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Archive for the ‘Beabadoobee’ Category

[DID NOT ATTEND: September 8, 2024] Beabadoobie / Hovvdy

I saw Beabadoobie back in 2021 on her first tour of the U.S.  Since then, she’s put out a couple of albums and has been back to the States.  I didn’t go last time.  She was supposed to play at All Things Go last year but cancelled for some reason or another.

I would have liked to go to this show–I am genuinely surprised she played The Met.  I thought that my daughter would like to go to see her, although she recently told me that she didn’t care all that much.

This night turned out to be the same night that I had tickets to Waxahatchee, but was also the night between two Pearl Jam shows so we weren’t going anywhere.

I saw Hovvdy open for Pinegrove back in 2017.  They played a kind of noisy lo-fi rock (I see they call it pillowcore).  Both singers’ voices and musical styles were fairly different which kept the music constantly shifting.

I enjoyed them although I don’t really have strong memories of the show.

I imagine this night ended pretty early.

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[DID NOT ATTEND: October 29. 2022] Beabadoobee / Lowertown

I saw Beabadoobee almost exactly one year ago.  I enjoyed the show and even concluded the show was pretty amazing (it was only her second show in America).

But I didn’t feel the need to see her again.  I actually had tickets to see Chris Forsyth that night anyhow.

Although I suspect that this show was only better than the last and maybe if she comes back I’ll go again.  It turns out that my daughter and her friend found out that I blew this show off and they were both very annoyed with me because they both want to see her.  Oops.

I saw Lowertown open for Wet Leg.  I missed some of their set, but enjoyed what I heard.

They are from Atlanta and this was their first tour.  They have an album and an EP out on bandcamp.  They say of themselves:

Hi We’re Lowertown! This is the band of Olivia O. (Olivia Osby) and Avsha the Awesome (Avshalom Weinberg)🙂

! our music is a blend electronic and lo-fi instrumentation with meaningful lyricism and melancholy, narrative lyrics. Our music has been said to be indie with aspects of folk and electronica.

I enjoyed their set–Olivia had a Courtney Love thing going on–she slammed into Avsha a few times while he was playing.  There was certainly a punky element and they got our heads moving along.

 

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[ATTENDED: November 2, 2021] Beabadoobee

Beabadoobee had a couple of hits that I really liked.  Her song “Care” was a perfect 90s reclamation–so fun and catchy.

When she announced a tour I figured it would be fun to see her.  I had no idea how popular she actually was.  The crowd was intense and surprisingly devoted.

She releases music in a way that’s hard for an old like me to comprehend–just random singles whenever she feels like it.  So even though she was touring for her album Fake It Flowers, she had since released an new EP and maybe even another single.

So I can’t keep up with that but everyone else sure did. (more…)

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[ATTENDED: November 2, 2021] Christian Leave

The weird thing about seeing an artist who is new and very young is that her opening bands need to be (relatively) newer and younger.  And so, when seeing an artist like Beabadoobie who has one album out and who was born in you’re going to get openers who are gasp, probably teenagers.

Being an old has never diminished my enjoyment of concerts, even from performers that I’m more than twice as old as.  But the way young people find music these days has really messed with my head.

I had never heard of Christian Leave only to find out that he has like 3,00,000 online listeners.

I gather that Leave is something of a minor celebrity, with people possibly going a little crazy for him.  It was hard to tell from where I was but he seemed a but of a teeny bop star–he certainly had charisma, but not a lot of stage presence (how is that possible?  I don’t know). (more…)

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[ATTENDED: November 2, 2021] BLACKSTARKIDS

The weird thing about seeing an artist who is new and very young is that her opening bands need to be (relatively) newer and younger.  And so, when seeing an artist like Beabadoobie who has one album out and who was born in you’re going to get openers who are gasp, probably teenagers.

I don’t know why it bugs me so much to be late for a show…especially when I don’t know the opening act.  I just like to arrive early, pick the spot I want and get psyched for he show.  For some reason, I was running late for this show and I wound up walking in after BLACKSTARKIDS had started.

There were five members on stage, but the core of the band is TyFaizon and The Babe Gabe–the main songwriters–and Deiondre acting as producer.  They all rap and sing leads (there was also a keyboardist and a drummer).

Their music is genre defying, being equally inspired by indie rock, hip hop and pop culture.  So a song like “PALS” has rapped verses (from all three of them, I think) and then a super catchy chorus with lovely backing ahhs. (more…)

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SOUNDTRACK: beabadoobie-“Care” (2020).

