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Archive for the ‘Johann Sebastian Bach’ Category

2across  SOUNDTRACK: ZUILL BAILEY-Tiny Desk Concert #63 (June 4, 2010).

baileyZuill Bailey plays a cello.  Well, actually, that’s not right.  The cello he plays is old “very old — but it’s also special, built by the renowned Venetian maker Matteo Goffriller in 1693. That means Johann Sebastian Bach was all of 8 years old when Goffriller slapped on the final layer of shellac.  The instrument is unusually large, with a tawny orange hue, and one of only two Goffrillers which can boast an intricately carved Rosette under the fingerboard [see below].  And its sound? A full, round, burnished tone that pours forth with remarkable volume.”

Bailey plays three pieces from three of Bach’s suites (he had just released an album of six suites).  And they sound amazing.  The first piece is instantly recognizable and sounds incredible on this instrument.

But beyond playing a gorgeous cello, Bailey is a great storyteller.  He describes how when Bach started writing suites for cello, the instrument was considered a church bass–basically a piece of furniture and not something to write gorgeous suites on.  He also says that people have asked him if he has named his cello and he says that he calls it J.Lo. because it is “robust in the bass tones.”

Introducing the second piece he says that the sarabande was banned from polite society because it was considered too slow and sensuous in those times (which is why he’s going to play it now).

bailey2And then he describes the feeling of the sound that comes from that cello–it resonates through the maple in the instrument and vibrates his body. It is clear how much he loves this instrument.

Obviously the pieces are beautiful, but his renditions are really stunning.

J.S. Bach: Solo Cello Suite No. 1 – “Prelude”

J.S. Bach: Solo Cello Suite No. 2 – “Sarabande”

J.S. Bach: Solo Cello Suite No. 3 – “Prelude”

[READ: September 13, 2015] Two Across

Sarah brought this book home and loved it.  She thought I’d enjoy it, too.  And why not?  The main character, Stanley, is a crossword puzzle maker (Sarah finished it on the day that puzzler Merle Reagle died, sad to say).  The other main character, Vera, is a math genius who also becomes a puzzle maker.  The fact that I just finished the Felicia Day book in which she (a real person) is a math genius, gave me strange parallels between Felicia and Vera.

If those character traits interest you, there is so much to like about this book.  We first meet Stanley and Vera as they are competing for the national spelling bee in Washington D.C.  They are both certain that they will win (we get alternating perspectives from each of them).  And we see their minds as they hate the other one who is trying to take the title from them.  When the bee ends, they are both rewarded for their efforts.  And they form a strange bond, because they both have a lot in common even though their lives are entirely different.

Stanley lives in a hotel.  His grandfather was a chef there and his father died in WWII, so the hotel has offered them their cheapest (crappiest) suite for the rent of $1 a month. Stanley’s mother never leaves the room… ever.  She had never recovered from Stanley’s father’s death.  The hotel staff is like Stanley’s family, and he is well looked after.  But his mother pushes Stanley very hard, insisting that he go to Harvard.  And Stanley is clearly a genius–he used to memorize the encyclopedia, and he has all kinds of facts at his disposal.  But he is also deeply wounded by never knowing his father.

Vera, on the other hand, is pretty much transient.  Her mother is working her butt off to become an IBM sales rep and so they travel everywhere.  Vera is also a genius, finishing her school work in a few days and then spending the rest of her time reading or doing challenging math.

They are both quite likable, even if neither one has any social skills at all. (more…)

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barbariabnsSOUNDTRACK: ULTRA LOUNGE: CHRISTMAS COCKTAILS Part Three: Yule Tide Cheer Through the Year (2005).

xmastails3The final part of the Ultra Lounge Christmas set certainly sees them running out of steam.  There’s far fewer songs and the total running time is nearly 20 minutes shorter.  But that doesn’t mean there aren’t some great tracks here.

CARMEN McRAE-“Baby It’s Cold Outside” a fun opening with some talking before the song between Carmen and Sammy Davis Jr.  Davis is really silly through the song (and she seems to be laughing him).  BING CROSBY-“Frosty The Snowman” wonderful.  LENA HORNE-“Santa Claus Is Comin’ To Town” a trippy opening in which Horne was “in the milky way.” Then the song kicks in—a fun version overall. Strangely she switches “bad or good” into “good or bad.”  JOHNNY MERCER-“Jingle Bells” a fun hopping version with plenty of swing.  There’s even extra lines (“there’s nothing new about jingle bells”).

