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Archive for the ‘Free at Noon’ Category

[ATTENDED: August 4, 2023] Speedy Ortiz

I feel like I have seen Speedy Oriz a few times.  But I had only seen them once before.  It was a very memorable show, though, with me getting to stand right in front of Sadie Dupuis as she played and sang.

Here it is five years later (after they opened for Foo Fighters in Fenway a few days after I saw them), with a new album out soon.  I bought a ticket for their Johnny Brenda’s show in a few weeks, but I decided to give the Free at Noon show a go.  (This time it only cost me 3 hours of sick time).

I was pretty no nonsense about this one.  Sucked it up and paid for parking (it had just started raining) and I felt like I was cutting it a little too close to be driving around.  I was bummed for them that it was so sparsely attended, but maybe they’re just not that big of a band.

But it meant I could get up nice and close and watch them play.

They were so spread out on  the big stage.  I felt like bassist Audrey Zee Whitesides (now a permanent member of the band) was miles away.  I was in between Saide and Andy Moholt.  Last time I couldn’t really see Moholt but he was fun to watch this time, playing weird chords and lots of solo frills 9as well as a keyboard).  Initially his lead guitar was way too loud, but they mixed it down pretty quickly.

I’m guessing my location was to blame for how loud Joey Doubek’s drums sounded.  Or more specifically, his one cymbal.  When he crashed it a lot, it really drowned out everyone else. I’m sure you won’t hear that when it gets uploaded to the streaming playback, but it was quite loud to me (I probably should have moved).

They played 8 songs in half an hour.  Four from the new album (released Sept 1) and four oldies.

I was surprised and delighted that they started with “The Graduates” a favorite of mine.

The new songs sound great–a bit heavier and a bit more unusual with the guitar chord choices and whatnot.  And Doubek’s drumming was much louder and more intense on the new songs.  Sadie said that Scabs had something to do with striking postal workers.  I’ll have to listen to the playback to get the details (she was drowned out by the applause).

The folks around me were definitely fans as they sang along to the older songs like “Silver Spring.”

Audrey said that the last time they played World Cafe, they played all of Twerp Verse.  They didn’t want to do any duplicates for this show, but they did want to play a song from each album, so they played “Lucky 88” my favorite off of Twerp.

They ended with the new song “You SO2” (which continues the album’s trend of Sadie’s lyrics being more narrative than rhyme based) and finished with “Plough” a great song from their debut.

Seeing this made me wonder if I still needed to go to Johnny Brenda’s, but it’s a few weeks away and I expect they’ll probably play at least twice as many songs, right?

It’s great to have them back.  I’m looking forward to more new music from them.

Free at Noon 2023 PhilaMOCA 2018
The Graduates Buck Me Off
Scabs ¥ Lean In When I Suffer
Ghostwriter ¥ Lucky 88
Silver Spring Raising The Skate
Plus One ¥ The Graduates
Lucky 88 Silver Spring
You SO2 ¥ Plough
Plough Alone With Girls
I’m Blessed
Taylor Swift [single]
You Hate The Title
Moving In
Villain
Swell Content
Dvrk Wvrld

 

¥ Rabbit, Rabbit (2023)
⇓ Twerp Verse (2018)

€ from Foil Deer (2015)
♠ from Major Arcana (2013)
⊗ from Sports EP (2012)
[single] from (2012)

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[ATTENDED: July 21, 2023] Blondshell

Blondshell is a new band created by Sabrina Teitelbaum.  She has recorded music under BAUM, but wanted to go in a different direction and so created Blondshell (great name).

I’d heard a couple of songs by her and she was generating a lot of buzz.  I bought a ticket to see her (and Hello, Mary, another young band I like a lot) at PhilaMOCA.  The show sold out soon after.

And then I got invited to a party for my friend’s son. I gladly blew of the show to go to the party.  But when it was announced that Blondshell would do the Free at Noon this week, I immediately grabbed a ticket.

The band played eight songs.  I really enjoyed their guitarist playing some really noisy guitar solos especially at the end of “Veronica Mars.”

The song I know and really like is “Joiner” which sounded great.

And I was impressed that Sabrina sings mostly in a kind of low dirgey style but  that she can really belt out when it’s time for it.  She has some really strong pipes. (more…)

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[ATTENDED: March 31, 2023] The Residents 

I’ve been an admirer of The Residents forever.  I’m not a fan exactly–I have some of their records.  I also have some of the CD-ROMS because they were one of the first entities to really make good use of CD-ROM technology.

Their music is bizarre.  Sometimes wonderfully so.  Sometimes not.  I’ve thought about going to see them for years now.  They played Philly in 2018, but i was going to see Built to Spill that evening, so there was no thought of The Residents.

Then in 2020, they announced a new show.  And that and all subsequent attempts were put on hold.

