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Archive for the ‘Revenge’ Category

hiro2SOUNDTRACK: ASAF AVIDAN-“One Day/Reckoning Song (Wankelmut Remix)” (2012).

wankelYesterday I talked about Asaf Avidan and his song “Reckoning Song (One Day).”  His (live) version has 15 million views on YouTube.  But the remix by Wankelmut (which Avidan had asked Wankelmut to take down, but he refused) has almost 150 million hits.

The first song is a slow keening lament.  The remix adds a dancey beat and speeds up the vocals (mostly removing pauses, not really speeding up his voice at all–it’s high enough as it is).  And now that I’ve listened to both versions a few times, I’m totally hooked).

I think I like the verses better in the remix (the drum beat helps), but I like the chorus of the original better–the power comes through a lot more in the chorus of the original.  I’m glad the remix left in the yodelly aspect of his voice in the chorus, though.

I imagine that this remix has introduced a lot of people to Avidan, and that’s a good thing too.

You can see both below, first the original,

then the remix:

 

[READ: June 20, 2014]  Johnny Hiro Book 2

This book continues the exploits of Johnny Hiro and his beautiful girlfriend Mayumi.  There’s no listing of “originally published” so I don’t know if these came out as individual books, like the first collection of story did. So I’ll just assume that these were first published in this book.

The first story gives us a peek into Johnny’s past when Mayumi is having lunch with a coworker (and Johnny is hauling ass to get to the lunch date on time).  When he skids up to the table, he realizes that he knows the other woman–in fact, he almost moved in with her.  But just as things get really uncomfortable (Johnny never told Mayumi about her), King Kong reaches across the patio and pulls her away.  And, just as Johnny had to save a woman from Gozadilla in book one, he has to save woman from King Kong.

Which means more chases through New York City, a fascinating (if not sad) backstory about King Kong and another hilarious save via Mayor Bloomberg (wonderful to see him again). The connection to L.A. about King Kong is fantastic.

In the second story, the owner of the house that Johnny and Mayumi are staying in comes back for a few weeks, this introduces a new person to play off of, with new concerns–it;s a nice addition.  The only bad thing is that Alex curses like a storm–I don’t recall there being any curses in the first book–so that puts this book squarely into the older teen area (which isn’t really a bad thing, since there is talk about romantic relationships and some behind closed door scenes that kids might have to many questions about–but I feel like the big monsters might entice kids into reading it). (more…)

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hiro1SOUNDTRACK: ASAF AVIDAN-Tiny Desk Concert #340 (March 2, 2014).

asafAsaf Avidan is a 33-year-old, Israeli singer, formerly with a folkish rock band called Asaf Avidan & The Mojos.  He has since gone solo and is touring the States.   His voice is the most notable thing about this performance—it’s feminine, but not in a conventionally feminine way.  It’s got a husky Janis Joplin vibe or maybe that weird Billie Holiday thing that she does.  And yet Asaf Avida is (clearly) a man and when he belts out songs, his voice is incredibly powerful.

And yes indeed, he knows how to use his voice very well.  His voice would be unconventional even if he was a woman—it’s creaky and crackly, it warbles and rises and swoops and yet it is very powerful nonetheless.  And I can see it being very polarizing.  I didn’t like it at first but it really won me over.

“My Latest Sin” is a slow finger plucked song (the guitar is beautiful) and most of the song is pretty quiet, but man can Asaf belt out the lines when he wants to. “Different Pulses” is a more robust song musically (even though it is just him on guitar). When he sing the “oh ho” part, he hits some real falsettos, but is still very powerful.

The way he mixes up his incredibly high pitched voice with the gravelly and growly makes this an incredibly engaging performance.

As he introduces the third song, “Reckoning Song,” he explains that it was remixed as an ambient song–which he hates.  He had asked the remixer to take it down, but the guy refused.  And it has since hit 150 million hits.  He’s grateful for the attention, although he still hates the remix. His version is quiet and powerful with some beautiful catchiness.

I’m very intrigued by this fellow and want to hear more.

[READ: June 20, 2014]  Johnny Hiro Book 1

This book collects the first three Johnny Hiro stories (from 2007-2008).  It was originally published by AdHouse books with the cover that you’ll see below.  This Tor reprint is identical (as far as I was willing to investigate).

I was immediately intrigued by the cover and the title.  I loved the play on Hero and Hiro and when I saw that a Godzilla type monster attacks them on the first page, I was sold.

So Johnny Hiro is an average Japanese American kid living in New York.  He has a bad job as a sushi chef, but he has a beautiful Japanese girlfriend who loves him very much.  Of course, when the first story opens and Mayumi is pulled away by “Gozadilla,” things aren’t looking that good for him.

