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Archive for the ‘Speedy Ortiz’ Category

[DID NOT ATTEND: December 8, 2025] Speedy Ortiz / Phoebe Rings / @ / Dylan Baldi

When I bought the ticket for this show, I thought it might be my last show of the year.  I also thought it would be fun to end the year with another Speedy Ortiz show.  But then I found out that Chokecherry, a band I’ve been wanting to see again, was playing the following night.  And since I’ve seen Speedy a bunch, I blew this show off.

It turns out this was a 25th anniversary showcase night for bands on the Carpark label.  All four bands are on the label.

We had just seen Phoebe Rings open for The Beths.  When this was first announced I wondered how Phoebe Rings could get two gigs so close together.  It was planned that way.  After two nights with The Beths, there was no rest for them as they moved on to conquer Johnny Brenda’s.

We saw @ open for Waxahatchee.  I wrote They are kind of interesting and experimental, with lots of sounds layered on to straightforward lyrics.  But live, they were the least dynamic duo I’ve ever seen.  So I’mnot sad to be missing them.

The only person I didn’t know was Dylan Baldi, although I see that Dylan Baldi is guitarist and songwriter for Cloud Nothings. I’ve heard of Cloud Nothings–in fact I feel like I even know them.  But I don’t think I do, they’re kind of pop punky.  He doesn’t seem to have any solo albums out so I assume he was going to sing Cloud Nothings songs.

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[DID NOT ATTEND: October 17, 2025] Guerilla Toss / Godcaster / Special World

I’ve been interested in Guerilla Toss for a few years now.  They seem to play a lot in the area, but something always comes up.

They opened for Karina Rykman but I had tickets to a different show that night and later this year they’ll open for Built to Spill but I have surgery scheduled(really bummed about missing that double bill).

I don’t even really know all that much about their music. It’s weird and sounds like if The B52s (without Fred Schneider since the singer of GT is a woman) were more of an underground indie band (so, yes, if The B52s were WEIRDER).  I’ve heard that their live show was a lot of fun–althouhg apparenty it used to be a lot more crazy since they have all matured.  But As one person said it “Guerilla Toss is a chance for experimental, fans-of-the-fringe, noise heads to fuck with mainstream indie-pop, and for mainstream indie-pop heads to fuck with the noise.”

Sounds perfect.  I was all set to go, but we had a family situation and I stayed home.

I feel like I’ve heard people talk about Godcaster, or I just like the name.  Their recording for Audiotree says

Godcaster is an experimental heavy rock band founded by Judson Kolk and Bruce Ebersole who became close friends in Elementary School. The project is known for their ecstatic live shows and serendipitous, incendiary sound.

Listening to the Audiotree set, they are definitely out there.  I’m guessing “experimental” is the new buzzword for hard to describe.  Because they have a very Frank Zappa weirdo vibe.  With lots of complicated melodies and a singer who seems to just sing the weird melodies–there’s even a flute.

Wow, I really want to see them now.

Special World is Andy Molholt, a Philly based experimental musician and guitarist for Speedy Ortiz.   I knew he made cool sounds with Speedy, but this is some pretty trippy bedroom experimentation.  Voices are blurred, sounds echo.  There’s a melody, but it’s bathed in oddity.  Probably a fun war up for the weirdness to follow

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[DID NOT ATTEND: January 19, 2025] Speedy Ortiz / Grass is Green/ Ovlov / Goshupon

This show was vaguely on my radar because of the band Ovlov, who I’ve known about but didn’t know.  I’ve always gotten a kick out of their name and whenever I se a Volvo I think of them.

Listening to them now I think I should have been a fan all along.  They have gentle indie rock guitars with wailing guitar walls over the top.  It’s fantastic.   Their albums are short and they’ve only put out three since 2009.  Which is either awesome for getting into them, or frustrating at their lack of productivity.  Either way, I’d love to see  them live, but I suspect I’ve missed their only local appearance for a while.

I’d never heard of Grass is Green who are a Boston based experimental rock/post-punk band.  They’ve been around since 2010 playing a a discordant and angular blend of punk and indie. I’ve listened to a few song and I love them–noisy and weird without being unpleasant.

