Feeds:
Posts
Comments

Archive for the ‘Radio’ Category

[ATTENDED: August 4, 2023] Speedy Ortiz

I feel like I have seen Speedy Oriz a few times.  But I had only seen them once before.  It was a very memorable show, though, with me getting to stand right in front of Sadie Dupuis as she played and sang.

Here it is five years later (after they opened for Foo Fighters in Fenway a few days after I saw them), with a new album out soon.  I bought a ticket for their Johnny Brenda’s show in a few weeks, but I decided to give the Free at Noon show a go.  (This time it only cost me 3 hours of sick time).

I was pretty no nonsense about this one.  Sucked it up and paid for parking (it had just started raining) and I felt like I was cutting it a little too close to be driving around.  I was bummed for them that it was so sparsely attended, but maybe they’re just not that big of a band.

But it meant I could get up nice and close and watch them play.

They were so spread out on  the big stage.  I felt like bassist Audrey Zee Whitesides (now a permanent member of the band) was miles away.  I was in between Saide and Andy Moholt.  Last time I couldn’t really see Moholt but he was fun to watch this time, playing weird chords and lots of solo frills 9as well as a keyboard).  Initially his lead guitar was way too loud, but they mixed it down pretty quickly.

I’m guessing my location was to blame for how loud Joey Doubek’s drums sounded.  Or more specifically, his one cymbal.  When he crashed it a lot, it really drowned out everyone else. I’m sure you won’t hear that when it gets uploaded to the streaming playback, but it was quite loud to me (I probably should have moved).

They played 8 songs in half an hour.  Four from the new album (released Sept 1) and four oldies.

I was surprised and delighted that they started with “The Graduates” a favorite of mine.

The new songs sound great–a bit heavier and a bit more unusual with the guitar chord choices and whatnot.  And Doubek’s drumming was much louder and more intense on the new songs.  Sadie said that Scabs had something to do with striking postal workers.  I’ll have to listen to the playback to get the details (she was drowned out by the applause).

The folks around me were definitely fans as they sang along to the older songs like “Silver Spring.”

Audrey said that the last time they played World Cafe, they played all of Twerp Verse.  They didn’t want to do any duplicates for this show, but they did want to play a song from each album, so they played “Lucky 88” my favorite off of Twerp.

They ended with the new song “You SO2” (which continues the album’s trend of Sadie’s lyrics being more narrative than rhyme based) and finished with “Plough” a great song from their debut.

Seeing this made me wonder if I still needed to go to Johnny Brenda’s, but it’s a few weeks away and I expect they’ll probably play at least twice as many songs, right?

It’s great to have them back.  I’m looking forward to more new music from them.

Free at Noon 2023 PhilaMOCA 2018
The Graduates Buck Me Off
Scabs ¥ Lean In When I Suffer
Ghostwriter ¥ Lucky 88
Silver Spring Raising The Skate
Plus One ¥ The Graduates
Lucky 88 Silver Spring
You SO2 ¥ Plough
Plough Alone With Girls
I’m Blessed
Taylor Swift [single]
You Hate The Title
Moving In
Villain
Swell Content
Dvrk Wvrld

 

¥ Rabbit, Rabbit (2023)
⇓ Twerp Verse (2018)

€ from Foil Deer (2015)
♠ from Major Arcana (2013)
⊗ from Sports EP (2012)
[single] from (2012)

Read Full Post »

[ATTENDED: July 21, 2023] Blondshell

Blondshell is a new band created by Sabrina Teitelbaum.  She has recorded music under BAUM, but wanted to go in a different direction and so created Blondshell (great name).

I’d heard a couple of songs by her and she was generating a lot of buzz.  I bought a ticket to see her (and Hello, Mary, another young band I like a lot) at PhilaMOCA.  The show sold out soon after.

And then I got invited to a party for my friend’s son. I gladly blew of the show to go to the party.  But when it was announced that Blondshell would do the Free at Noon this week, I immediately grabbed a ticket.

The band played eight songs.  I really enjoyed their guitarist playing some really noisy guitar solos especially at the end of “Veronica Mars.”

The song I know and really like is “Joiner” which sounded great.

And I was impressed that Sabrina sings mostly in a kind of low dirgey style but  that she can really belt out when it’s time for it.  She has some really strong pipes. (more…)

Read Full Post »

[ATTENDED: May 9, 2023] Hozier

Hozier announced a headline tour this year (first tour in several years) and I knew I had to get tickets.  My son is a big fan and the rest of us like him quite a lot.  We saw him at Newport Folk Festival a few years ago (although my son chose to skip that day) and he was amazing live.

