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Archive for the ‘Belle and Sebastian’ Category

SOUNDTRACK: BELLE AND SEBASTIAN-World Cafe Live [downloaded from NPR] (2006).

This is a live in-studio session promoting The Life Pursuit.  David Dye conducts an interview between songs (we learn what “Funny Little Frog” is about and how “Seymour Stein” came to be).

Stuart and Stevie are animated and in good form and the band sounds excellent.  On “Funny Little Frog” in particular they sound like they’re really enjoying themselves.

The session is only 25 minutes long, but they play 4 songs: “Funny Little Frog”, “Meat and Potatoes,” “Seymour Stein” and “Sukie in the Graveyard.”  It’s worth a listen and it’s available here.

[READ: November 6, 2010] “What Separates Us from the Animals”

For some reason I always put off reading T.C. Boyle stories, even though I invariably enjoy them.  And this was no exception.  I saw that it was a fairly long story and I waited to read other things in this issue of Harper’s (Susan Faludi–where has she been all these years? and another NASCAR article–my second one in a few months after the article in McSweeney’s, which is pretty surprising since I’ve never seen more than a second of a race).

But back to Boyle.  I loved the technique involved in this story.  The narrator is a critical woman who makes claims towards being reasonable about her criticisms.  And the thing is, her criticisms are entirely justified and yet her attitude makes you want to disagree with her. It’s a very cool conceit–an unlikable narrator whose opinions happened to be your own.

What she’s critical of is the new doctor who arrives on their island (I’m gathering it’s Nantucket).  He was picked out of a couple of applicants to be the island’s only doctor, handling basic problems and issues (especially during the summer tourism season) but always with the understanding that serious problems would have to go to the mainland.  In addition to his salary he would receive free lodging in an older, historic house.

She met him on the night of his arrival in order to get him set up in the house.  She immediately invited him to dinner. He accepted for the following night and arrived at their own beautiful house in paint-spattered jeans and dirty work boots.  He ate well and then fell asleep on their couch.  Obviously, this did not set things off on the right foot.  But what was worse was that this dirty demeanor spilled over into the rest of his life: his car has a flat tire for two months and worse, his examination office is filthy too (something I’m totally on board with criticizing).  They’re also concerned with the state of the historic house, which no one has seen yet–what no invitations to cocktails? (more…)

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SOUNDTRACK: BELLE & SEBASTIAN-“Write About Love” (2010).

This single was released on the bands website on September 7th.  The first 20,000 visitors were able to get a free download.  By the time I’d heard about it (3PM) it was long gone.  But the streaming version is still there.

This song continues in that “groovy” vibe that they’ve been indulging in with the last few listens.  It’s far afield from their earlier, more mellow/acoustic sound, and it features some loud organ and solid guitar lines.  Although I really like the early B&S, I’m also quite fond of this later, louder material, and I think it makes for a well-rounded band.

The song is a duet with Carey Mulligan (who I don’t know, but she was in An Education which I haven’t seen).  B&S have always found great melodies for their songs, and this one is no exception. Even with this more rocking sound, they still haven’t lost their sense of songcraft.

I can’t seem to embed the song, so here’s a link: http://www.belleandsebastian.com/newsstory.php?id=515.

[READ: September 7, 2010] Pinky & Stinky

This is the third book that Sarah received for her birthday.  I’m not sure why I put off looking at it until now, but it was worth the wait.

This is a fanciful graphic novel about two pigs who are sent into space.  I’ve always thought that Kochalka’s drawings were simple/sloppy.  But this book shows them to be not at all sloppy, and perhaps deceptively simple.  Because even though the main characters are cute pigs with very few lines, and (once they get to the moon) the moon men are basically hands, the drawings are consistent and are all quite good (hands are definitely not easy to draw).

But on to the plot…. (more…)

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SOUNDTRACK: BBC Sessions (various).

Many many bands that I like have recorded tracks for the BBC.  And after several sessions, they tend to get released as BBC Live or BBC Sessions discs.  In the last few years, I’ve gotten discs from the Cocteau Twins, Tindersticks, The Beautiful South, Belle and Sebastian and Therapy?  One of the first ones I’d every gotten was The Smiths’ Hatful of Hollow.