Then my friend Garry sent me a notification that The Residents were going to do a Free at Noon. What?!  I took half a vacation day and drove to Philly to see this remarkable opportunity.

Since their promo material still shows the giant eyeballs that they wore when they came out, I assumed we’d see at least one.  But instead, each member of the band had on a gaiter over their head which perfectly matched their eyeball-filled suits. Anonymity is key! (more…)

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[ATTENDED: October 15, 2021] Jade Bird

I’ve really enjoyed the rocking songs that Jade Bird releases.  Her voice is so powerful and big that I rally wanted to see her live.  Well, we did kind of see her live at Newport Folk Festival, but that was more hearing her as we were walking around.  So when she announced a tour I definitely wanted to see her.

But it turned out that her show at Underground Arts was Thursday the 14th and I’d already had three shows in a row that week.  (One did get cancelled, but I didn’t change my plans).  So I wouldn’t get to see her.  Until WXPN announced that she’d be playing a Free at Noon (one of the few they did this year).

A Free at Noon show is weird for me.  I have to leave at least 90 minutes before the show for travel time and parking and then it takes me an hour at least to get back to work. So that’s two and a half hours, not including the show which is usually an hour.  So, if traffic is bad, it could be a four hour Free at Noon for me.  But if you have extra vacation time, why not use it?

So I drove down to Philly and got a great spot on the street.  I actually wound up being very early because of the lack of traffic.  And that was fine.  I got a spot right by the stage and waited for Jade Bird to come out. (more…)

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SOUNDTRACK: JEALOUS OF THE BIRDS-NonCOMM 2019 Free at Noon (May 15, 2019).

I heard the band name Jealous of the Birds and I instantly formed an opinion of what they sounded like.

And this recording couldn’t be much further from what I imagined.

I assumed they would be bird-like and they are not at all.  This set rocks, it switches genres, it covers a lot of grown, but nothing at all bird-like.

Many artists live by the philosophy of creating the music that they want to exist in the world, but few do it in such a striking way as Jealous of the Birds. Northern Irish songwriter Naomi Hamilton has been making music under the moniker for a few years now, but each song we hear from Jealous of the Birds feels like a fresh new discovery — and anyone who was hearing the band for the first time today undoubtedly felt like they were experiencing something special.

Folks who attended last year’s NonCOMM music meeting may remember hearing a glimpse of the arresting single “Plastic Skeletons.” The song, which is not quite like anything else and not immediately accessible, is congruous with Hamilton breaking out of her local music scene in Northern Ireland and carving out an indescribable genre of her own. Since then, Jealous of the Birds has gone on to release two new EPs, The Moths of What I Want Will Eat Me in My Sleep and Wisdom Teeth, which show the depth and range of Hamilton’s songwriting ability.

Driven by her love of language, Hamilton’s lyrics are intricate and poetic; musically, you can detect influences from Irish folk to psychedelic rock.

With her slicked back hair and laid-back demeanor, Hamilton makes it look easy, but her songs aren’t necessarily easy to listen to — hearing them once will only make you want to listen again and again to try to understand what the artist is getting at.

The first four songs are from their 2016 album Parma Violets.

Powder Junkie is a stomping, stop and start kind of song.  It’s bluesy but stops abruptly after just 2 and a half minutes.  It’s a great introduction to the band.  As is “Trouble in Bohemia,” a slower song with a folk feel. It showcases the softer side of the band, and is also quite short.

“Russian Doll” introduces a much more poppy sound to the band.  The chords are simple, but the highlight the clever lyrics

I took your compliments
I just struggled to believe
That I was worth loving
And you weren’t lying through your teeth
In truth, I’m a Russian doll
My egos shut inside
I painted them by hand
And I’ll never let them die

“Parma Violets” is slower and more acoustic-sounding.  It’s a ballad and a sad one a that:

Oh please
Don’t you swallow
Pills like parma violets
Again

I had to look up to discover that Parma Violets are a British violet-flavoured tablet confectionery manufactured by the Derbyshire company Swizzels Matlow.

The next two songs come from 2019’s Wisdom Teeth EP.  I like them both.  “Marrow” is a folk song, but “Blue Eyes” is a wonderfully weird rocking song.  It feels off-kilter with some unexpected lead guitar riffs at the end of each verse and some funky bass parts.

The final song, “Plastic Skeletons” comes from 2018’s The Moths of What I Want Will Eat Me in My Sleep.  It’s got a cool bass with some nifty guitar line to start the track.  The chorus is kind of staccato and lurching and quite a lot of fun.

These last two songs were my favorite of the set, and I’m glad to see they are the most recent songs. I like the direction they’re going.

[READ: May 15, 2019] “Peep Hall” 

I have read many many stories by Boyle and I like him quite a lot.  I like that he writes about so many different topics from so many different perspectives.  He is even unafraid to be sympathetic to people who don’t seem to deserve it.