But here’s some wonderful things that do happen in the story: Johnny rescues her while wearing her Hello Bunny slippers (she’s concerned that he will stretch them out); we learn that Gozadilla is mad at her because her mother stopped him in 1978 from trying to rampage Tokyo (so this is a revenge mission) and, best of all, they are saved because Mayumi calls Mayor Bloomberg for help (she got his number from the phone book because of an article in the New York Times).  Oh and the monster attack has left a huge hole in their exterior wall. (more…)

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flinchSOUNDTRACK: HAUSCHKA-“Improvisation,” “Random Gifts” and “Mt. Hood” in the NPR studios (2010).

hausckaHauschka is German composer Volker Bertelmann and he plays the prepared piano.  What that means is that he places things on and in the piano to alter the sound of it.  (Nothing he does creates any permanent damage).

Mostly he creates percussive sounds with things like bottle caps,Tic Tac boxes and skewers.  And while it sounds simple, it is really quite ingenious.

This Vimeo link shows him talking to Guy Raz at NPR about the random materials that Raz has given him and then demonstrating how they change the sound of things.  Then he plays the “Random Gifts.”

The Youtube Video below shows another improv piece from the same day using different items.

This Vimeo link to him playing “Mt. Hood” shows off his use of ping pong balls.

All of his songs are fairly simple and fairly slow, primarily because the preparations add resonances and percussion that would overwhelm if he played faster.  Thus his pieces are often moody and reflective

Hauschka has a new album out as of this month called Abandoned City.  Every track on the new CD is named after a city that has been abandoned, that is vacant.  And his spare oftentimes eerie music goes very well with that theme.

There’s lots more videos of him on YouTube which are worth checking out.

[READ: June 23, 2014] Flinch

I was grabbed by the cover of this graphic novel.  The book is so short that I was really surprised to see that it was actually a collection of short stories.  As you can tell from the subtitle, this work is going to be dark and more than a little creepy.  And it is.  And while there are some similar visual styles, it’s interesting to see just how different these 13 stories can be.  Most of the stories use very few words, relying instead on the power of the visuals.  And it works pretty well.

I didn’t think any of them were especially creepy or dark, although the first one is kinda gross.  I enjoyed them for what they were, short stories that revel in the darker side of life.  I hadn’t heard of most of the artists.  The only one I knew was Shaun Tan. (more…)

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doubleSOUNDTRACK: KIM JUNG MI-“The Sun” (1973).

kjmsunThis song, along with a few other unexpected tracks accompany the score for The Double which was composed by Andrew Hewitt.  Kim Jung Mi is a South Korean singer (singing in Korean) and this track is hers from the 1970s.

Interestingly, the melody is conventionally Western (played on acoustic guitars), but as I said the vocals are all in Korean.  The song has a 70s folk (with orchestra) feel, and while there are a lot of Westernisms about the song, it still sounds “foreign.”

The song is pretty and eventually builds to adding some strings.  However at nearly 7 minutes without a lot of change (lots of La La Las, maybe like “Hey Jude”?), it’s a bit (well, a lot) too long.

[READ: June 13, 2014] The Double

I saw this book at work and immediately grabbed it because I love Richard Ayoade (Moss on The IT Crowd).  I didn’t even know what this was, I just had to see it.  Then I saw that it was that it a play and I was intrigued, especially when I saw that Chris O’Dowd (also from The IT Crowd) was in it.

Then I read the introductions by Korine and Ayoade and learned that this is actually a film.  When I looked online I saw that it opened in limited release last week.  Holy cow!  The film stars Jessee Eisenberg and Mia Wasikowska and also features Wallace Shawn, Noah Taylor and J Mascis (as a janitor).

The story is based on Dostoevsky’s short story “The Double” (so you know it’s not especially cheery).  And, although I assumed it would still be funny (given Ayoade’s credentials), it is not as funny (at least in print) as one might expect.  The other weird thing was that I kept picturing Moss as the lead character (some lines seem very Moss-like), so should I ever see this it will be weird to hear the lines coming from Eisenberg. (more…)

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flies2SOUNDTRACK: CIAN NUGENT-Tiny Desk Concert #353 (May 3, 2014).

cianCian Nugent is from Dublin.  In this Tiny Desk Concert, he plays two guitars, including a crappy no name electric guitar with a great raw sound.  For the first song, he plays a pretty acoustic guitar instrumental called “Grass Above My Head.”   It has a slow melody that turns into a ragtime jaunt over the course of 6 and half minutes.

