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Archive for the ‘Music’ Category

[CANCELLED: June 29, 2025] Paul Simon: A Quiet Celebration

Last year, my wife and I had tickets to see Paul Simon at The Academy of Music–a small space and we had very good, close seats (I could have gotten closer tickets, but we weren’t sure we wanted to get TOO close).  We have seen just about everyone that we really want to (I have a list of bands that I still want to see but it gets shorter all the time).  But one person on her bucket list was Paul Simon.

So when he announced this Quiet Celebration tour, I grabbed tickets immediately.  Then two days before our show, Paul announced that he would have to cancel the shows because of terrible back pain.  He was going to have surgery and hoped to get back on tour.

As it turns out, he was able to make the next night of his tour (which was about a week later).  So he only missed two shows and ours was one of them.  He never rescheduled that location, but instead, did another round of the tour.  The Philly show was at the Mann Center (a very different venue from The Academy of Music (and it turned out a rainy night).

But we didn’t get tickets for the Mann in part because I didn’t think it would be easy, but mainly because it was my son’s birthday.  So instead, we got tickets to the show in Bethel Woods, a 2 and a half hour drive away.

We got a room for the night and were excited to check out the area.  Especially when I learned that the venue was on the site of Woodstock.  And there’s a museum dedicated to the 1969 event.  I was three months old when Woodstock happened and my parents were as far from hippies as you could get, so there was no love for this event in my house growing up.

However, I understand its cultural significance as well as the musical significance.  And while I’m not someone who thinks it was the most amazing thing to ever happen, I still like the music and thought the museum would be cool.  The museum is pretty cool.  I enjoyed the memorabilia, in particular the woman who wrote down the music she saw and her thoughts about them–I’d love to see everything she wrote.  It was also fascinating to see that no one really had an idea of what each band played–they had to look at various documents to ensure the playlists.  But there’s even discrepancies in the museum itself.  One sign says The Who played 24 songs, but the other sign lists 21 songs.

So the museum was a little underwhelming, but because we were there when we were, we were able to buy one of these limited edition posters, which is pretty cool.

So the weather that morning was unreasonably hot (day 3 of a 5 day heat wave).  But on the way to the venue it started raining (and thundering).  I was first concerned that they might cancel the show from the heat (Paul Simon is old, after all) and then I was worried that they would cancel it because of lightning.  Either way would have been too much for us to bear, I fear.  But the rain stopped and the temperature dropped about 20 degrees and it was quite lovely.

But they delayed the opening of the gates for some 20 minutes and the line was INSANE, so we hung out in the (air conditioned) museum until just before 8.

The walk from the entrance to the venue is REALLY long.  Like, holy cow you have to walk a long way–easily ten minutes with the crowds.  But Paul didn’t go on until 8 and we found our seats and waited.   One complaint is that we brought refillable water bottles but there were no places to fill them.  I suppose if we were earlier, we could have spotted them, but they assured us that the show would start at exactly 8 and it was like 5 of as we got near our seats.

But soon enough, the lights dimmed and the band came out. (more…)

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[DID NOT ATTEND: June 28, 2026] The Struts

The Struts opened for Foo Fighters when my wife and I saw them.  Sadly, we missed their entire set.

They have a retro look and feel and I like the way Louder Than War describes their:

knack for writing and performing unapologetically direct, catchy, feel-good original songs that somehow sound like long-lost rock classics. It also shows the singer’s ability to connect with crowds.

I knew that I’d want to see  them again, because their live show (even just those couple of songs) was great.  But in the 8 years since that show, I have more or less completely lost touch with them.

I totally missed it when they came around last year for their huge 10 year anniversary tour.  I was mostly interested in this one for the chance to go to Archer Music Hall.  But I listened to some of their new stuff and I didn’t really like it.  So I couldn’t be bothered to try to get to this show.  And that’s okay with me.

I never saw any indication that there was an opening band, so I’m going to assume there wasn’t.

