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Archive for the ‘The Mars Volta’ Category

The Mars Volta (Fillmore Philadelphia, Philadelphia, PA, November 5, 2025)

Posted in Feliz y Dada, Kianí Medina, Philadelphia, PA, The Fillmore Philadelphia, The Mars Volta on November 7, 2025| Leave a Comment »

[ATTENDED: November 5, 2025] The Mars Volta

My son and I saw The Mars Volta open for Deftones in an arena and the sound was terrible.  They played an unreleased album so it was really hard to know what was going on in a cavernous place where all subtlety was lost.

So when they announced a headlining tour I grabbed tickets for my son and I.  And what a treat to get there early and be right up front for the show.

Visually there wasn’t a lot going on–the band is largely dressed in black and white and there was only a black curtain behind them.  The lights tended toward the dark and the blue so you couldn’t see super clearly.  But this was really all about the music.

This show was for them to play their new album, Lucro sucio straight through, just like they did opening for the Deftones.  That set was 40 minutes (like the album) but this show was about twice as long with lots of trippy jamming sections.

The set opens quietly with Fin wherein Cedric Bixler-Zavala sings to a synth opening–his voice soaring to great heights–as it did all night, his voice is incredible. (more…)

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Kianí Medina (Fillmore Philadelphia, Philadelphia, PA, November 5, 2025) [THE MARS VOLTA]

Posted in Feliz y Dada, Kianí Medina, Philadelphia, PA, The Fillmore Philadelphia, The Mars Volta on November 6, 2025| Leave a Comment »

[ATTENDED: November 5, 2025] Kianí Medina

After Feliz y Dada, I wasn’t really sure what to expect next.  The change was pretty dramatic.

Out came two normal-looking people.  They stood in the same place as Feliz y Dada but could not have been more different.

Kianî Medina is from Puerto Rico and she sang soaring vocal lines over a pre-programmed backing track and live guitars from her brother Jerry.  The songs were kind of dancey but the live guitar added so much texture and, at times, rocking out.

She sang in Spanish and has a gorgeous voice.  I liked how the songs were mostly synthy (sometimes synth sounds triggered by the guitar) and dancey and then the guitar sound would come in an play some ripping solos.

Kianî had some smooth dance moves especially when Jerry soloed.  And on one of her middle songs (I don’t have a setlist or know any song titles), things slowed down for a lovely sounding ballad.

It was followed by a staccato dance song with some cool guitar–Jerry’s guitar playing sounds like Omar’s on this one.  (more…)

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Feliz y Dada (Fillmore Philadelphia, Philadelphia, PA, November 5, 2025) [THE MARS VOLTA]

Posted in Feliz y Dada, Kianí Medina, Philadelphia, PA, The Fillmore Philadelphia, The Mars Volta on November 5, 2025| Leave a Comment »

[ATTENDED: November 5, 2025] Feliz y Dada

My son and I saw The Mars Volta open for Deftones in an arena and the sound was terrible.  They played an unreleased album so it was really hard to know what was going on in a cavernous place where all subtlety was lost.  But my son was intrigued and I told him we could see them again.

So when they announced a headlining tour I grabbed tickets for my son and I.  And what a treat to get there early and be right up front for the show.

The opening band was Feliz y Dada, whom I had no heard of.  When I looked  them up it was unclear if they were a real band, a novelty band or possibly even members of The Mars Volta.  Many speculated that the lead singer was Teri Gender Bender.  I never found out, but I didn’t care because their set was bizarre and wonderful.

The stage was curtained off to give them a small area up front.  A massive stack of (fake) speakers was behind them and they were given a black curtain to hide the rest of the stage.

Feliz y Dada is a trio.  All three members wear masks with a kind of horn on top and four eyes.  They also wear robes and dance around slowly–waving their bodies back and forth–a perfect encapsulation of “alien life.”

There is literally nothing like them.  The guy on the left had a large pyramid that he kept tapping as if he was playing bass notes or something (it clearly didn’t make any sound, but it did light up). I assume the guy on the right was playing all of the sounds–although it’s also possible he simply started the song and then pretended to play things like the guy on the left.

The singer was singing live but her voice was so distorted and auto-tuned as to be unrecognizable and completely un-understandable.  But she danced around slowly and approached everyone in the front in a slow and methodical way–waving and seeming to suss out what the vibe was.  She also sang into a telephone at one point for what I think was Well Hello.