The next two songs are on that electric guitar and are both rather different (he says the songs comes from “incoherent range of the mess that is my musical career”).  Before playing “Hire Purchase” he tells a very funny story about getting a pencil from a garage (and that he uses it to keep his string from detuning–does that work?).  This is an electric guitar instrumental, bluesy and mellow with some great riffs.

The final song, “Nightlife” has words.  It’s a simple blues song. Nugent has a nice delicate voice.  I’m not a big fan of bluesy songs, but he does a great job with this and the other two styles.

He also wrote a song called “My War Blues” which is variations on a Black Flag song (I don’t recognize the original in his version, myself).  But you can hear that here.

[READ: June 4, 2014] King of the Flies 2. The Origin of the World

This book picks up right where Book 1 left off.  This edition was also translated only by Helge Dascher although it says she had help from Dag Dascher and Kim Thomspon (I didn’t notice any change in quality).

As this book starts, Eric’s mother is making serious advances with Francis–the man whom she just met but who she is already calling her fiance.  Eric fantasizes about killing him (his dream sequence mother says this is the 13th time he has killed Francis).  Marie and Eric are still together and, through a strange series of events, Ringo is asking Eric to hold on to a cool looking elephant bowling bag.

By the end of this first story, Eric has saved Becker from drowning.  And yet neither Becker nor Karine bothers to thank him.  Indeed, Karine seems even more angry at him.  But this blow off makes Eric want Karine even more.

In a later story we finally meet Karine’s family who are just as freaked out about her “dating” this old guy.  And, by the end of the story Becker has a heart attack and dies.  When she returns home after the funeral she sees Eric and she confides in him that she is pregnant.

The newest development in the book comes in the next story in which we learn that Damien is a ghost and that he visits everyone that he knew.  Some people who are receptive to seeing him can actually talk with him.  He’s obviously pissed about Eric and Sal, but he has come to terms with a lot of things.  He even forgives the man who killed him (by accident).  He also winds up meeting ghost Becker at some point. (more…)

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flies1SOUNDTRACK: PUBLIC SERVICE BROADCASTING-Tiny Desk Concert #354 (May 5, 2014).

indexI heard about Public Service Broadcasting via NPR and I loved their song “Spitfire,” a rocking instrumental with interesting samples scattered throughout.  Well, it turns out that live, the rock just as hard.  Even though there’s only two of them.  There’s J. Willgoose, Esq. on guitar, banjo and electronics and Wrigglesworth on drums. The samples come from British public-service films from roughly the 1940s through the 1960s.

Watching this video, I was stunned at just how much Willgoose is doing, and just how much noise these two guys can make.  There’s even a video going on behind them.   The only problem here was that the samples were not loud enough.

 “Signal 30” opens with samples and samples and then a rocking guitar and solid drums. It amazing watching Willgoose do some many different things while playing the guitar. The change of tone at the middle of the song is great and I love watching him just bang the guitar to keep the notes going (while he is playing the keyboard).

 After the song, there is a sample of “Thank you very much” in an arch British voice (the duo don’t speak during the show).   “Spitfire” also sounds great hear–the song is surprisingly complex for an instrumental, and for what seems like it might be a novelty band, the song is really solid.  After this song, Willgoose had to fetch something and the talking sample said “talk amongst yourselves!” The final track “Everest” has a very catchy riff and some really great drumming.  But I love most watching Willgoose play the guitar with one hand and play a solo on the keyboard with the other.

This is definitely a band to check out live.

[READ: June 4, 2014] King of the Flies 1. Hallorave

Hallorave is a dark, violent, sexual comic series written by Pirus and drawn by Mezzo.  Both artists are French and have worked together before.  This book was translated by Helge Dascher and John Kadlecek (and it was translated very well–I didn’t realize it wasn’t American until they started talking about Euros sometime in the middle of the book.

So this is actually a series of short stories narrated by different people.  They seem unrelated, but after a couple of stories, you see the connections.  And there proves to be a core collection of characters all living in this suburb (the location is really irrelevant).

The first story starts with Eric (who proves to be the main protagonist) drinking, reading magazines and sitting on a couch on the (dried up and dead) lawn of his mother’s house.  He is also jealous of his best friend Damien because he is very hot for Damien’s girlfriend Sal.

