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Archive for the ‘Darlingside’ Category

[DID NOT ATTEND: May 4, 2024] Darlingside 

We have seen Darlingside four times and they are always wonderful.  But it has been five years since the last time we saw them.

And yet, whereas in the past I would instantly grab a ticket to see them, lately I haven’t felt as compelled.

Seeing them at the Sellersville Theater would probably have been a great experience because the sound in that room is tremendous.

We had friends over so it wasn’t actually an issue as to whether or not to go.  I wish I wanted to see them more, though. I feel kind of bad.

I’m not sure if there was an opening band.

 

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[DID NOT ATTEND: December 1, 2023] Darlingside / Field Guide

My wife and I were huge fans of Darlingside.  Seen them four times and pit them on my “always see them” list.

But for some reason, the last few times they announced shows nearby we weren’t that interested.

It may be temporary or maybe their original sound was exactly what I needed at that time.

They have changed a little over t he last few years, including the departure of one of their core members.  I don;t think that has anything to do with our lake of interest.  Honestly it may just be end of the year burn out.

So, maybe if they come around again soon we’ll check them out.  I just checked and saw that it has been four years snce we’ve seen them.  Maybe next time we’re due.

I hadn’t heard of Field Guide.  A review from Red Guitar Music says

 Hailing from Manitoba, Canada, Field Guide is the brainchild of singer-songwriter Dylan MacDonald and Full Time is a beautifully hushed quartet of thoughtfully written, warmly delivered songs of heartbreak, loss and leaving.  Artists trading in confessional acoustic intimacy are pretty easy to come by but what sets Field Guide apart from the crowd is the lyrical quality and the careful, understated execution in what they do.  Rather than wallowing in regret, the songs take a more philosophical path, which oddly makes this record feel more like a pick-me-up than a drag-me-down.  The songs are sad but matter-of-fact; sober but wry.

Sounds like the kind of nice opening act that Darlingside would pick.

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[DID NOT ATTEND: December 1, 2023] Darlingside

I had been thinking about the Darlingside show and how it was kind of sad that I wasn’t dying to see them again.

And then this Free at Noon was announced.

Sure, it was at Ardmore Music Hall, which is far–not even closer to my work like most Free at Noon shows are.  But I was planning on taking some time off and driving to Ardmore and STILL going to the Baroness show that evening.

And then I tested positive for COVID.  Ugh.

This sounds like it would have been a great short spell of seeing Darlingside again.  Although it’s not the same Darlingside anymore, as this review from WXPN’s The Key says

Darlingside’s core four-piece — Paseltiner on guitar and cello, Don Mitchell on guitar and banjo, Auyon Mukharji on mandolin and violin, and David Senft on bass — is augmented on this run by Molly Parden on bass, Benjamin Burns on drums, and Deni Hlavinka on keys. Putting Darlingside in more of a rock band configuration adds energy and atmosphere to new cuts like “Green and Evergreen” and “Green Light,” but their exquisite harmonies soared on older favorites like 2015’s “The God Of Loss.”

One of the best things about Darlingside (aside from the music) is the banter.  And it was in evidence at this show:

As usual, the band used its copious tuning and re-tuning breaks for playful conversation: describing the venue to the radio audience at home, arranging the band intros by hometown and number of syllables in each member’s last name.

And this sounds like an amazing moment

And when they stepped offstage and into the crowd for a breathtaking off-air off-mic encore of Everything Is Alive‘s “The Breaking Of The Day,” played “directly under the disco ball,” they had the room enthralled.

Stupid COVID

SETLIST

  • Green And Evergreen
  • White Horses
  • Green Light
  • Hold Your Head Up High
  • Right Friend
  • Darkening Hour
  • The God Of Loss
  • Ocean Bed
  • The Breaking of The Day

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[DID NOT ATTEND: November 12, 2022] Darlingside / Caitlin Canty

Ten years ago I was driving past the New Hope Winery, a place I didn’t even know had live music, and I skidded to a halt–literally.  Thurston Moore was playing there.  WHAT?

New Hope is closer than anywhere for me.  How did I not know about this?  Who else plays here?  Well, mostly, Dar Williams plays there (a lot) and then a ton of cover bands. But I keep an eye on theoir mailing list for the occasional amazing band they might sneak in there.

