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Archive for the ‘Kittens’ Category

SOUNDTRACK: TOKYO JIHEN [東京事変]-“The Scarlet Alibi” (永遠の不在証明 Eien no Fuzai Shoumei) (2020).

220px-Tokyo-Jihen-News-EP-cover-artRingo Sheena formed Tokyo Jihen (which means Tokyo Incidents) in 2003.  They put out five albums and disbanded them in 2012.

Then she surprised everyone by reforming the band in 2020 (with the same people who played with her in 2012).  They have released a new EP, News.

永遠の不在証明 which translates more or less as “Eternal Alibi” is the final song on the EP and the only one that Ringo Sheena wrote the music for.

It starts like a kind of James Bond theme (and it is indeed a theme for Detective Conan: The Scarlet Bullet).  It’s got a noir piano, but the bass is really fat and fuzzy.

The chorus gets big while the piano stays prominent and the bass does some really fancy fretwork.  Then in th emiddle of the song there’s an instrumental break.

Seiji Kameda (亀田 誠治Kameda Seiji) gets a wicked bass solo followed by a ripping guitar solo from Ukigumo (浮雲The Drifting Cloud) and a soaring keyboard solo from Ichiyō Izawa (伊澤 一葉Izawa Ichiyō).  Everyone gets a moment to shine except drummer Toshiki Hata (刄田 綴色Hata Toshiki)–but his playing throughout is stellar.

The song halts at 3 and half minutes, but there’s a jazzy jamming coda (lots of piano and guitar solos) that runs for about a minute as the song concludes.

Although I just discovered the band this week, it’s nice to have them back.

[READ: July 1, 2020] Fuku Fuku 2

This is Konami Kanata’s second and final collection of FukuFuku stories.  After all of the Chi stories, it was probably for the best to limit FukuFuku to just two volumes.

It allows the story to go out on a high note.

The framing device of the series is an older woman looking at pictures of her cat FukuFuku when she was a kitten.   I was pleased that this book ends the framing device with FukuFuku as an older cat–the flashback is complete.

This volume is less about FukuFuku exploring new things and more about her owner’s expectations of her. (more…)

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SOUNDTRACK: RINGO SHEENA [椎名 林檎]-Shōso Strip [勝訴ストリップ] (or Shouso Strip or Winning Strip) (2000) 

Yumiko Shiina (椎名 裕美子Shiina Yumiko, is known by her stage name Ringo Sheena (椎名 林檎Shiina Ringo). She later fronted the band Tokyo Jihan.

I’m not exactly sure how I discovered this album.  I think I had been reading about psychedelic Japanese bands and this album came up as a must-listen.

I found a copy on eBay (it’s also streaming) and, wow–it’s my favorite album in a long time.  Ringo Sheena flirts with just about every genre of music throughout her career.  Often times, including several genres in one song.  But throughout this album, it’s her singing and songwriting that really stand out.

Plus, I absolutely love the sound that she gets from her bassist.  I have included all of the credits from the album below because my copy of the album is entirely in Japanese. The “official” Wikipedia entry is first, but the Google Translated version is second.  I’m not sure what is going on with the Google Translated version, but for most of the songs the bass is described as “Bombshell base” which is totally accurate.  Interestingly, sometimes the guitar is described as “Oxygen deficient guitar” which I think just means electric, but I love that description.

So the overall feel of this album is grungy.  There’s a lot of distortion among the guitars and the drums.  None of the songs would be described as metal, but there are definitely some heavier rocking elements.  But there is an underpining of J-Pop throughout.  Both in her catchy choruses and the way her voice soars as she sings.

The disc opens with “I Am a Liar” (虚言症 Kyogen-shō) 5:26 [“False” from Google Translate].  A funky slap bass and some flutes introduce this song that has a great mix of alt rock and J-Pop.  Sheena Ringo has a great voice that can sing low but also soars nicely when needed. The chorus of this is instantly catchy with a great melody disco flourishes and her fantastic vocals.

“Bathroom” (浴室 Yokushitsu) 4:15 [bathroom] is a wild song (and one that she has apparently performed in very different styles over the years).  A ripping funky bass and synth lead to a great pulsing ear worm of a melody.  The chorus is warm and inviting and fantastic.  “Excuse Debussy” (弁解ドビュッシー Benkai Dobyusshii) 3:16 [Excuse Debussy] is another propulsive rocker with a great fat bass sound.

Things slow down for “Gips” (ギブス Gibusu)  (which apparently means “orthopedic cast”) 5:38 [Gibbs] but it has a huge soaring chorus that is partially in in English “don’t you think I wanna be with you….”  It’s about the catchiest peppiest thing and it is awesome.  The songs is quite long–over five minutes–and the last few minutes feature a great guitar line that repeats and repeats until it breaks apart with chaotic confusion.