Now that I’ve listened to these bands more, I would have loved  to have gone to this show.  But of course, it was at the Church and I don’t go there.

Back in October this show was announced as (more…)

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[DID NOT ATTEND: January 11, 2025] Speedy Ortiz / The Tisburys / Big Benny Bailey

I saw Speedy Ortiz as a headliner in July and as an opener in September.  I really didn’t expect to see that they were playing Philly again so soon.

I didn’t really feel the need to see them again so soon, and I was kind of enjoying not going to shows for the beginning of January.  So I stayed away from this one.

The Tisburys are a Philly band who I have just recently come to know (although I see they’ve been around for ten years).  They are described as early aughts-leaning pop/rock while keeping that indescribable Philly grit.  They played XPNFest which is probably why their name was familiar to me.  They have a folk rock vibe but their music isn’t folk rock.

I assumed that Big Benny Bailey was jazz band, but it turns out Big Benny Bailey is the country project of Shamir and Ben Pierce of Folkadelphia.  Which is a pretty fascinating mix.  Why is everyone going country these days?

 

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[ATTENDED: September 12, 2024] Silversun Pickups

I had several opportunities to see Silversun Pickups in the last year or so.  (They’ve played in Sayreville, Asbury Park and now Montclair, as well as Glenside, Bensalem and Philly in the last two years).  So I finally decided it was time to go see them.

I think their song Panic Switch is absolutely dynamite.  It’s one of my favorite songs of the early 2000s.  And they have a few other songs that I like as well.  Indeed, I listened to their discography recently and overall really liked them.  I mean, I can’t shake how much they sound like Smashing Pumpkins, but since I haven’t listened to Smashing Pumpkins on purpose in years, that’s fine.   They’re like Pumpkins without all of the Billy Corgan drama.

The band i a four piece with amazing bass sounds from Nikki Monninger–with only one guitar (and keys) Monninger’s bass is fundamental to these songs and they often (like in Panic Switch) have a great riff holding the song down.  The keys are from Joe Lester.  I have no real sense of what he was adding, but I know he was adding a lot–probably more than I realized.

I’ve always liked the look of Chris Guanlao who stands out in pictures with his long dark hair among the light-haired guys.  But holy crap I was not prepared for how loud his drums would be.  The guy is a beast back there–playing all kinds of tempo changes and just accentuating everything.  He was amazing.

And of course up front is Brian Aubert who said he was bummed that he didn’t get to buy a jacket at thrift store that had closed by the time he returned to it.

The band came out to red lights and the song Growing Old is Getting Old (from Swoon).   Midway through, the song shifted and the full stage lights kicked in.  The stage had dozens of lightbulbs hanging down from the ceiling.  They were LCD and changed colors and lit up.  I was pretty cool.

I really like It Doesn’t Matter Why from their previous album and I think I need to listen to that one a bit more. (more…)

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[ATTENDED: September 12, 2024] Speedy Ortiz

I saw Speedy Ortiz a month and a half ago at Milkboy, a small club where I literally was standing behind Sadie Dupuis as she climbed the stairs to the stage.   She had hurt her elbow and this the first time she’d played her guitar in public (for one song).

Then they were invited to open for Silversun Pickups.  I didn’t know they were the openers when I bought the ticket, and I was pretty excited about that–while I love seeing a new band that’s good, it’s even more fun seeing a band I’m really familiar with (this was my fifth time seeing them).

That show was like an Easter Egg for fans.  Seeing them as an opening band was a little different.   Although not hugely different.  Their setlist was very similar to Milkboy (first five songs the same) and they simply excised a few others to shorten the set.  They also ended with the song that Sadie played guitar on for us at Milkboy. (more…)

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[ATTENDED: July 30, 2024] Speedy Ortiz

I saw Speedy Ortiz back in 2018 and then… they sort of disappeared.  When they returned back in 2023, I saw  them twice, for a Free at Noon before the release of their new album and then a month later when they played the new album in full.

Speedy Ortiz was supposed to play Milkboy on New Year’s Eve, but the show was cancelled because of COVID in the band.

