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Archive for the ‘Religion’ Category

[LISTENED TO: October 20, 2010] Dubliners Part II

This collection covers the last five stories from the book.  They are all longer stories, especially the fantastic novella “The Dead,” which runs well over an hour.  The titles included in Part II are:

A Painful Case
Ivy Day in the Committee Room
A Mother
Grace
The Dead

These last five stories look at (continuing the theme from my previous post) middle age and later life.  The protagonists are all older, and as with the first part, they all must deal with harsh realities and even death.

“A Painful Case” is the first story in the book where the title doesn’t directly apply to the protagonist (even  though, of course, it does).  Mr Duffy is a solitary man.  He goes out from time to time but is not really social.  At a concert he meets Mrs Sinico and they form a friendship.  Her husband approves of the friendship because he believes that Mr Duffy is really after their daughter.  The relationship grows stronger and stronger and Mrs Sinico feels closer to him than she does to her husband.  Then, Mrs Sinico make a gesture indicating she’d like a more intimate relationship.  Mr Duffy is immediately turned off by this and vows to himself to see her no more.  This leads to a quote that I assume is not original to Joyce, and yet it is still common today: “Love between man and man is impossible because there must not be sexual intercourse and friendship between man and woman is impossible because there must be sexual intercourse.”  The strange thing about this story is that it then jumps ahead four years.  We learn that Mrs Sinico took the dissolution of their friendship very hard indeed.  And naturally, Mr Duffy is made to rethink his life choices.  It’s yet another story of despair. (more…)

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[LISTENED TO: October 5, 2010] Dubliners Part I

I found listening to Ulysses to be rather satisfying.  And, since I have recently commenced an indoor exercise regime, I thought it would be “fun” to listen to some audio books during the workout.  I started with Dubliners because and because Jim Norton is the reader (and I enjoyed his style on the abridged Ulysses) and because I own it.

It’s disconcerting to read/listen to Dubliners after Ulysses because Dubliners is such a conventional collection of stories.  There’s nothing untoward about them, there’s nothing scandalous (except for drinking and mistreating wives), and there’s nothing to be confused about (except maybe early 20th century Irish political references).  But one thing that  is abundantly clear is that Joyce was a great writer, right from the get go.

This disc’s stories are mostly between 10 and 21 minutes long, although “A Little Cloud” runs to half an hour.  The titles included in Part I are:

The Sisters
An Encounter
Araby
Eveline
After the Race
Two Gallants
The Boarding House
A Little Cloud
Counterparts
Clay

I’m not really going to review the quality of the audio.  It is uniformly very good, with Norton conveying accents wonderfully.  And those accents really bring the stories to life.  There is music in between each story, and the songs are all relevant to the time, if not the individual story. As with most of these audio books, it could be mixed louder, but that’s a minor quibble. (more…)

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SOUNDTRACK: SUPERCHUNK-Mower (1993).

It was a robin’s egg and it was blue. Such is the oft-repeated line in the title track. It’s another great single from Superchunk:  poppy and cool and fun to bounce around to.

The second song, “On the Mouth” is a much faster, more punk track, apparently about frustrated love.

The final track is a live version of the song “Fishing.”  It’s one of the few live Superchunk tracks that I’ve heard (and it lasts over 5 minutes!).  It’s full of feedback squalls and lots of noise.  When the drums eventually kick in, it’s a fast-paced thundering experience.  The squealing guitar (and feedbacking outro) leads me to suspect that their lives shows were even more energetic than their albums.

[READ: October 4, 2010] “The Warm Fuzzies”

I have The Children’s Hospital from Adrian which I’ve been meaning to read for ages, but so many other things get in the way.  I have read a few of his short stories in McSweeney’s and the New Yorker. Adrian’s story was the final one of the 20 Under 40 stories in this year’s New Yorker list.

I felt this story was a little clunky at first.  I had a hard time keeping the story straight. And yet, once it settled down I found it really engaging and rather fascinating.

The story is about the Carter Family.  Not that Carter family, but another singing Carter Family. One day both mother and father Carter woke up and decided to stop being just the Carters; they decided to devote their life to Jesus in song.  And so, as it opens, we see The Carter Family practicing another one of their four chord songs.

In this particular practice, a new kid is playing the tambourine.   This new kid is, like all of the other new kids, a foster child and black.  This new foster child is named Paul, although he tells them all his name is Peabo.

The confusing thing in the beginning was just getting the hang of who all the family members were.  But once they were settled in, it was very easy to keep straight, and more importantly, to get hooked into the story.  We get a brief look at the family before music enter their lives, and we see how the children treat each other.  Each new foster child brings something new to the sound. And Paul/Peabo brings a bit of unexpected flair to their rather tepid music.  But the only one who seems to notice is Molly.  And really, this is Molly’s story. (more…)

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SOUNDTRACK: BARENAKED LADIES-“Fight the Power” (1993).