The tickets went on sale mid March and I got 100% shut out from the Mann Center.  I probably could have gotten lawn seats, but that would have been decidedly uncool.  And by the time I decided whether or not to get lawn seats, they were all gone too (sold out the 14,000 capacity venue, no bad).

And then in mid April he announced he’d be playing some “pop up” shows.  Including one at World Cafe Live.

I never thought I’d get tickets, but somehow I managed to get two.  So my son and I went to Philly to see him.  And, without even talking about the show I can attest that it was 100% better than seeing him at the Mann Center and 1000% better than seeing him from the lawn at the Mann Center.

We arrived early in hopes of getting pretty close to the stage (WCL is quite small with great sightlines.  I didn’t think we’d get up front–and my son was fine with that–but I didn’t want to be too close to the noisy bar either).  We passed by the venue at 6:30 and saw a relatively small line.  But we had plans for Federal Donuts and fried chicken.  Only to discover after the three or four block walk that this location closed at 3 (two blocks from 2 colleges and you close at 3PM?).  That threw off all the plans, so we wound up going to an amazing Halal food truck.  I couldn’t walk and eat, so I stuffed my gyro into my pocket and we headed into the venue (thank goodness they didn’t search for food).

We got down there and my son was delighted with how tiny the place was.  I didn’t want to stand right where people come in so we squeezed  to the other side.  Which was pretty good, although there were a couple of tall people who I knew would block our view from time to time.  So he sneaked around to the side.  I thought it might be a little far to the side (and in fairness, I couldn’t see all of the band), but the sightline for Hozier himself were perfect.  And that’s what we were there for.

Hozier and his large band (nine people in total) came out to much applause. (more…)

Read Full Post »

[ATTENDED: May 9, 2023] Julia Pratt

I was so excited to get tickets to this Hozier pop up show.  I actually assumed there would not be an opening act.  Although with the show slated to start at  7:30, surely they must have someone first.

And indeed, a few days ago they announced it would be Julia Pratt, a young Philly musician who will also be playing Philly Music Fest this year.

Julia has a powerful voice and seems like the nicest person in the world.  She was really sweet on stage and was genuinely delighted when people made heart signs back to her.

Her songs were simple (she told us which ones had been released or not) but catchy.

However, she did the thing that I hate the most in singers.  She turned one syllable words into seventeen syllable words by hitting every note on the entire scale.  It sets me on edge when singers do this and she did it constantly.  To me it sounds like compensating for a weak voice or someone who can’t hit a note.  But her voice was really nice when she sang normally.

But the crowd seemed to really enjoy the acrobatics so she kept doing it.  And she seemed really nice so I hope she gets lots of success.

But for me, it was an unpleasant 30 minutes, but also because there were drunken women next to me who almost got in a fight when one tried to sneak past the other.  Good grief.

 

Read Full Post »

[ATTENDED: March 31, 2023] The Residents 

I’ve been an admirer of The Residents forever.  I’m not a fan exactly–I have some of their records.  I also have some of the CD-ROMS because they were one of the first entities to really make good use of CD-ROM technology.

Their music is bizarre.  Sometimes wonderfully so.  Sometimes not.  I’ve thought about going to see them for years now.  They played Philly in 2018, but i was going to see Built to Spill that evening, so there was no thought of The Residents.

Then in 2020, they announced a new show.  And that and all subsequent attempts were put on hold.

Then my friend Garry sent me a notification that The Residents were going to do a Free at Noon. What?!  I took half a vacation day and drove to Philly to see this remarkable opportunity.

Since their promo material still shows the giant eyeballs that they wore when they came out, I assumed we’d see at least one.  But instead, each member of the band had on a gaiter over their head which perfectly matched their eyeball-filled suits. Anonymity is key! (more…)

Read Full Post »

[DID NOT ATTEND: September 16-22, 2022] Xponential Music Festival

We went to this festival with the family back in 2016.  It was really hot.  The kids were in the in-between age where they didn’t really like the music but were too old to just enjoy being outside.

But we saw some really good bands.

It has felt like since then, the bands haven’t been all that interesting.  Although I do like that it’s in September and not July.

These headliners were not interesting to me at all.  We had seen The War on Drugs and it was a great show, but I didn’t need to see them again.  And the rest just weren’t very interesting to me.

In fact, usually the headliners are kind of irrelevant because the fun is in the side stages.

There were certainly a few performers I would have enjoyed seeing.  But most of them we have seen fairy recently.

The only band I haven’t seen who I’d like to is Catbite and maybe Sarah Shook & The Disarmers.  But neither one was worth going to a festival for.

