Feeds:
Posts
Comments

Archive for the ‘Speedy Ortiz’ Category

[DID NOT ATTEND: January 19, 2025] Speedy Ortiz / Grass is Green/ Ovlov / Goshupon

This show was vaguely on my radar because of the band Ovlov, who I’ve known about but didn’t know.  I’ve always gotten a kick out of their name and whenever I se a Volvo I think of them.

Listening to them now I think I should have been a fan all along.  They have gentle indie rock guitars with wailing guitar walls over the top.  It’s fantastic.   Their albums are short and they’ve only put out three since 2009.  Which is either awesome for getting into them, or frustrating at their lack of productivity.  Either way, I’d love to see  them live, but I suspect I’ve missed their only local appearance for a while.

I’d never heard of Grass is Green who are a Boston based experimental rock/post-punk band.  They’ve been around since 2010 playing a a discordant and angular blend of punk and indie. I’ve listened to a few song and I love them–noisy and weird without being unpleasant.

Now that I’ve listened to these bands more, I would have loved  to have gone to this show.  But of course, it was at the Church and I don’t go there.

Back in October this show was announced as (more…)

Read Full Post »

[DID NOT ATTEND: January 11, 2025] Speedy Ortiz / The Tisburys / Big Benny Bailey

I saw Speedy Ortiz as a headliner in July and as an opener in September.  I really didn’t expect to see that they were playing Philly again so soon.

I didn’t really feel the need to see them again so soon, and I was kind of enjoying not going to shows for the beginning of January.  So I stayed away from this one.

The Tisburys are a Philly band who I have just recently come to know (although I see they’ve been around for ten years).  They are described as early aughts-leaning pop/rock while keeping that indescribable Philly grit.  They played XPNFest which is probably why their name was familiar to me.  They have a folk rock vibe but their music isn’t folk rock.

I assumed that Big Benny Bailey was jazz band, but it turns out Big Benny Bailey is the country project of Shamir and Ben Pierce of Folkadelphia.  Which is a pretty fascinating mix.  Why is everyone going country these days?

 

Read Full Post »

[ATTENDED: September 12, 2024] Silversun Pickups

I had several opportunities to see Silversun Pickups in the last year or so.  (They’ve played in Sayreville, Asbury Park and now Montclair, as well as Glenside, Bensalem and Philly in the last two years).  So I finally decided it was time to go see them.

I think their song Panic Switch is absolutely dynamite.  It’s one of my favorite songs of the early 2000s.  And they have a few other songs that I like as well.  Indeed, I listened to their discography recently and overall really liked them.  I mean, I can’t shake how much they sound like Smashing Pumpkins, but since I haven’t listened to Smashing Pumpkins on purpose in years, that’s fine.   They’re like Pumpkins without all of the Billy Corgan drama.

The band i a four piece with amazing bass sounds from Nikki Monninger–with only one guitar (and keys) Monninger’s bass is fundamental to these songs and they often (like in Panic Switch) have a great riff holding the song down.  The keys are from Joe Lester.  I have no real sense of what he was adding, but I know he was adding a lot–probably more than I realized.

I’ve always liked the look of Chris Guanlao who stands out in pictures with his long dark hair among the light-haired guys.  But holy crap I was not prepared for how loud his drums would be.  The guy is a beast back there–playing all kinds of tempo changes and just accentuating everything.  He was amazing.

And of course up front is Brian Aubert who said he was bummed that he didn’t get to buy a jacket at thrift store that had closed by the time he returned to it.

The band came out to red lights and the song Growing Old is Getting Old (from Swoon).   Midway through, the song shifted and the full stage lights kicked in.  The stage had dozens of lightbulbs hanging down from the ceiling.  They were LCD and changed colors and lit up.  I was pretty cool.

I really like It Doesn’t Matter Why from their previous album and I think I need to listen to that one a bit more. (more…)

Read Full Post »

[ATTENDED: September 12, 2024] Speedy Ortiz

I saw Speedy Ortiz a month and a half ago at Milkboy, a small club where I literally was standing behind Sadie Dupuis as she climbed the stairs to the stage.   She had hurt her elbow and this the first time she’d played her guitar in public (for one song).

Then they were invited to open for Silversun Pickups.  I didn’t know they were the openers when I bought the ticket, and I was pretty excited about that–while I love seeing a new band that’s good, it’s even more fun seeing a band I’m really familiar with (this was my fifth time seeing them).

