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Archive for the ‘Music’ Category

[ATTENDED: July 7, 2022] Bugsy

Bugsy are from Minneapolis.

They were much louder than Jacklen Ro (and louder than their recordings would suggest).  They may have been egged on by the fact that Jacklen Ro came right up to the front of the stage to dance wildly for their set.

I enjoyed the guitar and vocal interplay although I found the singer to be a little hard to hear clearly.  It may have been where I was standing, although I find that she’s a little quiet on record as well.

I was quite fond of their bassist though.  She played some really cool fills and runs and her bass had a great almost New Order sound to it. And the final song, “hard to breathe” had a great opening bass line (and guitar harmonics).

I was kind of distracted during their set though because of Jacklen Ro dancing right in front of me and because half way through the set I noticed that Kelli from Skating Polly was in the audience watching, too.  (more…)

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[DID NOT ATTEND: July 8, 2023] The Smile / Robert Stillman

Much like with the Trey Anastasio Band and Phish (the only way to get close to Trey is to see him solo), The Smile seemed like the only way to see Thom Yorke and Jonny Greenwood from Radiohead up close. Their drummer is Tom Skinner from Sons of Kemet.

So when they announced a show in Philly I was all set  to grab a ticket.

Then I listened to the record and… I didn’t think much of it.  Granted , I didn’t give a lot of time to the record, but what I heard was just too jazzy for my liking.  So I was just as happy to not go see them.

I see that it has sold out, so good for them.

Robert Stillman is a composer and multi-instrumentalist from the northeast United States, currently based in Margate, UK. His music juxtaposes the archaic with the futuristic, incorporating influences of Jazz, Minimalism, American Folk music, and experimental electronic music to create a sound described by the Guardian Observer as “lending an avant-garde shimmer to pre-modern American sounds.”

One review of his set says he was

Perched behind a Yamaha DX7 and some DJ gear, Stillman blended down tempo jazz sax with minimalist electronic beats to warm-up the growing crowd

This sounds like a show I would have enjoyed intellectually, but not in practice.

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[ATTENDED: July 7, 2022] Jacklen Ro

I had not heard of Jacklen Ro before this show.  I wound up being a couple minutes late to thieir set and missed a song or two.

But I really enjoyed them.  A lot.

The band is a four-piece: Jackie Giroux (vocals/guitar), Caelen Perkins (guitar/vocals), Lauren Hickey (bass) and Caden Bartlett (drums).  They’re from L.A. and they write folky indie rock.  They’re punk enough to be on a bill with Skating Polly although their vibe is far more indie than punk.

Especially since Jackie Giroux plays acoustic guitar and Giroux and Caelen Perkins sing with delightful harmonies.  But what I especially liked about them is that their harmonies are lovely but they are not polished.  The songs are fun and emotional.  Not raw, because that implies a harshness.  Just stick with unpolished–a warm and inviting sound.

They were also warm and inviting with Giroux being full of smiles and compliments (and wearing no shoes).

“Self Control” is the new single.  It is spare but fun with a big friendly chorus.  The song is fun on record but live, the low end really gives the song more energy. (more…)

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[DID NOT ATTEND: July 7, 2023] Trey Anastasio Band

I’ve seen the Trey Anastasio Band twice and each time was a fun event.

Try plays originals and Phish songs and his band is always top notch.

It’s also one of the few ways to see Trey up close, since I can never get close at a Phish show.

Trey had announced these few shows in July, but I didn’t really want to go to the Stone Pont Summerstage to se see his band.  Although I do love watching Cyro Baptiste on percussion.

I reconsidered going a couple of weeks ago, but it had sold out.  So good for Trey.  And besides, I have Skating Polly to see.

 

 

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[DID NOT ATTEND: July 7, 2023] The Dirty Nil / Daniel Romano’s Outfit /Froggy

Two years ago The Dirty Nil opened for The Menzingers in a show I couldn’t make.  But I’ve been intrigued by them ever since.