They sang four short songs and that was that. (more…)

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Deftones (Wells Fargo Center, Philadelphia, PA, April 4, 2025)

Posted in Deftones, fleshwater, Philadelphia, PA, The Mars Volta, Wells Fargo Center on April 5, 2025| Leave a Comment »

[ATTENDED: April 4, 2025] Deftones

I liked Deftones pretty much from when they first came out (the riff for My Own Summer is so good), although like everyone else, it was White pony that really blew me away.

I was lucky enough to see them in 2016 after they released Gore (an album that I love even though many fans do not).  They played the Sands Bethlehem, not a great venue, but the band sounded great and the band was really interactive with the audience.

I knew I wanted to see them again but the pandemic had other ideas, rescheduling their shows a few times.  When the rescheduled show finally happened in 2022, I wound up going with my daughter to see Beach Bunny instead.  And my son (a Deftones fan) went in my place.  Interestingly, since then my daughter has become a big Deftones fan and wow I’m sure she wished we had gone to Deftones instead of Beach Bunny.

Indeed, when this show was announced, I grabbed four tickets for me, my son, and my daughter.  But then my daughter had a commitment she couldn’t get out of (oh no), so my son’s friend came along–he’s a big fan as well–and all was good.  Actually it wasn’t all good because my car died on the way down.  Luckily it died on the way to his school and not while we were on 95.  Okay it didn’t die exactly, but it gave me a very alarming warning beep that made me quite certain I would not be driving it anywhere except home.

So he drove us in his convertible.  And he handled the nonsense of rte 95, the bottleneck at the Wells Fargo Center and the fact that there was a baseball game at the same time next door very well.  The baseball traffic was the real killer and the reason we missed fleshwater completely.  While we were in line for the exit, a car swerved in front of us and it was one of my coworkers!  How weird.  They were going to the stupid baseball game.

But we had decent seats (straight back but not close) and after Mars Volta we waited with mounting excitement.  It was here that I realized how young (and female) much of the audience was (like my daughter).  I believe that TikTok has introduced them to a lot of new people (good for Deftones, but it means they pay arenas instead of large clubs now).

The lights went down and thier gigantic video screen behind them lit up.  The screen jumped between shots of the band playing and other random projected videos.

The show started with what I guess is their (now) biggest hit.  I believe that Be Quiet is the song that got all the younguns into them.  And it sounded great, even in the cavernous Wells Fargo.  And I was really impressed with how energetic and bouncy Chino Moreno (who is in his 50s now) was. (more…)

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Mars Volta (Wells Fargo Center, Philadelphia, PA, April 4, 2025) [DEFTONES]

Posted in Deftones, fleshwater, Philadelphia, PA, The Mars Volta, Wells Fargo Center on April 4, 2025| Leave a Comment »

[ATTENDED: April 4, 2025] Mars Volta

I liked Mars Volta when they came out, lost track of them over the years and then assumed they’d broken up for good.  But in 2022 I scored tickets to see them at The Met in Philly.  The show was great and I was really amazed at how good Omar Rodríguez-López’s guitar was and I was even more impressed by Cedric Bixler-Zavala’s voice which can still hit the incredible high notes.

So I was pretty excited that they were opening for Deftones on this arena tour.

But when they came out on stage I realized the flaw.

Mars Volta plays intricate, complicated songs with many parts and wild shifts.  Which totally got lost in this giant arena.  Plus, they were playing their brand new (not yet released) album in its entirety.

It’s fun to hear new songs for the first time live.  But it is tough to hear an entire new album for the first time in a giant arena with thousands of people around you who are only waiting for the headliner. (more…)

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The Mars Volta (The Met Philadelphia, Philadelphia, PA, September 27, 2022)

Posted in Bosnian Rainbows, Le Butcherettes, Philadelphia, PA, Teri Gender Bender, The Mars Volta, The Met Philadelphia on September 28, 2022| Leave a Comment »

[ATTENDED: September 27, 2022] The Mars Volta

Back in 2000, I loved At the Drive In.  I was bummed when they broke up.  However, they split into two bands: Sparta (the more streamlined guys) and The Mars Volta (the wacky prog rockers).  I was pretty psyched to hear TMV and their debut album De‐Loused in the Comatorium was amazingly weird and cool.  I also really liked the follow up Frances the Mute, but kind of lost track of them after that.

They broke up at some point and that was that.  Guitarist Omar Rodríguez-López went on to do a million projects (like playing with Teri Gender Bender) and singer Cedric Bixler-Zavala has appeared all over the place in bands and as a guest.  i didn’t really give them much thought until they announced a new song and tour.  So I pulled out De-Loused and remembered how much I liked them.

