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[ATTENDED: February 10, 2022] Volbeat

I hadn’t heard of Volbeat before this tour was announced.  Although I had to join their (free) fan club to get the pre-sale code because it seemed like Ghost’s didn’t go out as early.

I listened to a few Volbeat songs before the show but nothing really grabbed me.  I wasn’t quite sure what I didn’t like about them–they had a kind of “rock-n-roll” vibe which I don’t really care for.  Some of their songs were heavier than others, but it did nothing for me.

I assumed that live would be a different story.

And judging by the crowd, you’d think that was right.  The crowd went berserk for these guys.  And I… didn’t.

There’s so much that I should like about this band.  They’re from Denmark, which is exotic and fun.  The lead singer is funny and charismatic and he had a terrific voice.  The guitarist is from New York (he really looked nothing like the rest of the band) and he was tremendous–doing some amazing solos.

The rhythm section was always on.

And yet, it did nothing for me.  I felt like the singer’s voice, while great, never worked with the music.  And the solos were impressive but not very interesting,  It felt like something was missing–four great parts in need of something interesting to bring it all together.

Their backing videos and such were pretty great.  They changed for most songs and were fun to watch.  For a few songs they even had narrative videos that were fun to watch.  The video screens also did a fun thing where they mirror-imaged one of the guys to be on either side of the person in the middle screen.  And I really liked that the lead singer had microphones all over the stage, so he sang from different parts at different times–very democratic.

It’s possible I didn’t like them as much because the dudes in front of me were tall and filmed nearly everything so I could hardly see anything at all (hence watching the videos).

And yet there was nothing about them that I hated.  I just felt completed blah by them.  I couldn’t wait for their set to be over.  I almost never feel this way.  But shockingly, they actually played for a few minutes longer than Ghost (the headliner) did.

Strangely enough, or perhaps not, my son felt exactly the same way–Just meh.  Just nothing from them.

But the crowd was so into it and I genuinely worried that concerts had lost magic for me.  Ghost brought it back, thankfully.

The people in the row behind us were really noisy when they sat down and then were very quiet.  When Volbeat was done, we learned that someone in the row behind us peed on the stranger next to him.  I don’t have any details and I can’t quite imagine exactly how this all happened.  But it sounds like it was a deliberate act?  Did he take it out and point at them?  Did he just pee his pants?  I have no idea.  Apparently the victims were allowed to move to a better location.  But It was far more memorable than Volbeat.  (And fortunately, none of us got anything wet).

Not entirely true.  We all enjoyed his little Johnny Cash cover (he started “Ring of Fire” and then said that he had ripped off Johnny for the old song “Sad Man’s Tongue,” but I have no recollection of that song.

I see that they have a Rockabilly vibe going on and I really don’t like rockabilly, so maybe that’s it.  They also seemed to be kind of Satanic, but not really.  Even just looking at their album titles kind of annoys me.

SETLIST

  1. Seal the Deal $
  2. Pelvis on Fire ®
  3. Temple of Ekur Ø
  4. Lola Montez
  5. Ring of Fire (Johnny Cash excerpt) / Sad Man’s Tongue ¥
  6. Becoming Ø
  7. Last Day Under the Sun ®
  8. Wait a Minute My Girl Ø
  9. Black Rose $
  10. Shotgun Blues Ø
  11. The Devil’s Bleeding Crown $
  12. The Devil Rages On Ø
  13. Doc Holliday
  14. The Sacred Stones Ø
  15. Die to Live ®
  16. Still Counting ♦

Ø Servant of the Mind (2021)
® Rewind, Replay, Rebound (2019)
$ Seal the Deal & Let’s Boogie (2016)
⊗ Outlaw Gentlemen and Shady Ladies (2013)
♦ Guitar Gangsters & Cadillac Blood (2008)
¥ Rock the Rebel/Metal the Devil (2007)

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[ATTENDED: February 10, 2022] Twin Temple

I was really intrigued to see Twin Temple because I’d heard about them through….NPR? I’m not sure, but I remember hearing about this satanic doo-wop group.

I don’t really like the music as I don’t like doo-wop, but I was all in for the spectacle.  And wow, what a spectacle.

The band came out of stage: drums, bass, keys and a big old tenor sax.  After riffing for a bit, the two main persons in the band came out on stage in their full satanic regalia.

Their bio states:

The band was started on Halloween (a Witch’s Sabbath) in 2016 when a destruction ritual was performed, and Alexandra and Zachary James stepped into their power as Twin Temple, energetically killing all their previous incarnations up until that point. 

And while a lot of “Satanic” metal bands begin and end their worship of Satan on stage, the same can’t be said for Twin Temple. Both their music and their practice of Satanism, on and off the stage, are rooted in the ideals of free will and giving space to those who are often not allowed any.

So no, Twin Temple doesn’t drink the blood of virgins or kill babies to sacrifice on the full moon. They are challenging notions about what it means to free the oppressed, fight back against dated and binary ways of thinking, and doing it all while hailing the dark lord himself.

So the duo came out on stage–Alexandra in her huge beehive hairdo and Zachary with his tiny mustache–and proceeded to do some rituals.

