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Archive for the ‘Be Good Tanyas’ Category

SOUNDTRACK: MAYBE THIS CHRISTMAS TOO? (2003).

This second installment of this Nettwerk Christmas series is much darker than the first.  Perhaps this is indicated by the tree being on fire.  In fact, of the three it’s the one I listen to the least, despite the fact that it has a couple of my favorite Christmas songs on it.  The downer songs are labelled [NSFC] Not Safe for Christmas.

RUFUS WAINWRIGHT-“Spotlight on Christmas”  I love this song.  It’s actually quite sad and stands up for poor little rich people at Christmas, but the chorus is so pretty.  And i really love Rufus’ voice.

EISLEY-“The Winter Song”
I’ve never heard of this band outside of this song (they are still active).  The song is terrific and their voices and harmonies are really wonderful.

AVRIL LAVIGNRE & CHANTAL KREVIAZUK-“O Holy Night”
This version of the song has stuck with me for years.  I simply cannot decide if Avril has the most pure and unmodified voice when singing his song or if she is just totally flat (which I don’t think she is).  I find her delivery is haunting in a very strange way.  Krevizauk, on the other hand has and absolutely incredible voice and her parts are amazing.

RILO KILEY-“Xmas Cake” [NSFC]
This is the first of many depressing songs.  Five and a half minutes of bad news and sad tidings.  Good grief.  The melody is nice and maybe in another context it would be powerful, but holy crap, no one want to hear this at Christmas.

DAMIEN RICE & LISA HANNIGAN-“Silent Night” [NSFC]
This is a really dark song that turns Silent Night from a song of hope to one of despair.

GUSTER-“Donde Esta Santa Claus?”
This is perhaps my favorite Christmas song, ever.  It’s fun and lighthearted and super catchy.  I can’t believe it is wedged in between these really dark songs that I always skip.

THE BE GOOD TANYAS-“Rudy” [NSFC]
This is a sweet, catchy song until you hear the words and that its about a red-nosed wino who dies.  Good grief.

DAVE MATTHEWS BAND-“Christmas Song” [NSFC]
This song has a pretty decent melody but Matthews sings it really quietly and, man, it just never goes anywhere. It’s five and a half minutes long and has no energy.  Gah.

OH SUSANNA-“Go Tell It on the Mountain”
I always forget that this is a Christmas song, but it certainly is.  It’s full of gospel tinges, as it should be.  Apparently new lyrics have been added but I don’t know all the words so it was news to me.

BARENAKED LADIES-“Green Christmas”
BNL has recorded three versions of this song.  It was written for the 2000 film How the Grinch Stole Christmas and appeared on the soundtrack.  It also appears on Barenaked for the Holidays.  Each of those versions is different and they both differ from this one.  It’s a bit of a downer but only as much as BNL can be downers.

MARTINA SORBARA-“It’s the Most Wonderful Time of the Year” [NSFC]
Never has anything wonderful felt so sad and mopey.  This bluesy version is kind of interesting but man is it ever at odds with the meaning of the song.

BADLY DRAWN BOY-“Donna & Blitzen”
This is another terrific song.  Its got a  great melody, some terrific piano and a super catchy chorus.  Its not exactly Christmas although it sort of is and certainly works for the Christmas season

THE FLAMING LIPS-“White Chritsmas” [NSFC]
Despite my love for the Lips I really don’t like this version of the song at all.  It’s subtitled that it is a demo for Tom Waits which might explain why it is sung in such a crazy way, but Waits would do it so much better.  He just sounds mocking all the way through.

SIXPENCE NONE THE RICHER-“It Came Upon A Midnight Clear”
This band used to be pretty huge back in the day.  This song is very pretty–played on a kind of Spanish-sounding guitar with some neat and kind of spooky keys playing single notes at the end of each verse.  It’s a really cool version and ends the disc on a good note.

[READ: December 12, 2017] “Kings”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection

This is a story about D.H. Lawrence and his life in Kandy, Ceylon in 1922.  I don’t know anything about Lawrence, so I assume this is all based on research.  As with most fictionalizations of real people’s lives, I don’t get why it was written.  But it was quite interesting and enjoyable, so maybe that’s why.

He and his German wife had exiled themselves from England immediately after the war.  They met an American, Brewster, who invited them to Kandy, nicknamed Little England.  But it was a sad trick, that name, for it was all jungle.  Lawrence suffered from tuberculosis and the jungle heat did not help. (more…)

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1950SOUNDTRACK: FRAZEY FORD-Tiny Desk Concert #73 (August 15, 2010).

frzeyFrazey Ford used to be in the Be Good Tanyas.  Here she is touring her debut solo album Obadiah.  She is quite a character, wearing a leopard print outfit.

But her music is really complex and interesting.  On the opener, “Firecracker” she plays the guitar with unusual chord progressions but it’s her voice that is so arresting.  She use atypical phrasings and pronunciations that belie her origins (I could never guess where she was from).  Strangely, I get a kind of Cat Stevens vibe from the way she says words, but also another inexplicable emphasis: the way she pronounces exploding as explohdun.

She talks briefly about her new record while apologizing for having to tune her guitar.  “Lost Together” slower, pretty song.

“If You Gonna Go” is a breakup song which she messes up and then apologizes for, saying she’s nervous and very tired.  And she mocks herself for wearing a ridiculous cheetah outfit.  She says she bought it in London where everyone was dressed like this.  Stephen Thompson chimes in that if it was cooler they’d all be dressed like that.

She asks if they want one more and she ends with “The Gospel Song.”

It’s a really good introduction to an unusual voice.

[READ: September 10, 2015] The Complete Peanuts 1950-1952

After reading the Sunday Peanuts books, I had to go back and start the series from the beginning.  Holy cow, Peanuts started in October 1950 and ran into the 21st century!  That’ amazing.  It’s also amazing to see how different everyone looked back then.  It’s very disconcerting.  The only thing more disconcerting is to immerse yourself in the old comics, start to really appreciate them, and then see a contemporary version and wonder why he changed them so much.

When the strip first started there were just three of them: Good Ol’ Charlie Brown, Shermy and Patty (not Peppermint Patty) and they are all four years old.  Those first comics are really really different–the kids are practically stick figures.  (Although Charlie always had that little wisp of hair).  The kids all have huge heads and tiny bodies and are very minimal in their expressions.  Snoopy is there too and he looks very much like a real dog.  As it turns out I like this version of snoopy better than the current one.  He looks much more like a dog and he acts alike a dog–Schulz gets some great jokes out of doggie behavior.  Things like Snoopy hearing and smelling food and running over to beg started almost from the beginning.  As did they ways that Snoopy interacts and often drives the other characters crazy.

peaWhat’s mostly different about the early ones is that the kids are all mean to each other and CB sometimes wins in the verbal sparring.   He’s as much of a buster as the others.  It’s really fun and funny. (more…)

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