to speak English and does not have an accent.  But she is nervous about being seen as a FOB (fresh off the boat).  And as such she avoids Dima, a new to America Russian boy who studies hard and is a real dork (and suffers accordingly).

As the book opens, Anya’s mother is making Сырники (Syrniki–fried quark (a dairy product) pancakes, garnished with sour cream, jam, honey, or apple sauce–YUM!).  But Anya is upset that she’s making yet another fattening food.  Now that she’s in America she’s not interested in her mother’s claims that “in Russia being fat meant you were a rich man.”

She takes a bag but throws it out on her way to school (travesty).  Then she meets her (only) friend Siobhan.  Siobhan is kind of bitter and a little nasty (but funny).  She is drawn very angrily though–she’s the one character I don’t like the look of.  When Anya doesn’t let Siobhan bum a cigarette, Siobhan gets mad and stomps off.  Anya goes off in the other direction and…falls into a hole. (more…)

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rich nameSOUNDTRACK: AN OLDE WORLD CHRISTMAS (European Holiday) (1990?).

olde worldWhile yesterday’s Norwegian Christmas album was awesome, this one falls very very short.  The premise of the album is so promising: Christmas songs from around the world.  There are Spanish, French, English, German, Scandinavian and Italian songs here!

Well, the problem is that this entire record was recorded (apparently) by one guy on a keyboard with five preset sounds.  It is so disappointing.  I mean sure it’s pretty (sort of).  But there is no sense at all that these are different countries’ songs.

For instance, “Angels We Have Heard on High.”  Who knew that that was originally a French song?  Not me.  And in no way does this keyboard instrumental version of “Les Anges Dans Nos Campagnes” convey that it is anything other than “Angels We Have Heard on High.”  How about the fact that we get “O Tannebaum” instead of “O Christmas Tree”?  Well, without words, what’s the difference?

So, there are pianoish sounds and harpsichordish sounds and a flute-ish sound.  And this would probably be a nice thing to put on as you were falling asleep on Christmas Eve and wanted visions of synthesized sukker plomme dancing in your tête.  Thank goodness I got it for 99 cents.

[READ: December 16, 2014] What in God’s Name

When I grabbed Simon’s Rich’s last story collection, I also grabbed this novel, assuming that, you know, it would be hilarious.  And it is.

This story is set in Heaven, Inc.  The CEO, God, is more interested in watching NASCAR than actuality attending to any miracles or crises on earth.  In fact, we learn that Earth was created primarily to produce Xenon, and that humans were just a pet project of some angels.

Angels, yes.  The entire story is written from the point of view of some angels working in heaven.

We meet Craig who has been in Miracles for a few years.  And there’s a new addition to the team Eliza who spent many years working in Prayer Intake but really wanted to move up to Miracles because it just sounded so much more interesting.

One of the best parts about the story is the way Rich envisions angels performing small miracles every day–adjusting the world without transgressing any of God’s major laws (gravity, physics, that sort of thing).  When an angel goes too far (like when Wilt Chamberlain scored 100 pints in a game because God liked him and the angel wanted to impress Him), that angel gets punished.  So I loved watching the convoluted ways angels did things to make people act or react.  Small things to help avoid getting a paper cut or assist in catching a fish. (more…)

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novocSOUNDTRACK: BUKKENE BRUSE-The Loveliest Rose (2002).

bruseI’m not entirely sure how I came to own this disc.  But I’m so glad I do.  This is a Christmas album from one of Norway’s traditional ensembles (pronounced: BUH-kayna BREW-sah).  They have been around since the 1990s and have toured extensively around the world.  This is their only Christmas album.  It was recorded in an Oslo church.

The album features four players on some great traditional instruments: Arve Moen Bergset – vocals, violin & Hardingfele; Annbjørg Lien – Hardingfele & nyckelharpa; Steinar Ofsdal – flute; Bjørn Ole Rasch – pipe organ.

The album is a wonderful collection of music.  I prefer the instrumentals, although Bergset does have a lovely singing voice.  What I found most interesting is that the sound of the music conveyed many non-Norwegian feelings.  I heard some Irish sounding traditional music and even some Native American (the flute in the final song).

The pipe organ sounds amazing and the fiddle, especially on “Father Fiddled on Christmas Eve” is fantastic.

Nine of the songs are traditional, the rest are written by the band, aside from St. Sunniva, the opening of which comes from ELP’s “Karn Evil 9, 3rd impression (I kid you not–it is quite stripped down here).

I really love this non-traditional traditional Christmas album.  I’m including the track listing mostly because I wanted to have all of this Norwegian in a post.