I’ve always loved these releases.  The recordings are “live,” even though they’re not in front of an audience.  For the most part they don’t vary greatly from the originals (that’s not always the case, mind you, but most of the time it’s true.)

What makes these releases so great is that by the time the bands do these recordings for the BBC, the original album has been out a while and the band has toured a bit.  So, they know the song backwards at this point, and they usually record a version that’s faithful to the original but a little more playful.  I always thought that the Hatful of Hollow versions of songs were better than the originals.  It was many years before I understood why there were two “official” releases of the same songs.

There are so many BBC recordings out there (this is an incomplete list).  If you like a British band, chances are they recorded some sessions.  And I don’t know if the BBC is hard pressed for money or what, but they seem to be releasing them by the handful lately.  The biggest problem of course is that most of them are not available in the States (at least for a reasonable price).  And that’s a drag.  So find them used and enjoy!

[READ: May 19, 2010] Girl with Curious Hair

This is DFW’s first collection of short stories.  I clearly bought this copy soon after finishing Infinite Jest.  I was delighted to find as a bookmark an old stub from a sub shop that I used to go to all the time when I worked in Cambridge, Ma.  I wonder if that sub shop is still open.  It was in Brighton, was more or less on my way to work, had a predominance of Irish products and had delicious subs that were almost cheaper than buying the stuff yourself.  I had checked off a few stories in the table of contents (most of the shorter ones) but that stub brought back more memories than the stories did.  I didn’t even recognize the ones that I had apparently read.

And the stories are pretty memorable.  So I wonder if I didn’t read them at all.

The first story is “Little Expressionless Animals” (or, the Jeopardy! story).  In fact, if I may back up, the whole collection is really rife with pop culture, especially television references.  In David Lipsky’s book, Although of Course You End Up Becoming Yourself , DFW states matter-of-factly that he has an obsession with TV and pop culture, so this shouldn’t be surprising.  But for me it was disconcerting to have the pop culture not incidental or as a set dressing, but absolutely central to the stories. (more…)

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SOUNDTRACK: A CAMP-Colonia (2009).

This is the second album from the side project of The Cardigan’s Nina Persson.  This disc was created with her husband Nathan Larson from Shudder to Think.  Their first album had a country flair to it, but this one eschews that entirely for a pop feel that is entirely different from The Cardigans’ two main styles: the “cheesy” happy pop of “Lovefool” and the bitter guitar pop of their later discs.

Although like the Cardigans, Nina uses her beautiful, almost angelic voice to mask the critical, often bitter lyrics that fuel this disc.  The music is kind of sparse, which really allows for Nina’s voice to shine through. “Stronger Than Jesus” is a wonderful song about, of all things, love.  While “Bear on the Beach” opens with a delicate twinkling piano. And “Love Has Left the Room” has soaring vocals and a wonderfully catchy melody line.

The best track is probably “Golden Teeth and Silver Medals” a cool duet with a tongue-twisting chorus.

They also have a bit of fun with genres, so “Here Are Many Wild Animals” opens like a doo-wop song, but swerves into a cool minor key masterpiece.  Even the album closer, the slow, meandering “The Weed Had Got There First” works nicely with Nina’s voice (although I wouldn’t want a whole album like this).

Anyone who misses the Cardigans would do well to track down this disc; or, if you find the Cardigans too treacly, this is a great representation of the true side of Nina’s character.  I just can’t decide if the A in the band name is the indefinite article or the letter A.

[READ: March 3, 2010] “By Song, Not Album”

My friend and coworker Anna loaned me this issue of The Sun saying that she thought I would enjoy it.  I’d never heard of it before, but I’m always up for new things, so I decided to check it out.  I really enjoyed the Photo Essay “With Eyes Shut.”  And I read two of the longer pieces as well.

This first one, is, I believe non-fiction.  And if it is non-fiction, it is the least believable non-fiction piece I may have ever read.  I was interested to read it because of the title, which seemed an interesting conceit for a story.  And while that does come into play, the story is really about a young woman who is studying abroad in France who is suffering from a severe depression.

The only one who can pull her through is her father, who is similarly afflicted with depression.  He flies over to assist her and they wind up spending several days together.