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[ATTENDED: June 26, 2026] Weird Nightmare

I first heard about Weird Nightmare on the radio.  WXPN played one of their songs, saying the guy behind the band, Alex Edkins, was the former lead singer in Metz. I really enjoyed Metz and was bummed that I only had one chance to see them before they went on hiatus.  Metz is super noisy, so I was really curious what this new “radio friendly” song would sound like.  And it was great–super catchy with a cool fuzzy guitar solo and a Dinosaur Jr sound.

It became one of my favorite songs of the year so far.  And when this show was announced I grabbed a ticket immediately.  Later on, I had the choice between this show and The Breeders (who I loved in the 90s) and I chose  this one.  I don’t know how the Breedersd were (probably pretty good), but I really loved being in this small venue right up against the stage.

I assumed that Weird Nightmare had one album out and they would play the whole album.  Turns out this is their second album and they played songs from both releases.

They opened with Headful of Rain a bouncy, catchy song that totally belied the background of Metz!  I’m not sure who the live band was, although on record Loel Campbell is on drums and Roddy Kuester is on bass.  I have no reason to think anyone else is playing with him.  Campbell sang great backing vocals on the first song and then his unnamed rhythm guitarist sang fantastic harmonies with Campbell on most of the rest of the set. (more…)

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[DID NOT ATTEND: June 26, 2026] The Breeders / Sean Solomon

This was a show I was interested in as soon as it was announced.  I really liked The Breeders when they came out–Last Splash was lie a revelation to me.  But over the years I lost interest in them for one reason or another.  However, I had just seen Belly for the first time and while I liked Belly, I’m pretty sure I enjoyed The Breeders more.  But there was something about this show that I just couldn’t commit to.  Was it because they were playing The Fillmore (Belly was at Underground Arts)? Maybe.  Was it because I hadn’t listened to any of their new music?  I don’t know.

I mean, I love Kim Deal, and I’m bummed I didn’t get to see her with the reunited Pixies, but still…

I think it was because I was really invested in seeing Weird Nightmare that evening.  And that show was weird and fun, so I don’t really feel like I missed out all that much.

Turns out they play most of Last Splash and half of Pod, so they knew what people wanted.

How does one get to be the opener for a classic alt rock band?  No idea.  Who the heck is Sean Solomon?  How did the Breeders find him?

Solomon is a musician and animator from the San Fernando Valley.  His music moves seamlessly moves from bare-bones acoustic guitar to a Neutral Milk Hotel-esque cacophony of marching drums and horn blasts.  Solomon was in a band called Moaning who put out two albums on Sub Pop, so he’s not an unknown newbie (except to me).  I found his stuff kind of interesting, but it didn’t make me want to see this show instead of Weird Nightmare.

 

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[ATTENDED: June 26, 2026] Golden Apples

I had not heard of Golden Apples before this show and yet I recognized one of the songs on new the album when I listened to it.

Golden Apples is the output of Russell Edling.  The blurb on bandcamp says his partner Mimi Gallagher is a bandmate (I’m amusing she played guitar and sang as well).  There was also a bassist, keyboardist and a drummer who I know I’ve seen with another band, but I never got her name.

I got to Northern Liberties 30 minutes early but didn’t find parking until 5 of.  I speed walked to the venue and walked in just as the band hit their first note.  Ortlieb’s can hold about 75 people, and it wasn’t crowded when I first walked in, so I had a great view of the band.

The songs were simple and catchy with the two guitars playing off of each other.  The bass sounded great in the room, by the way.

I enjoyed the simple but catchy guitar riff of followed by the totally rocking High School. During this song, Russell stepped off the stage (it’s about 6 inches high) and played his solo among the crowd (which was empty up front). (more…)

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[ATTENDED: June 24, 2026] Spoon 

This was my fourth time seeing Spoon, a band I’ve never been a huge fan of.  That sounds worse than I mean.  I’ve liked them for years and I like many many of their songs, they were just not one of the bands that I got really into.  And yet, I will see them all the time when they play because their live show is so good.