This tour was apparently designed just for me, since most of the songs were from De-Loused and Frances, with one song from the other albums and two from the new one.

The light show was pretty great.  They had squares of light bulbs that illuminated shapes and showed various LED colors.  Not to mention super bright strobes and lots of searching beams of colors.

More impressively, Omar Rodríguez-López’s guitar was even better than I had remembered.  He did a few segments were he just soloed for two or three minutes that never felt showoffy.  And, actually, even more impressive than that was Cedric Bixler-Zavala’s voice.  He can still hit those incredible high notes.

They opened with a song that has a lengthy moody opening.  Omar played soundscapes and solos and then Cedric started singing the slow trippy opening.   And after about ten minutes of that and me thinking…huh, is this the kind of stuff they are gonna play, they shifted gears and launched into the ferocious 7 minute “Roulette Dares” from De-Loused.  This song has more shifts and turns than you can count.  As well as the super catchy “Exoskeletal junction at the railroad delayed” impenetrable lyric.

They jumped to later in the album for “Eriatarka” a slower (at first) song that jumps and pounds with frenetic energy. (more…)

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Teri Gender Bender (The Met Philadelphia, Philadelphia, PA, September 27, 2022) [THE MARS VOLTA]

Posted in Bosnian Rainbows, Le Butcherettes, Philadelphia, PA, Teri Gender Bender, The Mars Volta, The Met Philadelphia on September 27, 2022| Leave a Comment »

[ATTENDED: September 27, 2022] Teri Gender Bender

Teri Gender Bender is the lead singer for the band Le Butcherettes who I know from an amazing Tiny Desk Concert nearly a decade ago.

I was supposed to see Le Butcherettes a few times.  They were supposed to open for Chicano Batman, but had to change as each show was rescheduled.

So I was pretty excited to see Teri Gender Bender who has put out a lot of music in addition to Le Butcherettes.  I wondered exactly how she got involved with The Mars Volta for this tour, then I found out that she was in a band with Volta guitarist Omar Rodriguez-López, called Bosnian Rainbows.   Indeed, he was also in Le Butcherettes.

As the set wore on and she introduced the band, it turned out that he was on stage with her during her set as well!  (In a pink suite with his hair in a wild pompadour).

Her band was set up in a kind of old school trio–bass and guitar behind little podiums with shiny fabric on them and a drummer behind her.  She introduced the other two musicians, but I didn’t catch their names.

The band came out and started jamming and after a minute or two Teri Gender Bender came out on stage.  She is a true performer, standing in fascinating poses, screaming intently her passionate lyrics and stalking around the stage.

The music was kind of dancey but with flairs of anarchy.  But it was all in support of Teri.  She was focused and intense as she got on the floor, contorting he body while she sang.

Between songs, she addressed the audience in Spanish (she was born in Denver, but her family moved to Mexico when her father died).

Her energy was unmatched and I wnjoyed the show.  Although I would have enjoyed it more if I knew the songs better.

  1. córtate el pelo ∏
  2. KENDALL Ø
  3. action ⊗
  4. talking about you ∞
  5. ya no soy
  6. MJ Ø
  7. THE GET UP ⇑

Ø olivia, she wanted me to leave her alone (2022)
∏ madre would not allow it though (2022)
∞ you were truly the one that made us laugh (2022)
⊗ leaving her to be was just not an option (2022)
¶ pestering became a virtue (2022)
⇑ The Get Up (2022)

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Sparta / Emily Davis and The Murder Police (Boot & Saddle, Philadelphia, PA, July 18 & 19, 2020) [rescheduled dates–CANCELLED]

Posted in ...And You Will Know Us By the Trail of Dead, At The Drive-In, Boot & Saddle, Cancelled, Coronavirus, Emily Davis and The Murder Police, King Gizzard and the Lizard Wizard, Philadelphia, PA, Quarantine, Sparta, The Mars Volta on July 18, 2020| Leave a Comment »

[CANCELLED: JULY 18 & 19, 2020] Sparta / Emily Davis and The Murder Police [rescheduled from May 1& 2]

indexWhen At the Drive-In broke up, they split into two bands: The Mars Volta and Sparta.  The Mars Volta went in a wild, psychedelic/prog metal direction and Sparta maintained a more tradition heavy rock sound.

I enjoyed the first Sparta albums but I hadn’t heard anything recently.  I considered going to this show because I’d heard they were really good live.