What I found unbelievable, was the way her father behaves.   (more…)

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SOUNDTRACK: BRITISH SEA POWER-Do You Like Rock Music? (2008).

I’ve heard a lot about British Sea Power over the years, and I’ve enjoyed their smarty-pants attitudes.  I think that their first album is most highly recommended.  But I was able to get this disc with an autographed booklet from my favorite record store of all time, the long-missed (since they have no locations near me) Newbury Comics.  So I tried them out.

I can’t speak for their earlier discs, but I’m surprised by how much this disc reminds me of The Arcade Fire, which is odd given their Britrock pedigrees.  It opens with “All In It” which sounds like it could be an Arcade Fire outtake.  And as the rest of the disc continues, I found myself hearing bits and pieces of other bands.  I couldn’t put my finger on anything specific, but I kept thinking, ‘hey, that sounds like–.”

The biggest problem I had with the disc was that even after a few listens, most of it didn’t stick with me.  There were definitely moments where things really stood out (chanting choruses and whatnot), but overall, I kind of felt a lack of anything special.

The album closes with “We Close Our Eyes” which is a reprise of sorts of the awesome opening track.  Whereas the first track is 2 minutes, this one is 8, and it has lots of silences or quiet sound effects and it ultimately ends with a similar chant to the beginning.  But by the time that kicks back in, you’re just sort of annoyed by it.

I wish I could use that as a metaphor for the disc, but I can’t.  I enjoyed some of it, and didn’t dislike any of it really, but it doesn’t make me want to rush out and get their first album, even if it is supposed to be much better (and actually rather different).  I just wanted this disc to be better.

[READ: January 23, 2010] Love the Way You Love: Side B

I really enjoyed part A of this story.  And, at the end of that review, I had asked if Jamie S. Rich had recorded any of the Like a Dog songs.  Jamie wrote back to say that “Love the Way You Love” is available, on MySpace.  Now, I only wish he had included the wonderfully scalding punk B side, “Mighty Joe Marxism” that is featured in this second book.

But back to the story.

When we left off in Book A, Tristan has successfully wooed Isobel away from the evil record producer, Marcus King.  And he had successfully signed his band Like a Dog to a righteous indie label.

But all is now not well.  Marcus has pulled strings and caused a huge backlash on Like A Dog.  No clubs will book them and no distributors will carry their soon-to-be recorded first single.  And Isobel feels responsible for Tristan’s sadness.  This becomes even more apparent when Marcus basically says that he’ll lift the ban if Isobel goes back out with him. (more…)

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SOUNDTRACK: DARK WAS THE NIGHT-That Disc (2009).

The second disc in this set is a somewhat more raucous affair than the first (which was pretty much all acoustic performances).  On the surface, this seemed like the better disc of the two.  I like so many bands on this disc: Spoon, Arcade Fire, My Morning Jacket, The New Pornographers, Stuart Murdoch, Blonde Redhead.

And the disc starts out really great. The Spoon track, “Well Alright” may just be my favorite song on the whole compilation.  The Arcade Fire are typically great.  Beirut, whom I’d not heard before have a great track and My Morning Jacket’s song is very good, in a mellow sort of way.

From there, though, the disc kind of goes downhill. The Sharon Jones track is okay.  Dave Sitek’s (of TV on the Radio whom I love) track is fine.  It’s very basic, especially for him.  It has grown on me somewhat, but it’s nothing too exciting.  The New Pornographers track is catchy but nothing amazing.  Even the Stuart Murdoch (who has never done a bad track) song is mild at best.

But Riceboy Sleeps, which is a side project from the amazing Sigur Rós just kills the disc in its tracks.  The thing about Sigur Rós is that if you’re not in the mood for them, they are too ponderous by half.  So, in the midst of these kind of rocking songs, this 9 minutes ambient instrumental is just death.  And, it’s followed by a dreadful version of “amazing Grace” by the usually delightful Cat Power.

And then comes the Conor Oberst song.  This is the second song by him that I’ve listened to in a short period of time (the other was on Future Soundtrack of America).  And I just don’t get this guy’s appeal.  I feel like I must be a crotchety old man thinking this but I’ll say it: he sounds like a total knockoff of Paul Westerberg.  And the weird thing is, he sounds like a 19 year old P.W. singing the songs of the middle-aged P.W.  “Lua,” the track on here has some clever wordplay, but the melody of the song is pretty much note for note of The Replacements “Sadly Beautiful.”