It was somewhat unfortunate that I read this story and the previous one by him (written about 19 years apart) on the same day because they were both rather creepy and voyeuristic and sympathetic to people who necessarily don’t deserve it.

The narrator of this story, Hart Simpson, likes his privacy.  His phone is unlisted and the gate on his driveway locks behinds him.  When he sits on his porch, the neighbors can’t see him.  He works as a bartender at the local pub and is quite a visible person, but when it’s time off, he wants to be alone.  I mean, sure he hooks up once in a while, but otherwise he’s alone.

One afternoon, a woman came up his driveway.  She had been talking to his next-door neighbor (not his favorite person) in some kind of heated argument.  Then she came over to his porch. (more…)

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SOUNDTRACK: JÚNÍUS MEYVANT-NonCOMM 2019 Free at Noon (May 15, 2019).

Júníus Meyvant is the stage name of Icelandic singer Unnar Gísli Sigurmundsson.  His band is a soulful Iceland six-piece with outstanding musicianship.

The set started off strong with “High Alert.”  A cool bassline and organ propel the song forward with accents from trumpet and Sigurmundsson’s soulful voice.

The second song, “Holidays” is much slower as it starts with a wavering keyboard and groovy bassline.  It’s just as soulful though–possibly more so, with nice horn accompaniments.

“Across the Borders” showcased a psychedelic-jam side of Júníus Meyvant, as well as the pianist’s skills.  After some powerful trumpet, the song settles down into a slow groove.  Midway through, the drummer plays a cool little fill and the band launches into a fast keyboard-filled jamming romp.

“Love Child” is a sweet, smooth love song with gentle horns guiding the melody.

“Ain’t Gonna Let You Drown” had a rich, gospel sound to it, it’s his new single. He slowed down the tempo for their last song “Thoughts of My Religion,” a personal ballad with a catchy chorus.

It’s a lovely set which you can listen to here (for some reasons Night Two’s shows are much much quieter on the player).

[READ: May 15, 2019] “What’s Love Got to Do With It?” 

I have read many many stories by Boyle and I like him quite a lot.  I like that he writes about so many different topics from so many different perspectives.  He is even unafraid to be sympathetic to people who don’t seem to deserve it.

It was somewhat unfortunate that I read this story and the next one by him (written about 19 years apart) by him on the same day because they were both rather creepy and voyeuristic and sympathetic to people who really don’t deserve it.

This story is about a woman who chooses to take a three day train ride rather than a three hour plane ride to Dallas.   It wasn’t long after the school shootings.  The shootings had happened at her daughter’s school although the daughter was unharmed.  This had nothing to do with her choice of taking the train, exactly, but she felt it would afford her some down time.

At morning breakfast she was seated across from a young man–Eric–about her daughter’s age.  They had a pleasant light conversation–first about state capitals and “sexy” cities  and the dangers of Splenda “its made from nuclear waste.”  He soon revealed that he went to the same school as her daughter  And just to complicate things.  He knew the shooter. (more…)

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[ATTENDED: April 12, 2019] The Claypool Lennon Delirium

Nearly two years and a half years ago I saw The Claypool Lennon Delirium at the Fillmore.  Once again, this year they were playing the Fillmore.  But it was on a night that T. was doing a school play.  There is no way I would choose Les Claypool over my daughter, so I didn’t get tickets.  Then they moved her play to Thursday instead.  I could go!

But then WXPN announced that The Claypool Lennon Delirium would be doing a Free at Noon.  And that seemed like the best of both worlds–I’d get to see the band and it wouldn’t be a) at night or b) at the Fillmore (which was too big and crowded for me when I saw them).  I said I’d never do another Free at Noon because I basically had to take off four hours of work to do it, but for these guys it was a no-brainer and totally worth it.

And really, who doesn’t like to take off four hours of work. (more…)

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SOUNDTRACK: LILY & MADELEINE-Free at Noon, World Cafe Live (February 22, 2019).

I was pretty happy to be at my desk for this Free at Noon show today.  After seeing Lily & Madeleine Wednesday night, I was keen to hear them live again.

I was also happy that a lot more people showed up for this show than my bad-weather event.

They played a truncated version of the show that I saw–nine of the fourteen songs.  Can their real set only be five more songs?  They focused entirely on new songs, except their encore, and wound up playing all but two of the new songs.(Circles and Bruises).

The sisters aren’t the most dynamic performers.  They are quiet and somewhat subdued–look to guitarist/cellist Shannon Hayden for the action.  But they more than make up for it with their voices.  Once again Lily & Madeleine sounded great and their harmonies were transcendent.

Their new songs are really great live–the addition of the cello really fleshes out their music beautifully.  And their drummer (who goes by one name and which once again I didn’t understand (Coffee?)) was fantastic.