I wanted to go to this show, but it turned out that Skating Polly, a band I’ve wanted to see ever since I caught the last song of their set when they opened for X was playing the same night.

Stupid double booked nights.  This whole night sounds pretty great and it turned out to be a tough choice.

All of the blurbs for the bands come from their write ups on the Underground Arts page

For the strapping lads comprising Toronto rock trio The Dirty Nil, Big Bear was so much more than a convenience store parking lot they gazed upon from their second-floor bathroom window – the trash-strewn asphalt stage where seemingly every element of the human experience played out like a never-ending theatrical production.

The house was all at once a shared residence, creative commons, and god-forsaken pirate ship, its revolving cast of crewmates armed with instruments, alcohol, and overdriven amplifiers. Indeed, they lived, laughed, and loved there even though no kitschy wall sign from a suburban mom’s Etsy shop told them to.

“Bye Bye Big Bear” is a loving musical tribute to that unforgettable time and place, and The Dirty Nil’s first new offering since their impactful 2021 album Fuck Art. On its back, the boys returned to the road to electrify increasingly packed venues and festival stages with their fiery brand of punk-tinged rock n roll.

(more…)

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[DID NOT ATTEND: June 28, 2023] Sparks

Last year I dragged myself all the way to New York City (which seems to get harder and harder to get to every time I try) to see Sparks at Town Hall.  I had never seen them and I was convinced they’d never play anywhere closer.

It was worth the grief because the show was wonderful.

So imagine my surprise when one year later they announced a show at the Keswick Theatre.  Keswick is kind of a pain to get to but it’s a nice enough venue.  And for Sparks I was willing  to make the effort.

And then Sloan announced their local show for the same night–I’m honestly shocked how often bands winds up in Philly on the same night.  It’s a little weird, frankly.

So even though I have only seen Sparks once and I have seen Sloan four times, I assumed the Sparks show would be very similar while the Sloan show would be quite different.  Plus, my wife and I have been enjoying seeing Sloan together the last few times.

And so, I blew off Sparks for Sloan. (more…)

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[ATTENDED: June 28, 2023] Sloan

This is my fifth time seeing Sloan (and S’s third time).  And while I know that they have a new record out (and they played every song from it), I am so impressed by the number of new songs they played at this show.

Every time I’ve seen Sloan, they’ve done “An Evening with” which I love.  I do enjoy an opening act most of the time, but it’s so great getting two sets–two and a half hours–of music from the band you really like.

I’m always a little bummed that Sloan aren’t bigger here–they play such huge places in Canada.  But here they wind up in 250 person capacity venues.  Of course, everyone there is a huge fan, so that’s gotta feel pretty good.  Plus, I don’t want to see them in an arena.

Their new album Steady is really good and they started off the show with three new songs, one from each vocalist.  I love that they started out with a song from Patrick–his songs are so catchy.  They followed it with a Jay song–so distinctive.  And ended the trilogy with a Chris song–poppy and catchy with great harmonies from Patrick.

They jumped back to Twice Removed with a classic song I can’t believe I haven’t heard them play before, “I Can Feel It.”

Jay doesn’t have as many songs as the other guys so we tend to hear a few of the same songs from him when he sings.  But Between the Bridges is my favorite album of theirs so I’m always happy to hear a song from it.

After the new “Human Nature” with a killer melody, Andrew, the drummer, came out from behind the kit.  This is always fun, because Jay switches to bass and Chris switches to drums while Andrew sings and plays guitar. (more…)

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[CANCELLED: June 27, 2023] Feeble Little Horse / Full Body 2

I heard about Feeble Little Horse from All Songs Considered.  They had an interesting sound and I was intrigued when I heard they were playing Johnny Brenda’s.  It turned out that this show was the same night my son was flying out to Denver.  So I just figured I wouldn’t be going out that night anyhow.

