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Archive for the ‘Postponed’ Category

[POSTPONED: April 14, 2020] Waxahatchee / OHMME [moved to October 5]

indexI’ve seen Waxahatchee twice–once with a full band and once solo.  I like her, although I wasn’t sure I wanted to see her again.  She has a new album out and I’ve heard it’s much more mellow than her last couple, so that doesn’t really appeal to me.

However, Ohmme is phenomenal live.  I saw them open for Jeff Tweedy and I have wanted to see them again.  I’d prefer a headlining show (but I seem to keep missing out on those).  However, this would have been a solid double bill.

wxa

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[POSTPONED: CANCELLED: April 11, 2020] Basia Bulat / Samantha Crain

indexI saw Basia Bulat on a Tiny Desk Concert many years ago. She played the pianoette and sounded amazing.

That Concert is from 2011 and she has changed a bit since then.  She is more poppy and less folky.  I’m not entirely sure I like her new stuff as much as her old stuff, but I was pretty sure she’d play some old stuff and maybe bring out the pianoette as well.

Samantha Crain is a Choctaw-American songwriter and has been performing since 2004.  I’m surprised I haven’t heard of her before as she is quite well regarded.  Well I look forward to seeing her in person some day.

UPDATE: On June 15, I received a refund, officially cancelling this show.

 

 

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[POSTPONED: April 10, 2020] Billy Strings / Molly Tuttle [moved to December 10]

index

I saw Billy strings open for I’m With Her in a small theater (seated).  He was amazing.  Not only was his guitar playing phenomenal (as his name suggests), but his banter and his attitude and everything about him just made me want to watch him all night.

When he announced a headlining tour I thought I’d really like to see him again.  But this show is at the Fillmore–it’s just too big and impersonal a room to really enjoy what Billy can do, in my opinion.

I hope he can come back around and play some more intimate venues.

Molly Tuttle is an amazing bluegrass guitar player.  Molly is noted for her flatpicking, clawhammer, and crosspicking guitar prowess.  (She is also amazing at the banjo too).  In 2017, Tuttle was the first woman to win the International Bluegrass Music Association’s Guitar Player of the Year award.  In 2018 she won the award again, along with being named the Americana Music Association’s Instrumentalist of the Year.  She played with Billy at Newport Folk Festival, but we only saw about five minutes of their set.

A night of Billy and Molly would blow your musical mind.  Maybe the venue is immaterial.

Once this tour was postponed, Billy announced a streaming tour.

July 16 – Brooklyn Bowl (Streamed live via FANS)
July 17 – Brooklyn Bowl (Streamed live via FANS)
July 18 – Station Inn (Streamed live via Station Inn TV)
July 19 – Station Inn (Streamed live via Station Inn TV)
July 22 – City Winery (Streamed live via Nugs TV)
July 23 – City Winery (Streamed live via Nugs TV)
July 24 – Exit/In (Streamed live via TourGigs)
July 25 – Exit/In (Streamed live via TourGigs)
July 26 – 3rd & Lindsley (Streamed live via Nugs TV)

billyu

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[POSTPONED: April 9, 2020] Darlingside / Francesca Blanchard

indexWe have seen Darlingside four times and they are always wonderful.

Seeing them at the Sellersville Theater would probably have been a great experience because the sound in that room is tremendous.

We had seen them fairly recently, and Sellersville is kind of a pain for us to get to though so we hadn’t actually gotten tickets for it.  Plus I had several other show already lined up that week.

If they reschedule though, I’m sure we’ll go.

I didn’t know Francesca Blanchard.  Her bio says

Francesca Blanchard is a French-American songwriter based in Burlington, Vermont. Since the release of her bilingual folk debut Deux Visions in 2015, the genre-bending songwriter has been busy redefining her wheelhouse.

It says that she has gone in a slightly more pop-oriented vein.  I’d have loved to hear her sing in French.  So perhaps the rescheduled dates will feature her opening again.

 

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[POSTPONED: April 8, 2020] Brother Ali / Open Mike Eagle / DJ Last Word [moved to September 24]

indexI don’t know Brother Ali aside from the fact that he releases a “deeply personal, socially conscious, and inspiring brand of hip-hop.” He says “Beauty in all of its forms is the outward manifestation of love and virtue. It soothes the soul and pulls it gently toward the truth it communicates.”  I can get behind that.

But really I was interested in this show for Open Mike Eagle.  Open Mike is a great “alternative” rapper from Chicago.  His lyrics are thoughtful and political and his music is more than just beats.  His last two albums were fantastic.  I just saw that he says that They Might Be Giants are a major influence on music which is pretty wild.

DJ Last Word is Brother Ali’s DJ.  He gets a little opening set.  When I looked him up all it said about him was that he is a real life pilot.  Which is pretty funny.

Milkboy is a tiny venue, a great way to see an artist–especially since the videos of Brother Ali show him in much bigger venues.

I wasn’t going to this show because it was the same night as Tropical Fuck Storm.  But with it postponed to September, I now have a chance again.