That first story introduces us to a visual that will run through the book: Eric sitting with a giant fly head on.  The three are going to a Hallorave for Halloween.  Eric is King of the Flies, Sal has a giant cat’s head on and Damien is a skeleton.  By the end of the party, they are all high (you can seem them feeding each other drugs in the picture below).  Eric pledged his love to Sal in front of Damien, and Damien is in a foul mood.  He gets in a fight with some other party goers. By the end of the short story, Eric and Sal are having sex (with their costume heads on) and Damien has been hit by a car and killed.  That’s the kind of stories we’re getting here. (more…)

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44SOUNDTRACK: WNYC SOUNDCHECK GIG ALERTS (2009-).

soundcheck There are so many places to listen to free music.  But i prefer places where you can (legally) download free music.  So here’s a place I’ve just discovered: WNYC Radio’s website which features a section called “Gig Alerts.”  The feature talks about a different interesting band playing that night (in New York).  After a small blurb, there is (almost always) a free downloadable track.   There’s twenty listings per page and 86 pages.  Do the math and that’s a lot of songs.

The feature covers virtually every genre, although there is a preponderance of alt- and indie- rock (mostly lesser known bands).  If you are interested in new (to you) music and in exploring different artists, this is a great resource for a ton of free music.  So, check out Gig Alerts here.

[READ: May 20, 2014] McSweeney’s #44

I was pretty pleased with myself when I got caught up on the McSweeney’s issues.  But I remember wanting to take a break when this one came in.  I now see it has been almost a year since I read the last issue.  So the break was too long and now I have three issues to catch up on again.  Sigh.  But this one proved to be a great issue to return on.

This is a pretty quintessential issue of McSweeney’s.  It’s got letters, some fiction, a special section dedicated to Lawrence Weschler (which includes a lot of art), and a cool, interesting section of plates with full color art.  It’s also got an interestingly designed hardcover with a kind of raw cardboard in the back, a slightly raised colorful section for the spine and then a further raised section for the giant 44 on the front cover.

LETTERS (more…)

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[ATTENDED: November 14, 2013] Much Ado About Nothing

much adoDespite all of my reading, I am fairly ignorant of Shakespeare. I’ve read or seen most of the big ones, but I don’t know a lot of his works first hand.  As a young reader I realized that reading Shakespeare was hard—as, really, any play with dozens of characters tends to be.  It’s not easy to keep character straight when there are no descriptors about them.  So I more or less gave up on reading Shakespeare and decided I would watch him when I could.

When the Princeton University theater offered us tickets to see Much Ado About Nothing, it seemed a great opportunity to brush up.

This was a student production, and I have to complement all of the students on their wonderful performances.  They never broke characters, and their Shakespearean dialogue was flawless (as far as I know).  What I found interesting was that it took about fifteen minutes before I was absorbed in the dialogue and understood, well, about 45% of it.  Well, maybe 60%.  They did speak a little fast sometimes.

What was incredibly helpful about the dialogue was…the actors.  Duh.  But really, the language comes to life when you see people actually performing the lines (making Shakespeare’s bawdy jokes that much more bawdy).  And while some of the performances seemed almost over the top, I have little doubt that that is how it was performed back in the day—why would they go for subtle when there’s jokes about sex? (more…)

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lp8SOUNDTRACK: CHASTITY BELT-“Black Sail” (2013).

noregerstChastity Belt are notorious for their band photo.  And the fact that their album is called No Regerts (sic).  By rights they should play ugly abrasive punk or something weird and edgy and probably a little scary.

So imagine the surprise when “Black Sail” opens and sounds like a Guster song–simple chords with a very catchy melody (it reminds me of a rawer version of “Architects and Engineers”).

Then the vocals come in and the singer sounds a bit like Jefferson Airplane-era Grace Slick–powerful but kind of slow.  It’s a very compelling mix.

Especially when things change in the chorus–a simple, pretty guitar riff leads us into the simple chorus “black sail, strong wind.”

The difference between the image and the music is so striking that i wonder if I’d have been as taken with the music with out the picture.  Was this a brilliant strategy or just a really bad idea (it has already made a list of unfortunate band photos).  You can decide for yourself, I’m including the picture at the end of the post.

And you can listen to the song on NPR or at their bandcamp site.

[READ: September 12, 2013] “Amaranth”

Amaranth is a 12-year-old girl who goes by the name Merry.  She is out driving with her father one night when he gets a call from his business partner.  Amaranth pretends to be asleep while her father goes to talk to the man.  But rather than a conversation, the partner, Otto, kills her dad.  And Amaranth saw the whole thing happen.

Amaranth is devastated.  But she is even more devastated when Otto starts coming around.  Like a remake of Hamlet, soon Otto and Amaranth’s mother are getting married.

Amaranth wants nothing to do with this; the rest of the story details the ways she rebels against the unpardonable acts.

First she begins starving herself.  She eats just enough to survive but her mother hates how thin she is getting. Eventually they send her to a place for girls with eating disorders.  She returns plumper, but with a new scheme.  This time her rebelliousness gets her put into a special hospital. (more…)

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