That show was like an Easter Egg for fans.  Seeing them as an opening band was a little different.   Although not hugely different.  Their setlist was very similar to Milkboy (first five songs the same) and they simply excised a few others to shorten the set.  They also ended with the song that Sadie played guitar on for us at Milkboy. (more…)

Read Full Post »

[ATTENDED: July 30, 2024] Speedy Ortiz

I saw Speedy Ortiz back in 2018 and then… they sort of disappeared.  When they returned back in 2023, I saw  them twice, for a Free at Noon before the release of their new album and then a month later when they played the new album in full.

Speedy Ortiz was supposed to play Milkboy on New Year’s Eve, but the show was cancelled because of COVID in the band.

So this show was the rescheduled show from New Year’s (New Year’s in July).  And then in June, Sadie Dupuis posted this

 i had a bike accident monday after a car cut me off and, considering philly drivers and roads, i’m way lucky i’m alive and it didn’t go worse. 🚴😵‍💫  my elbow is, as they say formally in the medical-industrial complex, “totally effed,” but i’m scheduled for surgery monday and i’m being led to believe i’m in the best orthopedic hands out there. it’s going to be a long and annoying road to recovery but i love guitar more than anything and i’m famously stubborn so i’ll get there, don’t worry

They had to cancel shows with Mary Timony, but Sadie said she’d do anything to get this Milkboy show done, even if that meant not playing guitar and teaching all of her parts to Dylan Baldi of Cloud Nothings.

Sadie said it was like doing karaoke.  And when she realized that she’d be a “stand up” singer, she asked for a tambourine to keep her hands busy.  Then she learned that people who play tambourine off their thigh tend to protect themselves from serious bruising. (more…)

Read Full Post »

[ATTENDED: July 30, 2024] Grocer

This was the third time I could have seen Grocer.   The first time I didn’t go to the show and the second time was when Speedy Ortiz was supposed to play this show in July.

I thought I knew Grocer from NPR music but I didn’t (I think i got them mixed up with Florist who sound NOTHING like them).  Grocer is a trio from Philly: Cody Nelson – Drums/Vocals, Danielle Lovier – Bass/Vocals and Nicholas Rahn – Guitar/Vocals.  Each member sings and each singer’s musical style is a little different making for a wide ranging musical set all held together by this great band having a lot of fun.

The first song “Mating Call” opened with quiet guitars, quiet vocals from Cody Nelson and bird calls.  By the end of the song, the band was furiously singing “It powers on, but the signal’s gone.”

Up next was “Arts & Lit” sung by Nicholas Rahn.  It had an interesting riff, a jumpy melody and fun backing vocals.  I really enjoyed the sounds and effects that he used.  He had some kind of foot pedal that he slid back and forth which manipulated the sound and made his guitar soar into space. (more…)

Read Full Post »

[ATTENDED: July 30, 2024] Queen Rat

I was worried that I’d be a little late for this show but I parked (illegally it turns out) and managed to get into Milkboy pretty easily.

Queen Rat came on just as I leaned I could sit on the comfy stool to the left side of the stage (I assume a bouncer sits there during heavier shows?).   But it was perfect for my presently handicapped state.

Their bio says

Queen Rat is a rock trio born in Ohio, growing up in Philly. Drawing from rock heroes ranging from Hole to the Raincoats to the Yeah Yeah Yeahs, the band pairs pensive, observant lyricism with a versatile grunge-rock style. Following the release of their debut album, Until It’s Not, in 2022, they relocated to Philadelphia and released their latest single, Cut Me A Garden, in 2023. Talk to Queen Rat about books, jumping, or birds.

I found them to be much less aggressive than any of the bands listed above, playing an almost lo-fi vibe.

There were fuzzy guitars, for sure, but the pacing was slow and thoughtful with a few moments that rocked out–especially when drummer Kate Bertrand really kicked it in.

I particularly enjoyed the way Tile Floor ended with a lengthy outro of more or less the same lyrics repeated: (more…)

Read Full Post »

[CANCELLED: December 31, 2023] Speedy Ortiz / Foyer Red / Grocer [CANCELLED]

indexI saw Speedy Ortiz back in September and the show was fantastic.  I already had tickets to see Phish on New Year’s Eve, so it was unlikely that I’d be going to this show.

A few days before  the show, the band announced that they had to cancel because someone in the band had COVID (it’s a few days later and the message is gone, so I can’t quote it here).

So that sucks for them and for everyone who was planning on spending New Year’s Eve there, including the other two bands.

I could have seen both bands back in 2022 at different shows.  Here’s what I wrote then:

Foyer Red has crazy sounds, weirdo words and multiple singers.  And somehow despite all the weirdness (their 2021 album is called Zigzag Wombat), the songs are catchy

Post-Trash says

Foyer Red is a Brooklyn five-piece that makes sweetly sung, charmingly zany art rock. In 2022 they hit the ground running with several great singles — “Pollen City,” “Pickles,” and “Flipper.” In December, the band celebrated signing to Carpark Records by releasing the delightfully spontaneous single, “Etc.”