I can’t believe it’s been four years since they last came to Philly.  That time, they cancelled and rescheduled a concert in 19 days (and even had new T-shirts printed with the new dates!).

My wife came along with me for The Beths (which she loved) and was indifferent to Spoon.  She had seen them with me at the PNC Bank Center in Holmdel when they opened for Beck seven years ago.  I told her that they would be better and more fun in this setting and she agreed they were (at PNC they played when it was still light out).

Spoon was headlining, but they still played a shortened set.

I assumed that this tour was an opportunity to play the two new songs that they’d released not too long ago (and which WXPN loves).  But amazingly, they didn’t play either one!

Chateau Blues and Guess I’m Fallin In Love are great songs and would have been so much fun to hear live.  But instead, they opened with a song from their debut album, one I hadn’t heard yet.  If I thought The Beths’ crowd was excited, they had nothing on the Spoon fans, who went crazy for this old song.

We were nearest to Alex Fischel, who is so much fun to watch.  So much so, that singer Britt Daniel spends a lot of time watching him too.  It’s odd that Britt introduced Alex and drummer Jim Eno but not bassist Ben Trokan or multi-player Gerardo Larios.

I told my wife that she’d know a few of the songs because they do get a bit of airplay.  She knew (and really enjoyed) The Hardest Cut.

Spoon songs soun distinctly Spoon so even if you don’t know a song you’ll feel comfortable with it.   But my wife recognized I Turn My Camera On.  And I was psyched to hear My Mathematical Mind and The Way We Get By (the woman behind me–who screamed a lot–was also happy to hear that one and sang along for a bit, but not too much, thankfully).

Then they played two songs I hadn’t seen them play before–2 deep cuts from their second album.  They followed that with the amazing The Underdog.  Such a fun song.  It’s got horns on the record but the live version doesn’t miss them.

Britt is a really fun frontman–he points and smiles at people, he really engages with the audience.  I’ve no idea if he’s a nice guy or a cocky jerk, but he definitely enjoys himself on stage.  It’s pretty amazing that this is my fourth time seeing them and they played five (older) songs that I hadn’t seen them play before. And one brand new song Lose Control that hasn’t been released as a single yet. (more…)

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[DID NOT ATTEND: June 24, 2026] Lip Critic / Flatwounds / Bejalvin

I saw Lip Critic last year and the blew me away.  I’d never want to listen to their records, but live, they were incredible.  Noisy and chaotic with two drummers and a guy who plays keys/samples/something.  And a singer who commands the room.  I definitely wanted to see them again, but I put off getting tickets to this show for a while. I jad so much going on this week that something had to give and this was it.  It eventually sold out, so at least I didn’t have to feel like I should have tried to go.   Plus they were opening for Mannequin Pussy in a few months, so I’d get to see them again, at least.

Flatwounds are from Albany.  They combine a kind of hardcore vibe with some 90s grunge sounds.   New York hardcore bounce[like Helmet] with a dark, grunge-flavoured vibe [like Alice in Chains–the vocals are similar with a touch of Stone Temple Pilots].  Their sound has morphed over a few EPs–never going too far from what they do, but exploring different nooks of the stuff they reference.  I dig it.

Bejalvinare a weird hyperpop band (like 1000 Gecs, I suppose) who describe themselves as straightedge electronic fight music.  The vocals are largely growled and the music is mostly glitchy chiptune. It’s the kind of “music” that annoys a lot of people, but which I find intriguing and would enjoy seeing how they do it live.  They seem like a perfect fit for Lip Critic, tbh.

I suspect that this show was a wild night of chaos.

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[ATTENDED: June 23, 2026] The Beths

I love The Beths and I’m thrilled that my wife does too.  This was her third (my fourth) time seeing them.  And the previous time was only six months ago (do they ever go back to New Zealand?)

