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Archive for the ‘Shalibi Effect’ Category

dfwshelfSOUNDTRACK: LAND OF KUSH-Against the Day [CST058] (2008).

kushLand of Kush is a huge orchestra created by Sam Shalibi.  Shalibi is a maniac of independent releases, creating everything from orchestral pieces to solo records all with his unique blend of middle eastern tinged music (featuring his oud playing).

This album is inspired by Thomas Pynchon’s Against the Day, a book I have not read.  As such, I can’t say if the music works with the book, or indeed if the songs with lyrics have anything to do with the book at all.  The liner notes essay that Shalibi wrote reveal his deep appreciation for the book and how it made him hear this music.  Pretty neat.  Against the Day the book is over 1,000 pages, so I won’t be getting to it anytime soon.

The CD has 5 tracks: three of them about 8 minutes, one at 14 minutes and the centerpiece comes in at 21 minutes.  To read more than I’m going to say about this band and the album, check out the Constellation Records page.

In general, I find Shalibi’s music to be fascinating, but sometimes a bit much.  He is not afraid to pull out all the stops.  And I think that’s to his credit.  He does free jazz, psychedelic and middle eastern phrasing, often within one song.  And while it’s often very enjoyable, it can also be exhausting.

And that is the case with this disc. The 21 minute “Bilocations” is such a brilliant piece of music.  The main musical line is just fantastic: middle eastern instruments playing a sort of James Bond type suspense theme.  And the vocals are simply amazing.  The singer (and I regret to say I’m not sure which one she is) is snarling and sexy and brings the whole piece to life.  I’ve never heard anyone say “economics” with such emotion before.  And I enjoy probably the first 15 or 16 minutes of it.  The last five drifts into a sort of solo for voice which gets a bit tiresome, actually, especially after the intensity of the first part.

And yet it is then followed up by the last two songs, each about 8 minutes long, again with fantastic motifs that propel these weird and wild pieces beyond the middle eastern psychedelic soundscapes into actual songs.

Despite my amorphous criticisms (I think that the disc is just too long to appreciate in one sitting (and I find middle eastern music is hard for me to digest in more than small doses)) this is my favorite of Shalibi’s releases.  And some day I hope to read the book, too.

[READ: September 19th ish 2009] short uncollected pieces

This is my second (and final, I think) review of multiple DFW uncollected pieces.  There are a few uncollected pieces left that I’m going to read, but they’re all longer and will likely deserve their own post.  Most of these pieces are very short, and I don’t have all that much to say about them.  But, heck, I’m a pseudo-complestist, so I want to have them all here.

All the text in bold, including the links comes from (where else?) The Howling Fantods.  Thanks! (more…)

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SOUNDTRACK: FEU THÉRÈSE-Ca Va Cogner [CST049] (2007).

I struggled ever so much over what disc to attach to this book review, thinking that any disc would be seen to have some correlation to Obama.  So, why not just go all out: a Canadian indie band that sings in French!

This is Feu Thérèse’s second disc.  It comes from Constellation records, home of noisy, lengthy, downbeat records.  In fact, Feu Thérèse is chock full of some of the big names in the Montreal underground: Alexandre St-Onge plays with noisy bands like Shalibi Effect and Jonathan Parant comes from noisy bands like Le Fly Pan Am.  So, how did all of these factors possibly unite to make this disc?

Ca Va Cogner sounds like a analog synth party from 1980!  The whole ensemble would be completely and utterly cheesy if the secret ingredient (which I cannot identify) did not make the whole thing work so well.  The whole disc seems to be washed over with these groovy synths. I want to make comparisons to Kraftwerk, but that seems a little too cold.  All of these songs are warm and soft, there’s even a children’s chorus on one of them.  Other songs are instrumental, or have minimal singing.  And “Le Bruit Du Pollen La Nuit” has a wonderfully smutty sounding spoken word track that recalls, of course, Serge Gainsbourg at his naughtiest (although I have no idea what this song is actually about).

I think what saves the disc from just being an 80’s French Europop band is the guitar and bass interplay.  Those two guys take a lot of the sounds that they’ve mastered in their respective bands, and play them beneath all of the synths.  It undercuts the intentional cheesiness of the keyboards with some awesome textures, and really brings everything to a remarkable whole.  This probably won’t be anybody’s favorite disc, but it is very enjoyable, and worth tracking down, especially if you’re a Francophile.

[READ: October 15, 2008] The Audacity of Hope

Since I’ve been for Obama since the beginning, I figured I ought to read his book.  It seemed especially apt now, since the McCain campaign is saying that we don’t “know anything about” Obama. Well, if you read this book, or, I suspect his OTHER autobiography, you could learn quite a bit about him.  Unlike some other people who don’t grant interviews, hmmm.  Okay, I had thought I would be able to review this book without referencing the current campiagn or the upcoming election, but it is simply impossible.  Please deal with my Partisan Review. (more…)

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