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Archive for the ‘WXPN 88.5 FM–Philadelphia, PA’ Category

SOUNDTRACK: GUSTER-World Cafe Live December 3, 2010 (2010).

I heard that Guster was going to be on the Free at Noon show about fifteen minutes before it started (and then I had to go to work). So I missed this show.  I was pretty excited to see that it was available on World Cafe Live.  But I was surprised to see that the show (plus a fourteen minute interview!) was only about 28 minutes long.  I’ve had questions about how the World Cafe shows work.  It always seems like the show would be longer (four songs for a concert seems like more trouble than its worth).  And then I found…

This page which helps explain the World Cafe stage a bit more.  The Guster concert was a Free at Noon show for WXPN in Philadelphia. The full set list was Set List:  1. Architects & Engineers  2. Satellite  3. Hercules  4. This Could All Be Yours  5. Bad Bad World  6. Stay With Me, Jesus  7. Do You Love Me  8. Hang On.  So the World Cafe archives truncate the sets (which is what it feels like on some of the shows–at least the ones that have an audience).

But then beggars can’t be choosers (especially for a free show).  So, this download includes:  Satellite, This Could All Be Yours, Stay With Me, Jesus and Do You Love Me (plus the lengthy interview).  The set is fantastic (as you expect from Guster), their harmonies are tight and sharp, the songs sound wonderful and they are catchy as all get out.  Two of these songs are from their new album, and they work perfectly with the older ones (even if they do slow things down a wee bit).

The interview is also interesting as it reveals the guys to be smart and thoughtful and it shows a side of them that’s not always apparent from their songs.  It’s a wonderful download.  Thanks NPR.

[READ: April 16, 2011] “The Ice Worm”

This story began as one thing and then turned into something else entirely. As the story opens, Ilka Weiss is in a nursing home, and we learn that her daughter, Maggie, has come to take her home (even though the nurses think she should stay).  When we see Ilka, she is reciting the Bible from memory (the passage where King David is going to fight the Philistines).  This goes on for a page (a funny scene with the family interrupting her but her continuing unabated), but it sets a certain tone for the story.

The next scene sees Maggie getting the runaround in bureaucratic hell as she tries to arrange for a visiting nurse to come for her mother.  It is an absolute hell of misinformation.  And she is not able to secure anything for two weeks.  When they finally call back, Maggie has taken Ilka to the hospital. (more…)

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SOUNDTRACK: WEAKERTHANS-World Cafe Live, December 5, 2007 (2007).

I really like the Weakerthans, and they are surprisingly unknown here in the States.  I say surprisingly because they write exceptionally catchy (almost absurdly poppy) songs which would fit on many radio stations’ playlists.  But what sets them apart is John K. Samson’s lyrics which are clever and interesting and about people and loss (maybe that’s why they never made it down here).

This World Cafe set came about shortly after the release of their last studio album, Reunion Tour.  David Dye asks some great questions (I’ve never really seen/heard any interviews with them, so it’s all new to me) and the band plays three songs from the album.

We learn that Reunion Tour was initially inspired by Edward Hopper paintings (and the whole album was going to be devoted to Hopper until Samson grew sensible again).  We also learn the official pronunciation of the recurring cat on the Weakerthans albums is Virtute (Vir-too-tay) which comes from the city of Winnipeg’s crest.

They play “Night Windows,” “Civil Twilight” (and talk about the video, which I watched and it’s very cool), and “Virtute the Cat Explains Her Departure.”  The interesting things about the Weakerthans is that they don’t sound all that different live than on record.  So, these songs aren’t terribly revelatory.  There are some effects that are changed, and the tempos feel slightly different as well.  But nevertheless, the songs sound great.  The only problem is that the set seems mixed rather loudly, so there’s distortion (unintended, I assume) on some of the tracks.

Nevertheless, this is a great introduction to a relatively unknown band.

[READ: April 19, 2011] Five Dials Number 2

After just one issue, Five Dials has already lied to us.  In Number One, they said that all of the artwork would be black and white, but here is Number 2, and we have a host of beautiful color pictures (perhaps they only meant that Number 1 would be in black and white).   Of course, I’m only teasing them because the color pictures are really nice, and they really bring a new aspect to the magazine.