This was a double headline show, which I tend to think sucks for everyone.  The bands don’t play a full 90 minutes (or more) and the fans don’t get a full show from either of the bands that they like.  But sometimes it works out okay.  We were hoping the show wouldn;t run too late as we were both pretty tired.  So, the fact that Spoon kept it pretty short was ok.

But honestly we would have loved a bit more of The Beths!

After Squirrel Flower, we moved up fairly close to the stage.  Then a nice tall man (from Matawan) told us to go in front of him. Which was so thoughtful.  Although if he did that for everyone, he’s be in the back row.

The couple in front of us was interesting.  She was a huge Beths fan and he…stood sideways for the whole show.  He faced he partner.  I looked at his shoes and indeed they were pointing to the side.  And he turned his neck for the entire show to see the band.  Why would anyone do that?

The tall guy next to me was totally into it, drumming along, make hand motions and singing (quietly) everything.  This was a pretty dedicated fan base–surely everyone there saw them in December too.

Because they weren’t full headlining, they kept things relatively tightly paced.  The show started like the last one with the fantastic Straight Line was a Lie which got everyone bouncing.  They followed it with the really fun No Joy which is especially fun because at two points song the song, Jonathan Pearce on guitar and Benjamin Sinclair on bass stomp on a little stomp rocket thing and penny whistles fly into the arm which the catch an proceed to play.

It was interesting that they played some songs that they didn’t play six months ago.  Like they played Knees Deep from Expert…  It’s a fun bouncy song (because they all are, right?).  Then they jumped back to Future Me, one of many songs that have wonderful backing vocals from Jonathan, Benjamin and drummer Tristan Deck.

Things shifted gears dramatically when Liz said she was going to sing the next song by herself.  She told us it was about her relationship with her mother, so it was clearly Mother, Pray for Me.  The thing I didn’t know about the song (or her) was that her mother is a devout Catholic Indonesian woman.  Liz was born in Jakarta and moved to Auckland at age four.  That made some of the lyrics even more meaningful.  This song is a surprise because it’s not poppy and punky, it is slow and beautiful.  And I am really surprised that she played it during this shortened set.  It stops all 0f the energy and, thankfully, the crowd is rapt.  It must be a very meaningful song for her to bare herself like this.

When it was over and she thanked everyone for being quiet (except two people who whooped?), Jonathan told us about a club in New Zealand that is right across from their studio and it’s about to close that very night.  They were trying to raise money for it and said that all profits from merch would go to the venue.  But they needed $150,000 by midnight.  And holy shit, they raised it (well, the club did, not The Beths alone–but “Auckland indie band The Beths were one of the almost 3000 donors, sending $9633.38 from the band and “the people of Philadelphia””.)  It was a pretty lengthy chat which meant that they didn’t get to do their usually fun introductory banter.  Although TRistan did give a plug for Ben’s wonderful blog breakfast and travel updates.com.

They touched on their previous album a couple of times with Best Left (not to be confused with Best Laid Plans) with that echoing pulsing guitar intro (some things are best left….to rot).  And then only one song from Jump Rope Gazers (the wonderful title track)–this is why a double headline show isn’t as much fun, only ten songs?

I was delighted that they played Metal, the recently ubiquitous single that is so much fun.  The melancholy Til My Heart Stops was followed by the similarly melancholy (but somehow bouncy and poppy) Little Death.

They ended the set with Expert in a Dying Field, another super fun and catchy song.  I felt that they had enough time to squeeze in the amazing I’m Not Getting Excited (it’s only like 2 minutes long) but they were done (and Ben says they removed all of their gear in 9 minutes).  It was a great set, marred only by the fact that I wished it was 45 minutes longer.