Public Enemy’s “Fight the Power” is one of the greatest anthems of the late 80s and 90s.  It’s got everything: noise, strength, rebellion great lyrics and Chuck D.  So, what can five white Canadians do with it?

Well, they keep the intensity of the song very strong–even in an acoustic setting–by overloading their version with a whole mess of music.  Between the noisy piano, the occasional sound effects and the fantastic noisy drumming, they manage to really capture what a great “song” this is (as opposed to being a powerful anthem and protest).  Divorced from the awesome cacophony of the original, you realize that it’s really catchy, too.

BNL are usually goofy, and they do put a bit of nonsense in the song (during the Elvis was a hero to most section).  And they clean up one of the words, with a great twist (changing “motherfuck” to David Duke” in “David Duke him and John Wayne).

BNL has been performing this song for years.  Their first version appeared on The Yellow Tape [1991] (a much simpler version with drums, bass and two vocals).  But this version (which as far as I can tell only appears on the Coneheads soundtrack, ugh) is really solid and (aside from the fact that nobody’s voice could ever compare to Chuck D’s) sounds like an good Unplugged version of the track.

[READ: September 14, 2010] “An Arranged Marriage”

Freudenberger is one of the New Yorker‘s 20 Under 40.  I have to say I was (unfairly) surprised that a story written by a woman named Freudenberger was about a woman named Amina who lived in Bangladesh.

Nevertheless, the story was a good one and was an interesting twist on the concept of the titular arranged marriage.  Amina meets George online at AsianEuro.com (after having met several men who were not what they said they were).  Amina (and her parents) had always planned for her to move to America.  Somehow.   She had considered applying for a college degree, but found that even that was prohibitively expensive.  So why not, as the Voice of America radio suggested, find a mate? (more…)

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SOUNDTRACK: ATTACK ATTACK!-“Stick Stickly” (2010).

I discovered this video (again, considerably later than the controversy for it) because my friend Rich said he didn’t know there was a genre called “crabcore.”  A search for crabcore suggests that it is a goof “genre” named specifically for this band and the goofy way they dance around.

This song starts with very heavy riffing and some growls and screaming and then jumps quickly into an auto-tuned very catchy chorus (they sound like a more polished and poppy version of Alexisonfire).

Then comes the verses which are screamed very loudly and heavily followed by a bridge (?) that is even more cookie monster-vocals like (with a strange cartoon effect thrown at the end of each line of the chorus).  It’s almost like commercial death metal, and I kind of liked it.  They’re pushing boundaries

Then there’s more chugga chugga heavy riffing and the song is reaching the end and then WHAT? the songs shifts gears into a keyboard fueled discoey dance song.  First it’s hi energy and then it slows into a mellow auto-tuned bit that proceeds to the end.

What the hell?  I’m all for a band pushing the boundaries of genres, but holy cow.  And just to add one more gimmick, they’re a Christian band as well (although you’d never know from the lyrics, whatever the hell he’s singing about).  This is no “Jesus is My Friend,” let me tell you.

So yea, I don’t really know what to make of it. The video makes me laugh with their all black outfits and synchronized everything–and that may be why they have replaced it with a new video which is much more boring.  I assume they’re just anther trendy band that will disappear soon enough (there’s a lot of snarky fun at their expense at this definition of “crabcore“).

I don’t have a clue what the title is supposed to mean, nor half of their other titles on the album: “Fumbles O’Brian” “Renob, Nevada.”  I listened to some samples of the other songs and they seem far more dancey/discoey than death metal, so I’m not really sure what’s up with the rest of the record.

But whatever.  In the meantime, enjoy the silly video

[READ: July–September 10, 2010] K Blows Top

I heard about this book through a great interview on NPR in June of 2009.  It sounded like a really funny book and I was seriously considering reading it.  Of course, then I forgot about it.

About 8 months later, the library received a huge donation of books, and this was right on top, just begging me to read it.  So, I saved it for myself and decided it was about time to crack it open.  Several months after that I finally opened it and was totally hooked.

I didn’t know much about Khrushchev before reading this.  I knew vaguely about “the shoe” incident, but that was it.  In fact, the whole beginning of the cold war era was a bit of a mystery to me.  Since I lived through Reagan, I never felt compelled to find out what had caused the 80s.

But I’m super glad that I read this.  The book follows Khrushchev’s visits to the United States when he was premiere of  the Soviet Union. Carlson combed through tons of newspaper reports about his visit here (ostensibly to visit with Eisenhower, but more just to enjoy himself in the American heartland), and pulls together a fascinating story from a number of sources.