(more…)

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[POSTPONED: February 4, 2022] Courtney Barnett / Shamir [moved to …]

S. andindex I were looking forward to this show although we both groaned a bit when we saw it didn’t START until 9PM.  Good grief.

Weather forecasts for this even were treacherous.  Freezing rains and temperatures that were expected to drop below freezing did not bode well for an hour plus drive.  We were fairly certain we were going to skip it.  We love Courtney and our friend Kaylo recently saw this tour and said it was great, but we have seen her before and it just seemed too risky.

Then, just before I left work, we got the notice that the show had been postponed.  I sort of assumed at first that it was because of the weather, but concerts can’t do that.  A little while later I saw on Instagram that someone in her touring company caught COVID: (more…)

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SOUNDTRACK: hiatus

[READ: February 2022] Hogfather

I don’t know that I’d call many Discworld books “exciting.”  They’re funny, thoughtful, clever, interesting and so much more.  But usually not  “exciting. ” But there’s something about Hogfather that makes it an incredibly exciting read.

It starts with the Auditors.  We haven’t seen them in a while.  The last time we saw them, they basically fired Death because he was getting too involved with humanity.  The Auditors are gray spectral beings who exist to make the sure the world is running correctly.   If any of them acts even remotely like an individual, he is instantly zapped and replaced with a new even more neutral Auditor.

And what makes the world not run smoothly?  Humanity.  Really, the Auditors hate humanity.  And they think they have finally figured out a way to make things run more smoothly.  They decide to get rid of the Hogfather.

The Hogfather is more or less Santa Claus, but with a Discworld twist.  Yes, he grants children’s wishes on Hogswatchnight (December 32–which takes its name from the Scottish celebration for the last day of the calendar year–Hogmanay) and brings them presents, but his sleigh is pulled by four wild boars, Gouger, Rooter, Tusker and Snouter.  We don’t see much of the actual Hogfather because once Death learns that Hogfather is… incapacitated, Death decides to take over his duties for the night.  Why?  Because if Hogfather doesn’t exist then the Sun will not rise.  This is nonsense, of course. Isn’t it? (more…)

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[ATTENDED: February 1, 2022] Mother Mother

I I had never heard of Mother Mother before a few months ago.  They have been around for over fifteen years, but recently a few songs from their 2008 album blew up on TikTok.  Because I have teenagers, I found out about them second hand.

And I fell in love with the frenetic guitar and lyrics of “Hayloft,” which led me to explore more of their music.

Way back on April 29 of last year, I bought four tickets to this show for me, my kids and a friend.  It seemed like it would never get here.  Then it seemed like it might get cancelled or postponed, but it did go on, although not exactly as planned.

When I bought the tickets, the band was playing The Foundry.  The Foundry is an amazing intimate venue that hold 450 people.  I was super excited that they were there because whenever I’ve seen a band there, I’ve practically gotten to high five them.  So I was a little bummed when in December it was announced that they’d moved the show to TLA.  TLA is bigger (and I usually have a hard time getting there, but it was great tonight).  Of course, this is great for the band, as TLA holds 1,000 people.  And it sold out, so they doubled their attendance.

It also turned out that Mother Mother puts on a BIG show.  Big lights, big sound.  They used the whole stage.  And The Foundry’s stage is like the size of a dining room table, so the show would have been nowhere near as amazing. So good for everyone. (more…)

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[ATTENDED: February 1, 2022] DYLYN

I hadn’t heard of DYLYN before a few days ago.  I was trying to figure out who was the band’s opening act and it said DYLYN>  So I looked her up and I really liked the two (!) songs that were available on bandcamp.

DYLYN is a singer from Vancouver (originally Toronto).  She had a powerful voice and plays a kind of power punk/metal hybrid sound.

Although interestingly, she was once a pop singer under the name Guinevere and she had a couple of top ten hits.  Here real name is Gwendolyn Lewis, and it’s impossible to guess how old she is.  I would have thought 18 from the show, but she had these hits a few years ago, so who knows.

DYLYN is also very pretty–which a few meatheads in the crowd were all too keen to point out nonstop throughout the show.  One jackass shouted “I love you Dylyn so much that when he walked away, a woman next to me muttered, :there goes the guy who loves Dylyn.”  The other drunken guy was so loud–and kept laughing about how loud he was being “I’m so loud!”  Wow, what a dick (but what do you expect from a guy wearing a Hawaiian shirt with the pattern consisting of Playboy magazine covers.  Where does one even get such a shirt?

But Dylyn apparently only heard the good parts from the crowd an, it’s fair to say the crowd was really into her set.  She and her band (Ulysses on guitar, Parker on bass and sorry drummer I’ve forgotten your name) put on a ripping show full of bangers and ballads.  And on more than one occasion, Dylyn really belted out a song showcasing what a spectacular voice she has.

I was rather surprised that this fairly unknown musician was given a 45 minute opening set, but I saw today that Dylyn has written with Ryan from Mother Mother.  So they clearly have a bond.

She opened with the ripping Hellbound.

“Boy”

She ended the set with a solid cove of Nirvana’s “Lithium.”