This song has been getting a bunch of airplay prior to the release of beabadoobie’s debut, album and holy cow is it catchy.

It’s got a terrific 90s alt rock sensibility (Belly, Juliana Hatfield, etc).  Slightly distorted guitars, big drums and perfect use of silence to lead to a crashing continuation.

Beatrice Laus’ voice is gentle and soft as she sings the jangly verses.  The bridge then builds to the super catchy, two-beats-and-a-pause “care” chorus.  Her voice doesn’t get harsh or anything bit it does get a lot more powerful.

This song is hooky and memorable and instantly sing alongable.

I’d heard her earlier EPs and liked them, but nothing stood out as memorably as this song.  I hope the rest of the album proves to be as full of great songs.

[READ: October 15, 2020] “Time to Destination”

This is an excerpt from DeLillo’s forthcoming novel The Silence.  I tend to think that DeLillo’s novels are rather long, so I was surprised that this excerpt was only three pages.  (I realize an excerpt is a tiny piece, but it still seemed rather short).

I normally really enjoy DeLillo’s attention to quotidian detail, but this excerpt fell flat for me.

It is a man and a woman on a plane.  He wants to sleep but he can’t stop looking at the display that shows where they are and when they will arrive.

He reads many of these details aloud, but the woman (his wife) ignores him.  she is busy writing down all of the things they have done so far on th etrip.

While the talk, they challenge each other on some facts–Fahrenheit’s first name, Celsius’ nationality.  He mocks her for writing down all the details, like the rainy days–she wants to see the precision, the details.  He says she can’t help herself, but she replies that she doesn’t want to help herself.

Their conversation felt like airflight itself–automatically generated because of the enclosed space. (more…)

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SOUNDTRACK: beabadoobee-Loveworm (2019).

beabadoobee is Beatrice Kristi Laus, a 19 year-old singer-songwriter who was born in the Phillipines and lives in London.  She has released some six EPs since 2018 and has been played on the radio on WXPN.  I see she’s also headlining a small tour over here in the Spring.

Yesterday I listened to the bedroom version of this EP, and here is the original release in all of its glory.  Interestingly, the sound isn’t all that much bigger, but there is a lot more instrumentation.  And some of these songs definitely rock harder.

“Disappear” is played on a gentle electric guitar with swirling keys and a simple drum clicking sound.  When the bass comes in after the first verse, the song feels really full (with a sprinkling of keyboard sounds added on top, too).  The middle third has a nice little section with bells as everything else fades out for a moment.

“1999”s guitars sound a bit more downbeat, deeper.  The middle has some lovely overdubbed guitar parts. I really like the repeated guitar melody that flows all the way to the end,

“Apple Cider” is wonderfully upbeat in this version.  Bouncy guitars, more bells and her soft vocals make this sound like a perfect 90s alt-rock song.  Just as I was about to say this song was perfect, it added some “oohh la las” which don’t quite fit.  However, the crazy guitar solo(s) are very cool and more than make up for it.

“Ceilings” remains a quiet ballad with some nice falsetto vocals and trippy backing sounds that turn into a synthy solo.

“Angel” sounds different on this record too, with some staggered guitars and a fairly complex drum pattern.  There’s some noisy electric guitar on this song too.  I love the way this song rocks out at the end.  The rocking continues on “You Lie All the Time” (which still sounds a bit like Juliana Hatfield).  It rocks all the way through to the end,

The final song “Soren” is a slow ballad.  With the two guitars it does actually sound quite different from the bedroom version, which is kind of cool since they are for the most part pretty similar.

I enjoyed both versions of this EP, but I like this one more. There’s more variety and the songs rock a bit more.  I’m curious what her first full-length will sound like.

[READ: January 10, 2020] The Babysitters Coven

I don’t usually read books like this, but the cover caught my eye (I love judging a book by its cover) and I’m so glad I read it. It was fun and funny and mashed up ideas from existing stories into something all its own.

Esme Pearl is a babysitter.  She and her best (and only) friend Janis started a Babysitter’s Club back in junior high. There were of course four of them in the club and each girl paralleled one of the girls in the original series.  [I have never read those books, so I don’t know how much is taken from that series.]