And at this point in the disc I never even give Blonde Redhead and Kevin Drew a fair chance.

Track sequence means a lot, and I fear they do a disservice to the disc on this one.  I’m still a fan of Disc One and there’s a number of great tracks on Disc Two, but I was rather disappointed by this one.

[READ: December 22, 2009] Love as a Foreign Language Vol. 2

This volume concludes this engaging romance from Oni Press.

I was a little concerned as the volume opened because the Joel-Hana budding romance is derailed by a couple of silly misunderstandings.  (I was afraid we were heading towards TV-slapstick territory).  But, they proved to be just a few moments of comic relief in what was heading into a pretty emotional conclusion.

There’s also the sudden realization/crisis that his fellow teacher, the fun and flirty British woman also has a thing for Joel (what’s a guy to do with two women into him?  And realistically a British romance seems more feasible than a Korean one). (more…)

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jokeSOUNDTRACK: FRIGHTENED RABBIT-Midnight Organ Fight (2008).

rabbitMy friend Jarrett introduced me to this band.  He rather casually called it his favorite album of the year, so I figured it was worth checking out.

Frightened Rabbit are a group from Scotland, and they play a sort of disaffected folk.  Although that’s not a wholly accurate description because they do kick in the drums and louder guitars.  So, yeah, they don’t sound anything like Belle and Sebastian.  This is complemented by the lyrics which are somewhat bitter or aching.

And speaking of lyrics, the first song that I wanted to sing along with most was “Keep Yourself Warm” and then I realized that the chorus is “It takes more than fucking someone to keep yourself warm.”  There’s also a very pointed use of the mother of all C words, in another song, too.  And I’ve had that song in my head for about three days now.  But I absolutely cannot sing the song at work or at home, or, well, anywhere except in the car when I ‘m by myself.

This all leads me to wonder, Do bands save their best songs to fill with curses or am I just 8 years old and I listen to the song with curses the most?

The one thing that has troubled me about the record is that at times the singer can sound like the guy from the Counting Crows.  And the Counting Crows are probably the band I hate the most in the universe.  But I just focus on the Scottish burr which lessens the Durwitz effect, and then I can enjoy the disc again.

[READ: Summer 2008] The McSweeney’s Joke Book of Book Jokes

This is a collection of humorous vignettes that are, if not about books exactly, certainly literary in nature.  If you like your humor to be bookish, then this is a great, funny collection.  It starts with the cover itself, as it is printed backwards and upside down w(the cover above is actually on the back).

Many of these pieces are very short (some are a page, even some more are just a few sentences.)  Plus, there are so many pieces that I’m not willing to write all that much, just a one-line summary (that I will try to make funny without giving away the punchline).

I thought about indicating in some way which ones I liked best or some kind of rating system, but that just seems extensive and cruel.

Most of these pieces came from McSweeny’s online, and I’m sure many of the pieces are still available there, but I’m not going to do all the work for you.  And it’s funny how many jokes there are about: James Joyce, Kafka, Homer and children’s books!

Oh, and authors: I started to include all of your names in my Categories, and then it just got too overwhelming.  But if you want to be added, just drop me a note!

Click here for the egress: (more…)

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bogSOUNDTRACK: BELLE AND SEBASTIAN-BBC Sessions & Live in Belfast 2001 (2008).

bsbbcVirtually every review of the BBC Sessions says the same thing: these tracks barely differ from the original recordings.  And, for better or worse, that is very true.  In fact, even the trumpets and other instruments sound so perfect, you tend to forget it’s a live recording.  Clearly this sends a positive message about their live playing.  But if that’s the case, why would you buy this?

Well, clearly Belle & Sebastian devotees will buy it even if there’s only marginal differences.  But really the selling point is the last 4 songs, all of which are brand new (at least to me). It’s also amazing to me how on the first batch of live songs from 1996, the band sounds so delicate it’s as if they would fall apart just by looking at them.  The opening songs are soft, and Stuart’s voice is barely a whisper.  And yet through all of that the choruses are still catchy, and the songs are amazing.