Number Two is a bit larger than Number 1 (twenty pages).  This issue has a vague sort of theme as well (it’s unclear if the issues will be thematic in the future), but this one has a general theme of adventure/nature/environmentalism. (more…)

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SOUNDTRACK: SONIC YOUTH on World Cafe, August 21, 2006 (2006).

Travelling back even further on the NPR timeline, Sonic Youth appeared on World Cafe in 2006 to promote Rather Ripped.

This is a brief session (only three songs) but as with the interview with Thurston Moore, David Dye does another great interviewing the band here.  Although it must be said that saying the band is once again a four piece (when clearly there are five people in the picture and in the studio and when he later says two guitars, two basses and drums–which I also think is incorrect, as I’m pretty sure Kim switched to guitars at this point, although I don’t know if she did during this set) is not a great way to start the interview.

Facts aside, the interview is informative and interesting and provides a glimpse into the band’s psyche all these years into their career.

The set is also good (although Thurston’s voice sounds a little off on the opener “Incinerate”).  The surprising thing about the set is that even with the five of them, the feeling is one of restraint. True, the songs on Rather Ripped are not as noisy as previous records, but this feels like they are trying not to wake anybody up the NPR folks.  It’s a weird feeling for a Sonic Youth set, but the plus side to it is that you can really hear everything clearly.

The other two songs are sung by Kim: “Jams Run Free” and “What a Waste” (why do they never promote any of Lee’s songs??).  And there’s the very amusing comment that the first time they played “What a Waste” Thurston and Kim’s daughter said it sounded like the theme from Friends.  Ha!

[READ: April 15, 2011] The Best American Comics 2006

I just recently learned about this series from The Best American line of books.  I had known about the Best American Short Stories and Essays and even Non-Required Reading (which I have not yet read).  But once I found out about the best comics, I knew I had to check it out.

The first issue came out in 2006.  The series editor is Anne Elizabeth Moore and the Guest Editor for this volume was Harvey Pekar.  Each of them has an introductory essay in the book.  To me the amazing thing about Pekar”s essay is how aggressively defensive he sounds (a sort of, “you may not like this one, but try this one” attitude) about these comics and comics in general.  I don’t know much about Pekar’s work.  I know he’s a kind of underground icon, but I seem to have missed him.  My impression of him is that this sort of antagonistic/defensive attitude seems to go along quite well with his comics, so I guess that makes sense, but I didn’t find it very welcoming.

But that’s okay, because I really enjoyed the comics.  And quite a few were by artists that I had never read before, which is even better! (more…)

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SOUNDTRACK: THURSTON MOORE-World Cafe Studio, November 16, 2007 (2007).

This World Cafe set is a nice contrast to the all-acoustic performance mentioned yesterday (even if it was recorded earlier).  Thurston has a full band with him (including Steve Shelly on drums).  Samara Lubelski from the other session is here too.  The band brings new dimensions to what are mostly the same set of songs.  Both sets included “The Shape is in a Trance,” and “Fri/End” but this one also includes “Honest James.”  The contrast is striking though.  The songs are bigger with the band (and allow for more intricacies) but they are still intimate.

  The interview is also interesting.  David Dye is a fantastic interviewer and he gets some great (and funny) answers out of Thurston. The whole description of how the lyrics to “Fri/End” came about is really cool (if unlikely).

Thurston and NPR: perfect together.

[READ: April 15, 2011] The Simpsons Futurama Crossover Crisis.

This was a wonderful Christmas surprise from Sarah this year.  It is a beautifully packaged (slipcase with a cut-away opening) hardcover edition of the 2002 & 2005 Simpson/Futurama crossover comics issues.

Despite all of my fondness for The Simpsons and Futurama, I never really got into the comics (gotta draw a line somewhere).  But they have Matt Groening’s seal of approval, and they play jokes with things that the show never really touches (not to mention, the shows never tries a crossover event–I can’t even imagine how that would work). (more…)

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SOUNDTRACKKids Corner on WXPN (2011).