I enjoyed Esme as a character for a number of reasons.  She was a believable seventeen year old, but a shy and kind of solitary one.  She uses some abbreviations, but the whole book is not littered with them.  Lines like “the number one perk of babysitting is OPP–other people’s pantries” is a good example.  Esme has a great tone of being above her school while still being unpopular (but not hugely so).  She lives in Spring River Kansas home of the Bog Lemmings (“apparently by the time they’d gotten to Spring River all the good mascots had been taken”).  About the cafeteria food: “I’d never seen a food that wasn’t brown.”  Later she grabs what she things is curry but which turns out to be gravy.

She and Janis coordinate outfits every day.  [I love the detail that Janis’ full name is Janis Jackson].  They don’t wear similar things at all, they just discuss the night before what their fashion choices will be and then show them off the next day,  They both love going thrifting, so their outfits are unique.  If I had one complaint about the book it’s that there’s no way a backwater town like Spring River would have such amazing thrift stores.  Anyway, today “Janis was ‘Denise gets a step-daughter’ and I was “Sylvia Plath goes to prom.'”

Esme loves babysitting and she takes it very seriously–she does not wan any other kind of job, like where you wear a uniform–and she has built up a reliable collection of clientele.  She and Janis really are the only game in town.

As the book opens, Esme is babysitting Kaitlyn, a demon baby.  Not literally.  She is just a wild girl who is high maintenance. But Esme thinks of her as baby Satan (Kaitlyn managed to get a Sharpie and draw all over the wall while Esme was peeing).  But usually once Kaitlyn is asleep, she’s down.  This night things are different.  Esme heard a loud thunk and went upstairs,  The door was locked–Esme would never lock the door.  She somehow got the door open an saw that the bed was empty and the window was open.  She looked out the window and saw Kaitlyn on the roof.  Esme managed to get her back to safety.  When Esme asked what happened, Kaitlyn described a guy who looked like David Bowie’s character in Labyrinth. She knew that Kaitlyn watched a lot of movies so she assumed it was a nightmare. But there was so much unexplained…. (more…)

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SOUNDTRACK: beabadoobee-Loveworm (Bedroom Sessions) (2019).

beabadoobee is Beatrice Kristi Laus, a 19 year-old singer-songwriter who was born in the Phillipines and lives in London.  She has released some six EPs since 2018 and has been played on the radio on WXPN.  I see she’s also headlining a small tour over here in the Spring.

This EP is an acoustic version of her Loveworm EP.  I actually don’t know the other EP (that’s for tomorrow), but I wanted to start with this bedroom version because it promised to be stark.

It is just her on acoustic guitar and vocals.  Her voice is soft and delicate and quite pretty, with the “innocence” of early Juliana Hatfield.  That innocence makes her sharp lyrics all the more effective.

Even though this is a bedroom recording, it is in no way lo-fi.  The recording quality is excellent.  You can hear her hands move up and down the strings and there’s no hiss or fuzz.  You can hear her voice very clearly too.

“Disappear” has a simple melody.  I assume the guitar is looped at some point.  “1999” is not a Prince cover.  It continues in this quiet vein with some pretty guitar and vocals.  It seems kind of daring to name a song the same as one of the most popular songs in pop history.  But her understated take on 1999 is a quite different from Prince’s

You said I fucked up and ruined your life
But little did you know you ruined
Mine

“Apple Cider” is a bit more uptempo. with a cool delivery of this opening verse

We both like apple cider
But your hair be smelling like fruit punch
And I don’t even like you that much
Wait
I do
Fuck

“Ceilings” has a very pretty picked melody” while “Angel” is a darker song that sounds like it could be a Nirvana cover (it isn’t).  “You Lie All the Time” is a straightforward song and “Soren” features some interesting chords high on the neck of the guitar.  This final song is a sweet love letter

The green in your eyes
Are like the leaves in the summer
And it changes with the weather
The pink in your cheeks
When you slightly lose your temper
Makes me love you even more

There’s a lot of sameness on this EP, but that’s not surprising since it is an EP of acoustic versions of the he original album.  As an introduction to her music and her songwriting, though, it’s a great place to see just what she’s got vocally and musically.  I’m curious how she will flesh these songs out on the actual EP.

[READ: January 12, 2020] “Found Wanting”

This is a story of Scottish young adult trying to find his sexuality in a land that demonizes homosexuality: “living on a Glaswegian housing scheme and being gay was a death sentence.”  The narrator was more or less alone.  He lived in a rented bedsit.  His mother was recently dead and his brother, who had been looking after him, could no longer afford to.

The advent of a lonely hearts section in the paper allowed for people with similar interests to contact each other.  For the narrator, the day he mailed in his ad (which cost him much of his salary that week), opened up new avenues–avenues that were not always savory. (more…)

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