Things slow down even further for the gorgeous strig opening of “A Driving Rain in Darkness” (闇に降る雨 Yami ni Furu Ame) 5:03 [Rain in the Darkness].  Interesting electronic sounds and some electronic percussion mask the beauty of the stirrings and then after 45 second the strings turn pizzicato and pop song structure stars with a loping bass that plays some funky high parts.  It’s a pretty song that segues nicely to the scorcher that is “Identity” (アイデンティティ Aidentiti) 3:05 [Identity].  It opens with a ripping guitar and Sheena screaming like the best of them.  This song hits pretty standard metal sounds and is a total rocking freak out with her singing syllables as the guitars and drums just go bananas.  Her band is really fantastic.

“Crime and Punishment” (罪と罰 Tsumi to Batsu) 5:32 [Crime and Punishment] plays like a torch song ballad, but it’s accompanied by a heavy guitar and a big fat bass that keeps it in the alt-rock arena.  The juxtaposition is great.  There’s a lengthy jamming coda as well.

“Stoicism” (ストイシズム Sutoishizumu) 1:46 [Stoicism] is a short interlude.  Her voice is manipulated while she’s singing a simple melody as bouncy synths underscore the whole thing.  It flows into “A Broken Man and Moonlight” (月に負け犬 Tsuki ni Makeinu[3]) 4:14 [Lose dog on the moon] which sounds like a grunge version of “Closing Time” until the loud distorted bass crashes in and upends everything. The end totally rocks out.

“Tidbits” (サカナ Sakana[4]) 3:43 [Fish] opens with a harpsichord and the makings of a bubblegum pop song.  But as the verses come in it feels kind of noirish with horns and a great catchy chorus.  The end of the song features that noir bass and a piano.

“Sickbed Public” (病床パブリック Byōshō Public) 3:16 [Patient Public] has super distorted drums and a heavy bass rumbling underneath her whispered vocals until it switches to a bright J-Pop chorus.  “Instinct” (本能 Honnō) 4:14 [Instinct] has a menacing opening of sound effects and turntables that meld into a super catchy poppy melody with wild bass.  The verses slow to a slinky sound, but that chorus is undeniable–especially when the whole song shifts up a note midway through.

The disc ends with fun watery sounds that bloop and blip for the opening of  “I Am an Addict” (依存症 Izon-shō) 6:23 [Dependence].   The song begins with a delicate synth but there’s a fun fun soaring chorus (of course) that you can’t stop humming.  The song and disc end with ends with three minutes of everyone jamming at the end of a show when the star has left the stage and the band is just going to keep playing until they can’t anymore.

I haven’t really looked into much more by her–although I did enjoy the one Tokyo Jihen song I heard.  This album is so good I’m afraid to explore anything else for the time being.  So I’ll just enjoy this one.

[READ: July 1, 2020] Fuku Fuku 1

Konami Kanata wrote the wonderful manga Chi’s Sweet Home about a family who adopts a cat.  It’s wonderful and is apparently one of many manga about cats.  Even though it’s sweet and adorable there are occasionally weird thing that make it seem more adult than it seems to be (the word pissing is in one of them, which seems a little odd for a cute book).

The framing device of the book is an older woman looking at pictures of her cat FukuFuku when she was a kitten.   FukuFuku wants to see them too, which means lying on them, of course.

And so there are 24 short pieces about kitten FukuFuku’s introduction to living with this woman.  I understand that the book is translated, so I don’t know if the cat sounds are translated as well, but I love that when she tries to pick up the kitten for the first time, it says “Mii?”  And when she grabs for it it says “Mya”

The translator also has a lot of fun with the kittens’ action words: Skoot, Bound, Dash, etc. (more…)

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SOUNDTRACK: TXT (투모로우바이투게더) ‘Cat & Dog’ (2019).

Because this book is about cats and dogs, I was going to put “Cats & Dogs” from The Head and The Heart as this song.  Bit when I searched for “Cats & Dogs” the first video was for this song.  And any band whose name is in a language I can’t read will certainly get posted here.

In fact, I didn’t even realize they were called “TXT” I thought it was something to do with text messaging.

Turns out TXT stands for Tomorrow X Together.  Of course.

The video starts with five cute boys running to the a window and looking out on a cartoon world.  It seemed like The Monkees.

So I was quite surprised when the song started with heavy bass and auto-tuned and I realized that duh, this must be a K-pop band.

