Feeds:
Posts
Comments

Archive for the ‘Douglas Stuart’ Category

SOUNDTRACK: SUNFLOWER BEAN-“Moment in the Sun” (2020).

When Sunflower Bean first came out they were a wonderful poppy guitar band.  They sounded like a classic indie pop band from the 90s with Julia Cummings great vocals and Nick Kivlen’s delicate guitar sound that also worked in some roaring solos.

Their last EP was a lot more synth and even more poppy.  This new track, “Moments in the Sun” continues in that poppy synthy style.

The song opens with a slinky disco bass line and guitar chords.  Cumming’s voice sounds husky until the end of the each verse which has a catchy echoing falsetto vocal.  Bouncy synths accompany the vocals.

The propulsive chorus strips out the synth for a really catchy vocal harmony between Cummings and Kivlen.

The song sounds vaguely familiar–very catchy and simple

This aggressively poppy direction is a bit surprising given their earlier sound.  It’s not all that far afield from their initial sound, but I do miss Kivlen’s excellent guitar work.

[READ: September 14, 2020] “The Englishman”

This is the second story of Stuart’s to appear in the New Yorker this year.

In this story, a college-aged Scottish man has answered a want ad to help an older Englishman named William.  The young man (who is nicknamed Caspar by William) was expected home from college for the summer.  His family farmed on a Scottish isle and were often buffeted by the harsh Atlantic winds.  His older brothers had been saving up the worst chores for his return.  So when he said he wouldn’t be coming home, they were furious at him.  His father was also disappointing–he said nothing when Caspar told him he was spending the summer in London.

The position paid four hundred quid a week.  William was a wealth man, with much cash at his disposal–he offered to fly William in from Scotland.  William was fastidious in his dress but his house was a shambles.  (The narrators mother would have died to have her house look like this). (more…)

Read Full Post »

SOUNDTRACK: beabadoobee-Loveworm (Bedroom Sessions) (2019).

beabadoobee is Beatrice Kristi Laus, a 19 year-old singer-songwriter who was born in the Phillipines and lives in London.  She has released some six EPs since 2018 and has been played on the radio on WXPN.  I see she’s also headlining a small tour over here in the Spring.

This EP is an acoustic version of her Loveworm EP.  I actually don’t know the other EP (that’s for tomorrow), but I wanted to start with this bedroom version because it promised to be stark.

It is just her on acoustic guitar and vocals.  Her voice is soft and delicate and quite pretty, with the “innocence” of early Juliana Hatfield.  That innocence makes her sharp lyrics all the more effective.

Even though this is a bedroom recording, it is in no way lo-fi.  The recording quality is excellent.  You can hear her hands move up and down the strings and there’s no hiss or fuzz.  You can hear her voice very clearly too.

“Disappear” has a simple melody.  I assume the guitar is looped at some point.  “1999” is not a Prince cover.  It continues in this quiet vein with some pretty guitar and vocals.  It seems kind of daring to name a song the same as one of the most popular songs in pop history.  But her understated take on 1999 is a quite different from Prince’s

You said I fucked up and ruined your life
But little did you know you ruined
Mine

“Apple Cider” is a bit more uptempo. with a cool delivery of this opening verse

We both like apple cider
But your hair be smelling like fruit punch
And I don’t even like you that much
Wait
I do
Fuck

“Ceilings” has a very pretty picked melody” while “Angel” is a darker song that sounds like it could be a Nirvana cover (it isn’t).  “You Lie All the Time” is a straightforward song and “Soren” features some interesting chords high on the neck of the guitar.  This final song is a sweet love letter

The green in your eyes
Are like the leaves in the summer
And it changes with the weather
The pink in your cheeks
When you slightly lose your temper
Makes me love you even more

There’s a lot of sameness on this EP, but that’s not surprising since it is an EP of acoustic versions of the he original album.  As an introduction to her music and her songwriting, though, it’s a great place to see just what she’s got vocally and musically.  I’m curious how she will flesh these songs out on the actual EP.

[READ: January 12, 2020] “Found Wanting”

This is a story of Scottish young adult trying to find his sexuality in a land that demonizes homosexuality: “living on a Glaswegian housing scheme and being gay was a death sentence.”  The narrator was more or less alone.  He lived in a rented bedsit.  His mother was recently dead and his brother, who had been looking after him, could no longer afford to.

The advent of a lonely hearts section in the paper allowed for people with similar interests to contact each other.  For the narrator, the day he mailed in his ad (which cost him much of his salary that week), opened up new avenues–avenues that were not always savory. (more…)

Read Full Post »