  1.   A Child Is Born in Bethlehem «Eit barn er født i Betlehem» (3:18) [great flute and a surprisingly catchy hallelujah]
  2.   Lullaby for Julie «Lullámus» (3:15) [great sound of the Hardanger fiddle which has two drone strings]
  3.   Spirit of the Grove «Haugebonden» (5:14) [a gorgeous melody]
  4.   Christmas Eve «Juleftan» (3:38) [unusual fiddle sounds and an unusual and captivating melody]
  5.   My Heart is with Jesus «Mit Hjerte Altid Vanker» (6:32) [the pipe organ really elevates this song]
  6.   St. Sunniva «St. Sunniva» (3:44) [organ and fiddle together in this Irish sounding song]
  7.   A Little Child So Pleasant/In the Sweet Christmas Time «Et lidet barn saa lystelig / I denne søde juletid» (7:20) [beautiful flute and solo violin]
  8.  Father Fiddled on Christmas Eve «Så spela far juleftan» (3:02) [that cool, unusual fiddle is back]
  9.  The Loveliest Rose has Been Found «Den fagraste rosa er funni» (2:35) [the voice is really great on this one]
  10.  Christmas Gangar «Romjulsgangar» (3:22) [beautiful fiddle and flute dance with some unusual sounds from both instruments]
  11. For Such Generous Gifts «For saadan’ mildheds gaver» (2:53) [a New Year’s tune that is rather haunting, I must say]

[READ: December 14, 2014] Novocento

In continuing with my obsessive reading of all things Baricco, I had to interlibrary loan this book from Johns Hopkins.

Novocento is confusingly titled because that is the Italian title as well and although it is a number (which could be translated) in this book it actually refers to a person, which would not get translated–so look carefully for the English edition (done by Oberon) and wonderfully translated by Ann Goldtsein).  It was designed as a play (and this edition is the play).  However, it is a one man monologue (with music ion the performance), so it doesn’t “read” like a play.

The book is 56 pages long.  They have also made a movie out of it (called The Legend of 1900, not just 1900 which is a different movie).  Amazingly the movie is 170 minutes (Italian version) and 120 minutes (international).  That must be a lot of music.

The story is simple, Novocento, as he is called, was born on a ship–an ocean liner that transported people primarily from Europe to America in the early 20th century.  His parents were undoubtedly lower class and left him on the piano aboard the boat (we don’t hear their story at all).  One of the crew finds him and names him Danny Boodman T.D. Lemon Novocento.  Danny Boodman is the man who found him, T.D. Lemon was on the side of the box he was left in and Novocento was the year. (more…)

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lastgSOUNDTRACK: SHE & HIM-A Very She & Him Christmas (2011).

shehimI love the packaging of this disc (the envelope with the Christmas letter/liner notes is charming).

I really enjoyed Zooey Deschanel’s singing in Elf, I thought it was really pretty and surprisingly unaffected.  So it’s not too surprising that she stared making records herself.  And M Ward seems like a perfect accompaniment to her slow, rather old school style of singing.

I have a hard time getting into the She & Him records though.  They’re just, yes, too slow for me.  The tempo is perfect for her voice, which is naturally very pure and clean.  And she even has a good crooning style, I just need the songs to be a little peppier.  Or like on “Run Run Reindeer,” I find her version is kind of abrupt, perhaps she doesn’t really hold her notes for very long which I find disconcerting.

I like the first two songs, “The Christmas Waltz,” and “Christmas Day” because they are songs I didn’t know already, so I had no expectations.  “Christmas Wish” is really nice with Ward taking lead vocals.   As for Zooey’s leads, I like “Sleigh Ride” quite a lot.  And their version of “Silver Bells” on ukulele is just beautiful.

This collection of songs is quite nice, if not a little too mellow.  It sets a mood and follows through all the way, which is good.  I really do wish I liked it more.

[READ: December 5, 2014] The Last Girlfriend on Earth

I love Simon Rich, but sometimes I lose touch with just how many books he releases.  So when he was on Seth Meyers the other night I learned that he had a new book out, which was great.  But then I also learned that I missed his last two books!  Jeez.  One is a novel and this one is a collection of short stories.

I have said before that I love Rich’s really short pieces–he is so good with a set up and punchline.  Most of these stories are longer, and they are pretty much all very funny indeed.

The book is set up in three parts: Boy Meets Girl, Boy Gets Girl and Boy Loses Girl.  And indeed, the stories in each section do match up to that general setup (it’s quite clever) although they are not connected to each other.  Several of these stories appeared in the New Yorker and it was fun to read them again and to see them in this new context.

Incidentally, they are making a TV show based on this book, airing in the new year on FXX, called Man Seeking Woman–I hope it’s good. (more…)

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