But more than just an interesting look at history, this book is very funny. (more…)

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[LISTENED TO: Week of August 30, 2010] Ulysses

While I was reading Ulysses for the group read at Infinite Zombies, I thought it would be (more) enjoyable to listen to the book.  So much of the book is, if not musical, at least euphonious [since I’m talking Ulysses, I’m throwing in big words, eh?].

Nevertheless, when you receive the Ulysses box from another library and you see that it is FORTY discs, and the running time is over 40 hours, it’s a bit daunting.   When you start reading a book you have a vague sense of how long it will take you, but you never see it written so starkly: 40 hours.  Jaysus wept.

I’m almost 20 hours into the book now, so I’m going to mention things up to Episode 12. (more…)

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SOUNDTRACK: A HOUSE-Zop (1991).

This is an EP that came out just after I Am the Greatest.  Released only in the UK, I found it used at Amoeba Records (I must have been on an A House binge at the time).

The EP has 6 tracks.  The opener sounds like a slightly remixed version of “You’re Too Young.”  And “Take It Easy on Me” also sounds remixed (the wah wah seems downplayed somewhat, although the song is still strong).

The other tracks are good songs from this experimental period of A House.

But for me the highlight is “When I Last Saw You,” the 5 minute version of “When I First Saw You” from Greatest.  I’d always liked the album versions’ fascinating concision and almost a capella feel.  This version tacks on a proper song, and it changes the song in wonderful ways.  I will always enjoy that short version, but this EP version is really great.

What’s interesting is that there’s virtually no record of this disc on the web.  Even though the A House homepage is known as ZOP.  The site, sadly, has not been updated for two years.  Although it does answer the question of what Dave Couse has been up to since the late 1990s.

[READ: August 22, 2010] Bloom County: Vol. 2: 1982-1984

This volume of the collection covers a lot of the comics that I know very well.  There are a number of strips that I drew (not traced) and hung in my locker in high school (I wasn’t about to cut up Loose Tales, was ?).  It also covers what I think of as my first era of social and political awareness.

I know I wasn’t totally aware of what was going on, but, via punk music mostly, I became aware of criticisms of Reagan.  And to a lesser degree, so does Bloom County.  I’m actually surprised at how apolitical it seems in retrospect.  My recollection was that it was a massively political strip.   And yes, there are a lot of political references, but for the most part it’s sort of political pop culture jokes.  Reagan gets teased a bit (although again less than you might expect), but it’s not the raging left-wingedness that I fondly recall. (That said, the strip is imbued with leftie political ideas, but they’re sort of mellow compared to now).

Rather, the political jokes are aimed at politicians as a class.  And there are commentaries about political events (couched in terms of local politicians, or, more often, in terms of Bloom County’s nonsensical “scandals” that are based on what really happened (although often the real scandals seem as absurd as the Bloom County ones). (more…)

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SOUNDTRACK: AGAINST ME!-“I Was a Teenage Anarchist” (2010).

I heard this song on the radio today and thought it rather ideal for this book.  (Except for the part about the music industry, of course).

I was a teenage anarchist, looking for a revolution.
I had the style, I had the ambition.
I read all the authors, I knew the right slogans.
There was no war but the class war.
I was ready to set the world on fire.
I was a teenage anarchist, looking for a revolution.

I was a teenage anarchist, but the politics were too convenient.
In the depths of their humanity all I saw was bloodless ideology.
And with freedom as the doctrine, guess who was the new authority?
I was a teenage anarchist, but the politics were too convenient.

I was a teenage anarchist, but then the scene got too rigid.
It was a mob mentality, they set their rifle sights on me.
Narrow visions of autonomy, you want me to surrender my identity.
I was a teenage anarchist, the revolution was a lie.

Do you remember when you were young and you wanted to set the world on fire?

Sums up the book (at least from Sophie’s side, pretty well.  And in 3 minutes, no less.

I rather like Against Me!  Although this song is far poppier than punk.

[READ: Week of August 13, 2010] Letters of Insurgents [Ninth Letters]

The penultimate week of Insurgent Summer has everything you always wanted in a book: a teenaged girl trying to seduce her father while her mother looks on and encourages her.  And the sad thing is that that scene, and not any of the political discussions or anything else is what I will remember this book for.  This scene, as corrupt and creepy and hurtful as it was is what I will think of if anyone ever asks me if I read Letters of Insurgents.  And that, I think, is a crying shame, because there are so valid and interesting discussions about individualism in the book, but I’ll just keep seeing Yara forcing herself on Yarostan (and probably Mirna having sex with the devil). (more…)

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SOUNDTRACK: BLACK 47-ep (1992).

