Feeds:
Posts
Comments

Archive for the ‘Nina Ryser’ Category

[DID NOT ATTEND: January 25, 2025] Control Top / Dark Thoughts / Mopar Stars / Money Nicca / Nina Ryser / Noun / Pinkwash

I bought a ticket to this show primarily for Control Top.  And I added an extra donation because I felt the cause was really important.  And then I grabbed tickets to Soccer Mommy which was a show that was easier for me to get to.

Ground Control Touring’s 3rd Annual Abortion Access Benefit Series takes place in NYC, LA, Chicago, Atlanta, Philadelphia, DC, Austin, and Raleigh on January 25, 2025! Visit their website to see the variety of bands at each show and specific event details! 100% of proceeds from all shows are donated directly to NOISE FOR NOW who will allocate the funds raised to local abortion funds in need. You can also text GCT to 53-555 if you can’t make it out but would still like to donate.

Proceeds support: Abortion Liberation Fund of PA, Access Reproductive Care – Southeast, ACCESS Reproductive Justice, The Afiya Center’s SYS Fund, Baby2Baby’s Disaster Relief and Emergency Response, Carolina Abortion Fund, DC Abortion Fund, Feminist Women’s Health Center, Lilith Fund, Midwest Access Coalition, New York Abortion Access Fund, Northwest Abortion Access Fund, and independent abortion clinics in California, DC, Illinois, New York, North Carolina, the Pacific Northwest and Pennsylvania via Keep Our Clinics.

And here’s the blurb from Johnny Brenda’s

Ground Control Touring is thrilled to announce they’re teaming up for the third year with NOISE FOR NOW, a non-profit specializing in reproductive justice, to take action and bring awareness with its third annual Abortion Access Benefit Series. The series has expanded to take over EIGHT cities, coinciding on Saturday, January 25th, 2025 – Los Angeles at Lodge Room, New York City at Bowery Ballroom, Chicago at Sleeping Village, Atlanta at The Masquerade (Purgatory), Philadelphia at Johnny Brenda’s, Austin at Hotel Vegas, DC at Songbyrd, and Raleigh at Kings. Since its inception in 2023, the Abortion Access Benefit Series has raised over $110,000 via eight completely sold out nationwide events, with performances by nearly 100 artists and silent auction bundles provided by dozens of community sponsors and local businesses.
Each benefit show will feature a special night of music and festivities in support of abortion funds, community, and bodily autonomy. 100% of proceeds will go to NOISE FOR NOW who will then allocate the funds raised to local independent abortion clinics and abortion funds in each region.
More about NOISE FOR NOW: NOISE FOR NOW is a national initiative that enables artists and entertainers to connect with and financially support grassroots organizations that work in the field of Reproductive Justice, including abortion access. Reproductive health care services, including access to legal abortion, are under attack. By organizing benefit events and campaigns, NOISE FOR NOW provides opportunities for artists and entertainers to use their talent to raise money and send a clear message that Reproductive Rights are human rights. Since their inaugural benefit concert in 2017, NOISE FOR NOW has worked with over 450 artists and entertainers to raise $1.36M for 54 partner organizations. In 2023, NOISE FOR NOW established a record label and has released 3 benefit compilations, 2 of which are streaming on all digital platforms.

(more…)

Read Full Post »

[ATTENDED: October 29, 2022] Nina Ryser

Nina Ryser is a member of Palberta (I love that name) whom I saw live a while back.  I recently also saw her bandmate Lily Konigsberg solo, so that’s 2/3 of Palberta I’ve seen solo now.   (Clearly Anina Ivry-Block will be opening for someone in the near future).  I have also seen Nina Ryser play drums for Old Maybe.

Like the rest of her Palbertans, Ryser is a prolific songwriter who is classically trained but who likes to push the boundaries of what music should do.

For this little set, she and her husband played keyboards (and all manner of gadgets).  The set sounded improvised, but I’m sure it wasn’t.

Most of the songs were built around a beat and a simple chord pattern.  There was a droney component to it and Nina’s vocals were kind of deapan.

I know she played “Shelf the Trophy.”  She played another song that reminded me of a lo-fi Stereolab.

My favorite parts of the show occurred between songs where Nina would mess around with looping pedals and make these interesting collages out of bits of the song she’d just played.  There was definitely some improv in here and I enjoyed watching her manipulate the sounds to create something cool.

She ended the set with the catchiest song.  I don’t know what it’s called but there was a repeated refrain of “you never looked better.”  It was simple, but the vocal line complemented the music really nicely.

There’s so many interesting Philly-based musicians and so many places to play.  It’s quite a rich scene.

Read Full Post »

[DID NOT ATTEND: May 18, 2022] Kikagaku Moyo / Nina Ryser

I saw Kikagaku Moyo in 2019 and they were amazing.  I’ve wanted to see them again, but they are from Japan, and the Pandemic kept them away.

They finally announced a new show for 2022 and I was psyched.  Too bad it aligned with the Deftones show that I’d been waiting to see for a couple of years. Too bad also the Beach Bunny show that I was going to take my daughter to see fell on the same night.

Then Kikagaku Moyo announced that this was going to be their last tour–they were going to break up.  So I’ll never see them again.

Alas.

Nina Ryser is one third of Palberta.

I happened to see her later on in the year opening for Tropical Fuck Storm

Nina Ryser is a member of Palberta.  ..  Like the rest of her Palbertans, Ryser is a prolific songwriter who is classically trained but who likes to push the boundaries of what music should do. …  For this little set, she and her husband played keyboards (and all manner of gadgets).  The set sounded improvised, but I’m sure it wasn’t. … Most of the songs were built around a beat and a simple chord pattern.  There was a droney component to it and Nina’s vocals were kind of deapan. … My favorite parts of the show occurred between songs where Nina would mess around with looping pedals and make these interesting collages out of bits of the song she’d just played.  There was definitely some improv in here and I enjoyed watching her manipulate the sounds to create something cool.

Wish I could have seen Kikagaku Moyo instead.

Read Full Post »