But really the main hook for this set is the Live in Belfast disc.  It comes from 2001, and is a surprisingly rollicking set.  I saw B&S several years ago at a small club in Manhattan. It turns out to be one of my worst concert experiences.  Not because of the band, but because it was so overcrowded (B&S were the “IT” band at the time) that I had to keep moving back to stop getting crushed.  I eventually spent time in the lobby trying in vain to hear the set.

So this is the next best thing for me.

The set is an interesting mix of covers (and surprising ones at that–“The Boys Are Back in Town!”) and B&S rarities (with a couple of popular songs like “The Boy with the Arab Strap” and “Legal Man” thrown in as well).  There’s also a fun rendition of The Velvet Underground’s “I’m Waiting for the Man” by a fan named Barry who requested the song and then came up on stage to sing it.  The band is loose, a little shambolic and apparently having a lot of fun.

It’s a remarkable collection of tracks for any fan of the band and certainly overcomes the similarities of tracks on the first disc.

[READ: May 24, 2009] Beware of God

I read this book exclusively because of my authority as a librarian. I received an email saying that the person who had put this book on hold no longer wanted it (her book club was last week and she had to buy the book…that’s a book club I want to be in, actually).  When I took it off the hold shelf, I saw who it was by, and since I have wanted to read his stuff (and this book was fairly small) I thought I’d take it home with me.  When we canceled the hold, I learned that someone else had a hold on it, so technically I couldn’t take it.  However, I broke a rule. Since it was Saturday and Memorial Day weekend this book wouldn’t be shipped out to the net person on line until Tuesday morning!  Surely I could read this in time with no one the wiser.  Well, imagine my surprise to have read it by Sunday night…it could have gone back even if it wasn’t a long weekend!  Huzzah!

I hope that doesn’t get me fired. (more…)

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ny2916SOUNDTRACK: JUNO Soundtrack (2007).

junoLate on the bandwagon with this soundtrack.  But then, I only really watch movies on TV these days, so I’m often late to the bandwagon.

Anyhow, this soundtrack was a darling in the alternative universe, and with good reason.  It’s a charming collection of mellow rockers, and it suits the film quite well.

The main artist here is Kimya Dawson, formerly of the Moldy Peaches.  She contributes six solo tracks and one song with the Moldy Peaches.  Kimya’s solo work is very lo-fi, it sounds like she’s singing in her bedroom.  Her voice has a tone that she doesn’t care if she’s in tune, and yet she always is.  There’s usually some kind of multi-tracking on each song (backing vocals or some such) that belie the lo-fi-ness of the songs, and yet they all sound like they were done in her bedroom.  Her lyrics are either overtly political or broken hearted/relationshippy.  Since those were pretty much the only songs i didn’t already know, I was a little unsure about them at first, but I have grown to like them.

The rest of the disc comprised a great line-up of previously released songs: The Kinks: “A Well Respected Man” (this also sets the tone for the record); 2 Belle and Sebastian songs; Mott the Hoople: “All the Young Dudes” (probably my favorite song by a band that I don’t think I’ve ever heard another of their songs);  The Velvet Underground: “I’m sticking with You” (the least representative song of a band ever…it’s charming and cute).  And, what you would think would blow the tone of the album: a song by Sonic Youth.  And yet that song is a cover of the Carpenters’ “Superstar.” It’s one of their mellowest songs and one of my favorite cover tracks ever.  The effects they wrangle out of their instruments are great, the tone is amazing, and it even got me to investigate the Carpenters further.

Chances are if you like any of this music, you own most of these songs, but it’s still a great collection of, dare I say it, twee folk rock songs.

[READ: March 4, 2009] “The Invasion from Outer Space”

This was a very short (one and a half pages) story.  It begins with everyone watching the skies in anticipation of an imminent invasion from outer space.  The anticipation builds as they see lights in the sky.  And then a fine yellow powder is dropped all over the earth.

The yellow powder  is the extent of the invasion and the townspeople feel somewhat disappointed that the invasion wasn’t more dramatic.  That gives away a bit of the story, but really it’s the details that make it rewarding.  I rather enjoyed this one.

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