SOUNDTRACK: NADA SURF-“When I Was Young” (2011).
This is a new song from Nada Surf’s new album (due out in January 2012). Nada Surf aren’t changing much from their tried and true sense of pop hooks, but this is a slower, statelier song (with strings!). It features a challenging-to-sing-along-with chorus (“I wonder what was that world I was dreaming of”).
It’s a bit longer and slower than my preferred Surf songs, although I can see it working well in the middle of an album. About two minutes in, the guitars kick in and the song really comes to life. It’s catchy and fun and has me excited for their new disc.
[READ: October 23, 2011] “Memory Laps”
This article came around the same time that our tickets for Sedaris’ upcoming performance at Raritan Valley Community College arrived in our mailbox (nicely timed, that).
It did make me wonder if I shouldn’t be reading anymore of these pieces, since I don’t want to spoil the humor of Sedaris live (although I think Sedaris is funniest when delivering his pieces–his monotone is just wonderful–even if I have heard them before). And plus, the show is not until April, so chances are I’ll have forgotten about it by then.
This essay is all about young David when he was on the swim team (this guy has done so much in his life–who knew he was a swimmer too?). The crux of the essay is that David’s father never praised him for his swimming; instead, he heaped tons of praise on David’s teammate Greg Sakas (I wonder if names have been changed in these essays).
True, Sakas was pretty great, and he won every meet, but even when, on that one freakish instance when David beat Greg, David’s father was unimpressed, saying that Greg must have been ill or something. (more…)
SOUNDTRACK: Future Soundtrack for America (2004).
This CD came with the McSweeney’s Future Dictionary for America. It was released on Barsuk Records (home of Death Cab for Cutie and other great bands) and it was compiled by Spike Jonze and one of the Johns from They Might Be Giants.
SOUNDTRACK: GREAT NORTHERN-Trading Twilight for Daylight (2007).
A patron donated this disc to our library. I had never heard of Great Northern, but I gave it a listen, in part because I hoped that the band name came from Twin Peaks (no idea if it does). And wow, I was blown away by this disc.
SOUNDTRACK: NADA SURF-Let Go (2002) & The Weight is a Gift (2005).
Let Go. Something happened between Nada Surf’s 2nd and third album, I don’t know what, exactly, but they really made some great material with these two albums. Let Go introduces a new jangly guitar style that makes the band softer and catchier, but which really accentuates the singer’s voice and melodies. Usually, when a band “matures” like this, the results are never good. But in this case, the mellower sound and slower songs really bring out the quality of the work. The first five tracks really shine, with “Fruit Fly” and “Blonde on Blonde” really standing out. The lyrics of “Fruit Fly” seems so simple and yet in context, and with the great melody, they work wonders. 
SOUNDTRACK: NADA SURF-High/Low (1996) & The Proximity Effect (1998).
High/Low. This CD features the “novelty” hit “Popular” from some years back, you remember, the spoken word bit about trying to impress your high school sweetheart by washing your hair “every two weeks, once, every two weeks.” The song is pretty great, even after the novelty factor has worn off. However, you may feel that you got screwned (see What I Learned… (5)) if you thought the rest of the record would sound like that. For the most part High/Low is kind of forgettable, and a surprising lead off point to what are some really fine follow-up albums. Overall the sound is, not quite murky, but very samey. So that even the catchy parts sort of blend together. It was not until their next album that they start to show some great songwriting.
The Proximity Effect. As I understand it, when Nada Surf didn’t produce a hit like “Popular” for their second album, the label dropped them. Which is typically short-sighted because The Proximity Effect is a much better album. In fact, it contains a song akin to “Popular” called “Mother’s Day” but it is so much darker–almost the anti-“Popular.” It too has a spoken word type vocal, and yet the song is an anti-rape song. A dark subject to be sure, but the guitar riff is so great it stays in your head, and you wind up thinking even more about the song. The first four songs really break Nada Surf out of the sameyness of High/Low by introducing high notes! It really cracks through the grungy sound by including some contrast. However, it’s the next album, Let Go, that really shows Nada Surf taking off.
I Just Read About That... 