WAYNE NEWTON-“Let It Snow! Let It Snow! Let It Snow!” Female vocalists again (I thought Newton was a singer?), but nevertheless, it’s a fun version.  NANCY WILSON-“That’s What I Want For Christmas” a pretty song, that I didn’t know before.  I really dig Nancy Wilson.  DEAN MARTIN-“Winter Wonderland” delightful, I do love the Deano.  BILLY MAY-“Do You Believe In Santa Claus?” – Billy May’s deep dark rather scary voice presents this weird song.  It’s funny and a little spooky what  with the crazy way it ends.

PEGGY LEE-“White Christmas” this version is too for me.  AL MARTINO-“Rudolph, The Red-Nosed Reindeer” this is a nice version, though.  RAY ANTHONY-“A Marshmallow World” a lovely version of this fun song.  LOU RAWLS-“Have Yourself A Merry Little Christmas” Rawls has finally won me over.  I like this song by him.  JULIE LONDON-“I’ve Got My Love To Keep Me Warm” slow and jazzy but too slow for me.  NAT KING COLE-“Buon Natale (Means Merry Christmas To You)” a fun song quaint and cute and one you don’t hear very often.  JUNE CHRISTY-“Sorry To See You Go” I don’t know this song, it’s more of a New Year’s song. Swet and bouncy. Although not my favorite ending to the discs.

So that’s the Ultra Lounge mixes, easily my favorite way to spend a holly day.

[READ: December 24, 2014] The Barbarians

This was the final Baricco book I planned to read this year and it’s a good way to end the year–reflecting on the past but planning to move forward.

It’s nonfiction so I didn’t really know what to expect.  But I certainly didn’t expect the story in the beginning of the book.  Baricco explains that he really wanted this book to be translated into English (especially for the American market where he felt it would be particularly on target) but he couldn’t find anyone to publish it.  And he didn’t want to go self publishing.  He ultimately found a friend in New York, owner of Eataly who agreed to foot the cost.  They did the work and then Random House distributed it.

So Stephen Sartarelli translated it.  The book is a fun and interesting look at the barbarians who are ruining our culture and destroying our soul.  But Baricco is very careful to point out that just because they are ruining things, it doesn’t mean that they are making things worse or doing it maliciously.  He uses several specific instances in which the barbarians have changed something held sacred and made it, if not better, then different and often more enjoyable.

This book was originally written as a series of newspaper articles in 2006 (not sure exactly when).  He says it was fun to see feedback as he was writing each installment (each “chapter” is about four pages). (more…)

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CV1_TNY_10_14_13McCall.inddSOUNDTRACK: JASON VIEAUX-Tiny Desk Concert #17 (June 15, 2009).

viaeuxJason Vieaux is the first to break the mold of folk singers playing the Tiny Desk.  Vieaux is a classical guitarist.  I don’t know a lot about classical guitar, but when it’s good I know it’s gorgeous.  And man, is this gorgeous.

I don’t know anything about Vieaux, but in the little blurb, they say that in 2002 they invited him to spend a week as a young-artist-in-residence on their classical-music program Performance Today.

I would have been grossed out by his long fingernail if they hadn’t pointed out that he glues a slice of a ping-pong ball to the underside of his right thumbnail as a kind of extended, “press-on nail” guitar pick.

He plays 3 songs and they are all simply stunning.

Bach: Prelude (from Prelude, Fugue and Allegro, BWV 998)

Maximo Diego Pujol: Candombe en Mi

Francisco Tarrega: Capricho Arabe

You can visit the NPR site to hear about the ping pong ball thing, and you can watch the video below.

[READ: January 7, 2014] “Pure Bleach”

This New Yorker has several small essays about work.  They are primarily from people who I wasn’t familiar with–only Amy Poehler saved the five from being unread.  When after reading all of them I enjoyed them enough to include them all here.

The pieces are labelled under “Work for Hire” and each talks about a humiliating job.

This final installment was the shortest.  Ruscha is an artist, whose name sounds familiar to me–he worked in pop art. His lame job was working in a laundromat “mixing bleach and water together in brown glass bottles for the customers to use”  If you didn’t know better you would say, that sounds like an old job, and you’d be right–that job existed in 1951.  Geez.  He made 50 cents an hour. (more…)

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