So this show was the rescheduled show from New Year’s (New Year’s in July).  And then in June, Sadie Dupuis posted this

 i had a bike accident monday after a car cut me off and, considering philly drivers and roads, i’m way lucky i’m alive and it didn’t go worse. 🚴😵‍💫  my elbow is, as they say formally in the medical-industrial complex, “totally effed,” but i’m scheduled for surgery monday and i’m being led to believe i’m in the best orthopedic hands out there. it’s going to be a long and annoying road to recovery but i love guitar more than anything and i’m famously stubborn so i’ll get there, don’t worry

They had to cancel shows with Mary Timony, but Sadie said she’d do anything to get this Milkboy show done, even if that meant not playing guitar and teaching all of her parts to Dylan Baldi of Cloud Nothings.

Sadie said it was like doing karaoke.  And when she realized that she’d be a “stand up” singer, she asked for a tambourine to keep her hands busy.  Then she learned that people who play tambourine off their thigh tend to protect themselves from serious bruising. (more…)

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[ATTENDED: July 30, 2024] Grocer

This was the third time I could have seen Grocer.   The first time I didn’t go to the show and the second time was when Speedy Ortiz was supposed to play this show in July.

I thought I knew Grocer from NPR music but I didn’t (I think i got them mixed up with Florist who sound NOTHING like them).  Grocer is a trio from Philly: Cody Nelson – Drums/Vocals, Danielle Lovier – Bass/Vocals and Nicholas Rahn – Guitar/Vocals.  Each member sings and each singer’s musical style is a little different making for a wide ranging musical set all held together by this great band having a lot of fun.

The first song “Mating Call” opened with quiet guitars, quiet vocals from Cody Nelson and bird calls.  By the end of the song, the band was furiously singing “It powers on, but the signal’s gone.”

Up next was “Arts & Lit” sung by Nicholas Rahn.  It had an interesting riff, a jumpy melody and fun backing vocals.  I really enjoyed the sounds and effects that he used.  He had some kind of foot pedal that he slid back and forth which manipulated the sound and made his guitar soar into space. (more…)

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[ATTENDED: July 30, 2024] Queen Rat

I was worried that I’d be a little late for this show but I parked (illegally it turns out) and managed to get into Milkboy pretty easily.

Queen Rat came on just as I leaned I could sit on the comfy stool to the left side of the stage (I assume a bouncer sits there during heavier shows?).   But it was perfect for my presently handicapped state.

Their bio says

Queen Rat is a rock trio born in Ohio, growing up in Philly. Drawing from rock heroes ranging from Hole to the Raincoats to the Yeah Yeah Yeahs, the band pairs pensive, observant lyricism with a versatile grunge-rock style. Following the release of their debut album, Until It’s Not, in 2022, they relocated to Philadelphia and released their latest single, Cut Me A Garden, in 2023. Talk to Queen Rat about books, jumping, or birds.

I found them to be much less aggressive than any of the bands listed above, playing an almost lo-fi vibe.

There were fuzzy guitars, for sure, but the pacing was slow and thoughtful with a few moments that rocked out–especially when drummer Kate Bertrand really kicked it in.

I particularly enjoyed the way Tile Floor ended with a lengthy outro of more or less the same lyrics repeated: (more…)

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[CANCELLED: December 31, 2023] Speedy Ortiz / Foyer Red / Grocer [CANCELLED]

indexI saw Speedy Ortiz back in September and the show was fantastic.  I already had tickets to see Phish on New Year’s Eve, so it was unlikely that I’d be going to this show.

A few days before  the show, the band announced that they had to cancel because someone in the band had COVID (it’s a few days later and the message is gone, so I can’t quote it here).

So that sucks for them and for everyone who was planning on spending New Year’s Eve there, including the other two bands.

I could have seen both bands back in 2022 at different shows.  Here’s what I wrote then:

Foyer Red has crazy sounds, weirdo words and multiple singers.  And somehow despite all the weirdness (their 2021 album is called Zigzag Wombat), the songs are catchy

Post-Trash says

Foyer Red is a Brooklyn five-piece that makes sweetly sung, charmingly zany art rock. In 2022 they hit the ground running with several great singles — “Pollen City,” “Pickles,” and “Flipper.” In December, the band celebrated signing to Carpark Records by releasing the delightfully spontaneous single, “Etc.”

That first line is enough to make me want to see them. (more…)

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