2025 2025 2023 2022
Straight Line Was a Lie ⇒ [2] Straight Line Was a Lie ⇒ Future Me Hates Me ¶ [2] I’m Not Getting Excited Ω
No Joy ⇒ [2]  No Joy ⇒ Knees Deep ⊗ Not Running  ¶
Knees Deep ⊗ [2] Silence is Golden ⊗ [2] Out of Sight Ω [2] Great No One 
Happy Unhappy  ¶ [2] Future Me Hates Me ¶ [3] A Passing Rain ⊗ A Real Thing [new]
Mother, Pray for Me ⇒ [2] Metal ⇒ Not Running ¶ [2] Happy Unhappy 
Best Left ⊗ [2] Til My Heart Stops ⇒ Best Left ⊗ Out of Sight Ω
Jump Rope Gazers Ω [4] Mother, Pray for Me ⇒ Dying to Believe Ω [2] Acrid Ω
Metal ⇒ [2] Your Side ⊗ I Want to Listen ⊗  Jump Rope Gazers Ω
Til My Heart Stops ⇒ [2] Uptown Girl  ¶ [2] Head in the Clouds ⊗ Uptown Girl 
Little Death  ¶ [4] Mosquitoes ⇒ Jump Rope Gazers Ω [2] When You Know You Know ¢/⊗
Expert in a Dying Field ⊗ [3] Ark of the Covenant ⇒ I Told You That I Was Afraid ⊗ Mars, the God of War Ω
Jump Rope Gazers Ω [3] When You Know You Know ⊗ [2] Whatever  ¶
Best Laid Plans ⇒ I’m Not Getting Excited Ω [2] Little Death 
Little Death  ¶ [3] You Wouldn’t Like Me ¶ Future Me Hates Me 
I’m Not Getting Excited Ω [3] Silence is Golden ⊗ River Run: Lvl 1 
Have Yourself a Merry Little Christmas (Hugh Martin cover) Expert in a Dying Field ⊗ Dying to Believe Ω
Expert in a Dying Field ⊗ [2] encore
encore You Are a Beam of Light Ω
Roundabout ⇒ [Roundabout replaced Take since roundabouts / traffic circles came up earlier in the show.  First time as closer.] Little Death ¶ [2]

⇒ Straight Line Was a Lie (2025) (played everything from it except Take)
⊗ Expert in a Dying Field (2022)
Ω Jump Rope Gazers (2020)
¶ Future Me Hates Me (2018)
¢ Demos 2014-2020

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[DID NOT ATTEND: June 24, 2026] Wunderhorse / Been Stellar

Wunderhorse is a band whose name sounds like a lot of other bands that I like (or at least hat I know).  I know WXPN liked them, although when I played the song tha they had been playing a lot, I didn’t recognize it.  And I didn’t really like it.  I have nothing against the band but nothing about the songs grabbed me at all.

So, yea, I wasn’t going to see them.

I have enjoyed the band name Been Stellar for a little while now.  I’m not even sure if I knew their music, but their name gave me a chuckle.  They have opened for two bands that I was interested in seeing, but I didn’t go to either show.  Last time, when they opened for Fontaines D.C. I said I listened to a few clips and didn’t really get much of a feeling from them–fuzzy alt rock.  They’re kind of a buzz band, but I’d need to hear more.  When I first listened to them in 2023, though I really liked them.  I guess tastes change.

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[DID NOT ATTEND: June 24, 2026] Ally the Piper / Aurelia Anne Cohen

Ally the Piper is a bagpipe player who plays rock/heavy metal music.  I had seen her in a video playing with heavy metal violinist Mia Asano.  Both of them are very cool and I imagine that their sets are lots of fun.  I seriously thought about this one, but ultimately decided I didn’t care enough.   She does play Crazy Train and her metal bona fides are quite secure.   I just didn’t want to go.

Aurelia Anne Cohen is a folk singer.  Her bio says that she is an original time travelin folk musician and circus freak, found wherever Vaudeville survives.  She has an interesting backstory, but musically, she is pretty much old school Appalachian-style folk.  She’s probably a fun entertainer (I means she was a circus freak after all.   But I wasn’t that interested.

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