It’s great that she got so much exposure during this tour.  I hope her album is huge.

SETLIST [her album isn’t out yet so bracketed songs are lyrics that I recorded]

  1. Hellbound
  2. [take me back to the original sin]
  3. Hurt
  4. [come over with my best friend.  I don’t wanna go, you can’t make me go]
  5. [little sister you’re not alone]
  6. [life is just a neverending song]
  7. [can you fee/ scream it, this is how I want it]
  8. [boy/song about her father]
  9. [take me to your darkness/wanna feel the pieces]
  10. [I want the best for you and if I tell the truth/I let you down]
  11. Lithium (Nirvana cover)
  12. Liberate Me

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[POSTPONED: January 30, 2022] Indigo De Souza / Horse Jumper Of Love / Friendship [moved to May 2, 2022]

indexIndigo De Souza is a new (to me) musician who I heard about on NPR music.  Her song “Kill Me” is outstanding.  A great dynamic of sounds, very funny lyrics and memorable hooks.  I loved it immediately.  She announced a tour soon after I’d heard it and I grabbed a ticket to see her headline tour (!).

She’s ben making music since she was like 9 with a few EPs and a previous album.  I imagine she’ll be a fun and wild performer.

On January 13, Union Transfer announced:

Indigo has decided it’s best for all involved to move their tour to a few weeks later in the year. The Philly show will now take place at Union Transfer on May 2nd

That’s not too far off.

I hadn’t heard of either of the opening acts (such is the case when the headliner is fairy new herself).  (more…)

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[CANCELLED: March 20, 2020] Best Coast / Rosie Tucker [CANCELLED]

indexI had tickets to see Best Coast at Union Transfer in March 2020.  I like them although I was more interested in seeing their opening act Mannequin Pussy.

They were one of the first bands to cancel their tour outright back in May 2020 rather than rescheduling dates.

They announced a new tour for 2022 back in June.  I’d have rather seen them in Asbury Lanes, but that show was on the same night as our War on Drugs show.  So I considered going to the Union Transfer show.  It was supposed to be a busy week of shows, so I wasn’t sure I’d want to go or not.

But on January 6, the band announced they were cancelling the tour

Best Coast is canceling its upcoming tour in support of its “Always Tomorrow” album due to COVID concerns.

The tour was set to kick off on Jan. 11 at the Catalyst Club in Santa Cruz, California. The SoCal indie-pop group — consisting of singer-songwriter-guitarist Bethany Cosentino and multi-instrumentalist Bobb Bruno —was scheduled to hit August Hall in San Francisco as well as such cities as Chicago, Toronto, Seattle and Los Angeles.

“We are devastated to announce that our upcoming Finally Tomorrow tour is unfortunately canceled,” the band posted on Twitter. “It was an incredibly difficult decision to make, but one that we ultimately felt was right.

“The last two years have been so difficult for us as a band (and the entire world) — and we appreciate your support through it all.”

“Our last show was in Chicago (on March 11, 2020). It was about two weeks into a monthlong tour.  We had obviously been hearing a lot about COVID. But I think when you are on tour you exist in such a bubble of just what’s going on in the tour landscape. We were all kind of like, ‘OK, like I guess we’ll see what will happen with this.’ I fully didn’t think that the world was truly about to shut down. I did not see that coming whatsoever.”

“At this time, we are not rescheduling any of these dates, as the rollercoaster of the reschedule-announcement-cancelation cycle we’ve been stuck in is incredibly exhausting (for you too I’m sure!) and we just need a moment to decompress. We love you SO much and we hope to safely see you soon. Hang in there. love, bethany and bobb”

(more…)

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[POSTPONED: March 12, 2022] The Black Angels / L.A. Witch [moved to…]

index

I really got into The Black Angels with their 2013 album Indigo Meadow.   I’ve recently been enjoying their Live at Levitation vinyl.

They’re just one of a bunch of younger bands who are exploring psychedelic music in a heavier vein than the original psychedelic bands.  And I like it a lot.  Plus they are supposed to put on a trippy show.

I mean, their post says

HERE is an incredible show. It will shock and amaze you.

And a poster would never lie. (more…)

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[ATTENDED: August 5, 2021] The War on Drugs

A couple of years ago our friend Cindy invited us to see The War on Drugs with her and we said no.  We didn’t really know them that well.

Cut to 2022 and they were the first live show we’d gotten to see this year.

Not a lot has changed about my appreciation of the band.  They’ve always been a band that I kind of liked–good background stuff.  Then I heard their Live Drugs album and realized that they are a great live band.

So they announced two shows in Philly and I asked if S. wanted to go.  She had been listening to them a lot this past year and so I grabbed us tickets.

I like the Met but this is the second show in a row where we were in the back orchestra section.  Now that I’ve been placed there a few times, I have finally got it in my head that when you buy tickets there, ORCH 5678 seats SUCK.  The Met is a fairly small place, so even the further away seat isn’t bad, but there’s giant poles and the entire loge hanging above you.  None of it really blocks your view, but it feels like watching a widescreen movie on a letterbox TV.  (more…)

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