Kids Corner is a great radio show on WXPN (88.5 Philadelphia).  It airs Sunday through Thursday night at 7PM.  It’s also available online (you can listen live at 7PM!).  In addition to some smart radio for kids (Science Thursday!), there’s quizzes and call in stuff and lots of music.

Most of the music is funny/novelty stuff.  From standard bearers like “Weird Al” Yankovic, to great bands like Trout Fishing in America, to the ancient novelty song “Star Trekkin” and my new favorite kids’ band The Amoeba People.

Every night they have a contest for song of the day, which anyone can vote in (democracy in action!).

Check out the last six years of Ton Ten songs (Steve Martin’s “King Tut!”).  And be sure to tune in, you just might just learn something.

[READ: March 2, 2011] Beyond the Grave

This fourth book in the series excited me because it broke with the format of the kids traveling to two cities with no help.  When they land in Egypt, they are greeted by an old friend (whom they never met before).   This old friend,  Hilary Vale, is actually a friend of their grandmother, Grace.  Grace went to Egypt every year and spent her time with Hilary, traveling, seeing the sights and, of course, looking for clues (although Hilary didn’t know any details of what Grace was up to).  Hilary (and her grandson, Theo) play a helping role in the book, and I have to say that it was nice to let the kids have a little breather with some people that they can trust.

They also get to go to a super fancy hotel room (using Alasdair Oh’s frequent number card).  Of course, as is the way with cool spy stories, the super fancy hotel turns out to be the stronghold for the branch of the Cahill family that Alasitar Oh is part of (I still can’t keep those branch names straight).  They pretty easily access the super spy area of super cool hotel suite.  (Because they have Alastair’s card, they are given the fancy suite).  Of course, once they are in the secret room, Alastair’s uncle, the sinister Bae Oh, knows that they’re there (he owns the hotel).  And they are suitably trapped.

While in the stronghold, the kids learn a little bit about the items they are seeking in Egypt (there is a fake statue in the room).  But mostly they’re concerned about trying to escape.  Thanks goodness thier au pair (who getts cooler with each book) has been paying attention. (more…)

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SOUNDTRACK: Y-Not Radio (2011).

I received an email recently from Josh Landow.  I know, who?  Well, he went on to tell me that he and some friends had started Y-Not Radio.

I’m still trying to piece together all the details, but Landow was a DJ for WXPN’s Y-Rock radio.  His email states that he and a bunch of other DJs left (or were asked to leave?) WXPN and started Y-Not Radio as Philly’s “real alternative.”  What they have going on is strangely impressive for a station that has only an online presence.  There’s also a disclaimer that (despite lifting and modifying the Y Rock logo) they are not affiliated with The U of Pa of WXPN.

The YRock Branch of WXPN is still operational.  And, looking at the music they still play, it’s not that radically different from the music of Y-Not Radio (in other words, it’s all great current indie rock and old school alternative music).  So, basically what we have is an embarrassment of riches from alternative radio online.  Of course, I don’t really like listening to the radio online (except at work).  I only wish I could get them both in on my actual radio.

It’s all a fascinating fight about indie rock and online radio.  Let’s see how it plays out!

[READ: March 12, 2011] Babymouse: Heartbreaker

The kids at the library love Babymouse.  And since I am greatly influenced by the opinions of fourth graders, I decided to read it as well.  This is the fifth book in the series (but relax, they don’t appear to have any kind of thread that makes it hard to follow).

The basic set up of the stories is that Babymouse is a mouse in school.  Her classmates are other animals.  It’ hard to determine very much about the school or even the setting of where Babymouse lives because this whole book is about Valentine’s Day.

The most fun aspect of the book for me was the dream sequences.  I’m not even entirely sure if the targeted audience would get all of the references, but I sure liked them.  For instance, while Babymouse is wondering if anyone will invite her to the dance, she has a Cinderella dream sequence and a Snow White Dream sequence (which goes astray) and, my favorite, a Dirty Dancing sequence (“Nobody puts Babymouse in the corner,”) complete with a Swayze quiff on the male mouse. (more…)

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SOUNDTRACK: BELLE AND SEBASTIAN-World Cafe Live [downloaded from NPR] (2006).