Like Darlingside!  What?  How great would it be to see them in this teeny venue and here them make jokes about wine and New Hope.  I bought tickets immediately.

And then we wound up scheduling a fall vacation to Salem Massachusetts and we would be heading home on this date.  And who the hell wants to go to a concert after driving all day from Salem to New Jersey?  Not us, that’s for sure.  So, we missed Darlingside twice in a few days.

Please don’t let it be another ten years before there’s someone else I want to see there.

Caitlin Canty is an American singer/songwriter whose music carves a line through folk, blues, and country ballads.  Raised in small-town Vermont, the daughter of a school teacher and a house painter, Canty earned her degree in biology in the Berkshires and subsequently moved to New York City.Her voice was called “casually devastating” by the San Francisco Chronicle and NPR Music describes her songs as having a “haunting urgency.”

I’ve since listened to her sing a few songs with Darlingside and her voice melds very nicely with theirs.  Her solo stuff is quiet lovely as well.

 

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[ATTENDED: November 9, 2022] Darlingside / Caitlin Canty

We have seen Darlingside four times and I thought we’d never not see them if they were touring.  Especially if they played SOPAC, which is so close.

There was a change coming in Darlingside

Dave here, with some band tour news:

Starting this fall (October), I will be taking a break from live touring for a bit. This was a very difficult decision, but one that was made unanimously and with love by all four of us, after many long conversations about what is feasible and sustainable for each of us as individuals, and for the band as a whole—ie, what will ultimately serve the longevity of Darlingside.

Touring has always been the hardest part of the job for me, and while some aspects have gotten easier with time, being away from my family has only gotten harder. I love playing shows, and there is so much about touring that I’m going to miss, but for the time being I know this is the right move, most of all because it will free the rest of the guys to take many more opportunities we would have otherwise had to turn down—which hopefully means lots more shows for you to attend moving forward!

I’ll be stepping away from all live performances—including local ones—so that the other guys can focus on crafting a consistent new live experience, with special guests and new musical elements we’ve always wanted to try. I’m deeply appreciative of that work they’re doing and so excited to see what they put together. In the meantime, my other roles in the band aren’t changing; I will still be writing, arranging, singing, playing, recording, and designing, as well as constantly losing track of personal items (my favorite tour hobby)—but it will all be from home, for now.

Dave Senft

What?  No Dave?  Actually, I think he might have been playing our show, but I’m not sure.

At any rate, my wife was working late on this evening so we decided not to even get tickets–it just wasn’t going to happen.

Caitlin Canty is an American singer/songwriter whose music carves a line through folk, blues, and country ballads.  Raised in small-town Vermont, the daughter of a school teacher and a house painter, Canty earned her degree in biology in the Berkshires and subsequently moved to New York City.Her voice was called “casually devastating” by the San Francisco Chronicle and NPR Music describes her songs as having a “haunting urgency.”

I’ve since listened to her sing a few songs with Darlingside and her voice melds very nicely with theirs.  Her solo stuff is quiet lovely as well.

 

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[DID NOT ATTEND: December 2, 2021] Darlingside / Lullanas

S. and I love Darlingside and have seem them several times.  I have them on my list of bands to see wherever and whenever. But sometimes things get in the way.

I think seeing them at Ardmore Music Hall would be a treat.  The sound would be amazing.  But sometimes getting to Ardmore is a hassle.

Plus, it actually felt nice to stay home for a week.  So we blew off this show, safe in the knowledge that they’ll be back to entertain us in the not too distant future.

I’d never heard of Lullanas.  According to their label

Twin sisters Atisha and Nishita Lulla, aka LULLANAS, create songs wrapped in Americana warmth, folk eloquence, country storytelling, and unassuming pop ambition. Their debut EP, Before Everything Got Real, thrives on an inimitable and familial balance.

They sound like an excellent complement to Darlingside.

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SOUNDTRACK: DARLINGSIDE-“Ocean Bed” (2020).

oceanToday, Darlingside announced the release of a new song–a wonderful surprise–and an upcoming new album.