They played the first three songs as my show.  They skipped the older songs and went right to Analog Love.  I was surprised they played “Supernatural Sadness” right after “Analog Love” because they are very different.  Analog is, as the chorus states, “slow and sweet” whereas “Supernatural” has a much more dancey, almost disco attitude,

They ended the set with “Pachinko” and then the band left so the could play “Go” with just the two of them.

After Helen Leicht came out to thank the band for coming, they did one more song, an encore of “Blue Blades.”  This song sounded amazing when I saw them both because of their voices but also because of the awesomely echoed cello.  And she had that same effect on the song here–it just sounds massive and almost otherworldly.  It’s amazing.

Definitely check them out, they are terrific live (this will no doubt be posted soon enough).

  1. Self Care
  2. Just Do It
  3. Canterbury Girls
  4. Analog Love
  5. Supernatural Sadness
  6. Can’t Help the Way I Feel
  7. Pachinko Song
  8. Go
    encore
  9. Blue Blades

[READ: February 20, 2019] Kitten Construction Company

I loved Green’s previous book Hippopotamister and I was pretty delighted with the premise of Kitten Construction Company.  But I had no idea how funny it would be.

The city of Mewburg (I only wish it was Mewlinburg) is preparing to build a new mayor’s mansion.  The city planner is looking at excellent design plans for the mansion.  As he talks about how wonderful the designs are, he pulls back the paper to reveal Marmalade, an adorable kitten.  He stops what he is doing to marvel at her cuteness.  Marmalade is upset by this.

Even more so when the city planner says they can’t have a cute kitten as an architect–“you’re just too adorable to be taken seriously.”

Marmalade stomps off (cutely) muttering that she went to school and she has a degree.   While she is trying to drown her sorrows in milk, she meets Sampson. a dishwasher who is actually an electrical engineer.  They are sick of not being taken seriously so they decide to start their own firm.  But first Sampson has to finish his shift (which is adorable and hilarious). (more…)

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[ATTENDED: February 20, 2019] Lily & Madeleine

Lily & Madeleine are sisters from Indianapolis.  I saw Lily & Madeleine on a Tiny Desk Concert a few years ago.  The show was from 2014 when the pair of them were still teenagers (Lily was 16, Madeleine 18).  Their harmonies were just terrific and I made a note to see them when I got a chance.

I saw that they were going to be playing World Cafe Live upstairs in Philly.  I’ve never seen anyone upstairs there before (it’s a smaller space), so I was happy to grab a ticket.  It turns out that they are also doing a Free at Noon before the show.  Then I saw that they were going to be playing at The Saint in Asbury Park on a Wednesday night.  The Philly show was a Friday night (this Friday, 2/22, tickets are still available). It’s quite a hassle for me to drive to that part of Philly on a Friday night so I decided to go to the Asbury show instead.

Then it snowed.  A lot.  We were even given off early from work.   But by 6PM, the snow turned to rain and driving was totally fine.  There was no traffic on the Parkway and I made it to Asbury Park in ample time.  (See the post on The Well Wish for what I did between my arrival and the bands’ show).

Because of the terrible weather the were only about 8 people in the whole place.  In fact, Lily & Madeleine were in the floor dancing during the opening act–I thought it was them but wasn’t sure until they went on stage. (more…)

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[ATTENDED: January 11, 2019] Guster

Guster has a new album coming out this month.  And as part of their tour, they are coming to the Philly Fillmore on S. and my wedding anniversary!  Obviously, we got tickets and plan to have a bizarre Anniversary celebration–no fancy meal, just music–and we hope we are acknowledged from the stage!

[UPDATE: This date, our anniversary show, has been postponed!  Why?  Because the band is going to be on Late Night with Seth Meyers instead.  We love Seth, so if anyone is going to ruin our anniversary plans we’re glad it’s him.  It turns out that the rescheduled date is going to be a 20th anniversary show of Lost and Gone Forever, which means two full sets of Guster.  I think we made out ahead.  Thanks Seth].

I have never been to a Free at Noon show before.  They seem so awesome–a free concert from some amazing bands?  Sign me up!  The problem is that the venue, World Cafe Live, is 75 minutes from my work.  So, an hour show, two and a half hour driving…  that’s about a four-hour lunch.  Well, I had some personal time, so I used it and got myself and S. tickets for Free at Noon.  I didn’t think she’d be able to go and she didn’t think she could either, so I went by myself.

Parking was a lot harder to find during the day and it was very cold.  I never thought if I got there at 11:45 I’d have to wait online, but they were having some kind of technical difficulties and they kept everyone outside.  I specifically took off my sweater in the car figuring the venue wold be roasting, so I was pretty chilly waiting out there.  By five to 12, someone came around and told us that we wouldn’t miss anything.  And indeed, the free at noon started at 12:15 instead of noon. (more…)

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