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[POSTPONED/CANCELLED: April 8, 2020] Tropical Fuck Storm / Des Demonas

indexI saw Tropical Fuck Storm open for Modest Mouse a few years ago and their live show was fantastic.  Being an opening act on a large stage wasn’t the best fit for them and I really wanted to see them at a smaller venue.

It would be even better if they were headlining.

So here was a headlining tour of a small place.  Perfect!

Their new album Braindrops is an amazing mix of chaos and catchiness and I really wanted to see them now knowing all of their songs.

I had never heard of Des Demonas, but listening briefly on Spotify, I dig their short, simple, abrasive punk pop.  Lead singer Jacky Cougar Abok has a delivery like early Nick Cave and their bio is fascinating.

Jacky Cougar Abok is the six-foot-five-inch tall Kenyan punk singer who has drummed with Thee Lolitas and Foul Swoops. Guitarist Mark Cisneros has bent strings with Kid Congo & The Pink Monkey Birds, Deathfix, and Medications and pounded the traps for The Make-Up and Benjy Ferree, the latter alongside organist Paul Vivari. Joe Halladay (Citygoats) on bass and Ryan Hicks (Suns Of Guns) on drums round out this squared circle of sight and sound.

I hope they both come back soon.

UPDATE: On August 5th, I received a refund, meaning this show is officially cancelled.  But I’m sure they’ll come back.

TFS_tour-spring2020_4x5_poster

 

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[POSTPONED: April 7, 2020] Peter Bjorn and John / Methyl Ethyl [moved to October 10]

indexI really got into Peter Bjorn & John a few years ago.  Then they fell by the wayside for me.  When I saw they were playing at Johnny Brenda’s I thought it promised to be a good show.  I have since heard that PB&J put on an amazing live show, so I was even more excited about it.

Methy Ethyl is a band from Australian who I don’t know anything more about them except that the solo show was going to be done by Jake Webb, the creative force behind the band.

I wound up having a huge conflict on this night because Laura Marling, whom I love announced a solo show the same night.  I was genuinely torn between seeing someone I had seen before, but in an amazing setting and someone I had not seen before who I had heard was amazing.

 

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[POSTPONED: April 6, 2020] Caspian / Pianos Become the Teeth / Maserati

indexMy friends Liz and Eleanor have told me that Caspian was one of the best shows that they had seen.  I have been planning to see them ever since.  Because of the trip scheduled for this weekend, I’m not sure I would have been up for going, but I would have loved to.

I thought I knew who Pianos Become the Teeth were, but I was thinking of Roomful of Teeth an apparently very different band.  Given Pianos become the teeth’s comparisons to Explosions in the Sky and Mogwai, I think I’d like them.

Maserati has been around since 2000 and also get compared to EITS and Mogwai.  I’ll be I would have loved this whole night.  I hope the show gets rescheduled as is on a night I can go.

maserati

index

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[POSTPONED: April 5, 2020] Sinéad O’Connor [moved to September 18 & 19, 2021]

indexI have seen Sinéad O’Connor four times. although the last time was in 1998.

I assumed I’d never see her again for a whole host of reasons.

I was pretty stunned to see that she announced a U.S. tour.  She was playing at City Winery in Philadelphia.  I have never been there.  Then I saw how much the tickets were!

I loved her voice back in the 90s, but since then she has gone all over the place (literally).  I wasn’t sure she even sounded any good anymore, so I balked at the price and opted not to get tickets.

I have since heard that her show was really good.  I’m not sure how upset I am about missing this, but maybe if she reschedules it will be at a larger (cheaper) venue.

sine

 

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[POSTPONED: April 4, 2020] Deafheaven / Inter Arma / Greet Death

indexI liked Deafheaven’s Sunbather album for its fascianting mix of death metal and shoegaze. I haven’t heard anything from their two new albums, although I have heard very good things about them.

I wasn’t sure if I’d want to go to this show as it might be too intense.  But I had it on my radar.

However, I already had tickets to see Parquet Courts this evening, so it was unlikely I was going to this show.

I had read some really positive reviews about Inter Arma which had me interested in seeing them live.  I mean, if you write “proggy organic doom fields while expanding further the on the psych-folk strain” that sounds pretty awesome, but when I listened to whatever their latest record was, I didn’t really like it.  It just seemed extreme with no subtlety.

Greet Death I assume is named after the Mogwai song, which is promising.  This glowing review of their new album New Hell certainly makes me want to check them out

Greet Death’s shoegazey slowcore resembles a number of pleasing touchstones — Red House Painters, Nothing, Hum, Pedro The Lion, Dinosaur Jr., Thunder Dreamer; a few of Sam Boyhtari’s vocal runs even remind me of Dan Bejar — yet in practice they are entirely their own thing, and that thing is extremely good. These nine songs are mostly mammoth waves of sonic sludge, thick with musical texture and brimming with an energy that belies the measured pace. At its best, as one the nine-minute epic “You’re Gonna Hate What You’ve Done,” their music feels like being crushed by an avalanche while simultaneously soaring across the skyline.

Maybe this would have been the better show that night?

deafh

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