Emily Davis and The Murder Police [EDMP] are an alt-folk-punk band living in the desert southwest with an affinity for writing aggressive, introspective music.  I’ve listened to a few songs and I like what I heard–I feel they are a bit more folk-leaning, but there is a punk edge.

These newly rescheduled dates wound up conflicting with a Ministry show on the 18th.  I probably wouldn’t have had the energy for this show, so maybe when they come around again, I’ll be free.

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Sparta / Emily Davis and The Murder Police (Boot & Saddle, Philadelphia, PA, May 1 & 2, 2020) [POSTPONED]

Posted in ...And You Will Know Us By the Trail of Dead, At The Drive-In, Boot & Saddle, Coronavirus, Emily Davis and The Murder Police, King Gizzard and the Lizard Wizard, Philadelphia, PA, Postponed, Quarantine, Sparta, The Mars Volta on May 1, 2020| Leave a Comment »

[POSTPONED: May 1 & 2, 2020] Sparta / Emily Davis and The Murder Police [moved to July 18 & 19]

indexWhen At the Drive-In broke up, they split into two bands: The Mars Volta and Sparta.  The Mars Volta went in a wild, psychedelic/prog metal direction and Sparta maintained a more tradition heavy rock sound.

I enjoyed the first Sparta albums but I hadn’t heard anything recently.  I considered going to this show because I’d heard they were really good live.

Emily Davis and The Murder Police [EDMP] are an alt-folk-punk band living in the desert southwest with an affinity for writing aggressive, introspective music.  I’ve listened to a few songs and I like what I heard–I feel they are a bit more folk-leaning, but there is a punk edge.

I had tickets to see …And You Will Know Us By the Trail of Dead on the 1st and King Gizzard and the Lizard Wizard on the second, so the postponement worked out nicely.

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David Peace–“The Ripper” (New Yorker, June 10 & 17, 2013)

Posted in 'til Tuesday, All Songs Considered, At The Drive-In, David Peace, Death, Le Butcherettes, Memoirs, Missing Persons, Mystery, New Yorker, Omar Rodriguez-Lopez, Siouxsie and the Banshees, Teri Gender Bender, The Mars Volta, Threats, True Crime, Violence on June 25, 2013| Leave a Comment »

CV1_TNY_06_10_13Schossow.inddSOUNDTRACK: BOSNIAN RAINBOWS-“Torn Maps” (2013).

bosnianBosnian Rainbows are the collaboration of Omar Rodriguez-Lopez (At The Drive In, Mars Volta) and Teri Gender Bender (Le Butcherettes).  Interestingly, I normally think of Omar as being the dominant force in the music he makes, but for this song, it seems to be all Teri.  Teri is a Latina singer who takes no shit.  In her Tiny Desk concert, she is fierce and intense, and that comes across here as well.

Perhaps the biggest surprise is how synthy this song is.  It has a very retro feel–like a lot of 80’s bands (Missing Persons and ’til Tuesday’s darker moments and of course, there’s an element of Siouxsie in her voice as well).  But there is something especially intense that Teri brings to this song that takes it out of the realm of safe synth pop (perhaps it the dark bridge).  Omar peeks through a bit during the instrumental break which has a pretty wild guitar solo and some intriguing effects that I wish were more prevalent.

I’m fascinated by this song (although I wish I could hear the vocals more).

NPR is streaming this whole album as I write this, although I’m not sure if it will still be available as of this posting.

[READ: June 17, 2013] “The Ripper”

The second in the “True Crimes” series is from David Peace (an interesting name, hmmmm).  In this one, the year is 1977 and young David is obsessed with Sherlock Holmes (and I would assume Encyclopedia Brown, but he doesn’t mention the boy detective).  Peace was ten years old and set up his own detective agency, intent on solving all local small crimes.

And then he learned of the Yorkshire Ripper.  In the piece he says “I was a lonely ten-year-old boy who found the Yorkshire Ripper” which proves to be untrue.  That was a real bummer because that would have made a great story.  As it turns out, he thinks he has found the Yorkshire Ripper, but he hasn’t.

For those of us not following English serial killers, the Yorkshire Ripper was a man who killed dozens of women from 1977 to 1979.  Peace spent his time poring over clues, certain that he could find what the police could not.  And then came the breakthrough—a tape sent in to the local police station stating “I’m Jack.  I see you are still having no luck catching me.”  Peace listened to that tape (which was available at the local police station for the public to see if they could identify the voice) dozens of times.  And his prime suspect became his science teacher “Jock” Carter.  (more…)

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