I assumed I’d heard of all of the popular K-Pop bands by now (how many could there be?), but here’s one I’d not heard of.  Nevertheless. this song has over 47 million views.

I really don’t know how to talk about K-Pop.

The five of them are adorable and pretty much identical (hair color being the distinguishing factor).  They all seem to dance well (in the heavily edited sequences).  All of their voices are auto-tuned so who knows if they can sing.  They are also singing in at least two languages, so who knows what they are singing.

I assume the language I can’t understand is Korean, although it sounded to me like Spanish at one point (which seems very unlikely).

There’s a repeated refrain of someone gong “brrrp brrrp brrrp” which is a weird but catchy hook for all languages.  I assume that none of the boys’ voices can possibly go deep enough t make that sound.

Apparently, this song has something to do with cats and dogs because there are meows and barks in the song (and in the video they do lots of synchronized cat and dog ear movements).

I’m kind of curious what the chorus actually says–are they saying the word “Pet” or is a Korean word?

At the end he sings I just wanna be your dog, but not in any way like Iggy Pop.

Sometimes it’s fun to dive into music you don’t ever experience.

[READ: February 6, 2020] Kitten Construction Company: A Bridge Too Fur

I really enjoyed the first Kitten Construction Company book.  I loved the premise–not that the kittens were good at building things–but that no one took them seriously because they were so cute.  It allowed for a lot of funny frustrations from our feline friends.

Well, now the city of Mewberg has fully accepted the Kitten Construction Company. They have built a new stadium with updated energy efficiencies and plumbing.

There’s a nice joke that while accepting the adulation for this stadium, architect Marmalade can’t help but knock the microphone stand off the podium.  I only wish that Green had drawn it to look more deliberate–that would have been a lot funnier.  Instead it almost seems like an accident. (more…)

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SOUNDTRACK: LILY & MADELEINE-Free at Noon, World Cafe Live (February 22, 2019).

I was pretty happy to be at my desk for this Free at Noon show today.  After seeing Lily & Madeleine Wednesday night, I was keen to hear them live again.

I was also happy that a lot more people showed up for this show than my bad-weather event.

They played a truncated version of the show that I saw–nine of the fourteen songs.  Can their real set only be five more songs?  They focused entirely on new songs, except their encore, and wound up playing all but two of the new songs.(Circles and Bruises).

The sisters aren’t the most dynamic performers.  They are quiet and somewhat subdued–look to guitarist/cellist Shannon Hayden for the action.  But they more than make up for it with their voices.  Once again Lily & Madeleine sounded great and their harmonies were transcendent.

Their new songs are really great live–the addition of the cello really fleshes out their music beautifully.  And their drummer (who goes by one name and which once again I didn’t understand (Coffee?)) was fantastic.

They played the first three songs as my show.  They skipped the older songs and went right to Analog Love.  I was surprised they played “Supernatural Sadness” right after “Analog Love” because they are very different.  Analog is, as the chorus states, “slow and sweet” whereas “Supernatural” has a much more dancey, almost disco attitude,

They ended the set with “Pachinko” and then the band left so the could play “Go” with just the two of them.

After Helen Leicht came out to thank the band for coming, they did one more song, an encore of “Blue Blades.”  This song sounded amazing when I saw them both because of their voices but also because of the awesomely echoed cello.  And she had that same effect on the song here–it just sounds massive and almost otherworldly.  It’s amazing.

Definitely check them out, they are terrific live (this will no doubt be posted soon enough).

  1. Self Care
  2. Just Do It
  3. Canterbury Girls
  4. Analog Love
  5. Supernatural Sadness
  6. Can’t Help the Way I Feel
  7. Pachinko Song
  8. Go
    encore
  9. Blue Blades

[READ: February 20, 2019] Kitten Construction Company

I loved Green’s previous book Hippopotamister and I was pretty delighted with the premise of Kitten Construction Company.  But I had no idea how funny it would be.

The city of Mewburg (I only wish it was Mewlinburg) is preparing to build a new mayor’s mansion.  The city planner is looking at excellent design plans for the mansion.  As he talks about how wonderful the designs are, he pulls back the paper to reveal Marmalade, an adorable kitten.  He stops what he is doing to marvel at her cuteness.  Marmalade is upset by this.

Even more so when the city planner says they can’t have a cute kitten as an architect–“you’re just too adorable to be taken seriously.”

Marmalade stomps off (cutely) muttering that she went to school and she has a degree.   While she is trying to drown her sorrows in milk, she meets Sampson. a dishwasher who is actually an electrical engineer.  They are sick of not being taken seriously so they decide to start their own firm.  But first Sampson has to finish his shift (which is adorable and hilarious). (more…)

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