SOUNDTRACK: SONIC YOUTH-Dirty (1991).
I think of Dirty as a pretty commercial album. I mean, it’s got Butch Vig as a producer for crying out loud. And, it has three singles released from it.
The lead off track “100%,” and track three “Theresa’s Sound World” are as catchy as anything.
And of course, Lee’s “Wish Fulfillment” is just an amazing track, and is certainly a nod to a more poppy sound. But it is “Sugar Kane” that strikes me as their most commercial attempt yet. Of course, saying all this, one must remember that Daydream Nation & even Sister had tracks that were short and catchy. Dirty almost feels like a condensation of that sound.
“Orange Rolls, Angel’s Spit” is one of those songs that mixes catchy sections and utter noise so successfully. And “Youth Aginst Fascism” has a wonderfully catchy vocal line but it is backed by the squeakiest most unmusical guitars on the record (and has the memorable “I Believe Anita Hill” line).
But despite all that, there’s also two completely un-Sonic Youth songs on the disc: “Nic Fit” is a one minute hardcore punk blast while “Creme Brulee” is a solo guitar (a sort of out-of-tune, cheapo amp effect) strumalong sung by Kim. Kim also gets “Drunken Butterfly” which is certainly not easy listening, (although the mocking of The Door’s lyrics is pretty funny). And “Shoot,” which is one of Kim’s menacing spoken-wordish pieces that changes the overall temperament of the disc.
But, yea, there’s no denying that this is a commercial album. It features some of their catchiest and easiest-listening tracks. And yet, the disc is certainly done on SY’s terms. For even if they did make it onto the Billboard charts (#83), they certainly never got played on Top 40 radio.
[READ: August 6, 2009] “War Dances”
I wasn’t sure if I was going to read this short story or not. But then this story is broken down into multiple small sections and the heading on the first was My Kafka Baggage. Now, I like Kafka, but Kafka can also be an “lazy” indicator for “weird stuff ahead”. Nevertheless, I read the opening and I was intrigued. By the end of that section I was hooked.
And even though I felt the second section wrapped up things really nicely (it wraps up a story about the narrator’s father, but not the whole story itself), I pressed on.
All of this sounds like it’s not a strong vote of confidence for this story, but that’s far from the truth. The story was fantastic. I couldn’t get enough right up until the end, which was very satisfying.
The story concerns a forty year old Native American Indian guy. He has two kids and his wife is away in Rome on vacation. When his kids start clamoring for food, he realizes that he can’t hear them very well. And sure enough, when he goes to the doctor, his hearing has suddenly dropped to about 30% of his normal ability. (more…)

SOUNDTRACK: SONIC YOUTH-Goo (1990).
I’m not sure exactly why this Sonic Youth album was the first one I really got into. I assume it’s because I was working at the radio station and probably got a bit of hype about their switch to DGC records.
SOUNDTRACK: SONIC YOUTH-Sister (1987).
SOUNDTRACK: SONIC YOUTH-Made in USA (1986 released in 1995).
The liner notes explain a lot of what was behind this disc. The then largely unknown Sonic Youth was asked to score a cool indie film, which later became a less cool more mainstream film and ultimately went straight to video.
SOUNDTRACK: SONIC YOUTH in concert from NPR (July 7, 2009 at Washington DC’s 9:30 Club).
I’m not sure how I learned that this show was online. But I was pretty delighted to see
SOUNDTRACK: SONIC YOUTH-EVOL (1986).
Ah, EVOL. Here’s where Sonic Youth became Sonic Youth. Who knows how much Steve Shelley had to do with it, but he shows up and the band becomes amazing. The cover art is pretty darn scary and yet the music inside is amazingly beautiful. While by no means a commercial album, the album is chock full of melody.
SOUNDTRACK: SONIC YOUTH-Bad Moon Rising (1985).
nother Sonic Youth record, another record label. Bad Moon Rising is a pretty big leap from Confusion is Sex, in that there are actual songs. Well, that’s not fair, what I mean is that the songs have structure like proper songs do. In fact, “Death Valley ’69” (with vocals by Lydia Lunch) is quite catchy!
SOUNDTRACK: SONIC YOUTH-Sonic Death: Early Sonic 1981-1983 (1984).
This document shows just how scary a Sonic Youth show could have been back in their early days. Well, not scary so much as noisy! They mention that they’ve been touring with the Swans, so you can imagine how intense these shows must have been.
SOUNDTRACK: SONIC YOUTH-Confusion is Sex (1983).
On the Sonic Death album, a collection of live recordings from 1981-83, Thurston mentions that they are touring with the Swans, a New York City doom and gloom band of thunderous proportions. [This was before the Swans put out their first album, an incredibly slow, bass heavy bombastic disc of nihilism. I can only imagine how raw they were BEFORE that one.] Anyhow, that explains somewhat why this disc sounds like it does…if they were a part of a scene with the Swans, then their music would naturally be all about notes, not necessarily music.
I can’t help but hear his voice when I read his words, which makes it sound even funnier.
SOUNDTRACK–SONIC YOUTH-Sonic Youth (1982).
A new Sonic Youth disc (The Eternal) just came out which seemed like a perfect reason to go back and sift through their old discs as well. And like Hüsker Dü, they were also on