This is a live in-studio session promoting The Life Pursuit.  David Dye conducts an interview between songs (we learn what “Funny Little Frog” is about and how “Seymour Stein” came to be).

Stuart and Stevie are animated and in good form and the band sounds excellent.  On “Funny Little Frog” in particular they sound like they’re really enjoying themselves.

The session is only 25 minutes long, but they play 4 songs: “Funny Little Frog”, “Meat and Potatoes,” “Seymour Stein” and “Sukie in the Graveyard.”  It’s worth a listen and it’s available here.

[READ: November 6, 2010] “What Separates Us from the Animals”

For some reason I always put off reading T.C. Boyle stories, even though I invariably enjoy them.  And this was no exception.  I saw that it was a fairly long story and I waited to read other things in this issue of Harper’s (Susan Faludi–where has she been all these years? and another NASCAR article–my second one in a few months after the article in McSweeney’s, which is pretty surprising since I’ve never seen more than a second of a race).

But back to Boyle.  I loved the technique involved in this story.  The narrator is a critical woman who makes claims towards being reasonable about her criticisms.  And the thing is, her criticisms are entirely justified and yet her attitude makes you want to disagree with her. It’s a very cool conceit–an unlikable narrator whose opinions happened to be your own.

What she’s critical of is the new doctor who arrives on their island (I’m gathering it’s Nantucket).  He was picked out of a couple of applicants to be the island’s only doctor, handling basic problems and issues (especially during the summer tourism season) but always with the understanding that serious problems would have to go to the mainland.  In addition to his salary he would receive free lodging in an older, historic house.

She met him on the night of his arrival in order to get him set up in the house.  She immediately invited him to dinner. He accepted for the following night and arrived at their own beautiful house in paint-spattered jeans and dirty work boots.  He ate well and then fell asleep on their couch.  Obviously, this did not set things off on the right foot.  But what was worse was that this dirty demeanor spilled over into the rest of his life: his car has a flat tire for two months and worse, his examination office is filthy too (something I’m totally on board with criticizing).  They’re also concerned with the state of the historic house, which no one has seen yet–what no invitations to cocktails? (more…)

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SOUNDTRACK: BRAD-Live from WXPN’s World Cafe (2010).

Brad are most known, if they are known at all, for being the side project of Pearl Jam’s Stone Gossard.

I remember getting their first album and thinking it was okay.  But since then I have re-listened, and bought their other discs and found them to be an interesting side project from one of hard rock’s most enduring bands.  It’s also funny that Stone Gossard, by no means the most visible member of the band (surely Eddie Vedder wins for that and even lead guitarist Mike McCready gets more notoriety) should create a side band in which he is, again, not the main figure.  Lead singer Shawn Smith steals the show with his impressive voice.

This live set is brief (six songs in half an hour) and features four tracks from their recently released Best Firends? CD (which I haven’t heard).  The other two tracks “Buttercup” and “Screen” come from that first album.

The tracks from the new album seem like good classic rock (with “Low” being much harder than the other three and “Believe in Yourself” being a delicate piano ballad).  “Buttercup” still sounds good here as a sort of mellow jazzy number.  I’m not sure if Smith’s voice is as strong as it was, but he still sounds good.

It’s not a great show, but it’s a good collection of mellow rock songs.  You can listen to the set here.

[READ: October 11, 2010] “The Book of the Dead”

Edwidge Danticat is the next writer in the 1999 New Yorker 20 Under 40 issue.

I love the name Edwidge Danticat, although I’ve never heard of her before and (therefore obviously) never read her stuff.  Actually I take that back, I had heard of her book Krik? Krak! but didn’t recognize her as the author.

This story is about a young sculptor.  Her subject is almost exclusively her father.  He was a prisoner in Haiti and had a chance meeting, on the day he was released, with the woman who would later become his wife (and the artists’ mother).  They escaped to America and have lived happily ever since.

The first sculpture that the young artist made is one that she has fondness for but one that she never thought was very “strong” as a piece.  But one day she is told that a celebrity, a Haitian beauty who now appears on an American television show, wants to buy this sculpture as a gift to her own father.  The sculptor is so excited, that she personally travels across the country to deliver the sculpture to the celebrity.  She invites her father along since he was the inspiration. (more…)

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SOUNDTRACK: Philadelphia Radio Stations (circa 1990 and 2010)

There’s a Dead Milkmen song called “The Big Sleazy” in which the chorus is

“I hate MMR I hate YSP/You know that classic rock/Does not interest me.”