The name Black 47 comes from the Irish famine (and it’s mentioned in Episode 12 of Ulysses.  I saw Black 47 on tour in Boston just before this EP came out.  They played a fantastic live set and had a ton of energy.  I was really excited to ge the EP.  And I liked it very much.

Then I got a new roommate who was from Ireland, staying in the US for school.  And man did he hate Black 47.  He hated the “fiddle dee diddle dee” and the “Bridie!” and oh so much about the band.   And now when I listen to it I hear all of his complaints and I like the disc a bit less.

It’s true, the single “Funky Ceili” is pretty over the top with the Irishyness, and having a chorus of fiddle dee diddle dee didley dee is kind of obnoxious.  But the song still stands pretty strong.

I am much more taken with “James Connolly” a rousing rocker with historical awareness.  I can do without the over-earnest bit about “Lily” but the rest is pretty great.

Overall the disc has a bit too much in the wailing saxophone department.  I don’t dislike the saxophone in general, but there’s a bit too much of it on here.  Larry Kirwan’s voice tends to veer into some weird whiny territory (once or twice I thought he sounded like Robert Smith), but his main singing voice is just fine, especially when he’s rocking out.

The band is still playing today and in fact released an album this year, although I haven’t listened to them much since the 90s.

[READ: Week of August 2, 2010] Ulysses: Episodes 10-12

Much like last week’s reading I really didn’t enjoy this week’s very much on the first read through.  On my second skim through the chapters, I got a lot more out of it.  It feels like there’s a lot of “noise” in the chapters–he’s including little bits of everything–but if you can cut through the chatter, you can find the meat.

Episode 10, which was from many different perspectives, was a nice break in the stream of consciousness.  But Episode 11 was a dry slog about music and Episode 12, while often kind of funny was (I assume deliberately) long-winded with many man lists and all kinds of esoterica about Ireland. (more…)

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SOUNDTRACK: DING DONG DENNY O’REILLY & THE HAIRY BOWSIES-publocked (1996).

My friend Lar introduced me to this ol’fella (he may have even sent me this CD, as I can’t imagine where I’d have found it on my own).

Ding Dong Denny is the alter ego of Paul Woodfull (who created the Joshua Trio a U2 tribute/pisspull).  And, as I know precious little else about the man, I’ll let the more enlightened pass along the details.

Publocked is a lowbrow amalgam of all kinds of Oirish nonsense.  It’s vulgar and crass and often quite funny.  (Some of the bits stand up to repeated listening–the songs more than the chatty bits, although the chatty bits are especially funny).

Take “The Ballad of Jayus Christ” which sounds like a pretty standard simple ballad until you realize what he’s singing:  “Jaysus O Jaysus As cool as bleeding ice…It’s funny you never rode, coz its you I do my shouting for each time I shoot me load.”

But it’s not all blasphemy.  The “single” “Flow River Flow” is a very sensitive track about the benefits and majesty of the sacred waters (with tin whistles and everything): “When I was just a young man, I sit on the river bank  I loved your gentle water so much I’d have a wank”  With the glorious swelling chorus: “Flow river flow, fuck off to the sea, go where you are wanted, to the deserts of Gobi”

True, now, that’s all kind of crass.  But Ding Dong takes a political stance, too. Take “Spit at the Brits.”  “We Spit at the Brits an we showered’em in a lovely shade of green…we spit at the brits, and then they blew us all to smithereens.”

And what Irishman could ignore the Famine.   “The Potatoes Aren’t Looking the Best” is a view of the famine through the eyes of a farmer.  Shite.

Not everything is a winner, “I Get A Round” is a “cover” of “I Get Around.”   The lyrics are changed to reflect being in a pub (get it?).  And “My Heart Gets So Full (You’d Swear I Had Tits)” is pretty funny, especially since it’s played as an oh so serious ballad, but there’s not much in the world that’s funny for 7 minutes.

So, yes, it’s not quite Joyce, but then Joyce does talk about masturbating by the water, so it’s all equal, right?

[READ: Week of July 26, 2010] Ulysses: Episodes 7-9

Before I begin, I want to make sure that everyone has checked out Ulysses Seen.  It’s an illustrated rendition of the book.  The details are exquisite and you’ll no doubt pick up things that weren’t as apparent in the proper text.  The only bad thing I can say about it is that it’s not finished yet.  So far Robert Perry has only completed Episode One, and it sure looks like that took a long time (it’s really stunning); but between the details ion the drawing and the extensive reader’s guide that comes with it, one can perch there for quite a while.

I admit that this week’s slog through Ulysses was rather unpleasant for me.  The three episodes included here were massive doses of stream of consciousness.  I actually found them exhausting to read.  Not to mention, in terms of plot advancement, they’re rather paltry. (more…)

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