Read Full Post »

[ATTENDED: July 13, 2022] Home is Where

I saw Foxing three years ago without knowing much about them.  Their live show blew me away.  So when it was announced that they were playing Philly again, I had a choice. Go to the Bikini Kill show that I’ve had tickets to for years or go to the Kevin Devine show which I had gotten tickets for just in case it sold out, or blow off them both and go to Foxing.

Well, Bikini Kill was postponed (again) and Kevin Devine was a solo show (which is good, but I’ve seen him solo twice already), so I decided to go to Foxing without having a ticket.  Traffic was light, I got free parking (well, technically it cost 68 cents) and bought a ticket in cash with no handling fees!

I went downstairs and was kind of surprised at how young the audience was.  I was also surprised by how well people seem to know the opening band Home is Where who hail from Florida.

The band is a four piece: josiah gardella – drums ; trace george – guitar ; brandon macdonald – tantrum, harmonica, singing saw ; connor “fat slaps” o’brien – bass. (more…)

Read Full Post »

[ATTENDED: July 13, 2022] Greet Death

After the wildness of Home is Where, I wasn’t really sure what to expect from Greet Death.  I assumed they had gotten their name from Explosions In the Sky who have a song called that.  Which meant that they would probably be instrumental post-rock.

But they aren’t.

They are a four-piece from Detroit with two lead singers.   When I saw them I was in front of Samuel Boyhtari who has a more pleasant singing style.  On the other side of the stage was Logan Gaval who is more of the mouthpiece of the band, I’m guessing. (more…)

Read Full Post »

[ATTENDED: July 13, 2022] Foxing

I saw Foxing three years ago without knowing much about them.  Their live show blew me away.  So when it was announced that they were playing Philly again, I had a choice. Go tothe Bikini Kill show that I’ve had tickets to for years or go to the Kevin Devine show which I had gotten tickets for just in case it sold out, or blow off them both and go to Foxing.

Well, Bikini Kill was postponed (again) and Kevin Devine was a solo show (which is good, but I’ve seen him solo twice already), so I decided to go to Foxing without having a ticket.  Traffic was light, I got free parking (well, technically it cost 68 cents) and bought a ticket in cash with no handling fees!

The two opening acts were really good and I settled in for Foxing.  They had just announced a new live album that you could get online or you could get (autographed) at the shows.  I bought the LP before the show (only 20 were sold each night) and was stuck holding it the whole time (next time bring a bag).

The lights went down and a recorded song played while fireworks were projected on the screen behind the stage.  Then the band came out.  For some reason I thought there were more of them, but there were only five.  And they were loud enough that they could have been ten.

Foxing released a new album last year and this was the tour for it, so there were lots of “new” songs.  But the fans knew them all (I mean the record has been out almost a year).

Singer Conor Murphy is a dynamic frontman.  He moves around, he jumps, he screams, he engages with the audience.  It’s like every note he sings is personally connected to him.  He has a delicate falsetto (not unlike TV on the Radio) but he can scream, like really roar, with the best of them.

And the way the band jumps from quiet to HUGE is really impressive. (more…)

Read Full Post »

SOUNDTRACK: hiatus

[READ: December 20, 2021] Weird Accordion to Al

After writing the “Weird Al” biography, with “Weird Al” himself, Nathan Rabin dug even deeper into his “Weird Al” fandom to write a detailed account of, as the subtitle says, “Every ‘Weird Al’ Yankovic Album Analyzed in Obsessive Detail.”

“Weird Al” wrote the (short) introduction and then Nathan drops the needle on “Weird Al” Yankovic, Al’s 1983 debut album.

Nathan goes into varying degrees of detail on each of the songs.  Nathan was a rabid “Weird Al” fan from when he was a little kid.  And when he talks about how much he loves Al, you can see his deep abiding appreciation for everything Al has done.

Some songs get a paragraph, nut most get a page or so.  He usually talks about how much he likes (or loves) the song (and occasionally dislikes).  There’s nostalgia in the older songs and jokes and observations about contemporary things as well (Rabin’s politics poke through once in a while.  Good thing he’s a smart guy.

Because he did the Al biography with Al, he presumably got a lot of insight into the man and his work.  So although sometimes his insights seem like maybe he’s reading too much into a goofy parody, perhaps he’s on to things.  Maybe Al’s depth is deeper than rhyming Sharona with Bologna.  Which is not in any way to diminish Al’s intelligence.  He’s obviously very smart, especially as his later songs indicate.

Rabin’s tone throughout the book is smart and snarky.  He talks about the songs and the video (if there is one).  He talks about the production quality (or lack thereof) on the first album.  He references Dr. Demento (because the Dr is essential to Al’s career).  He also references Don DeLillo’s White Noise and says things like “Al is in deconstructionist mode.” (more…)

Read Full Post »

« Newer Posts - Older Posts »