I’ve always been amused by the song, especially when I travel to Philly and hear these stations.  That song is from 1990, so 20 years later I’m not sure what the band would think of their new playlists.

But one thing I never really noticed before is the middle verse which is about one of my favorite Philly stations WXPN.  The verse is:

I hate what they’ve done to XPN
Those folk Nazis ruined my favorite station
I hate what they’ve done to XPN
If you hear it now it’s just a pale imitation.

Now, I have no idea what XPN was like before, but, yea, I can see that he folk Nazis are in charge.  Of course, I rather like that.  However, XPN also plays a bunch of artists who are broader than the folk label, so I wonder if they have changed even more since 1990.

History is fascinating, innit?

[READ: April 3, 2010] Trinity

Collins Gibson is a patron at our library.  He has been working on this book for a few years now.  The first time I looked at a bit of it, it was a novel.  I hadn’t seen him for a while and now he has brought the book back as a screenplay.

I didn’t read enough of the original novel to know whether this works better as a novel or a screenplay, but given the very visual nature of the story, it seems like screenplay fits the story better. And so, since Collins is a good guy, I’m going to do my part to get the word out about the story. (more…)

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walrusjulySOUNDTRACK: MOXY FRÜVOUS-Bargainville (1993).

moxyI first heard Moxy Früvous on an NPR weekend morning show. They performed “Johnny Saucep’n” (a tongue twisting a capella marvel) live and it blew my mind.  And, lest I forget, these 4 guys do AMAZING a capella. Amazing. Their harmonies are simply magnificent. I immediately went out and got whatever their latest album was (Live Noise, I expect). And I worked my way back from there.

Bargainville
is the band’s first disc. It is youthful and silly and is a good mix of their folky sound and their silly songs. Comparisons to Barenaked Ladies abound as they are both Canadian and “funny”. The Früvous funny is more witty than silly, although silliness definitively crops up.

I think of Früvous as one of my favorite bands because, without question, they have written some of my favorite songs. And yet, not every song is a favorite.  But even the ones that don’t blow you away are solid and good.

I don’t have anything bad to say about this disc. In fact, it’s a great disc to put on with friends, and pick out the occasional great couplet. But I’m not certain that the disc will blow you away.

There are some outstanding tracks on here. “River Valley” is a beautiful acoustic track about saving the river alley and its drinking water. “Stuck in the 90s” is catchy as all get out” “Fell in Love” is a great song full of sweeping vocal moments. “The Lazy Boy” is another one of those great a capella moments that amazes. Its also a very silly song with references to Charlie’s Angels (the blonde one, the third one).  In fact this whole section of the disc is fantastic. “My Baby Loves a Bunch of Authors” is an amazing track about, well, books and authors. What’s not to like. See how many authors you recognize! It’s also amazing how catchy one can be with literary rhymes (Who’s pounding the ouzo? Mario Puzo).

“The Drinking Song” is one of their more serious songs and it is terrific. Substance, sadness, superb  And, amazingly moving. “King of Spain” is silliness beyond belief. And yet, seeing this song live is a treat and a half. Plus how many songs get to rhyme “zamboni?” The disc ends with “Gulf War Song” an a capella song that is quite serious and very passionate.  A fantastic ending to this disc.

Future discs would be a bit more serious, but this is a great start.

Oh and if anyone has a copy of the Indie Tape they’d like to copy for me, I’d love to get “Green Eggs N’ Ham,” which I hear on the radio from time to time but have never seen anywhere.  Thanks Kids Corner for playing this track on WXPN in Philadelphia!

[READ: June 23, 2009] “The Crow Procedure”

This issue of The Walrus is the Summer Fiction Issue.  It seems to be dedicated to “genres” specifically.  Each story is devoted to a genre (and there’s even a genre fiction contest this issue).  This first one is science fiction.

The twist seems to be that although the stories are in genres, they move beyond what we normally consider genre fiction. (more…)

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