I didn’t buy tickets, so I didn’t hear that their whole tour had been cancelled.  Just a few days before they were supposed to tour (on the 23rd), they announced:

Feeble Little Horse have canceled their upcoming tour of North America, which was set to begin in Washington, D.C., on June 25. “[W]e were so excited and this tour meant the world to us,” the band wrote in a statement, “we have been blown away by all the recent support we have received but for now we have to take a step back and reassess our little world for our continued health.” Read the rest of the message below.

The Pittsburgh-based band issued its second album, Girl With Fish, in mid-June after announcing it with the summer tour in February. Feeble Little Horse reissued their debut, Hayday, last year. Feeble Little Horse have not yet indicated whether the 12-date tour will be rescheduled.

I don’t know what’s up with their health, but I did have to laugh that a 12 date tour seemed too much for them.  Their post actually sounded like they were breaking up, so we’ll see.

Full Body 2 is (according to WKNC)

an explorative band from Rochester, N.Y. [who] have found their niche tapping into a bold blend of digital rock, shoegaze, and curated electronic chaos. Composed of Cassidy Rose Hammond, Dylan Vaisey, and Jack Chaffer, this trio created Full Body 2 in 2020 as a one-off project from their former indie-rock band Full Body. Full Body 2 provides us with music that encourages creativity. It is motivating and refreshing. They are defined by their unique use of sound collage and abstract vocal work. Full Body 2 is positive, energetic, and undeniably loud. Upon the release of “Demo 01” in 2020, their explosive, curated sound took root and the band quickly shifted gears from Full Body into Full Body 2– the once ephemeral project taking ownership of its permanence.

I hadn’t heard of either band, but I really like the shoegaze feel (one of the rare recent bands who are shoegaze without being really heavy).  It’s a wall of ethereal electronic sound and is really good.

 

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[DID NOT ATTEND: June 27, 2023] Weezer /Future Islands / Joyce Manor

Weezer has turned into the Barenaked Ladies for me.

What does that mean?

Well, I have seen Barenaked Ladies a bunch of times (starting back in the days before Steven Page left). In the last decade or so, they have been doing a Last Tour of Summer every summer, where they have two opening bands and they play most of their hits.   Every year the shows are fairly similar with a few new songs thrown in the mix.  But I have since decided I would go based on the opening bands.  If they pick one (or two) bands I really want  to see, then I’ll go.  If they pick bands I actively don’t like, I won’t go.  This year, they picked two bands I didn’t like (I would have happily seen Semisonic, but they were only on the west coast).

Now it appears that Weezer will also be doing an annual summer tour.  I’ve only seen Weezer three times, but they’ve all been fairly recently, so I find myself in the same boat.  I’d be happy to see Weezer again, but only if the opening bands are ones I want to see.

And look at the support bands!  Modest Mouse!  Spoon!  Momma!  even White Reaper. (more…)

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[ATTENDED: June 24, 2023] Mondo Cozmo

We had enjoyed Illinois, but as my wife said, when Mondo Cozmo started playing it was like, “ah yes, this is a professional band.”  And I know what she meant, somehow Mondo Cozmo stepped up the quality of the performance.  Everything felt a little bigger, a little more polished.

So we had known some Mondo Cozmo songs from hearing them on WXPN.  As of a few days ago I could say I didn’t really remember the songs I knew, although when I played the albums on Spotify they came flooding back.   Suffice it to say we didn’t know most of the songs.

But as soon as Joshua Keith Ostrander started playing (acoustic guitar for the first song) and singing “Meant for Livin'” it was clear why they were the headliners (even if Illinois helped him out when he was first starting).  And by the chorus, we knew that we had picked a perfect show to see.

The band sounded great, Josh’s voice was fantastic and the songs were all catchy as hell.  Even if you didn’t feel comfortable singing along yet, you could easily clap along.

“Meant for Livin'” has a kind of Dylanesque feel of folk rap and and a big ripping chorus.  And I could see from the way that she was smiling  that my wife was happy she came along.

“Black Cadillac” was even bigger, with a fun bass line and another sing along chorus and  fun ending “Give me some sugar.” (more…)

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