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Archive for the ‘Fun Boy Three’ Category

SOUNDTRACK: FUN BOY THREE-“Our Lips Are Sealed” (1983).

In an interview with David Foster Wallace’s sister, she says that David spent an entire summer listening to this song.  Most of us know the Go-Go’s version which is bubbly and playful (even though the lyrics–which are the same–are quite dark).

I’ve had this song on some compilation or other for years and I’ve alway thought of it as a kind of novelty.  And yet the more I listened to it, the more I liked it (and the more I liked it more than the Go-Go’s version).

Terry Hall, the singer of Fun Boy Three (and The Specials), co-wrote the song with Jane Wiedlin.  And it’s funny to hear how very different the two cowriters made their versions.

There’s definitely a new romantics vibe to the Fun Boy Three version, but the great bass backing vocals bring a coolly mysterious element to the song.  And if you check out the live version, you can see the polar opposite stage manner from Belinda Carlisle.  Terry Hall makes Robert Smith seems gregarious and silly.  And yet, for all of the darkness of the song, it’s still hard not to bop along to.  It’s pretty wonderful.

[READ: November 7, 2010] Consider David Foster Wallace

A group read of Consider David Foster Wallace is currently underway.  I had planned to read along and contribute weekly posts here.  I read the first two articles and, as it turns out, I have literally nothing useful to say about them.  And I certainly don’t have enough to contribute a weekly opinion about them.

It’s not that they are bad, not at all.  The onus is mine.  I am out of academia for something like a decade now.  I am totally out of practice for coming up with clever arguments and rebuttals to well researched pieces.  I have also seen a few people’s comments and critiques of these pieces and I realize that I am just not in the right mindset to be a productive member of the academic community.

But that doesn’t mean that I’m not going to read it and write a post when I’m done (I’ll likely follow along with the discussions, so this book won’t get posted for quite some time).

In the meantime, I wanted to say a few words about the preface and introduction.  (more…)

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SOUNDTRACK: BROKEN BELLS-Broken Bells (2010).

When I first played this disc I was really disappointed by it.  I’ve grown to expect crazy magic from Danger Mouse, and I assumed that this collaboration with James Mercer of The Shins would be crazy awesome.  But it seemed very mellow to me.  Mellow in a way that just kind of sat there.  So I put it aside for a while.

Then I listened to it again a little later and I found that I really liked it this time.  In fact, it rapidly grew into one of my favorite releases of 2010.

The disc is a wonderfully paced mixture of acoustic guitars, interesting keyboard sounds and, often, downright bizarre electronic choices (subtle, yet bizarre).  The weird sounds that open the disc, a kind of backwards keyboard, are disorienting but also very catchy.  And the song itself is instantly familiar.  It’s followed by “Vaporize” a simple acoustic number that bursts out with some great organ and (very) distorted drums.  It also features a fascinating horn solo!

“Your Head is on Fire” settles things down a bit with a mellow track which, after some cool introduction, sounds like a  pretty typical sounding Shins track (ie, very nice indeed–and more on this in a moment).

“The Ghost Inside” feels like a ubiquitous single.  I’m not sure if it is or if it’s just so catchy (with dancey bits and hand claps and a great falsetto) that it should be everywhere.  “Sailing to Nowhere” reminds me, I think, of Air.  And the great weird drums/cymbals that punctuate each verse are weird and cool.

One of the best songs is “Mongrel Heart” it opens with a western-inspired sound, but quickly shifts to a quiet verse.  The bridge picks up the electronics to add a sinister air (and all of this is accompanied by nice backing vocals, too).  But it’s the mid section of the song that’s really a surprise: it suddenly breaks into a Western movie soundtrack (ala Morricone) with a lone trumpet playing a melancholy solo.  And this surprise is, paradoxically, somewhat typical of the disc: lots of songs have quirky surprises in them, which is pretty cool.

Having said all this, there are a few tracks where it feels like the two aren’t so much collaborating as just playing with each other.  And that may have been my initial disappointment.  I was expecting a great work from a combined powerhouse, and I think what we get is two artists writing great stuff while seemingly respecting each other too much to step on each others toes.

There is another Broken Bells disc in the works.  And I have to assume that they’ll feel more comfortable with each other and simply knock our socks off next time.  But in the meantime we have this really wonderful disc to enjoy.

[READ: October 21, 2010] The Broom of the System

It dawned on me sometime last summer that I had never read DFW’s first novel.  I bought it not long after reading Infinite Jest and then for some reason, never read it.  And by around this time I had a not very convincing reason for not reading it.  DFW seemed to dismiss his “earlier work” as not very good.  I now assume that he’s referring to his pre-Broom writings, but I was a little nervous that maybe this book was just not very good.

Well I need not have worried.

It’s hard not to talk about this book in the context of his other books, but I’m going to try.  Broom is set in the (then) future of 1990.  But the past of the book is not the same past that we inhabited.  While the world that we know is not radically different, there is one huge difference in the United States: the Great Ohio Desert.  The scene in which the desert comes about (in 1972) is one of the many outstanding set pieces of the book, so I’ll refrain from revealing the details of it.  Suffice it to say that the desert is important for many reasons in the book, and its origin is fascinating and rather funny. (more…)

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[LISTENED TO: October 19, 2010] David Foster Wallace Eulogies

There are some really nice eulogies done for when DFW died.  The official (written) memorial service eulogies (from Jonathan Franzen, Zadie Smith, George Saunders and others) are available here (from an outstanding online journal called Five Dials).  They’re all beautiful (I was amused that the second longest one comes from DFW’s editor!).

The audio eulogies are available at The David Foster Wallace Audio Project.  They include two very long full length ceremonies and several news (NPR mostly) reports.  And there’s a lengthy interview with David’s sister, Amy, which is by far the most moving one.

The first of the lengthy pieces is the ceremony from Amherst.  It consists of colleagues, friends and students all telling stories about DFW.  And their collective memories join together to create a great portrait of the man; things that you’d never know about him (except you kind of would) from reading his work.  The thing that really struck me from this memorial was just how many friends he had.  This seems like an insult but it isn’t meant to be; rather, the impression I had was that he was quite a solitary man, holing up with his dogs and his pens.  But the stories and love from his friends during his college years especially are really quite nice to hear, and showcase a side of him that he left out of his work (except, of course, really he didn’t). (more…)

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