The basic sound of Darlingside doesn’t change (thank goodness), but on their last album, they mixed things up by throwing in some electronic sounds.

There’s no electronic sounds on this song (which doesn’t mean there are non on the album) but there is a lot more percussion than usual.

It opens up with some thumping drums.  Is there a drummer?  It’s more than the kick drum they usually use.  Then comes the mandolin and some clapping.  A smooth grooving bass slides in and then, as the voices come in, everything settles down into pure Darlingside.

The verses are individual voice but the bridges are gorgeous harmonies.  The song moves swiftly with a percussion backing as the lead voices sing.

Then the surprise–the middle is practically a drum solo–with rumbling percussion and some kind of low pulsing note (is that secret electronics after all) that adds almost a sinister feel. But that segue leads right back to the mandolin.

I love that this song can sound so much like Darlingside and yet also shows them changing things up. In some ways it’s a step back since their first album had a drummer and their later ones did not.  But this drumming and percussion is a very different sound.  very exciting–how will they do it live?

[READ: July 10, 2020] “Black Mountain, 1977”

This issue of the New Yorker has a series of essays called Influences.  Since I have read most of these authors and since I like to hear the story behind the story, I figured I’d read these pieces as well.

Donald Antrim’s essay is considerably shorter and much more harrowing than the previous one.

Antrim tells of the horrible situation that his mother grew up in.  His mother’s mother was a cruel parent, carrying out “an aggressive campaign against her daughter’s body, even going so far as to advocate unnecessary surgeries for her only child,”

His mother’s father was a meek and cowed alcoholic who never stood up to his wife. (more…)

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[POSTPONED: April 9, 2020] Darlingside / Francesca Blanchard

indexWe have seen Darlingside four times and they are always wonderful.

Seeing them at the Sellersville Theater would probably have been a great experience because the sound in that room is tremendous.

We had seen them fairly recently, and Sellersville is kind of a pain for us to get to though so we hadn’t actually gotten tickets for it.  Plus I had several other show already lined up that week.

If they reschedule though, I’m sure we’ll go.

I didn’t know Francesca Blanchard.  Her bio says

Francesca Blanchard is a French-American songwriter based in Burlington, Vermont. Since the release of her bilingual folk debut Deux Visions in 2015, the genre-bending songwriter has been busy redefining her wheelhouse.

It says that she has gone in a slightly more pop-oriented vein.  I’d have loved to hear her sing in French.  So perhaps the rescheduled dates will feature her opening again.

 

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[ATTENDED: September 29, 2019] Philly Music Fest

For those counting, this makes four concerts in four nights, which is frankly insane (and thanks to my poor wife who tolerates such excesses).

But the whole reason I wanted to go this evening was to see Man Man (more in their own post).

But, in fact, the entire Philly Music Fest was pretty fantastic.  I would have certainly gone to three of the four nights if I could have.  This little festival is a testament to the amazing music that Philadelphia is producing, and they didn’t even include two of my favorite Philly bands, Mannequin Pussy and Control Top.

The first night I actually didn’t know any of the bands.

  • Wednesday 9/25 at Milkboy (a venue I haven’t been to yet)
  • Secret American
  • Sixteen Jackies
  • Ceramic Animal

The second night was an amazing line up! (more…)

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[ATTENDED: September 27, 2019] Darlingside

This is now the fourth time we’ve seen Darlingside and our second time seeing them at SOPAC.  SOPAC is a great intimate seated venue with excellent sound (and a very strong air conditioner apparently, holy cow was it cold in there).

The last time we saw them there, there was an opening band.  But this time there was no opener.  Rather, Darlingside would play two forty-five minute sets with an intermission between.

We also brought S.’s mom as a treat, believing that she would love their harmonies.  And she sure did.  I think we know what to get her for Christmas.

Our seats were great–second row, although I joked with S. that we were too far to the left (instead of dead center).

So this was their second time in the same venue.  Some things were the same.  I don’t remember exactly, but I feel like at the last show they were lit by these same very cool old-fashioned bulbs (which you can see in a picture below) as well as the stage lights.  I enjoyed that they were somewhat connected to the music–growing brighter as things got more intense. (more…)

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