That first line is enough to make me want to see them. (more…)

Read Full Post »

[ATTENDED: September 5, 2023] Speedy Ortiz

I saw Speedy Ortiz back in 2018 at a sold out PhilaMOCA show )I was right in front of Sadie Dupuis).  Their show was great–a fan-favorite selection of songs from throughout their career.

It had been five years since they released a new album and they were celebrating by playing the entire album at our show (the only show they were likely to do so).  [I didn’t know that until she told us].

I had heard a few of the new songs at the Free at Noon show, but this one promised to be so much better.

And so, they played Rabbit Rabbit start to finish.  There were a few moments where she joked about what a pain it was to tune between songs (which is why most bands don’t play the album straight through–they group songs with similar tuning together to minimize drag.

I had listened to the album about three times, so it wasn’t familiar but I recognized many moments.

The band is mostly the same.  Of course, Sadie Dupuis is the main force–her guitar playing is excellent and complex and her voice sounds amazing.  Andy Molholt is still with them playing lead guitar and more.  I especially enjoyed Audrey Zee Whitesides (now a full time member of the band) absolutely screaming backing vocals on a couple of songs.

What was great about seeing the album live like this is that songs that hadn’t quite grabbed me yet on a listen were really powerful live.  Sadie said “Cry Cry Cry” was her favorite song on the record, and after she said that I paid more attention to it and it was great.

Speedy Ortiz doesn’t do encores, so instead they played three older songs to wrap up the night–one from each of the the previous full lengths.

I like Twerp Verse the best so I liked hearing “Buck Me Off”  And “Raising the Skate” is a great song off off Foil Deer.

The final song of the night was “Plough” a great song from their debut–the only bummer about that is that’s what they ended their Free at Noon set with as well.  But that’s a very minor complaint because it’s a killer song.

They have gotten a new drummer since five years ago Joey Doubek has replaced Mike Falcone and unless I am very much mistaken, Doubek hits the drums a whole lot harder.  I feel like he adds a very heavy element to these songs.

Hearing the album like this was really great and I’ve enjoyed it even more after seeing it live.  There are of course other songs I would have loved to hear (made a super long encore?), but I enjoyed this set a lot.  And when I see that in other cities they play maybe 7 or 8 songs (out of 13) off of Rabbit, I feel especially lucky.

 

Johnny Brenda’s 2023 Free at Noon 2023 PhilaMOCA 2018
Kim Cattrall ¥ The Graduates Buck Me Off
You S02 ¥ Scabs ¥ Lean In When I Suffer
Scabs ¥ Ghostwriter ¥ Lucky 88
Plus One ¥ Silver Spring Raising The Skate
Cry Cry Cry ¥ Plus One ¥ The Graduates
Ballad of Y & S ¥ Lucky 88 Silver Spring
Kitty ¥ You S02 ¥ Plough
Who’s Afraid of the Bath ¥ Plough Alone With Girls
Ranch vs. Ranch¥ I’m Blessed
Emergency & Me ¥ Taylor Swift [single]
The Sunday ¥ You Hate The Title
Brace Thee ¥ Moving In
Ghostwriter ¥ Villain
Raising The Skate €            * Swell Content
Buck Me Off * “Silver Spring” was Dvrk Wvrld
Plough on setlist

 

¥ Rabbit, Rabbit (2023)
⇓ Twerp Verse (2018)

€ from Foil Deer (2015)
♠ from Major Arcana (2013)
⊗ from Sports EP (2012)
[single] from (2012)

 

Read Full Post »

[ATTENDED: September 5, 2023] Washer

I hadn’t heard of Washer before this show.  Turns out they are a duo–another duo who can make a good holy racket with just guitar (or bass) and drums.  Washer is Mike Quigley: guitar, vocals and bass and Kieran McShane: drums.

Quigley setup right in front of me (off to the side of the stage a bit), so I couldn’t really see McShane all that well.  Of course, the lighting was super dark so I couldn’t see him much anyway.

They started with a slow song, “King Insignificant” with Quigley playing guitar quietly and McShane keeping time.  It sounded good, and not at all like it was missing anything.  But then about 90 seconds into the song, McShane went bonkers on the drums and the song ended in a furious punk rock screamfest and they sounded massive.

Washer clearly don’t have time for things like solos.  Some songs barely have time for a chorus.  They played the first four songs of their newest album–two of which are 90 seconds long and two of which are just over two minutes.  And I liked each one better than the next,

They dipped into a couple of other new songs, but  they also played some older ones as well. (more…)

Read Full Post »

Older Posts »